DOCSLIB.ORG

Van Wall Street Naar Broadway

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Van Wall Street Naar Broadway Illustratie Eliane Gerrits Illustratie Van Wall Street naar Broadway e 85-jarige man wankelt even Flessenpost uit de VS te gaan en Broadwayshows te produce- als hij het podium oploopt, ren. Zijn eerste musical, Re x , werd een Dmaar recht net op tijd zijn rug. Schrijfster Pia de Jong is flop, maar hij gaf niet op. Vijf later Wanneer hij voor het katheder staat, met haar gezin verhuisd volgde het succes van het theaterstuk knoopt hij het bovenste knoopje van van Amsterdam naar Amade us. Daarna kwamen onder ande- zijn jasje dicht en houdt een hand op re City of Angels, Guys and Dolls,A Fun- zijn hart. Hij ziet eruit als een bankier. Princeton, in de VS. Ze ny Thing Happened on the Way to the Zijn keurig gekamde witte haar glanst schrijft wekelijks over wat For um,Copenhagen en Kiss me, Kate. in het licht. haar daar opvalt. Inmiddels is hij een van de succesvol- „Mijn leven was het perfecte plaatje”, ste producers in de VS. Op dit moment begint Roger Berlind. Ik ben aange- is zijn briljante nieuwe uitvoering van schoven bij een paneldiscussie voor An American in Paris op Broadway te studenten literatuurwetenschap op stond met mijn tweejarig zoontje op zien. Zijn meer dan vijftig producties Princeton University. De zaal is afgela- het vliegveld op hen te wachten.” hebben in totaal 111 Tony Awards ge- den. Het thema vandaag: hoe bouw je „Opeens had alles waarvoor ik gewerkt wonnen, waarvan veertien voor hem- een carrière op na de studie? De eerste had geen zin meer. Ik had geen motiva- zelf. Hij kreeg een Pulitzerprijs voor de drie sprekers geven bekende adviezen: tie om naar de bank te gaan en over in- to n e e l s t u k ke n Proof en Anna in the geef nooit op, onderzoek je mogelijk- vesteringen na te denken. Er was geen T ropics en heeft een eigen plek in de heden, denk breed, schrijf een biogra- later meer, enkel nog het hier en nu. Ik American Theater Hall of Fame. Aan fie. Een voorspelbare, aangename bij- wilde bij mijn zoontje zijn. Terwijl ik Princeton University gaf hij een kleine eenkomst, tot deze vierde spreker het thuis voor hem zorgde, dacht ik na zaal in het universiteitstheater en een woord neemt. over wat belangrijk was in mijn leven. leerstoel in de geesteswetenschappen. „Na mijn afstuderen ging ik op Wall Wat me inspireerde, wat ik de wereld te Zijn zoon, William, is een muzikant en Street werken”, vertelt hij. „Ik stond bieden had. Ik besloot terug te gaan werkzaam in dezelfde wereld als zijn aan de wieg van Lehman Brothers en naar mijn eerste liefde.” vader. Ze zijn nog steeds heel nabij. hield me bezig met langetermijninves- Die eerste liefde was muziek en thea- De zaal is muisstil terwijl hij zijn ver- teringen. Hoe beleg je je geld zo goed ter. „Toekomstige baan: liedjesschrij- haal vertelt. „Ik heb op de harde ma- mogelijk voor later? Ik had alles: een uit- ver ”had Berlind onder zijn foto in het nier geleerd wat belangrijk is in het le- stekende baan, miljoenen op de bank, jaarboek van zijn h i gh s ch o o l ge s c h re - ve n”, vertelt deze oude man tegen de een mooie vrouw, vier jonge kinderen.” ven. Na de universiteit en zijn militaire studenten die hun toekomst nog voor „En toen”, zegt hij met zachte stem, dienst had hij inderdaad een jaar lang zich hebben. „Ik heb maar één les. Volg „toen veranderde mijn leven van het geprobeerd met liedjes zijn brood te je intuïtie. Doe waar je hart ligt.” ene op het andere moment. Het vlieg- verdienen. Pas toen dat niet lukte, was De zaal geeft hem een staande ovatie. tuig waarin mijn vrouw en drie van hij zakenbankier geworden. mijn kinderen zaten verongelukte. Ik Berlind besloot terug naar het theater Reacties via [email protected].
