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The JFK Assassination and the Politics and Culture of Conspiracy Theory
A Paranoid Style? : The JFK Assassination and the Politics and Culture of Conspiracy Theory Joseph Broadbent Degree of Masters of Arts by Research University of East Anglia School of American Studies January 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition, any quotation or extract must include full attribution. 2 Abstract This thesis analyses the phenomenon of conspiracy theory, using the assassination of President John F. Kennedy as a case study. Doubt is the root cause of conspiracy theory, stemming from both the innate biases all humans exhibit, and a traumatic experience – in this case the assassination of JFK. This thesis argues that conspiracy theories are created and take hold because of a predisposition toward conspiracy theory, a misinterpretation of a central piece of evidence, such as the Zapruder film, and agency panic, where dispossession causes one to feel as if their agency is under threat. Conspiracy theory can provide believers with many emotions which appear to the individual to not be available elsewhere, namely closure, comfort, control, and a sense of leisure. Using the assassination of JFK, this thesis examines the role of conspiracy theory in modern American society. It weighs up the benefits of conspiracy theory, such as it is an example of free speech and it can aid transparency, with the negatives: that it can possibly cause harm to its adherents and their dependants because of a belief in ends justifying the means. -
The Death of Marilyn Monroe by the Scottish Poet Edwin Morgan Is a Poem About the Suicide of the 1950'S Icon Marilyn Munroe, A
The Death of Marilyn Monroe by the Scottish poet Edwin Morgan is a poem about the suicide of the 1950’s icon Marilyn Munroe, and the public reaction to her death. The poem is set at the time of her death, but still has relevance today, with the growing public and media interest in celebrity figures, which makes the readers appreciate the poem more. In “The Death of Marilyn Monroe”, the poet makes the reader re- evaluate his or her opinion on the film industry and media and I will attempt to show how this has been achieved through the medium of poetry. The poet has used rhetoric to make the reader re-evaluate his or her opinion of the media. The first line is a series of rhetorical questions; “What innocence? Whose guilt? What eyes? Whose breast?” which mimics newspaper headlines, and alludes to the media’s obsession with Marilyn Monroe, both in life and death. These are questions that the public also asked, and shows the shocking, confusing nature of her death. However, this media obsession was at least partly responsible for Marilyn’s demise, as she had no privacy, and was constantly hounded by the press. This causes the reader to think that the media is wrong in its pursuit of celebrities if suicides are the result. The poem also ends with a series of rhetorical questions, which refers back to the beginning: “Los Angeles? Los Angeles? Will it follow you around? Will the slow white hearse of the child of America follow you around?” These questions again make the reader question him or herself about Marilyn’s death, but this time, the cause of her death “Los Angeles?” infers that, in fact, the film industry was partly responsible for her death, and suggests that Hollywood has a dark side too, which makes the reader re-evaluate his or her opinion on the film industry, that it can also cause people harm. -
Conspiracy Theoriesx
1 | Conspiracy Theories by Sanja Milosevic CONSPIRACY THEORIES Author: Sanja Miloševi ć, I/2 Gimnazija ,,Stevan Jakovljevi ć” Mentor: Biljana Pipovi ć, English teacher ABSTRACT This essay is about something that happens all the time around us and something that we usually do not know much about, so we cannot explain it. Great tragedies happen every day. Someone dies in a traffic accident. Someone else kills himself or gets killed. And someone else dies because of a larger amount of drug. Usually many of them are celebrities. The real truth of their death is hidden from the public view. The gossip about these events begins not long after the event itself. And after a while, people start believing that what we think is truth is actually a lie. We get to know and want to believe that it was someone’s plot. I think that there are many people that are interested in finding out what actually the plots are and that is why I have decided to write about conspiracy theories. Key words : conspiracy, conspiracy theories, plot, tragedy, death REZIME Ovaj esej je o ne čemu što se stalno dešava oko nas i o čemu obi čno ne znamo mnogo, pa to ne možemo ni objasniti. Velike tragedije se dogadjaju svaki dan. Neko umre u saobra ćajnoj nesre ći. Neko drugi se ubija ili ga neko ubije. A neko drugi umre zbog ve će koli čine droge. Obi čno su mnogi od njih poznate li čnosti. Prava istina o njihovoj smrti je sakrivena od o čiju javnosti. Tra čevi o ovim doga ñajima po činju ne dugo posle samog doga ñaja. -
