Sunye Menikah, Wonder Girls Vakum KESUKSESAN Karirnya Bersama Wondergirls Yang Sempurna Untuk Menjadi Menantunya

Total Page:16

File Type:pdf, Size:1020Kb

Sunye Menikah, Wonder Girls Vakum KESUKSESAN Karirnya Bersama Wondergirls Yang Sempurna Untuk Menjadi Menantunya Hari Korps Wanita Angkatan Laut Peran perempuan sangat besar untuk bangsa kita. Salah satunya adalah ibu-ibu Kowal. Ide pembentukan Kowal dicetuskan oleh Komodor Yos Sudarso.Semoga Kowal tetap jaya dan berkontribusi untuk bangsa. 35 Sabtu 5 Januari 2013 K-NEWS G-Dragon dan Kiko Backstreet di Phuket KENCAN diam-diam jadi tren berita hallyu akhir-akhir ini. Setelah aktor Rain dan aktris Kim Tae-hee. Kini giliran leader grup Big Bang G-Dragon kembali kepergok berjalan bersama Kiko Mizuhara. Kiko adalah model dan aktris cantik Jepang yang populer dalam film Norwegian Wood. Dilansir dari Soompi Jumat (4/1), foto keduanya menyebar di dunia maya. Netizen yang mengunggah foto itu mengaku ada di lokasi. G-Dragon dan Kiko berlibur bersama, yaitu di Sri Panwa Resort Phuket, Thailand, akhir Desember lalu pada masa libur Natal 2012. Hubungan G-Dragon dan Kiko sebetulnya menyebar sejak 2010. Beberapa gambar mesra keduanya saat menghabiskan waktu bersama diunggah ke komunitas forum online di Jepang dan Korea Selatan. Gosip mengenai kedekatan G-Dragon dengan Kiko Mizuhara Kiko sebenarnya telah lama berembus. Namun, keduanya selalu menampik gosip itu. Atas kehadiran foto terbaru kali ini, rumor tersebut makin meyakinkan para fans bahwa keduanya punya hubungan khusus. ”Kami belum bisa mengonfirmasi dengan G-Dragon. Sekitar waktu Natal, tiap-tiap anggota (Big Bang) memiliki 2–3 hari libur untuk diri sendiri. Label tidak akan mengganggu waktu pribadi mereka. Jadi, kami tidak tahu apakah G-Dragon pergi ke Phuket. Foto itu belum dikonfirmasi juga. Mereka tidak berkencan,” ujar salah seorang wakil YG Entertainment More More seperti dilansir Allkpop. (c11/dri) powerful colorful terbiasa dan malah menyukai track Avant Garde SNSD unik yang satu itu. Klip video I Got A Boy juga memiliki di AlbumAlbu Keempat wajah berbeda kalau dibandingkan dengan SETELAHSETELAH sukses membabat head single di album sebelumnya, The sejumlahsejumlah penghargaanp interna- Boys. Jika kesan cantik dan elegan tertanam sionalsional didi albuma ketiga sejak 2011, pada lagu The Boys, kali ini MV I Got A tepattepat pappadad 1 Januari 2013, SNSD Boy yang berdurasi lima menit tersebut FANPOP merilismerilis albumal studio keempat. memperlihatkan konsep musikalitas SNSD SERASI: G-Dragon (kiri) dan Kiko Mizuhara dirumorkan SepuluhSepuluuh lagula penuh warna tersaji yang berubah 180 derajat. sering nge-date berdua sejak 2010. didi albualbumm bberjudul I Got A Boy. Mereka mengenakan sepatu kets, bukan TotaTotall sepuluhsep lagu itu ditam - sepatu hak tinggi dan pakaian mencolok pilkanpilkan leblebihih powerfulp dan colorful. yang girly. Mereka juga memamerkan BeberapaBeberapa ggenreenre seperti K-pop, R&B, tarian B-Girl dengan baik. Dengan konsep electroelectro pop,pop, dan dance-popdan memperkaya baru itu, SNSD seakan keluar dari zona tiaptiap singlee dalamdalam albumal tersebut. Warna nyaman dan mencoba hal baru. Untuk baru girlbandgirlbandd yangya digawangi Taeyeon, memperkuat konsep barunya, mereka Jessica,Jessica SunnySunny, TifTiffany, Hyoyeon, Yuri, menggunakan setting jalanan dengan