The Wire's Love Affair with Baltimore

Total Page:16

File Type:pdf, Size:1020Kb

The Wire's Love Affair with Baltimore “And All the Pieces Matter” The Wire’s Love Affair With Baltimore ECENTLY MY PHOTOGRAPHY 2007. “I’m not thinking about the Baltimore Police Chief, Ed Norris also job sent me to an inner-city general reader. My greatest fear is that appears on the show as a Homicide school in Baltimore. As my co- the people in the world I’m writing about named after himself. R workers and I drove through will read it and say, ‘Nah, there’s nothing The story lines also mirror real-life the streets, I realized much of the area there.’ The characters feel real and hu- Baltimore events. For instance, former looked familiar. I had never been in this man, which is why the show has received Mayor Kurt Schmoke’s infamous policy particular section of the city, but I had so much critical praise. of legalizing drugs was brought to life seen many of the streets – Calhoun, To anyone who has ever lived there, in the third season, when a renegade North Avenue, and Fulton. I recognized The Wire is Baltimore. As a Baltimore District Commander proposes a similar a Footlocker, a middle school and even Sun reporter on the crime-beat in the idea. Likewise, the rise of fictional City street corners. late 1980’s, Simon saw the devastation Council President Tommy Carcetti is not Why was I familiar with this area his city was going through. In 1988, too far removed from that of former when I had never ventured this way be- he followed Homicide detectives for a Baltimore Mayor (and current Maryland fore? I had seen these places on HBO’s year. The result was Homicide: A Year on Governor) Martin O’Malley. As Carcetti The Wire – a fictional show depicting the the Killing Streets, which brought national rises to power, City Council President inner-city drug-trade of Baltimore. Since attention to Baltimore’s crime-infested Narese Campbell – a fictionalized my job had taken me to West Baltimore streets. Besides gaining Simon critical ac- version of Baltimore’s current mayor, (where most of the show takes place) colades, his book became the inspiration Shelia Dixon, often derails him. I was in the center of Wire territory. I of the NBC show Homicide: Life on the Simon may have brought many of the recognized these places because they Street, also set in Baltimore. Homicide used city’s police cases to life, but he didn’t actually appear in The Wire. The Wire many of the cases presented in the book, forget his days at The Baltimore Sun either. brings accents, trends, and real-life cases but it was The Wire where Simon strived For the show’s fifth and final season, into his fictional Baltimore. Attention to use the city as a character. Simon directed his venom at the news- to detail towards its home city is what Simon incorporated local issues, paper industry. The Sun is represented. makes The Wire truly unique for a trends, and real-life personalities into Much of the plot revolves around television show. The Wire as well as local talents for incidents Simon faced such as reporters Authenticity is at the heart of The various cast members and production. fabricatng articles. The character of Gus Wire. “I’m the kind of person who, Former Homicide detective Jay Lands- Haynes, The Sun’s city desk editor, paral- when I’m writing, cares above all about man (who appears in Homicide) not only lels’ Simon’s former position. Simon whether the people I’m writing about plays district Commander Jay Mello, but also wrote an obituary for a drug-addict will recognize themselves,” creator David also has a character named after himself who would be be the inspiration for the Simon told the New Yorker in October played by Delaney Williams. Former troubled addict Bubbles. Fact Vs. Fiction: Many characters in The Wire are inspired by real-life Baltimore Officials. (L-R): Delaney Williams plays Jay Landsman, the real Jay Landman who appeared in Simon’s Homicide takes on the role of Srgt. Jay Mello; The rise of Baltimore Mayor Tommy Carcetti is similar to that of real-life former Mayor (and current MD governor Martin O’Malley; As city council president, Narese Campbell is a thorn in Carcetti’s side, a position that current Baltimore mayor Sheila Dixon once held. Simon’s writing partner, Ed Burns, west Baltimore. Snoop is played by characterization of Baltimore, Simon also helped to bring The Wire’s Balti- Baltimore local ex-con Felicia Pearson, brings in local traits to further enliven more to life. Burns, who was a part of and T-shirts with her face on it are sold the show. Characters are often spot- Baltimore’s Police Department in the on the street corners. And even though ted drinking National Bohemian Beer 1980’s, brought his own experiences into she is now just acting a part, there is a beer once brewed in Baltimore. In the show. His detail on drug kingpin a sense among viewers that she has one scene, there is a joke about rezon- Melvin Williams led to his arrest – a case earned the right to do so. Just like the ing part the working class neighbor- that provided the plot for much of The creators of the show, she knows how hood of Locust Point to the slightly Wire’s first season. (Williams himself to bring authenticy to her role. Pearson, richer neighborhood of Federal Hill. would later appear on the show, playing like fellow local Robert F. Chew who In another scene, rival New York a deacon). After retiring from the Police plays Proposition Joe Stewart, speaks in drug-dealers are killed off when they force, Burns had a hand in inner-city such a thick Baltimore accent that could cannot name Baltimore Hip-hop artists. schools. His familiarity with the school only be achieved by a true native. During a self-destructive drinking binge, system was the basis for the show’s Another