Psychology and Art (Wien, 29 May 12)

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Psychology and Art (Wien, 29 May 12) Wien, May 29, 2012 Raphael Rosenberg 5th Vienna Aesthetics Symposium: Psychology and Art - Historical Dimensions? We cordially invite you to the 5th Vienna Aesthetics Symposium, organized by the Department of Basic Psychological Research and Research Methods, in cooperation with the Cognitive Science Research Platform on Tuesday, May 29. Program 13.00 - 13.15 Welcoming & Introduction Univ.-Prof. Dr. Helmut Leder (Head of the Department of Basic Psychological Research and Research Methods, as well as Deputy Head of the Cognitive Science Research Platform) 13.15-14.15 The artful mind meets art history: A new framework for empirical aesthetics Prof. Dr. Rolf Reber (Department of Biological and Medical Psychology, University of Bergen) 14.15-14.35 Coffee Break 14.35-17.15 Short Presentations and Panel Discussion Do models and frameworks help to understand art? Univ.-Prof. Dr. Raphael Rosenberg (Department of Art History, University of Vienna) What is an aesthetic experience? Univ.-Prof. Dr. Helmut Leder (Department of Basic Psychological Research and Research Meth- ods, University of Vienna) Fechner revisited: Towards an inclusive approach to aesthetics Mag. Gesche Westphal-Fitch (Department of Cognitive Biology, University of Vienna) “The anti-developmental, the anti-narrative, the anti-historical”: Mondrian as a model for studying experimental aesthetics Prof. Dr. Chris McManus (Department of Psychology, University College London) 1/2 ArtHist.net But aren't we already doing it? Cognitive and neural underpinnings of the influence of context and knowledge on appreciation Prof. Dr. Marcos Nadal Roberts (University of the Balearic Islands) Integrating Holism and Reductionism in the Science of Art Perception Daniel Graham, PhD (Department of Basic Psychological Research and Research Methods, Univer- sity of Vienna) All lectures will be held in HS G - Psychologicum, Liebiggasse 5, 1010 Wien (2nd floor). Forschungsplattform Cognitive Science Universitaetsstrasse 7 Vienna, Wien 1010 Reference: CONF: Psychology and Art (Wien, 29 May 12). In: ArtHist.net, May 17, 2012 (accessed Sep 24, 2021), <https://arthist.net/archive/3296>. 2/2.

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PSYCHOLOGY DEPARTMENTAL SEMINAR Psychological Approaches to Art Appreciation Professor Helmut Leder Department of Psychological Basic Research University of Vienna
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Words Modification) for 15 S
Memory representations of musical tempo: Stable or adaptive? Sabine Strauß Oliver Vitouch Olivia Ladinig Cognitive Psychology Unit, Cognitive Psychology Unit, Music Cognition Group, Dept. of Psychology, Dept. of Psychology, Dept. of Musicology and Insti- University of Klagenfurt, Austria University of Klagenfurt, Austria tute for Logic, Language & [email protected] Computation, University of Am- sterdam, The Netherlands Dorothee Augustin Claus-Christian Carbon Helmut Leder Dept. of Psychological Dept. of Psychological Dept. of Psychological Basic Research, Basic Research, Basic Research, University of Vienna, Austria University of Vienna, Austria University of Vienna, Austria ABSTRACT pink noise, and 2 s silence. In the probe phase, they heard either the "original" or a "shifted" version (+ 10%) for 1. Background maximally 30 s. In a yes-no task, subjects decided whether Long-term memory processes play a central role for the the test stimulus was the original version of the theme. way we represent the world. They provide standards for comparison of familiar content with novel stimuli, but must The design was fully balanced, with the treatment (original also allow for adaptive updating of these standards. For vs. extreme) × probe (original vs. shifted) x theme combi- instance, human faces are typically assumed to elicit stable nations resulting in 24 trials. memory representations. However, Webster and MacLin 4. Results (1999) have shown that presenting extremely distorted A three-way repeated-measures ANOVA revealed a clear- faces affects the ability to distinguish between original and cut treatment × probe interaction (across all themes; p < slightly shifted versions. Carbon and Leder (2005) demon- .001). Correct rejection of a "shifted" probe dropped from strated that this adaptation effect also holds for highly fa- 68% in the control condition to 28% in the "extreme" miliar faces (celebrities).
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