Sooyoung, Yoona, dan Seohyun itu bisa lampu yang penuh warna. Minuman Khas Korea langsung terlihat lewat cover albumnya. Lagu lain seperti Baby Maybe juga SOJU merupakankan Perubahan image baru yang lebih tak kalah menarik. Alunan piano minum tradisionalnal Album I Got A Boy akan Koreografer I Got A Boy berwarna tersebut diperkuat salah satu menjadi awal lagu yang easy-listening yang paling terkenalnal di-launching dengan adalah pasangan suami istri head single yang juga berjudul sama itu. Meski album didominasi dengan di korea, berbahanan menampilkan sepuluh cover Nappytabs (Napoleon dan dengan albumnya, I Got A Boy. Lagu lagu-lagu beat up, penggemar tetap dasar beras dan me- album berbeda. Sembilan Tabitha. Mereka berasal dari itu ditulis komposer Eropa Will Simms, bisa menikmati lagu-lagu beat ngandung kadarar cover bergambar tiap-tiap Amerika dan meraih Emmy Sarah Lundbäck Bell, Anne Judith Wik, slow ballad di lagu Lost alkohol lebih tinggigi personel serta satu cover Awards pada 2009.Mereka plus semakin disempurnakan komposer in Love, Promise. menampilkan semua juga koreografer dari JLo, 50 dari makgeoli (arakak personel secara bersama- Cent, Celine Dion, dan Korea Yoo Young-jin. Lewat album ter - beras). Sejarah sojuu sama. Carrie Underwood. Jika dicermati, lagu andalan I Got A sebut, SNSD lang sung berawal sejak tahunn Boy tak bisa dimungkiri berhasil all kill. Girl band anak 1300an. Saat ituu membuat banyak penggemar merasa buah SM En ter- pasukan Mongoll kaget dan bingung karena SNSD tainment itu mampu dari Persia berpe - bermain-main dengan lebih dari satu me nem pati pe ring kat rang dengan Korea, Lagu Dancing Queen DI MV ada satu kalimat seharusnya dipakai ketika SNSD yang Jessica nyanyiin. warna musik. Rupanya, SNSD ingin per ta ma di be be rapa dari perang tersebut come back pada 2008, bukan Begini nih kalimatnya, menampilkan kesan avant garde, inovasi chart Korea. pihak mongol me- Gee. Tapi, karena tersangkut ”Don’t stop! Let’s bring it baru tanpa batas untuk karya seni. Di Bahkan, di Je- nga jarkan cara masalah copyright-nya, akhirnya back to ‘one forty.” Tapi, awal lagu, terdengar sentuhan musik pang, lagu itu penyu lingan arak. C Gee yang dipakai sebagai lagu kalau dengar MP3-nya, hip hop dan langsung disambung musik berada di pe- Tem pat penyu lingangan comeback mereka. Jadi, SM pada 1 menit 40 detik bukan plagiator lagu Mercy yang pop dengan warna yang jauh berbeda, ring kat nomor pertama di Korea berada di se kitar Kaesong. pertama ada bagian yang tapi tetap catchy didengar. satu melalui dinyanyikan Duffy. liriknya ”I got a boy meotjin! Minum soju bia sanya dilakukan oleh hampir Di pertengahan lagu, musik kembali pen jualan di se luruh warga Ko rea, mereka bia sanya minum berubah dengan tempo yang lebih iTunes hing ga saat sepulang ke rja dan minum sampai mabuk intens. Di bagian itu pun terdengar me nga lahkan berat. Atau saat masuk perguruan tinggi ada tradisi member SNSD nge-rap dan lagi-lagi penyanyi Carly minum dengan orang yang lebih tua (Senior), Arti lain dari one forty juga Seohyun dan Yuri menulis musik langsung berubah sedikit lebih Rae Jepsen dan Exile. cara minum soju juga memiliki tata tertib loh. balik lagi ke 140 BPM. BPM lagu XYZ dan Baby Maybe (yak/bs/c6/dri) adalah beats per minute di album I Got A Boy. pelan. Keterkejutan fans belum berakhir Dengan mengangkat gelas menggunakan