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Product Tag Who Killed Jock Ewing A Dallas Mystery by Robert Tine : Who Killed Jock Ewing A Dallas Mystery by Robert Tine ,Online , Brand New ,Reviews , Limited Supply ,Bargain , Revise ,Online Purchase , Buying ,Reviews , Look At ,Best , Shop For ,Order , Check Price ,Save , More Info ,Best Reviews Of , Superior , Who Killed Jock Ewing A Dallas Mystery by Robert Tine. Who Killed Jock Ewing?: A Dallas Mystery by Robert Tine. Published: 20:41 BST, 26 November 2020 | Updated: 22:46 BST, 26 November 2020. Patrick Duffy sees Linda Purl as the 'gift that COVID gave him.' The 71-year-old actor - who played in Dallas - started dating Linda, 65, during the coronavirus lockdown earlier this year, and he admits that their romance evolved amid a unique set of circumstances. 'That's the gift that COVID gave me - Linda Purl is the lady in my life,' the actor told Extra this week. Happy man: Patrick Duffy sees Linda Purl as the 'gift that COVID gave him'; pictured in July 2019. He loves her: The 71-year-old actor started dating Linda, 65, during the coronavirus lockdown earlier this year, and he admits that their romance evolved amid a unique set of circumstances; Purl shown in 2004. His wife Carlyn Rosser died almost four years ago from a heart attack, and he wasn't actively looking for a relationship when he was reintroduced to Linda. However, he is now convinced that their burgeoning romance is the result of 'fate.' RELATED ARTICLES. Share this article. Patrick - who was married to Carlyn from 1974 until her death in 2017 - told Extra: 'I wasn't looking for it. I didn't feel I needed it … and then fate just went swoosh! and changed the perspective. 'We started texting and then FaceTiming and then Zooming … We did a two-to-three-hour Zoom every single night … You get to know somebody really well when you do that.' Cowboy heart: 'That's the gift that COVID gave me - Linda Purl is the lady in my life,' the actor told Extra this week; seen here as Bobby Ewing on Dallas. The Dallas days: From left, Steve Kanaly (as Ray Krebbs), Patrick (as Bobby Ewing), Victoria Principal (as Pamels Barnes Ewing), (sitting), Barbara Bel Geddes (as Eleanor Southworth 'Miss Ellie' Ewing), Jim Davis (1909 - 1981) (as John Ross 'Jock' Ewing), (as John Ross 'J.R.' Ewing, Jr.), Charlene Tilton (as Lucy Ewing) (in red), and Linda Gray (as ) The actor loved chatting to Linda during the lockdown, and once restrictions were eased, he wasted no time in rushing to see her. He shared: 'At the end of those two and half months, we were feeling a little different than just casual friendship, so I packed up my car, I drove 20 hours, and I was on her doorstep. 'I asked permission if I could kiss her, and we've been together ever since.' Classic series: Purl's best known role was as Ashley Pfister in season 10 of Happy Days in the early 1980s; still from Happy Days featuring Henry Winkler. Patrick previously admitted that his romance with Linda came as a complete surprise. The actor explained that after his wife's death in 2017, he never imagined he'd fall in love again. He confessed: 'I never thought for a minute this would happen again. I never thought I'd feel this way again.' He People earlier this month he was dating the Happy Days actress. New love: Duffy, 71, revealed he and his old friend, Happy Days' Linda Purl, 65, had begun dating after falling out of touch years earlier, according to People. 'I'm in an incredibly happy relationship,' Duffy said of his new love. The road trip to see her was long. 'I loaded up my car and drove 20 hours and ended up on her doorstep just to see if it was real,' he said. Duffy sounded overjoyed with the state of his new romance: 'I never thought I'd feel this way again.' The death of his wife is not he only tragedy he has face. On November 18, 1986, during the height of his success on Dallas, Duffy's parents were slain by two teenagers, Kenneth Miller and Sean Wentz, during an armed robbery of their tavern in Boulder, Montana. The two were convicted and sentenced to 75 years in prison, though Miller was paroled in 2007 and Wentz was released in 2015. Top of the world: 'I never thought I'd feel this way again,' said Duffy. He experienced tragedy during the height of his fame in the 1980s after his parents were murdered during an armed robbery; shown