such popular character is Detective Jimmy McNulty is seen nurs- much lauded 4th season. This career stick-up man Omar. He is so popular ing his hangover at Sip N’ Bite, a diner change is loosely portrayed by the char- that Newsweek provided a tribute upon known as a post-drinking hangout. acter Roland Prezbulyski. Prezbulyski is his death, and President Obama even Simon loves adding these little jokes kicked out of the Police force, only to named himself a fan. His a character of saying, “there’s an extra kick for the end up teaching at an inner-city middle a strict moral code who never robs or locals. But here’s the other thing: these school. It is no accident then, given the kills anyone not involed in “the game” are faces you don’t see on television, the background of the creators, that The and while this is a factor in his popular- faces and voices of the real city.” Wire reads so authentically. These are ity it is not the sole one. He, like the Many critics have called The Wire the people who lived the stories they are rest of the beloved characters feels real best show on television for its ambi- telling and who know the people they and true to his surroundings. This is tion, characters and portrayal of a world are telling about. probably because he is again a blend often ignored. Using Baltimore as both “What’s interesting about The Wire is of many real stick-up men who once a setting and a character, Simon has a lot of fans are bright liberal intel- roamed the city streets- Shorty Boyd, created a new kind of vision – a show lectuals,” says Kevin Farrell, who used Donnie Andrews, Ferdinand Harvin, where fact and fiction collide without to teach English at Cardinal Gibbons in and Anthony Hollie. (Andrews appeard any hint of irony or pretense. Baltimore. “But it’s also inner city kids in a scene helping Omar in prison.) who see themselves.” This is evident As if real-life cases, politics, and by the popularity of Snoop, in real people weren’t enough sources for the Former Baltimore Mayor Kurt Schmoke’s infamous policy of legalizing drugs was brought to life in “The Wire” when a renegade District Commander proposes a similar idea. .
Recommended publications
  • Jewell Chambers Transcript
    COPYRIGHT / USAGE Material on this site may be quoted or reproduced for personal and educational purposes without prior permission, provided appropriate credit is given. Any commercial use of this material is prohibited without prior permission from The Special Collections Department - Langsdale Library, University of Baltimore. Commercial requests for use of the transcript or related documentation must be submitted in writing to the address below. When crediting the use of portions from this site or materials within that are copyrighted by us please use the citation: Used with permission of the University of Baltimore. If you have any requests or questions regarding the use of the transcript or supporting documents, please contact us: Langsdale Library Special Collections Department 1420 Maryland Avenue Baltimore, MD 21201-5779 http://archives.ubalt.edu The University of Baltimore is launching a two-year investigation called “Baltimore’68: Riots and Rebirth,” a project centered around the events that followed the assassination of Dr. Martin Luther King, Jr., and their effects on the development of our city. UB administration and faculty members in the law school and in the undergraduate departments of history and community studies are planning a series of projects and events to commemorate the 40th anniversary of this pivotal event. We are currently working with the Reginald F. Lewis Museum of Maryland African American History, The Jewish Museum of Maryland, Maryland Public Television and the Enoch Pratt Free Libraries to pursue funding for projects that may include conferences, a website and a library traveling exhibit. Your potential participation in an oral history project would contribute to the very foundation of this project – the memories of Baltimoreans who lived through the riots and saw the changes that came about in response to them.
    [Show full text]
  • A Memoir, Felicia Pearson, David Ritz, Grand Central Publishing, 2009, 0446195197, 9780446195195, 240 Pages
    Grace After Midnight: A Memoir, Felicia Pearson, David Ritz, Grand Central Publishing, 2009, 0446195197, 9780446195195, 240 pages. While Felicia is a brilliant actor in a truly chilling role, what's most remarkable about "Snoop" is what she has overcome in her life. Snoop was born a three-pound cross-eyed crack baby in East Baltimore. Those streets are among the toughest in the world, but Snoop was tougher. The runt of the ghetto showed an early aptitude for drug slinging and violence and thrived as a baby gangsta until she landed in Jessup state penitentiary after killing a woman in self-defense. There she rebelled violently against the system, and it was only through the cosmic intervention of her mentor, Uncle Loney, that she turned her life around. A couple of years ago, Snoop was discovered in a nightclub by one of The Wire's cast members and quickly recruited to be one of television's most frightening and intriguing villians.While the story of coming up from the hood has been told by Antwone Fisher and Chris Gardner, among others, Snoop's tale goes far deeper into The Life than any previous books. And like Mary Karr's story, Snoop's is a woman's story from a fresh point of view. She defied traditional conventions of gender and sexual preference on the hardest streets in America and she continues to do so in front of millions of viewers on TV.. DOWNLOAD HERE Gunmetal Black , Daniel Serrano, Sep 15, 2008, Fiction, . As a child, Eddie Santiago grows up on the mean streets of his Puerto Rican neighborhood in Chicago, where he witnesses his father's murder.