kedua atau yang biasa digunakan Jessica dan Tiffany menulis karena menjelang satu menit terakhir, tangan dan meneguknya dalam sekali tegukan, 140 untuk menghitung tempo. lagu Dancing Queen. Oh SNSD kembali memberi musik dengan setelah minuman masuk ke tenggorokan peminum Benar loh, setelah dicek, iya, Sooyoung juga irama yang sama sekali berbeda. SEXY TATTOO: akan bersuara “kaaaahhhhk..” karena rasa soju ternyata memang 140 BPM berperan penting loh dalam Secara keseluruhan, I Got A Boy seperti Seohyun ubah akan bereaksi saat memasuki tenggorokan. atau lebih tepatnya 139.88 penulisan lagu Baby campuran beberapa lagu yang dipaksa image melankolis Soju sangat dekat dengan artis-artis cantik, karena BPM. Keren!! Maybe. (ima/bs/c11/dri) digabung menjadi satu. Namun, setelah menjadi sedikit biasanya iklan soju selalu berhubungan dengan berkali-kali mendengar, kalian mungkin bitchy. artis cantik papan atas. (ima/bs/dri) Sunye Menikah, Wonder Girls Vakum KESUKSESAN karirnya bersama Wondergirls yang sempurna untuk menjadi menantunya. Selain menjadi pengiring pengantin, Jo Kwon tidak lantas membuat Sunye melupakan kodrat ”Sunye gadis yang sopan dan rendah hati. Dia akan didapuk menjadi MC pernikahan karena sebagai perempuan. Cewek energik itu memutuskan sangat cantik dan mengagumkan. Dia sangat kepribadiannya yang ceria dan mampu membawakan untuk mengakhiri masa lajang. Leader Wonder sempurna. Ketika istri saya pertama bertemu suasana. Oh iya, nanti pesta pernikahan tersebut Girls ’Sun (Min Sunye) akan menikah pada 26 Sunye, kami telah memiliki firasat bahwa dia akan dibagi menjadi dua bagian, termasuk salah satunya Januari. Sun, yang memulai debut pada 2007 menjadi bagian dari keluarga kami,” urainya. upacara pernikahan dengan tradisi Kristen. Ratusan dan memimpin Wonder Girls sebagai leader Sementara itu, James adalah cowok ganteng famili, rekan, dan sahabat dua mempelai turut mereka selama enam tahun, akhirnya memutuskan yang atletis dan menyukai permainan sepak bola diundang ke pernikahan tersebut. untuk menikah. Pria beruntung yang akan menikahi serta hoki. Menurut keterangan Park Wan, James Juru bicara JYP Entertainment menyatakan, Sunye adalah James Park, pria keturunan Korea- dan Sunye akan menikah dan memulai hidup Sun akan berfokus pada pernikahannya dan Kanada yang tinggal di Kanada. Rabu lalu (28/11) baru di Kanada. ”Saya yakin pasangan ini akan kehidupan keluarga. Untuk sementara waktu, acara Late Night TV Entertainment di TV SBS tinggal di Kanada untuk beberapa waktu,” ujar anggota lain Wonder Girls akan berkonsentrasi berhasil menghubungi calon ayah mertua Sunye, Park Wan. pada kegiatan individu seperti akting, produser, Park Wan, yang juga berdomisili di Kanada. Seperti dilansir Soompi, pernikahan Sunye pada album solo, dan kegiatan siaran lainnya. Agenda Dalam obrolan singkat jarak jauh itu, Park Wan Januari akan dihelat di Hotel Lotte, Seoul. Kabarnya, solo yang sudah diumumkan adalah Yenny CHLOE FORMASI LENGKAP: Min Sunye (kedua dari kiri) saat menghadiri Chloe Fashion Show di Shanghai mengungkapkan kebahagiaannya menjadi calon Jo Kwon yang menjadi teman dekat Sunye di JYP yang mencoba bermain di musikal The Three tahun lalu bersama seluruh personel Wonder Girls. mertua Sunye. Di mata Park Wan, Sunye sosok Entertainment akan menjadi pengiring pengantin. Musketeers Februari mendatang. (c6/dri).