Load more

Recommended publications
  • Bam 2016 Annual Report
    BAM 2016 2 1ANNUAL REPORT 0 6 BAM’s mission is to be the home for adventurous artists, audiences, and ideas. 3—6 Community, 31–33 GREETINGS DanceMotion USASM, 34–35 Chair Letter, 4 Visual Art, 36–37 President & Executive Producer’s Letter, 5 Membership, 38 BAM Campus, 6 Membership, 37—39 7—35 40—47 WHAT WE DO WHO WE ARE 2015 Next Wave Festival, 8–10 BAM Board, 41 2016 Winter/Spring Season, 11–13 BAM Supporters, 42–45 Also On Stage, 14 BAM Staff, 46–47 BAM Rose Cinemas, 15–20 48—50 First-run Films, 16 NUMBERS BAMcinématek, 17–18 BAM Financial Statements, 49–50 BAMcinemaFest, 19 HD Screenings, 20 51—55 BAMcafé Live, 21–22 THE TRUST BAM Hamm Archives, 23 BET Chair Letter, 52 Digital Media, 24 BET Donors, 53 Education & Humanities, 25–30 BET Financial Statements, 54–55 2 TKTKTKTK Cover: Urban Bush Women in Walking with ‘Trane| Photo: Julieta Cervantes Greetings GREETINGS 3 TKTKTKTK 2016 Winter/Spring | Royal Shakespeare Company in Henry IV Part I | Photo: Richard Termine Change is anticipated, expected, welcomed. — Alan H. Fishman Dear Friends, As you all know, and perhaps celebrated (!), Anne Bogart, Ivo van Hove, Long time trustee Beth Rudin Dewoody As I end my leadership role, I want to I stepped down as chairman of this William Kentridge, and many others. became an honorary trustee. Mark Jackson express my thanks to all I have met and miraculous institution effective December and Danny Simmons, both great trustees, worked with along the way. Together we have 31, 2016.
    [Show full text]
  • AUDITIONS March 2Nd and 3Rd from 6-9 Pm, and March 4Th from 4-6 Pm
    2017-2018 SEASON CONTINUES AUDITIONS March 2nd and 3rd from 6-9 pm, and March 4th from 4-6 pm sponsored by OUR DINNER THEATER —MAY 11-13, DACC We will be serving up fun, great music and delicious food. And, we are doing it all over Mother’s Day weekend! What a great gift idea for all the special moms in your life. Get her tickets today! GET ALL THE INFO AT WWW.DLOMUSICALTHEATRE.COM Director’s Note “There’s a special kind of people known as show people. We live in a world full of dreams.” - Curtains Curtains is a new musical with an old soul. It has the humor and snap of a Hepburn and Tracy film, the romance and glamour of a Fred and Ginger dance sequence, and the deliciously deceptive mystery of an Agatha Christie novel. At its heart, it is a love letter to the magic of theater, and to the talent and dedication of the “show people” - both onstage and off - who bring a production to life. Nominated for eight Tony Awards, including Best Score and Best Musical, Curtains is, to my mind, a criminally unknown show. For most of you, this will be your first time seeing it. I hope it delights and entertains you as much as it has me. Enjoy the show. ~Chelsea Zych, Director CURTAINS Book by RUPERT HOLMES Music by JOHN KANDER Lyrics by FRED EBB Original Book and Concept by PETER STONE Additional Lyrics by JOHN KANDER and RUPERT HOLMES Originally Produced on Broadway by Roger Berlind, Roger Horchow, Daryl Roth, Jane Bergère, Ted Hartley and Center Theatre Group.
    [Show full text]
  • ONE MAN, TWO GUVNORS by Richard Bean Based on the Servant of Two Masters by Carlo Goldoni with Songs by Grant Olding Hugh Landwehr Meg Neville Alexander V
    52nd Season • 492nd Production SEGERSTROM STAGE / SEPTEMBER 11 - OCTOBER 11, 2015 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS South Coast Repertory, in a co-production with Berkeley Repertory Theatre, presents the West Coast premiere of ONE MAN, TWO GUVNORS by Richard Bean based on The Servant of Two Masters by Carlo Goldoni with songs by Grant Olding Hugh Landwehr Meg Neville Alexander V. Nichols Lindsay Jones SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Gerry McIntyre* Joshua Marchesi Joanne DeNaut, CSA Jennifer Ellen Butler* MUSICAL STAGING PRODUCTION MANAGER Amy Potozkin, CSA STAGE MANAGER CASTING musical direction by Gregg Coffin directed by David Ivers Joan and Andy Fimiano Honorary Producers U.S. Bank Corporate Honorary Producers ONE MAN, TWO GUVNORS was first performed at Lyttelton Theatre, National Theatre on 17th May 2011 in a National Theatre production. It then transferred to the Adelphi Theatre and then to Theatre Royal Haymarket in a National Theatre production. ONE MAN, TWO GUVNORS was first performed at Music Box Theatre, New York on 6th April 2012. The original Broadway production was produced by Bob Boyett, National Theatre of Great Britain under the direction of Nicholas Hytner and Nick Starr, National Angels, Chris Harper, Tim Levy, Scott Rudin, Roger Berlind, Harriet Leve, Stephanie P. McClelland, Broadway Across America, Daryl Roth, Jam Theatricals, Sonia Friedman, Harris Karma, Deborah Taylor, Richard Willis. ONE MAN, TWO GUVNORS is presented by special arrangement with Dramatists Play Service, Inc., New York. One Man, Two Guvnors • SOUTH COAST REPERTORY • P1 CAST OF CHARACTERS Stanley .........................................................................................