1 GREAT FILM SCENES and MOMENTS Ayşe M. KALAY E.Gülay
AKADEMİK BAKIŞ DERGİSİ Sayı: 28 Ocak – Şubat 2012 Uluslararası Hakemli Sosyal Bilimler E-Dergisi ISSN:1694-528X İktisat ve Girişimcilik Üniversitesi, Türk Dünyası Kırgız – Türk Sosyal Bilimler Enstitüsü, Celalabat – KIRGIZİSTAN http://www.akademikbakis.org GREAT FILM SCENES AND MOMENTS Ayşe M. KALAY∗ E.Gülay ER PASİN∗∗ Abstract Cinema, consumed as an industrial work today is a brunch of art most effected by technology. Defining cinema as ‘visual art’, some visions become permanant almost for everyone. In this point of view, if we ask what 'great film scene-great film moment' or 'great, memorable and defining film moment' is, we can see that in cinema history, there are literally hundreds and hundreds of 'memorable moments and scenes' fabled, from a wide range of films. They are our memories from the segments of films which has achieved a life of their own. They compel us to remember and relive the moment, either with fondness or with fear. For example, the screeching of violins before Marion Crane was stabbed to death in the shower scene in Psycho. These are memorable, defining film moments and some of them are the all-time best scenes or images in motion pictures, a tribute to the stars and scenarios that have made an indelible imprint upon our memories, and and they have become never to be forgotten. In this study these unforgettable, great scenes and moments are researched. Key Words: Film, Great or best scenes-moments, memorable scenes-moments MUHTEŞEM FİLM SAHNELERİ VE ANLARI Öz Sinema günümüzde özellikle teknoloji etkisinde, sanatın bir dalı olarak ve aynı zamanda endüstriyel bir ürün gibi tüketilmektedir. -
Off the Tracks Volume 2
Works Cited Aanstoos, Christopher M., Ilene Serlin and Thomas Greening. (2000). History of Division 32 (Humanistic Psychology) of the American Psychological Association.In: Donald A. Dewsbury, ed. Unification through Division: Histories of the Divisions of the American Psychological Association, Vol. V. (Washington, DC: American Psychological Association. Abbott, Frank C. Report of the Committee on the Professions, Case #8128. (August 18, 1981). New York State Department of Education. Acocella, Joan. (1999). Creating Hysteria: Women and Multiple Personality Disorder. San Francisco: Jossey-Bass. Albarelli, H.P., Jr. (2009). A Terrible Mistake: The Murder of Frank Olson and the CIA’s Secret Cold War Experiments. New York: Trine Day. Alexander, Franz. (1960). Gregory Zilboorg. Bulletin of the American Psychoanalytic Association 16:380–381. ________. (December 16, 1941). Letter to Board of Directors, New York Psychoanalytic Society. A.A. Brill Library, New York Psychoanalytic Society & Institute. ________. (December 16, 1941). The Qualifications of a Psychoanalyst. A.A. Brill Library, New York Psychoanalytic Society & Institute. Alexander, Franz and Hugo Staub, tr. Gregory Zilboorg. (1931). The Criminal, the Judge, and the Public: A Psychological Analysis. New York: Macmillan. Alexander, Ilonka Venier. (2015). The Life and Times of Franz Alexander: From Budapest to California. London: History of Psychoanalysis Series, Karnac. Alexander, Jack. (December, 1941). “The Richest Boy in the World” Becomes Our No. 1 Angel. Saturday Evening Post. Alexander, Peter N., dir. (2001). The Profit. 1007 OFF THE TRACKS VOLUME 2 Alimurung, Gendy. (December 5, 2013). A Hypnotherapist Built a Career on Alien Abductions, and Her Experiences May Unnerve You. (Accessed February 8, 2016). LA Weekly. http://www.laweekly.com/news/a-hypnotherapist-built-a-career-on-alien- abductions-and-her-experiences-may-unnerve-you-4137401. -
Marilyn Monroe's Star Canon: Postwar American Culture and the Semiotics
University of Kentucky UKnowledge Theses and Dissertations--English English 2016 MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM Amanda Konkle University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.038 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Konkle, Amanda, "MARILYN MONROE’S STAR CANON: POSTWAR AMERICAN CULTURE AND THE SEMIOTICS OF STARDOM" (2016). Theses and Dissertations--English. 28. https://uknowledge.uky.edu/english_etds/28 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