Recommended publications
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • K-Pop Fandom in Lima,Perú
    Wesleyan ♦ University K-POP FANDOM IN LIMA, PERÚ: VIRTUAL AND LIVE CIRCULATION PATTERNS By Stephanie Ho Faculty Advisor: Dr. Mark Slobin A Dissertation submitted to the Faculty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts. Middletown, Connecticut MAY 2015 i Acknowledgements I would like to thank my advisor, Dr. Mark Slobin, for his invaluable guidance and insights during the process of writing this thesis. I am also immensely grateful to Dr. Su Zheng and Dr. Matthew Tremé for acting as members of my thesis committee and for their considered thoughts and comments on my early draft, which contributed greatly to the improvement of my work. I would also like to thank Gabrielle Misiewicz for her help with editing this thesis in its final stages, and most importantly for supporting me throughout our time together as classmates and friends. I thank the Peruvian fans that took the time to help me with my research, as well as Virginia and Violeta Chonn, who accompanied me on fieldwork visits and took the time to share their opinions with me regarding the Limeñan fandom. Thanks to my friends and colleagues at Wesleyan – especially Nicole Arulanantham, Gen Conte, Maho Ishiguro, Ellen Lueck, Joy Lu, and Ender Terwilliger – as well as Deb Shore from the Music Department, and Prof. Ann Wightman of the Latin American Studies Department. From my pre-Wesleyan life, I would like to acknowledge Francesca Zaccone, who introduced me to K-pop in 2009, and has always been up for discussing the K-pop world with me, be it for fun or for the purpose of helping me further my analyses.
    [Show full text]
  • Between Hybridity and Hegemony in K-Pop's Global Popularity
    International Journal of Communication 11(2017), 2367–2386 1932–8036/20170005 Between Hybridity and Hegemony in K-Pop’s Global Popularity: A Case of Girls’ Generation’s American Debut GOOYONG KIM1 Cheyney University of Pennsylvania, USA Examining the sociocultural implications of Korean popular music (K-pop) idol group Girls’ Generation’s (SNSD’s) debut on Late Show With David Letterman, this article discusses how the debut warrants a critical examination on K-pop’s global popularity. Investigating critically how the current literature on K-pop’s success focuses on cultural hybridity, this article maintains that SNSD’s debut clarifies how K-pop’s hybridity does not mean dialectical interactions between American form and Korean content. Furthermore, this article argues that cultural hegemony as a constitutive result of sociohistorical and politico- economic arrangements provides a better heuristic tool, and K-pop should be understood as a part of the hegemony of American pop and neoliberalism. Keywords: Korean popular music, cultural hybridity, cultural hegemony, neoliberalism As one of the most sought-after Korean popular music (K-pop) groups, Girls’ Generation’s (SNSD’s) January 2012 debut on two major network television talk shows in the United States warrants critical reconsideration of the current discourse on cultural hybridity as the basis of K-pop’s global popularity. Prior to Psy’s “Gangnam Style” phenomenon, SNSD’s “The Boys” was the first time a Korean group appeared on an American talk show. It marks a new stage in K-pop’s global reach and influence. With a surge of other K- pop idols gaining global fame, especially in Japan, China, and other Asian countries, SNSD’s U.S.