    [Show full text]
  • Congressional Record—House H1544
    H1544 CONGRESSIONAL RECORD — HOUSE April 24, 2002 should have had the opportunity to discuss the So our amendment, also rejected by the PERMISSION FOR COMMITTEE ON modest and reasonable package of amend- Rules Committee, did three things to imple- FINANCIAL SERVICES TO FILE ments I put before the Rules Committee to ment the Bush plan. First, it requires CEOs SUPPLEMENTAL REPORT ON H.R. strengthen this woefully inadequate bill. and CFOs to certify the accuracy of their firms’ 3764, SECURITIES AND EXCHANGE This House should have the opportunity to financial statements. Violation of this provision COMMISSION AUTHORIZATION consider and debate thoughtfully proposals to would carry with it criminal (in the event that ACT OF 2002 strengthen H.R. 3763, the so-called Corporate the violation is willful), civil, and other pen- Mr. OXLEY. Mr. Speaker, I ask unan- and Auditing Accountability, Responsibility, alties provided for under the securities laws. imous consent that the Committee on and Transparency Act of 2002. This bill claims H.R. 3763 contains no similar provision. It is Financial Services be permitted to file to address many of the financial disclosure essential that Congress require officers of and accounting issues raised by the collapse a supplemental report on H.R. 3764. public companies to stand behind their public of Enron. Unfortunately, the kinds of financial The SPEAKER pro tempore. Is there abuses that led to this unprecedented debacle disclosures. That is the absolute minimum we objection to the request of the gen- will not be stopped—or even very much im- should require. tleman from Ohio? peded—by this Republican bill.
    [Show full text]
  • Festival Program
    28 28TH ANNUAL FESTIVAL OF NEW MUSICALS WELCOME 1 FROM THE NATIONAL ALLIANCE FOR MUSICAL THEATRE’S PRESIDENT WELCOME To our 28th ANNUAL FESTIVAL OF NEW MUSICALS! Where can 600 people immerse themselves for two days in the possibility and potential of musical theatre? Where can you travel from New England to Egypt to England (in two different centuries) in a single day? Where can the writers of eight new shows have the opportunity to showcase their work to their perfect target audience, an audience filled with people who can help them find their next best step forward? Only at NAMT’s annual Festival of New Musicals. The shows you’ll see were selected through a blind process by our amazingly hard-working Festival Committee, from a pool of nearly 200 new works. They were, of course, picked for their quality, but they were also selected because of the range of worlds, characters and themes they explore. They’ll make you laugh, perhaps gasp, probably rethink a long-held perspective…good musical theatre is wonderfully stealthy that way. You’ll leave New World Stages entertained, challenged, provoked. We’re delighted that you’re here to spend two days with us; we hope it’s the beginning of a much longer relationship between you and these exciting writers and their pieces. The Festival is just the starting point, the spark to ignite ongoing development. Our sponsors, donors and advertisers make this Festival possible, by supporting this important annual event and NAMT this week and throughout the year. Thank you! Many thanks again, as well, to the Festival Committee, the NAMT staff and all of you, our audience.