on the new Dallas with Barbara Strong. Duffy is best known for starring on Dallas from 1978 to 1985 and 1986 to 1991, where he played Bobby Ewing, the brother of Larry Hagman's J. R. Ewing. His other major TV roles were in ABC's Step By Step (1991–1998) and the soap opera The Bold And The Beautiful from 2006 to 2011. More recently, he reprised his character in a continuation of Dallas focusing on a younger generation, which ran from 2012–2014. Purl's best known role was as Ashley Pfister in season 10 of Happy Days in the early 1980s. They way they were: Duffy and wife Carlyn Rosser attend the Fifth Annual Golden Boot Awards in 1987. She also portrayed the daughter of Andy Griffith's title character in the first season of Matlock, and occasionally featured as Pam Beesley's mother on The Office. Purl has been married four times, first to Desi Arnaz Jr. from 1980–1981. She married the screenwriter William Broyles Jr. in 1988, but their divorce was finalized in 1992. Purl was married to another screenwriter, Alexander Cary, from 1993 to 1999, and her most recent marriage was to James Vinson Adams from 2006 to 2011. Meanwhile, Patrick's Dallas co-star Linda Gray had some sad news to share on Monday. The 80-year-old actress revealed on Instagram that her 56-year-old son Jeff Thrasher has passed away. 'A celebration of my son Jeff’s life. He was the kindest, funniest, sweetest human being. he brought the world such love and was loved by everyone!' said the TV veteran. 'May his journey be a magical one. ❤.' A TV queen: Linda Gray of the Eighties hit nighttime soap opera Dallas had some sad news to share on Monday. Seen with Larry Hagman on Dallas in 1981. Her followers expressed shock at the tragic news as they said, 'I am sorry for your loss' and 'Don't know what to say! Sending you love and a big hug from Scotland.' 'Linda I am so sorry. I am sending you all of my love and strength,' wrote her Dallas co-star Jordana Brewster. Linda shared an image of the back of Jeff riding his bicycle on a street filled with autumn leaves. The next photo was of his name drawn in the sand with a heart around it as the waves crashed in the background. According to Soap Hub, Jeff had been battling leukemia. Jeff's father is Ed Thrasher whom Linda was married to from 1962 until 1983. Sad loss: The 80-year-old star revealed on Instagram that her 56-year-old son Jeff Thrasher has passed away. A mother's pain: The star shared an image of the back of Jeff riding his bicycle on a street filled with autumn leaves. The next photo was of his name drawn in the sand with a heart around it as the waves crashed in the background. Linda also has 54-year-old daughter Kehly Sloane who is married to Lance Sloane; together they have two children. Jeff worked as a TV director and producer and his most recent project was Junior Chef Showdown. In Junior Chef Showdown, the 'best and brightest young cooks go head-to-head in challenges that test their skills and ingenuity in the kitchen, but only one pint-sized chef will be named the country's best.' Back in the good ole days: Gray, husband Ed Thrasher, son Jeff Thrasher and daughter Kehly in 1982. He also produced The Amazing Race Canada and Canada's Smartest Person. In 2017 he directed Furze World Wonders and in 2015 Jeff worked on Vegas Rat Rods. Linda got her start in modeling then came to fame when she played Sue Ellen Ewing opposite Larry Hagman on Dallas from 1978 until 1989. The brunette beauty also worked with on Oscar in 1991 and on Models Inc from 1994 until 1995. She went back to Dallas in 1996 and 1998 for spinoffs and also appeared on the reboot from 2012 until 2014. CABLE TV WHODUNIT REALLY LOST IN SPACE. First of all, you`re either a sucker for this whodunit stuff or you`re not. You prowl the bookstalls waiting for the latest in detective fiction from Elmore Leonard and Robert Parker, or you agree with literary critic Edmund Wilson when he asked, ''Who Cares Who Killed Roger Ackroyd?'' All this is preparatory to remarks about ''Murder in Space,'' a cable-TV offering set for 7 p.m. Sunday on Showtime. It`s a harmless bit of fluff that wouldn`t confuse Raymond Chandler for even a minute, but it comes equipped with the latest in cable cuteness. There are three, maybe four, dead astronauts aboard the good ship Conestoga, homeward bound from Mars, and cable viewers