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Forum De Coproduction En Méditerranée présente Dans le cadre des Ateliers Cinéma et Audiovisuel en Méditerranée 13 mai 15 mai au Mucem Esplanade du J4 13002 Marseille 3e édition Forum de Coproduction en Méditerranée Rencontres professionnelles Auteurs - Producteurs - Projets En co-organisation avec le Films Boukra de/by Carmen Labaki produit par/produced by Philippe Aractingi (Fantascope Production) et/and Angelika Schouler (GLAAM Films) Breakfast, Lunch, and Dinner de/by Mohamed Samir produit par/produced by Marwa Abdalla Elsayed (Daydream Productions) et/and Claire Chassagne (Dolce Vita Films) Breathe (Souffle) de/by Ilaria Congiu produit par/produced by Francesco Lattarulo (Mediterraneo Cinematografica) et/and Selma Thabet (Ulysson Production) Écume de/by Julie Conte produit par/produced by Chantal Marchon (Vidéka Production) Grace for Sale de/by Emre Sert et/and Gözde Yetişkin produit par/produced by par Suzan Güverte (PToT FILM) Il neige à Sidi Bou Said de/by Fatma Cherif produit par/produced by Farès Ladjimi (Supernova Films) Le poisson et le pistolet de/by Slimane Bounia, Sylvain Bolle-Reddat produit par/produced by Jérémie Chevret (Duno Films) The register (Le registre) de/by Marco Amenta produit par/produced by Simonetta Amenta (EuroFilm) The sea needs to heave de/by Zain Duraie produit par/produced by Alaa Alasad (Tabi 360) Tunis-Djerba de/by Amel Guellaty produit par/produced by Asma Chiboub (Atlas Vision) et/and par Karim Aitouna (Haut Les Mains Productions) Yalla ! de/by Tamer Ruggli produit par/produced by Samir (Dschoint Ventschr Filmproduktion) 15 Philippe Aractingi Boukra Fantascope Production Liban/France - Lebanon/France Philippe Aractingi est un auteur, Doc Carmen Labaki réalisateur, producteur et photographe franco- Réalisatrice / Director libanais autodidacte. Cinéaste reconnu, Philippe Aractingi a été récompensé plus de quarante Carmen Labaki est une réalisatrice, productrice, fois lors de différents festivals internationaux journaliste, documentariste et professeure tels que Venise, Sundance, Dubaï, Thessalonique, d’université brésilienne et libanaise. Elle a très tôt Rotterdam... Fervent défenseur du cinéma été sensible et consciente des enjeux mondiaux. libanais, Philippe Aractingi est co-fondateur de la Née au Liban, avec deux cultures et maîtrisant Fondation Liban Cinéma (FLC), et vice-président six langues, Carmen a vécu, appris et continue du comité du Screen Institute Beirut. d’apprécier les valeurs de la diversité culturelle, Philippe Aractingi is a self-taught French- de la compassion et de la gratitude. Lebanese, director, producer and photographer. Recognized filmmaker, Philippe Aractingi has Carmen Labaki is a Brazilian-Lebanese movie been awarded more than forty times during director, producer, journalist, documentarist & university professor. She is a great benefactor of various international festivals such as Venice, early life exposure to global living and awareness. Sundance, Dubai, Thessaloniki, Rotterdam... Born in Lebanon under the umbrella of 2 cultures Philippe Aractingi is a fervent defender of and having under her arm 6 languages, Carmen Lebanese cinema, co-founder of the Lebanon lived, learned and continues to appreciate the Cinema Foundation (FLC), and vice-president of BOUKRA signifie « Demain » en Libanais et constitue l’espoir d’un lendemain meilleur pour nos compatriotes. values of cultural diversity, awareness, compassion the Screen Institute Beirut committee. Au départ, nous voulions retracer la trajectoire environnementale du Liban pour rencontrer tous ceux qui and appreciation. ont déjà initié un changement. Nous avons décidé d’aller les voir dans tout le pays pour partager leur passion, leur envie de donner de l’espoir à ceux qui n’en ont plus et enfin éveiller les dirigeants politiques Angelika Schouler et économiques de ce pays qui souffre de cette vacance du pouvoir, amplifiée par la pandémie et les GLAAM Films mouvements révolutionnaires depuis octobre 2019. Nous sommes face à une planète qui nous dit clairement Productrice de films, conseillère financière et : “Je peux changer si vous changez aussi !”. Entre révolution et prise de conscience soudaine, BOUKRA juridique pour de nombreux films et séries TV. montrera des initiatives écologiques sous tous leurs aspects. Mais notre film montrera aussi la colère de la Contact Après des premiers postes chez Atlantique rue et les conséquences de cet appauvrissement du peuple libanais... tout en donnant l’espoir d’un lendemain Carmen Labaki Productions et la SACEM, Angelika crée sa propre meilleur. [email protected] société, Glaam Media Invest / Glaam Films en 2007. Angelika est ancienne avocate et titulaire BOUKRA means “Tomorrow” in Lebanese and constitutes the hope of a better tomorrow.Initially we wanted Angelika Schouler d’un MBA ESCP Business School. to retrace the environmental trajectory of Lebanon to meet all those who have already initiated a change. [email protected] Film producer, financial and legal counsel for We decided to go see them all over the country to share their passion, their desire to give hope to