    [Show full text]
  • The Program for Broadway in Detroit at the Fisher Theatre Scott Rudin Roy Furman James L
    THE PROGRAM FOR BROADWAY IN DETROIT AT THE FISHER THEATRE SCOTT RUDIN ROY FURMAN JAMES L. NEDERLANDER ELI BUSH UNIVERSAL THEATRICAL GROUP ROGER BERLIND WILLIAM BERLIND JOHN GORE ORGANIZATION LEN BLAVATNIK PETER MAY THE ARACA GROUP INDEPENDENT PRESENTERS NETWORK JAY ALIX & UNA JACKMAN SCOTT M. DELMAN STEPHANIE P. MCCLELLAND AL NOCCIOLINO WENDY FEDERMAN & HENI KOENIGSBERG PATTY BAKER & GOOD PRODUCTIONS BENJAMIN LOWY ERIC CORNELL & JACK SENNOTT EXECUTIVE PRODUCERS JOEY PARNES SUE WAGNER JOHN JOHNSON PRESENT CAROLEE CARMELLO IN HELLO, DOLLY! ALSO STARRING JOHN BOLTON BASED ON THE PLAY “THE MATCHMAKER” BY THORNTON WILDER BOOK BY MUSIC AND LYRICS BY M I C H A E L S T E WA R T JERRY HERMAN ORIGINALLY PRODUCED ON THE NEW YORK STAGE BY DAVID MERRICK FEATURING DANIEL BEEMAN ANALISA LEAMING SEAN BURNS CHELSEA CREE GROEN COLIN LEMOINE LAURA SKY HERMAN JANE BROCKMAN BLAKE HAMMOND COLIN BRADBURY ALEC COHEN JULIAN DEGUZMAN KAREN ELLIOTT CHRISTOPHER FAISON JENNY HICKMAN LAURA IRION MADISON JOHNSON JULIE KAVANAGH NATHAN KEEN BEN LANHAM MARTY LAUTER IAN LIBERTO HILLARY PORTER STEFFANY PRATT KYLE SAMUEL LIZ SCHMITZ SCOTT SHEDENHELM TIMOTHY SHEW CASSIE AUSTIN TAYLOR CAYEL TREGEAGLE DAVIS WAYNE BRANDON L. WHITMORE SCENIC AND COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN SANTO LOQUASTO NATASHA KATZ SCOTT LEHRER ORCHESTRATIONS MUSIC DIRECTOR MUSIC SUPERVISION LARRY HOCHMAN BEN WHITELEY ANDY EINHORN VOCAL ARRANGEMENTS DANCE ARRANGEMENTS MUSIC COORDINATOR DON PIPPIN DAVID CHASE SEYMOUR RED PRESS HAIR, WIGS & MAKE UP DESIGN CASTING PRODUCTION SUPERVISOR CAMPBELL
    [Show full text]
  • By DAVID AUBURN MICHAEL BLOOM
    39th Season • 376th Production SEGERSTROM STAGE / JANUARY 3 THROUGH FEBRUARY 9, 2003 David Emmes Martin Benson PRODUCING ARTISTIC DIRECTOR ARTISTIC DIRECTOR presents PROOF by DAVID AUBURN Scenic Design Costume Design Lighting Design THOMAS BUDERWITZ MAGGIE MORGAN YORK KENNEDY Original Music & Sound Design Production Manager Stage Manager MITCH GREENHILL TOM ABERGER *RANDALL K. LUM Directed by MICHAEL BLOOM Honorary Producer FRANCES A. BASS Originally Produced by the Manhattan Theatre Club on May 23, 2000. Subsequently produced on Broadway by Manhattan Theatre Club, Lynne Meadow, Artistic Director, Barry Grove, Executive Producer; Roger Berlind, Carole Shorenstein Hays, Jujamcyn Theatres, Ostar Enterprises, Daryl Roth and Stuart Thompson on October 24, 2000. Proof by David Auburn is presented by arrangement with Dramatists Play Service, Inc., in New York. Proof • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Robert ....................................................................................... *Richard Doyle Catherine ...................................................................................... *Emily Bergl Hal ........................................................................................ *James Waterston Claire ...................................................................................... *Christina Haag SETTING The back porch of a house in Chicago. LENGTH Approximately two hours, including one 15-minute intermission. PRODUCTION STAFF Casting Director ................................................................................