are enjoined to solve the puzzle by mail. Yes, ladies and gentlemen, you can put it under the category of Stupid Cable Tricks: the last half-hour of ''Murder in Space'' is missing, and you can win maybe $50,000 if you match wits with the writers who snuffed Olga Denerenko, Guy Sterling, Kurt Steiner and, maybe, Col. Andrei Kalsinov. Between this weekend and Sept. 14, Showtime will accept correspondence and guesses in the matter of ''Murder in Space.'' It will then air the conclusion, already scripted by ''a well-known Hollywood screenwriter working under the pseudonym of Wesley Ferguson.'' Ferguson`s pseudonymous prose has little in common with that of, say, Ross Macdonald or other giants of the detective genre, but it`s reasonably entertaining television. And, for the price of a stamp, you get to match scenarios with a certified Tinseltown hack. The send-in-your-solution format is hardly a breakthrough. The aforementioned book stalls are crowded with the campy likes of ''Who Killed Jock Ewing?'' a paperback mystery offering a $50,000 reward for the answer to that ''Dallas'' question. And the mystery story as a parlor game, popular in the 1930s, has made a comeback, though offerings like ''The Baffle Book'' don`t brandish rewards for proving that the butler did or did not do it. Meanwhile, half a million miles from your satellite dish, the flight deck of the Conestoga is littered with departed astronauts. It`s an international mission to Mars, you see, complete with American and Russian captains, an ailing French doctor (male), a fetching Italian scientist (female), a nervous American navigator (male), an arrogant German scientist (male), a smitten English scientist (female), a horny French scientist (male) and Olga Denerenko, the libidinous young wife of the aged Soviet leader. Olga, played by Cathie Shirriff in a role that lasts about 10 minutes, sounds just like Natasha Fatale of ''The Bullwinkle Show,'' but looks much better. In all candor, it must be said that Olga is a tad free-spirited with her affections. Upon her untimely demise, it`s discovered that, five months into the Conestoga mission, she`s two months pregnant. We`re talking serious international repercussions here. The American captain has frolicked with Olga, and who knows how many others on this small but hyperactive spacecraft. If all that intrigue weren`t enough, it appears that two of the male spacemen are having a fling, and the other astronauts have been comporting themselves like the gang at Club Med. On the ground, cuddly old Wilford Brimley--the rotund chap with the mustache in ''Cocoon'' and ''The Natural''--is trying his darndest to cope with these gland cases and the attendant murders. One of his problems is a nasty Soviet functionary named Rostov, played by Martin Balsam. With his ponderous Russian accent, he offers a perfect counterpoint for Olga. It`s a pity Olga checked out early. And Balsam sounds so much like Boris Badenov that a ''Bullwinkle'' fan can`t help but long for the moment when Rostov might say to Olga, ''We steal spacecraft, then get moose and squirrel.'' Alas, it never happens. Sterling, the panting Frenchman, follows Olga to the grave, as does Kurt Steiner, the sneering German. Kalsinov, the Russian commander, is caught in an explosion while attempting to reroute the spacecraft to Russia, Comrade Denerenko in Moscow being less than amused by his late wife`s indiscretion. So, as the curtain is drawn, five members of the crew escape the disabled Conestoga in the inevitable pod. Wilford Brimley sits by his desk, sporting a look of infinite resignation and yelling ''Hold my calls'' into the telephone. Who did it? Hey, you paid for cable access in the suburbs, you figure it out. We`re still trying to figure out why we can`t get cable on the North Side of . When we get that one solved, we`ll get back to you on ''Murder in Space.'' Critique: ‘Dallas’ Episode 116 — ‘Mama Dearest’ In “Mama Dearest,” Miss Ellie embarks on a quest to break Jock’s will and stop J.R. and Bobby’s contest for Ewing Oil. This causes the alliances within the family to shift, sometimes dramatically. J.R. and Bobby both oppose Ellie’s efforts, but when J.R. suggests the brothers join forces to defeat their mother, Bobby refuses. J.R. isn’t on his own, though: He gets support from Sue Ellen and Lucy, who believes the competition