    [Show full text]
  • Analysing Korean Popular Music for Global
    Analysing Korean Popular Music for Global Audiences: A Social Semiotic Approach Jonas Robertson Paper originally submitted March 2014 to the Department of English of the University of Birmingham, UK, as an assignment in Multimodal Communication, in partial fulfillment of a Master of Arts in Teaching English as a Foreign / Second Language (TEFL / TESL). Assignment: MMC/13/04 Collect between three and five pieces of music that might be taken to represent a particular artist, genre, style, or mood and present an analysis in terms of the social semiotic approach to music. You might like to concentrate on one or more of the following: - Timing - Sound quality - Melody - Perspective - Tagg’s Sign Typology Reflect briefly on how useful you found the framework in identifying how the pieces of music you chose might work to make meanings. 1 Contents 1 Introduction 3 2 Background of Social Semiotics and Music 3 3 Framework for Analysis 4 4 Analysis A: Fantastic Baby by Big Bang 7 5 Analysis B: I Got a Boy by Girls’ Generation 8 6 Analysis C: The Baddest Female by CL 10 7 Analysis D: La Song by Rain 12 8 Discussion 14 9 Conclusion 15 References 17 Appendices 19 2 1 Introduction This paper documents the analysis of four sample selections of Korean popular music (K- pop) from a social semiotic approach to determine what meanings are conveyed musically. Each of these songs have been selected as examples of K-pop that have been designed to be marketed beyond the borders of Korea, targeting an increasingly global audience. Despite featuring primarily Korean lyrics, these major hits remain popular among the millions of fans overseas who cannot understand most of the words.
    [Show full text]
  • Old and New Version of Aim for Mac
    Old And New Version Of Aim For Mac 1 / 5 Old And New Version Of Aim For Mac 2 / 5 3 / 5 Sunye transformed into a strong blonde with smoky makeup, while Yubin turned into a lovable young girl. ICQ Version 3 02 is compatible with Mac OS 8 1-8 5 and 3 2 Beta 5 is compatible with OS 8.. The band debuted in early 2007, under JYP Entertainment On January 27, 2017, it was officially announced the disband of Wonder Girls.. Wonder girls sunye yubin for mac May 25, 2016 Wonder Girls Members Profile 2018: Wonder Girls Facts, Wonder Girls Ideal Types Wonder Girls consists of 4 members.. 6 Version 3 4 23 is compatible with OS 9-X Download New Version Of AimAIM 509 - AOL Instant Messenger client. How To Transfer Money Between Accounts In Quicken For Mac 2016 Download New Version Of Aim FreeDownload New Version Of AimDownload New Version Of Aim FreeICQ Description ICQ is one of the first popular instant messaging clients for computers.. They were co-managed in the United States by Creative Artists Agency [needs update?The group began their entry into the American market in.. It was first developed by a group of Israeli developers who saw a lack for a medium to locate and connect different computer users in real time through the internet. load Djmax Trilogy Usb Key Crack Zip Starcraft 2 Download Full Game Free Mac Gratis Skin Pack Anime Windows 7 Game elements gge909 driver for mac Thank you for your question Tencolor and if you have more question to ask then please 4 / 5 don`t hesitate to ask it here and i promise you that you will get a quick response from us.
    [Show full text]
  • David Thibodeau
    Wisconsin Veterans Museum Research Center Transcript of an Oral History Interview with DAVID THIBODEAU Artillery, Army, World War II 2000 OH 286 OH 286 Thibodeau, David. (1925- ). Oral History Interview, 1999. Master Copy: 1 video recording (ca. 70 min.); ½ inch, color. User Copy: 2 audio cassettes (ca. 70 min.); analog, 1 7/8 ips, mono. Abstract: David Thibodeau, a Peshtigo (Wisconsin) native, discusses his World War II service as a howitzer gunner with Battery B of the 42nd Artillery Battalion which supported the 4th Infantry Division in Europe. Landing at Normandy three days after D-Day, Thibodeau recalls seeing wrecked gliders, living in a foxhole, moving through the hedgerows, and attempting to help soldiers who had been wounded by German fire. He touches upon s ut s t t n qu rt r t p r n P r s r n n st y n n r n hayloft. Thibodeau tells of crossing into Belgium and Germany, finding and drinking wine in an abandoned chalet and fighting in the Hurtgen Forest where he was wounded and taken prisoner. He describes his treatment as a prisoner of war (POW) including trading cigarettes with his captors, working in a bakery, stay in Stalag 4B, and working on a German farm. Thibodeau talks about the food in camp, actions of other prisoners, and being abandoned by the German guards and moving west to avoid the advancing Russians. He comments on liberation, stay at Camp Lucky Strike, and return trip to New York. Biographical Sketch: David Thibodeau was born in Iron Mountain (Michigan) in 1925 and was drafted to the army in 1943 and served in World War II in an artillery battalion in Europe.