those numerous films and TV series. A"er first managing who no longer have it and finally wake up the political and economic leaders of this country which suffers Philippe Aractingi positions at Atlantique Productions and SACEM, from this vacuum of power, amplified by the pandemic and revolutionary movements since October 2019. We [email protected] Angelika launched her production and consulting are facing a planet that clearly tells us: “I can change if you change too !” Between revolution and sudden company, Glaam Media Invest / Glaam Films in awareness, BOUKRA will show ecological initiatives in all aspects. But our film will also show the anger of the 2007. Angelika is a former lawyer and holds a MBA degree from ESCP Business School. streets and the consequences of this impoverishment of the Lebanese people ... while giving hope for a better tomorrow. 16 17 Breakfast, Lunch and Marwa Abdalla Dinner DayDream Art Production Égypte/France - Egypt/France Fiction Marwa Abdalla est une productrice, conférencière et gestionnaire culturelle. Titulaire Mohamed Samir d’un doctorat en études cinématographiques, elle est actuellement directrice artistique et directrice générale de la Jesuits Cairo Film School et Mohamed Samir a commencé comme monteur de travaille en tant que productrice pour DayDream films, en 2007, il a fondé DayDream Art Production Art Production. Elle produit actuellement le long- et a produit des films tels que FACTORY GIRL et métrage BREAKFAST, LUNCH AND DINNER. CERTIFIED MAIL. En 2014, Samir était le directeur artistique du Festival international du film du Marwa Abdalla is a producer, lecturer, and Caire et se concentre désormais sur l’écriture et cultural manager who holds a Ph.D. in film la réalisation, en commençant par BREAKFAST, studies. She is currently the artistic & managing LUNCH AND DINNER / COMME UN COQ EN director of Jesuits Cairo Film School and PÂTE. working as a producer for DayDream Art Production. Presently she is producing the feature film BREAKFAST, LUNCH AND DINNER. Started as a film editor, in 2007 Mohamed Samir ” founded DayDream Art Production and produced Une mère-poule de 70 ans couve son fils Tamer, âgé de 45 ans. Elle le gave d’une nourriture délicieuse et films such as FACTORY GIRL and CERTIFIED MAIL. Claire Chassagne l’entoure de soins inouïs, et l’a toujours préservé de tout effort et de toute responsabilité. Tamer est le seul In 2014 Samir was the Artistic Director of Cairo Dolce Vita Films homme dans sa vie, elle veille sur lui dans tous les domaines, y compris sa sexualité ; pendant des années, elle International Film Festival and now he focuses on a réussi à écarter toute femme de son entourage. Mais elle découvre qu’elle est malade et réalise que traiter writing and directing, starting with BREAKFAST, Claire Chassagne travaille chez Dolce Vita son fils comme un prince l’a rendu inutile, incapable vivre sans elle. La mort approchant, elle doit renoncer LUNCH AND DINNER. Films depuis 2014, principalement sur des à son amour possessif et lui trouver la femme parfaite qui acceptera de continuer à prendre soin de son fils coproductions internationales, comme la chéri. Elle décide donc de modeler une femme à son image, et d’en faire une sorte de « réincarnation » d’elle- coproduction tuniso-française UN FILS de Mehdi même, une nouvelle mère déguisée en épouse. Surtout, elle doit empêcher Tamer d’échapper à son emprise Barsaoui. Elle développe aujourd’hui plusieurs et de ruiner son plan. Contact projets au sein de la société, avec un fort accent Mohamed Samir sur les coproductions internationales. A 70-year-old mother manages to keep her 45-year-old son Tamer home his whole life. Through heavenly [email protected] food and extraordinary comfort, she always ensured to protect him from doing any effort or carrying any Claire Chassagne has been working at Dolce responsibility. Tamer is the only masculine figure in her life, even to a quasi-sexual extent; for years she Marwa Abdalla Vita Films since 2014, mostly on international managed to never let him touch another woman. Her imminent death and illness made her realize that treating [email protected] co-productions, such as the Tunisian-French him as a precious prince made him grow into a useless man who can’t survive without her. In a vicious race with co-production A SON by Mehdi Barsaoui. She is now developing several projects within the death; she must defy her possessive love of him, find the perfect wife who will accept Tamer as useless as he Claire Chassagne company with a strong focus on international co- is, reincarnate herself in the wife-to-be to ensure his survival with a younger mother disguised as his wife, and claire@dolcevita-films.com productions. most importantly, suppress Tamer’s newly discovered urge to escape her grip that threatens her plan for him. 18 19 Breath (Souffle) Francesco Lattarulo Italie/Tunisie - Italy/Tunisia Doc Mediterraneo Cinematografica Francesco Lattarulo est un producteur de cinéma et comptable. Diplômé en économie politique, il a aussi obtenu le Master Tributario IPSOA Ilaria Congiu de Milan.
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