for the company should play out the way Jock intended. In the meantime, Pam rushes to support Ellie, which strains her marriage to Bobby. Some of these reactions are surprising, but all of them make sense. I believe J.R. would be the first to recognize that it would be in his best interest to call a temporary truce with Bobby, just as I believe Bobby would be reluctant to join J.R. because he doesn’t trust him. Likewise, Pam’s allegiance to Ellie feels reasonable, although I suspect Pam’s response has more to do with her own opposition to the contest than it does with her concern for mother-in-law’s emotional wellbeing. More often than not, Pam is a pragmatist. Lucy’s support for J.R. is unexpected, of course, but notice how she never lets him know she’s in his corner. Even if Lucy agrees with J.R., she isn’t going to give him the satisfaction of knowing it. Instead, Lucy confides her feelings in Ellie. This conversation occurs late at night, when Lucy sits with her grandmother at the Southfork kitchen table and gently questions her decision to break the will. Charlene Tilton, in a lovely performance, manages to convey Lucy’s almost-childlike belief in her grandfather’s infallibility, as well as her confidence that he knew what he was doing when he decided to pit J.R. and Bobby against each other. “I’m sure it’s all turning out just the way Granddaddy expected,” Lucy says. It’s nice to see this character growing up and becoming wiser. Barbara Bel Geddes, the actress at the heart of “Mama Dearest,” is terrific in this exchange too. She avoids eye contact with Tilton, which helps convey Ellie’s uncertainty about whether her legal challenge is appropriate. Even at the end of the conversation, when Lucy reaches across the table and touches Ellie’s arm, Bel Geddes looks away. Contrast this with her performance in the scene where J.R. joins Ellie for breakfast on the Southfork patio. He tries to turn on the charm, but Mama doesn’t fall for it. “You get a good night’s sleep?” J.R. asks. Ellie looks at him and coolly says, “J.R., I don’t think you really care how I slept last night.” It’s a telling moment: Even if Ellie isn’t sure she’s doing the right thing, she’s smart enough to know she shouldn’t let J.R. know she has doubts. Mama probably would have made a good poker player. Another great scene in “Mama Dearest” belongs to Patrick Duffy, who also directed this episode. After a frustrated Bobby takes off for a nighttime drive to collect his thoughts, he returns home and finds Pam waiting up for him. Bobby tells her that he’s upset over her decision to support Ellie, and then he explains why he wants the contest to continue. Duffy’s delivery is impassioned; he makes a fist and practically shakes it at the camera as he speaks. The words are as important as the delivery. Here’s his speech: “Pam, you don’t understand what drove Jock Ewing. And I don’t think you really understand what drives me, either. When I was at the university, making the football team just wasn’t enough. I had to be varsity. I had to be captain. I had to make All-Southwest Conference — and I did! I did all of that. When you and I met, I wasn’t just a roadman for Ewing Oil. I was the best roadman for any oil company. Because that’s what Daddy expected. And that’s what I expect from myself. And J.R. and I are a lot alike because he’s not going to take second best either. You see, that’s why Daddy turned away from Gary. The Ewings must succeed, and Gary didn’t care about that, but Pam, J.R. and I do! Now, Daddy chose that the future of Ewing Oil is going to be in the hands of the son strong enough to run it. And that’s the way it’s gonna be.” This monologue, besides being one of the highlights of Arthur Bernard Lewis’s script, helps demonstrate why the contest for Ewing Oil is such a satisfying storyline. Bobby is usually the yin to J.R.’s yang, but notice how he doesn’t mention J.R. until almost the end of the speech. This time, Bobby isn’t simply reacting to J.R.’s schemes. For the youngest Ewing son, the contest is as much about proving himself worthy of his father’s expectations as it is stopping J.R. from committing some heinous act. The scene reminds us that Bobby is a pretty interesting character in his own right. Of course, J.R. remains the most fascinating figure of all in “Mama Dearest.” Throughout this