    [Show full text]
  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology.
    [Show full text]
  • Program Schedule Virtual Event
    IEEE BigData 2020 Program Schedule Virtual Event Conference time zone: USA Eastern Standard Time A few days before the event, every registered participant will get an email from the company to provide the login information to access the virtual conference platform. Sponsored by 2020 IEEE International Conference on Big Data IEEE Big Data 2020 Program Schedule .............................................................................................................................. 2 Keynote Lectures ................................................................................................................................................................... 8 Conference Paper Presentations ........................................................................................................................................ 10 Industry and Government Paper Presentations ............................................................................................................... 16 Tutorials ............................................................................................................................................................................... 19 Workshops ............................................................................................................................................................................ 22 Special Symposiums ............................................................................................................................................................ 24 Special
    [Show full text]
  • Gender Discrimination in the K-Pop Industry
    Journal of International Women's Studies Volume 22 Issue 7 Gendering the Labor Market: Women’s Article 2 Struggles in the Global Labor Force July 2021 Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry Liz Jonas Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Jonas, Liz (2021). Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry. Journal of International Women's Studies, 22(7), 3-18. Available at: https://vc.bridgew.edu/jiws/vol22/iss7/2 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2021 Journal of International Women’s Studies. Crafted for the Male Gaze: Gender Discrimination in the K-Pop Industry By Liz Jonas1 Abstract This paper explores the ways in which the idol industry portrays male and female bodies through the comparison of idol groups and the dominant ways in which they are marketed to the public. A key difference is the absence or presence of agency. Whereas boy group content may market towards the female gaze, their content is crafted by a largely male creative staff or the idols themselves, affording the idols agency over their choices or placing them in power holding positions. Contrasted, girl groups are marketed towards the male gaze, by a largely male creative staff and with less idols participating.
    [Show full text]
  • Fenomena Hallyu Tren
    FENOMENA HALLYU DALAM PEMBENTUKAN TREN REMAJA (Studi kasus pada Sone penggemar Girl Band Korea “Girls Generation” di Han-Guk Aein Community) SKRIPSI Diajukan sebagai Salah Satu Syarat untuk Memperoleh Gelar Sarjana Ilmu Komunikasi pada Konsentrasi Humas Program Studi Ilmu Komunikasi Disusun Oleh : Muhammad Auliya Ul Ikhwan NIM. 082099 KONSENTRASI HUMAS PROGRAM STUDI ILMU KOMUNIKASI FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS SULTAN AGENG TIRTAYASA BANTEN 2014 “Keterbatasan bukanlah sebuah halangan, akan tetapi keterbatasan justru menjadi tanda bahwa kita masih berada dibawah keharusan kita ” (Mario Teguh) Skripsi ini kupersembahkan tulus untuk Bapak dan Ibu Terima kasih atas doa, kesabaran dan ketulusan tiada henti Yang menjadikanku luar biasa... ABSTRAK Muhammad Auliya Ul Ikhwan, 082099. 2014. Tim Pembimbing : Neka Fitriyah, S.Sos., M.Si. selaku dosen pembimbing pertama dan Andin Nesia, S.ik., M.Ikom.. selaku dosen pembimbing kedua. Judul penelitian : Fenomena Hallyu dalam Pembentukan Tren Remaja (Studi Kasus pada SONE Penggemar Girl Band Korea Girls’ Generation di Han-guk Aein Community)”. Penelitian ini untuk mengetahui bagaimana fenomena Hallyu dalam pembentukan tren remaja, mulai dari awal diperkenalkan hingga membentuk trend remaja. Dalam penelitian ini, yang menjadi fokus penelitian adalah bagaimana proses mengadopsi trend remaja khususnya Sone di komunitas Han Guk Aein dan bagaimana proses interaksi terhadap komunitas lainnya. Penelitian ini menggunakan teori Asimilasi dan teori Penyusunan Tindakan. Penelitian ini menggunakan metode dengan pendekatan deskriptif kualitatif. Peneliti mengumpulkan data dengan wawancara, dan observasi. Obyek penelitian ini adalah karena memenuhi kriteria sebagai informan yaitu memahami tentang fenomena hallyu secara mendalam. Dalam penelitian ini, peneliti berhasil mendapatkan data dan informasi tentang bagaimana proses mengadopsi trend remaja khususnya Sone di komunitas Han Guk Aein dan bagaimana proses interaksi terhadap komunitas lainnya.