    [Show full text]
  • Kerr Center for the Arts
    FESTIVAL OF ONE ACT PLAYS THE VELVETEEN RABBIT SCOTT DAVIDSON ARIA DA CAPO EDNA ST. VINCENT MILLAY DOUBT, A PARABLE JOHN PATRICK SHANLEY OCT. 31, NOV. 1, 7, AND 8 AT 7 PM KERR CENTER 1FOR THE ARTS SEVERNA PARK United Methodist Church 731 Benfield Road ● Severna Park, MD ● Phone 410 987-4700 FESTIVAL OF The place where people come to faith, grow in faith and go out in faith. ONE ACT PLAYS Contemporary & Traditional Sunday Worship Services 8:00am Informal ◊ ◊ ◊ 9:30am Contemporary 11:00am Traditional Nursery Care during all services Sunday School for children and adults THE VELVETEEN RABBIT adapted by Scott Davidson U M Y F based on the book by Margery Williams United Methodist Youth Fellowship produced by special arrangement with Every Sunday Night 7:00 - 8:30pm Pioneer Drama Service, Inc., Englewood, Colorado For youth in grades 7 - 12 Games, discussions, devotions, studies, fun Bring your friends, all welcomed ARIA DA CAPO Youth Retreats by Edna St. Vincent Millay Youth Mission Projects presented by special arrangement with SAMUEL FRENCH, INC. Super Sixth Sunday evenings 5 - 6:30pm twice a month Special program for 6th graders ◊ INTERMISSION ◊ Bring your friends, all welcomed Nursery School DOUBT, A PARABLE For 3 and 4 year old children by John Patrick Shanley presented by special arrangement with Dramatists Play Service, Inc., New York Originally produced by the Manhattan Theatre Club on November 23, 2004. www.SevernaParkUMC.org Originally produced on Broadway by Carole Shorenstein Hays, www.facebook.com/SevernaParkUMC MTC Productions, Roger Berlind and Scott Rudin on March 31, 2005.
    [Show full text]
  • Words Matter
    ARKETPLACE OMMUNICATION M C WORDS MATTER A compilation of Merrie’s UPI columns. Every chapter offers sage, witty communications advice. COPYRIGHT The participant acknowledges that all ideas, concepts and models used in this manual are trade secrets of Spaeth Communications, Inc. and have been developed through the expenditure of substantial time, effort and creativity. The participant agrees that the system of ideas, concepts, and models will be held in confidence and will not be disclosed to anyone. The participant acknowledges that the graphic and written materials used in this manual are also trade secrets of Spaeth Communications, Inc. that have been developed through the expenditure of substantial time, effort and creativity. The participant agrees that the graphic and written materials will be held in confidence and will not be disclosed to anyone. The participant acknowledges that the graphic and written materials are copyrighted by Spaeth Communications. The participant agrees not to make copies of any of the copyrighted materials for any purpose whatsoever without the written consent of Spaeth Communications, Inc. ISBN-13: 978-1-59975-384-3 ISBN-10: 1-59975-384-7 TABLE OF CONTENTS Introduction Articles 1. Middle East Peace Through Soap Operas: Palestinian students show how to promote peace…and the U.S. made it possible! 2. Speak Exxon Speak! Businesses need to take a leadership role and engage the public in discussions. 3. Stories as Proof: Missed the first lesson on learning to tell stories? Try again. 4. “As Prisons:” Words can liberate or enslave. Take unions. 5. Great Job! Is there someone empowered to tell the CEO he did a crummy job? 6.
    [Show full text]
  • Mainstage Playbill Richard Hopkins, Producing Artistic Director
    Mainstage Playbill Richard Hopkins, Producing Artistic Director by Richard Bean based on The Servant of Two Masters by Carlo Goldoni with songs by Grant Olding Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. Connor Carew. Photo by Matthew Holler. ONE MAN, TWO GUVNORS by Richard Bean based on The Servant of Two Masters by Carlo Goldoni with songs by Grant Olding CAST (in order of appearance) Charlie “The Duck” Clench...............Wilbur Edwin Henry* Stanley Stubbers......................... Montgomery Sutton* Pauline, his daughter......................Christina King* Gareth, a head waiter................. Zach Shotwell Harry Dangle, Charlie’s solicitor...... Andy Prosky* Alfie, a waiter..............................Teddy Yudain* Alan Dangle, his son.......................Tommy Crawford* Ensemble................................... Alison Campbell Dolly, Charlie’s bookkeeper..............Vanessa Morosco* Ensemble................................... Trevor Catalano Lloyd Boateng, Charlie’s friend....... Lawrence Evans* Ensemble....................................T.J. Patrick Francis Henshall..............................Connor Carew* Ensemble................................... Cat Patterson Rachel Crabbe................................ Amy Hutchins* BAND Percussion......Tony Bruno, Rhythm Guitar, Accordion......Tommy Crawford*, Bass......Sean Tillis, Rhythm Guitar......Teddy Yudain*, Lead Guitar......James Zap Music Director Scenic Designers Costume
    [Show full text]
  • Hollywood Pantages Theatre Los Angeles, California
    ® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA PLAYBILL.COM HOLLYWOOD PANTAGES THEATRE ANNE GAREFINO SCOTT RUDIN ROGER BERLIND SCOTT M. DELMAN JEAN DOUMANIAN ROY FURMAN IMPORTANT MUSICALS STEPHANIE P. M CCLELLAND KEVIN MORRIS JON B. PLATT SONIA FRIEDMAN PRODUCTIONS EXECUTIVE PRODUCER STUART THOMPSON PRESENT BOOK, MUSIC AND LYRICS BY TREY PARKER, ROBERT LOPEZ AND MATT STONE WITH GABE GIBBS CONNER PEIRSON PJ ADZIMA LEANNE ROBINSON STERLING JARVIS RON BOHMER OGE AGULUÉ RANDY AARON DAVID BARNES JOHNNY BRANTLEY III C HRISTOPHER BRASFIELD MELANIE BREZILL JORDAN MATTHEW BROWN BRYCE CHARLES KEVIN CLAY JAKE EMMERLING KENNY FRANCOEUR JOHN GARRY ERIC GEIL KEISHA GILLES JACOB HAREN DARYN WHITNEY HARRELL ERIC HUFFMAN K RISTEN JETER OYOYO JOI KOLBY KINDLE TYLER LEAHY WILL LEE- WILLIAMS MONICA L. PATTON CJ PAWLIKOWSKI J NYCOLE RALPH JAMARD RICHARDSON TYRONE L. ROBINSON CLINTON SHERWOOD LEONARD E. SULLIVAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN SCOTT PASK ANN ROTH BRIAN MACDEVITT BRIAN RONAN HAIR DESIGN ORCHESTRATIONS CASTING PRODUCTION STAGE MANAGER JOSH MARQUETTE LARRY HOCHMAN & CARRIE GARDNER JOYCE DAVIDSON STEPHEN OREMUS DANCE MUSIC ARRANGEMENTS MUSIC DIRECTOR MUSIC COORDINATOR ASSOCIATE PRODUCER GLEN KELLY ALAN BUKOWIECKI MICHAEL KELLER ELI BUSH TOUR BOOKING AGENCY TOUR PRESS AND MARKETING PRODUCTION MANAGEMENT GENERAL MANAGEMENT THE BOOKING ALLIED LIVE AURORA THOMPSON TURNER GROUP/ PRODUCTIONS PRODUCTIONS/ MEREDITH BLAIR ADAM J. MILLER MUSIC SUPERVISION AND VOCAL ARRANGEMENTS STEPHEN OREMUS CHOREOGRAPHED BY CASEY NICHOLAW
    [Show full text]
  • BAD PENNY by MAC WELLMAN Directed by KRISTAN SEEMEL Featuring the Bats CAROLINE BANKS, BAILIE DE LACY, JOSEPH HUFFMAN, MARCUS JONES, ALEX J
    THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS BAD PENNY BY MAC WELLMAN DIRECTED BY KRISTAN SEEMEL FEATURING THE BATS CAROLINE BANKS, BAILIE DE LACY, JOSEPH HUFFMAN, MARCUS JONES, ALEX J. MORENO, EMMA ORME, DANA PLACENTRA, KATELYN SABET, LAMBERT TAMIN AND ARTISTIC RESOURCE GROUP MEMBER RYAN WESLEY STINNETT JIAN JUNG SCENIC DESIGNER EMILY WHITE COSTUME DESIGNER DAISY LONG LIGHTING DESIGNER KEENAN HURLEY SOUND DESIGNER OLIVIA MANCINI STAGE MANAGER LAUREN KIELE DELEON AssISTANT DIRECTOR CHARLOTTE GRAHAM VOCAL COACH CAST Chorus.......................................................................Caroline Banks Woman #2 / Woman #1 (U/S) ......................................Bailie de Lacy Man #1 .................................................................... Joseph Huffman Man #2 ........................................................................Alex J. Moreno Woman #1 ..................................................................... Emma Orme Chorus...................................................................... Dana Placentra Chorus / Woman #2 (U/S) ............................................Katelyn Sabet Boatman ..........................................................Ryan Wesley Stinnett Man #3 / Man #1 (U/S) ..............................................Lambert Tamin Man #2 (U/S) / Man #3 (U/S).... ....................................Marcus Jones SPECIAL THANKS Kyle Chepulis, Anne Hamburger, Joe Silovsky, Jim Simpson A special shoutout to Steve Mellor helped us rediscover
    [Show full text]