episode, Larry Hagman gives us the feeling his character is genuinely frightened by the prospect that Ellie might stop the contest and sell Ewing Oil out from under him. Notice how J.R. loses his cool with Ellie at the beginning of the episode, after she’s announced her decision to challenge the will, and later when he realizes she’s getting advice from Clayton. (Is it a coincidence that the last time we saw J.R. this rattled occurred after he ran into Clayton and Rebecca at the French restaurant?) I also think it’s telling the lengths he’ll go to shore up support from the other Ewings. When J.R. is trying to persuade Bobby to join him in fighting their mother, he tells him, “We may battle a lot, but I just want you to remember: You’re my brother, and I love you.” The “l word” isn’t one J.R. uses a lot. Later, J.R. stands behind Sue Ellen as she gazes into a mirror and promises she’ll one day be mistress of Southfork and share his power. He really knows how to tell other people what they want to hear, doesn’t he? J.R. also figures into “Mama Dearest’s” funniest scene, when he arrives at Holly’s home and discovers she runs Harwood Oil from her bedroom. (“You know as many oil deals are made in bedrooms as in boardrooms,” she purrs. The line would be a groaner if Lois Chiles didn’t look like she was having so much fun delivering it.) This is one of those “Dallas” moments that I recall watching as a kid, although my memory turned things around: I mistakenly remembered Holly keeping a bed in her office, not a desk in her bedroom. Either way, I can’t help but wonder why J.R. never followed suit. Imagine how much easier life would have been for ol’ J.R. if the Ewing Oil executive suite had come equipped with a mattress. ______. Critique: ‘Dallas’ Episode 190 — ‘Deliverance’ “Deliverance” is the next-to-last episode from “Dallas’s” eighth season, but if you didn’t know better, you might think it was the finale. By the end of the hour, the year’s two major storylines are resolved: Cliff and Jamie’s lawsuit to claim two-thirds of Ewing Oil ends in humiliating defeat, while Jenna gets out of prison when Naldo’s killer confesses. I can’t remember how I felt when this episode debuted 30 years ago, but I would imagine it befuddled more than a few viewers. They must have thought, “If the show is going to tie up all its loose ends here, what’s left for the season finale?” The answer, of course, is that “Dallas” would end the year with Bobby’s death in “Swan Song,” which would become one of the show’s finest installments. “Deliverance” can’t match the power of that episode, but at least it rewards the viewers who stuck with the series throughout its eighth season. The scenes that resolve Naldo’s murder mystery are particularly satisfying, thanks almost entirely to Patrick Duffy. When Bobby finally comes face to face with Schumann, the hit man who framed Jenna for the killing, he offers to set up the man’s wife with a fat bank account if Schumann confesses. “You help my lady and I’ll help yours,” Bobby says. This is one of those lines that Duffy delivers in his signature, Eastwoodian whisper, which never fails to give me chills. Since Schumann already is facing life in prison for another murder, he agrees to help Bobby and explains how he killed Naldo and framed Jenna. As he confesses, we see flashbacks that fill in the gaps surrounding the shooting. Not everything holds up, though. According to this episode, when Naldo enters the hotel room where he’s eventually murdered, Schumann knocks him out, places his body on a table and then grabs Jenna from behind while she’s waiting in the hall. When the killing occurs in “Odd Man Out,” however, Jenna is yanked into the room mere seconds after Naldo enters. It’s also a little silly how quickly the police accept Schumann’s confession, but no matter. At least this storyline is finally over. I’m also not going to complain about the trial to determine Ewing Oil’s ownership, which is completed in record time. Wally Windham, the mysterious character introduced in the previous episode, testifies that he purchased Digger and Jason’s shares of Ewing Oil in 1931 — only to sell them to Jock the following year. Windham is the only witness at the trial, and despite his earlier assertion that his story was long and complicated, he manages to tell it pretty succinctly here. Likewise, am