    [Show full text]
  • Marketing K-Pop and J-Pop in the 21St Century Sarah Brand Dickinson College
    Dickinson College Dickinson Scholar Student Honors Theses By Year Student Honors Theses 5-21-2017 Marketing K-Pop and J-Pop in the 21st Century Sarah Brand Dickinson College Follow this and additional works at: http://scholar.dickinson.edu/student_honors Part of the Asian Studies Commons, Digital Humanities Commons, Japanese Studies Commons, Korean Studies Commons, Music Commons, and the Other Film and Media Studies Commons Recommended Citation Brand, Sarah, "Marketing K-Pop and J-Pop in the 21st Century" (2017). Dickinson College Honors Theses. Paper 266. This Honors Thesis is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. MARKETING K-POP AND J-POP IN THE 21ST CENTURY Sarah Brand Senior Thesis Department of East Asian Studies Dickinson College May 10, 2017 Brand 2017 Music is an important part of daily life and, as a result, an integral part of culture. The way in which individuals are exposed to different genres and types of music helps illustrate the extent to which globalization has had an impact on the world. Before the invention of the internet, music was only available for purchase to consumers who went to record stores and physically purchased goods. Now, countless unique songs and genres are readily available with just a single search. Due to how easily consumers can access new music, digital distribution has completely overtaken the profit from selling physical copies of albums. In 2006, record labels still made $9.4 billion from CD sales in the United States, despite the fact that digital distribution entities, such as Napster and iTunes, provided digital copies of the same songs.
    [Show full text]
  • A Feminist Political Economy of the Korean Popular Music Industry
    A Feminist Political Economy of the Korean Popular Music Industry by Hyejin Jo M.A., Hankuk University of Foreign Studies, 2016 B.A., Hankuk University of Foreign Studies, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art and Technology © Hyejin Jo 2019 SIMON FRASER UNIVERSITY Summer 2019 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Hyejin Jo Degree: Master of Arts Title: A Feminist Political Economy of the Korean Popular Music Industry Examining Committee: Chair: Daniel Ahadi Lecturer Dal Yong Jin Senior Supervisor Professor Martin Laba Supervisor Associate Professor Ju Oak Kim External Examiner Assistant Professor Department of Psychology and Communication College of Arts and Sciences at Texas A&M International University Date Defended/Approved: July 12, 2019 ii Abstract Gender disparity is an emerging issue in contemporary South Korea. Despite the significant increase in gendered concerns, there has been a lack of discussion on gender inequality problems in the Korean popular music industry. For this reason, this thesis aims to investigate gender inequalities and power relations embedded in the male-dominated Korean popular music industry by analyzing the texts, images and music of Korean girl groups through the lens of a feminist political economy. In doing so, this study utilizes textual analysis in order to examine how gendered hierarchy and patriarchal power, acting as industrial practices, exploit Korean girl groups in the Korean popular music industry.
    [Show full text]