Enemies Within: the Conspiracy Culture of Modern America
THE JOHN O’SULLIVAN MEMORIAL LECTURE SERIES Enemies Within: The Conspiracy Culture of Modern America Robert A. Goldberg University of Utah About the John O’Sullivan Memorial Lecture In the spring of 2004, a group of senior citizen students at Florida Atlantic University paid tribute to John O’Sullivan, a beloved professor of history who died in 2000, by establishing a Memorial Fund to support an annual lecture in his honor. In keeping with John’s commitment to teaching, research, and community outreach, the mission of the John O’Sullivan Memorial Lectureship is to broaden and deepen public understanding of modern U.S. history. The Memorial Fund — which is administered by the Department of History — sponsors public lectures and classroom seminars by some of the most distinguished scholars and gifted teachers of American history. The lectures typically focus on topics relevant to Professor O’Sullivan’s specialties in 20th Century U.S. history, including: World War II, the Vietnam War, the nuclear age, the Holocaust, peace history, political and diplomatic affairs, and other topics. JOHN O’SULLIVAN MEMORIAL LECTURE Enemies Within: The Conspiracy Culture of Modern America By Robert A. Goldberg University of Utah Department of History Florida Atlantic University 2010 ENEMIES WITHIN: THE CONSPIRACY CULTURE OF MODERN AMERICA I WOULD LIKE TO TALK ABOUT CONSPIRACY THINKING in recent American history; to talk about the who, how, and why of conspiracism. Particularly, I would like to spotlight the conspiracy theories that have emerged in the wake of the tragedy of 9-11. Befitting this lecture series, it speaks to a topic vital to an understanding of our society and to the health of our American Republic. -
Julie Fowlis Mark Steel
SPARKLING ARTS EVENTS IN THE HEART OF SHOREHAM MAY – AUG 2014 MARK THOMAS JULIE FOWLIS JIM CREGAN & BEN MILLS RICHARD HERRING LYNDA LA PLANTE THEA GILMORE GLENN TILBROOK BARBARA DICKSON MARK STEEL MARTIN ROWSON ROPETACKLECENTRE.CO.UK MAY 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 MAY 2014 WELCOME TO ROPETACKLE From music, comedy, theatre, talks, family events, exhibitions, and much more, we’ve something for everybody to enjoy this summer. As a charitable trust staffed almost entirely by volunteers, nothing comes close to the friendly atmosphere, intimate performance space, and first-class programming that makes Ropetackle one of the South Coast’s most prominent and celebrated arts venues. We believe engagement with the arts is of vital importance to the wellbeing of both individuals and the community, and with such an exciting and eclectic programme ahead of us, we’ll let the events speak for themselves. See you at the bar! THUNKSHOP THURSDAY SUPPERS BOX OFFICE: 01273 464440 Our in-house cafe Thunkshop will be serving delicious With support from pre-show suppers from 6pm before most of our Thursday events. Advance booking is recommended but not essential, please contact Sarah on 07957 166092 for further details and to book. Seats are reserved for people dining. Look out for the Thunkshop icon throughout the programme. Programme design by Door 22 Creative www.door22.co.uk @ropetackleart Ropetackle Arts Centre Opera Rock Folk Family Blues Spoken Word Jazz 2 MAY 2014 ropetacklecentre.co.uk BOX OFFICE: 01273 464440 MAY 2014 RICHARD RICHARD DURRANT HERRING CYCLING MUSIC RICHARD HERRING, WE’RE - TOUR & ALBUM ALL GOING TO DIE! ‘a cracking hour of LAUNCH intelligent, thought- With bicycles as lighting stands and provoking satire’ The a stage set carried in panniers, this Edinburgh Evening News will be a truly intriguing concert of beautiful guitar music. -
National Gallery Fall Film Events Feature
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: October 11, 2012 National Gallery Fall Film Events Feature Works by Cinematic Pioneers Alice Guy Blaché, František Vláčil, Werner Schroeter, Pier Paolo Pasolini, Chris Marker, Marcel Carné, Plus the Film Scores of Shostakovich and More Film still f rom small roads (James Benning, 2011, HDCAM, 103 minutes) to be shown at the National Gallery of Art on Saturday , December 8, 4:30 p.m. as part of the f ilm series, American Originals Now: James Benning. Image courtesy of James Benning This fall, the free film program at the National Gallery of Art celebrates work by cinematic innovators with an array of premieres, rare screenings, and focused retrospectives of master