    [Show full text]
  • Representations of Education in HBO's the Wire, Season 4
    Teacher EducationJames Quarterly, Trier Spring 2010 Representations of Education in HBO’s The Wire, Season 4 By James Trier The Wire is a crime drama that aired for five seasons on the Home Box Of- fice (HBO) cable channel from 2002-2008. The entire series is set in Baltimore, Maryland, and as Kinder (2008) points out, “Each season The Wire shifts focus to a different segment of society: the drug wars, the docks, city politics, education, and the media” (p. 52). The series explores, in Lanahan’s (2008) words, an increasingly brutal and coarse society through the prism of Baltimore, whose postindustrial capitalism has decimated the working-class wage and sharply divided the haves and have-nots. The city’s bloated bureaucracies sustain the inequality. The absence of a decent public-school education or meaningful political reform leaves an unskilled underclass trapped between a rampant illegal drug economy and a vicious “war on drugs.” (p. 24) My main purpose in this article is to introduce season four of The Wire—the “education” season—to readers who have either never seen any of the series, or who have seen some of it but James Trier is an not season four. Specifically, I will attempt to show associate professor in the that season four holds great pedagogical potential for School of Education at academics in education.1 First, though, I will present the University of North examples of the critical acclaim that The Wire received Carolina at Chapel throughout its run, and I will introduce the backgrounds Hill, Chapel Hill, North of the creators and main writers of the series, David Carolina.
    [Show full text]
  • {DOWNLOAD} Grace After Midnight : a Memoir
    GRACE AFTER MIDNIGHT : A MEMOIR PDF, EPUB, EBOOK David Ritz | 240 pages | 13 Nov 2009 | Little, Brown & Company | 9780446195195 | English | New York, United States Grace After Midnight : A Memoir PDF Book Pearson, David. Learn to make money in the stock market, even if you've never traded before. Pearson, Landon Carter —. She wrote a book called "The Kids on the Streets and the Kids Working Corners" to tell people whats right and whats good. Ark-venn pris Bli medlem. Account Options Sign in. For starters we can start off by defining it as a depiction of the American Dream. Book was a good read.. Both her parents were in jail at the time of her birth. As a result, at age fifteen, Pearson was convicted of second-degree murder and sentenced to two consecutive eight- year terms in prison at the Maryland Correctional Institution for Women in Jessup. Even the title caught my attention. One of the most recognizable young poets in America, Olivia Gatwood dazzles with her tribute to contemporary American womanhood in her debut book, New American Best Friend. Jan 11, Kaya rated it really liked it. Her story made me think about the ways our hetero-normative, class-biased, prison-industrial complex oppresses people of color, LGBTQ people, and the formerly incarcerated. There she rebelled violently against the system, and it was only through the cosmic intervention of her mentor, Uncle Loney, that she turned her life around. Shelve Girl Walks into a Bar. The American Dream brought life to American Culture, allowing it to grow and nourish upon the world.
    [Show full text]
  • Narrative Epic and New Media: the Totalizing Spaces of Postmodernity in the Wire, Batman, and the Legend of Zelda
    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-17-2015 12:00 AM Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda Luke Arnott The University of Western Ontario Supervisor Nick Dyer-Witheford The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Luke Arnott 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons Recommended Citation Arnott, Luke, "Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda" (2015). Electronic Thesis and Dissertation Repository. 3000. https://ir.lib.uwo.ca/etd/3000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. NARRATIVE EPIC AND NEW MEDIA: THE TOTALIZING SPACES OF POSTMODERNITY IN THE WIRE, BATMAN, AND THE LEGEND OF ZELDA (Thesis format: Monograph) by Luke Arnott Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Luke Arnott 2015 Abstract Narrative Epic and New Media investigates why epic narratives have a renewed significance in contemporary culture, showing that new media epics model the postmodern world in the same way that ancient epics once modelled theirs.