I the only who finds it absurd that Jock left the bill of sale giving him ownership of a multi-billion-dollar corporation with his ex-wife Amanda, who lives in a mental hospital? Once again, I suppose I shouldn’t quibble. The lawsuit over Ewing Oil wasn’t as dreary as the Naldo murder mystery, but it wasn’t a shining moment in “Dallas” history, either. What’s important now is that it’s over. Given the sense of finality in “Deliverance,” it’s no wonder the producers decided to end this episode with a Ewing victory bash at the Oil Baron’s Club. This is a fun sequence because it brings together so many different characters — including Jordan and Marilee, who were rooting for Cliff and Jamie in the fight over the company. (During the trial, Jordan even shows his solidarity with Cliff by offering him a fist pump.) I also get a kick out of Marilee making a beeline for handsome Jack the moment he arrives at the party, although I’m equally intrigued by another shot that shows her chatting with Ray. In fact, the only character who seems to be missing from the celebration is Jenna’s lawyer Scotty Demarest. This is an especially egregious oversight when you consider all of Scotty’s theories about the case were proven correct, right down to the fact the murder weapon was equipped with a sy-lun-suh . “Deliverance” also brings us more evidence of Sue Ellen’s sad spiral: J.R. finds her passed out drunk in her bed at the beginning of the episode, and later, she discreetly nips from her flask in the courthouse corridor. (Shades of Sue Ellen sneaking a drink during “Jock’s Trial, Part Two.”) Shockingly, Linda Gray has only one line of dialogue in “Deliverance” — at the party, Sue Ellen says hello to Phyllis and Sly — although Gray’s limited screen time underscores how her character is receding into the shadows. Besides, Sue Ellen’s drinking will be dealt with more in “Swan Song,” along with the identity of the mystery woman who rips up the newspaper article about Jenna’s release (is there any doubt who’s under the blond wig?) and Bobby and Pam’s reunion, which the producers set up in “Deliverance” by having the characters finally admit that they still love each other. Along these lines, this episode also finds J.R. telling Sly he’s glad Jenna will soon get out of jail because it means she can marry Bobby. “J.R., I thought you wanted Bobby and Pam to get back together,” Sly says. His response: “Well, that was last week.” Yes, it’s an amusing line, especially when Larry Hagman punctuates it with his chuckle, but it’s also a little too self-aware for my taste. Perhaps the producers need to indulge their campy impulses one last time before returning to serious dramatic territory in “Swan Song.” If that’s the case, all is forgiven. Grade: B. ______. Toast of the town. ‘DELIVERANCE’ Season 8, Episode 29. Airdate: May 10, 1985. Audience: 19.2 million homes, ranking 2nd in the weekly ratings. Writer: Peter Dunne. Director: Nick Havinga. Synopsis: At the trial, Windham testifies that he bought Digger and Jason’s Ewing Oil shares and later sold them to Jock. Jenna is freed after Bobby persuades Schumann to confess to Naldo’s murder, but the assassin is unable to say who hired him. Dusty spots Sue Ellen drinking at the Oil Baron’s Club. Mitch asks Lucy to move to Atlanta. Cast: Sam Anderson (Inspector Frank Howard), Mary Armstrong (Louise), Rod Arrants (Andre Schumann), Roseanne Christiansen (Teresa), Robert Clarke (Mason), Pat Colbert (Dora Mae), Patrick Duffy (Bobby Ewing), Eric Farlow (Christopher Ewing), Fern Fitzgerald (Marilee Stone), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), (Jamie Barnes), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (), John Larch (Wally Windham), Jared Martin (Dusty Farlow), Shalane McCall (Charlie Wade), Leigh McCloskey (Dr. Mitch Cooper), George O. Petrie (Harv Smithfield), Daniel Pilon (Renaldo Marchetta), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (), Dack Rambo (Jack Ewing), Donna Reed (Miss Ellie Farlow), Debbie Rennard (Sly), Sherril Lynn Rettino (Jackie Dugan), Dean Santoro (Raymond Furguson), Deborah Shelton (Mandy Winger), Don Starr (Jordan Lee), Charlene Tilton (Lucy Ewing), Deborah Tranelli (Phyllis), Harvey Vernon (Judge Harding) “Deliverance” is available on DVD and at Amazon and iTunes . Watch the episode and share your comments below.