filmmakers. Films are shown in original 35 mm format unless otherwise noted. The season kicks off on October 7 with A Sense of Place: František Vláčil, a series surveying the beautiful and subversive work of the Czech filmmaker. On October 27, the Gallery celebrates television pioneer Ernie Kovacs with the program Ernie Kovacs: Video Art for the Intimate Vacuum, featuring a selection of short sketches and a discussion by three Kovacs historians. Beginning November 11, Chris Marker: A Tribute honors the late French filmmaker, who died July 30 of this year and refined the genre of the essay film. On November 24 and 25, Werner Schroeter in Italy presents two films that reveal the film director's deep affection for Italy. -
Rod Stewart Foot Loose & Fancy Free Mp3, Flac
Rod Stewart Foot Loose & Fancy Free mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Foot Loose & Fancy Free Country: UK Released: 1977 Style: Acoustic, Soft Rock, Pop Rock MP3 version RAR size: 1445 mb FLAC version RAR size: 1213 mb WMA version RAR size: 1385 mb Rating: 4.7 Votes: 823 Other Formats: DXD MP2 APE WAV WMA TTA AHX Tracklist Hide Credits Fast Side Hot Legs A1 5:06 Guitar – Billy PeekSaxophone – Phil KenzieWritten-By – Stewart* You're Insane A2 Percussion – Paulinho Da Costa, Tommy VigSaxophone – Phil KenzieWritten-By – 4:37 Chen*, Stewart* You're In My Heart A3 Acoustic Guitar – Fred TackettSynthesizer [String Synthesizer] – Nicky 4:42 HopkinsViolin – Richard GreeneWritten-By – Stewart* Born Loose A4 Blues Harp [Harp] – John MayallGuitar – Billy PeekPercussion – Paulinho Da 5:51 CostaWritten-By – Grainger*, Cregan*, Stewart* Slow Side You Keep Me Hangin' On B1 8:21 Arranged By [Strings] – Del NewmanWritten-By – Holland, Dozier, Holland* (If Loving You Is Wrong) I Don't Want To Be Right Arranged By [Strings] – Del NewmanDrums – Roger BethelmyElectric Piano – David B2 4:12 FosterGuitar – Steve CropperSaxophone – Phil KenzieWritten-By – Hampton*, Banks*, Jackson* You Really Got A Nerve B3 4:48 Written-By – Grainger*, Stewart* I Was Only Joking B4 5:55 Written-By – Grainger*, Stewart* Companies, etc. Published By – Jobete Music (UK) Ltd. Published By – Island Music Ltd. Published By – Riva Music Ltd. Published By – Warner Bros. Music Ltd. Published By – Skylark Music Ltd. Credits Bass – Phil Chen Drums – Carmine Appice (tracks: A1 to B1, B3, B4) Engineer – Andy Johns Engineer [Mastering] – Lee Hulko Guitar – Gary Grainger (tracks: A1, A2, A4, B1, B3, B4), Jim Cregan Lacquer Cut By – AC* Mastered By – Arun Chakraverty Organ – John Jarvis Photography By [Cover] – David Alexander Photography By [Sleeve] – Kent Gavin Piano – John Jarvis Producer – Tom Dowd Notes Side "A" (otherwise known as "Fast Side") Riva Music Ltd (1-3), Riva Music Ltd/Skylark Music/Warner Bros. -
The 15Th International Gothic Association Conference A
The 15th International Gothic Association Conference Lewis University, Romeoville, Illinois July 30 - August 2, 2019 Speakers, Abstracts, and Biographies A NICOLE ACETO “Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut”: The Terror of Domestic Femininity in Shirley Jackson’s The Haunting of Hill House Abstract From the beginning of Shirley Jackson’s The Haunting of Hill House, ordinary domestic spaces are inextricably tied with insanity. In describing the setting for her haunted house novel, she makes the audience aware that every part of the house conforms to the ideal of the conservative American home: walls are described as upright, and “doors [are] sensibly shut” (my emphasis). This opening paragraph ensures that the audience visualizes a house much like their own, despite the description of the house as “not sane.” The equation of the story with conventional American families is extended through Jackson’s main character of Eleanor, the obedient daughter, and main antagonist Hugh Crain, the tyrannical patriarch who guards the house and the movement of the heroine within its walls, much like traditional British gothic novels. Using Freud’s theory of the uncanny to explain Eleanor’s relationship with Hill House, as well as Anne Radcliffe’s conception of terror as a stimulating emotion, I will explore the ways in which Eleanor is both drawn to and repelled by Hill House, and, by extension, confinement within traditional domestic roles. This combination of emotions makes her the perfect victim of Hugh Crain’s prisonlike home, eventually entrapping her within its walls. I argue that Jackson is commenting on the restriction of women within domestic roles, and the insanity that ensues when women accept this restriction.