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with Kurt Schmoke
    Biographical Description for The HistoryMakers® Video Oral History with Kurt Schmoke PERSON Schmoke, Kurt , 1949- Alternative Names: Schmoke, Kurt , 1949-; Life Dates: December 1, 1949- Place of Birth: Baltimore, Maryland Residence: Annapolis, MD (from ? to ?) Occupations: Mayor; City Attorney; Academic Administrator Biographical Note Mayor, city attorney, and academic administrator Hon. Kurt L. Schmoke was born on December 1, 1949 in Baltimore, Maryland, the only child of Irene and Murray Schmoke. College-educated, Murray Schmoke was a chemist while Irene was a social worker. Schmoke attended Baltimore City College, a public high school, where he was the quarterback of the school’s state champion football team. Schmoke’s parents and pastor, Marion Bascom of the Douglas Memorial Community Church, encouraged his academic career. Schmoke was also mentored by Baltimore Judge Robert Hammerman, who asked him to join the Lancers Boys Club, a youth organization that Hammerman ran in his spare time. Schmoke attended Yale University, where he continued to excel in school and athletics, and was chosen to represent the student body during the turmoil that surrounded the 1970 trial of Black Panther Bobby Seale. Schmoke graduated with his B.A. degree in history in 1971, after which he was selected for a Rhodes Scholarship. He studied at Oxford University in England for two years, traveling throughout Europe and Africa in his free time. Schmoke attended Harvard Law School, graduating with his J.D. degree in 1976. While in law school, he met and married Baltimore native and ophthalmologist Patricia Locks. The couple has two children, Gregory and Katherine. After passing the Maryland Bar Examination, Schmoke joined the prominent law firm of Piper & Marbury, where he worked for less than two years before being recruited by the Carter Administration to work as assistant director under Stuart Eizenstat on the White House Domestic Policy Staff.
    [Show full text]
  • Why Every Show Needs to Be More Like the Wire (“Not Just the Facts, Ma’Am”)
    DIALOGUE WHY EVERY SHOW NEEDS TO BE MORE LIKE THE WIRE (“NOT JUST THE FACTS, MA’AM”) NEIL LANDAU University of California, Los Angeles (UCLA) The Wire (HBO, 2002-2008) upends the traditional po- ed the cop-drama universe. It was a pioneering season-long lice procedural by moving past basic plot points and “twists” procedural. Here are my top 10 reasons why Every Show in the case, diving deep into the lives of both the cops and Needs to Be More Like The Wire. the criminals they pursue. It comments on today’s America, employing characters who defy stereotype. In the words of — creator David Simon: 1. “THIS AMERICA, MAN” The grand theme here is nothing less than a nation- al existentialism: It is a police story set amid the As David Simon explains: dysfunction and indifference of an urban depart- ment—one that has failed to come to terms with In the first story arc, the episodes begin what the permanent nature of urban drug culture, one would seem to be the straightforward, albeit pro- in which thinking cops, and thinking street players, tracted, pursuit of a violent drug crew that controls must make their way independent of simple expla- a high-rise housing project. But within a brief span nations (Simon 2000: 2). of time, the officers who undertake the pursuit are forced to acknowledge truths about their de- Given the current political climate in the US and interna- partment, their role, the drug war and the city as tionally, it is timely to revisit the The Wire and how it expand- a whole.
    [Show full text]
  • Report of the Maryland Heritage Committee to the Governor and General Assembly of Maryland
    Report of the Maryland Heritage Committee to the Governor and General Assembly of Maryland Maryland celebrates 350 years MARYLAND HERITAGE COMMITTEE March, 1985 On the Occasion of Maryland’s 350th Birthday from the Ark of refuge, from the Dove of peace, we have become. we celebrate three hundred fifty years of learning. turning watermen and women, hill folk and city, into citizens. safe now and at peace in this proud state named for a woman we blend our brown and yellow, red and black and white into a greater We. Maryland, heiress to refuge and to peace. We celebrate. We praise. by Lucille Clifton Poet Laureate of Maryland This book was composed in Caslon 540 text and display type by Brushwood Graphics Studio from a design by Carleton ‘B’ Hayek. It was printed by the Collins Lithographing & Printing Company, Inc. 20C71453 Report of The MARYLAND HERITAGE COMMITTEE Annapolis March 29, 1985 Report of the Maryland Heritage Committee to the Governor and General Assembly of Maryland Peoples and nations pause occasionally to celebrate their gods, their heroes and victories, their origins and successes. Maryland first celebrated its founding in 1834 and has continued to do so in 50 year intervals. The pattern for celebrating thus established, Maryland was ready as 1984 approached to look back with pride on 350 years of political, social and cultural achievement. As in previous an- niversaries, the celebration of the past became an affirmation of the future. To prepare the state for its 1984 celebration, the 1982 General Assembly of Maryland passed a resolution (Appendix i) creating the 350 Coordinating Com- mittee which subsequently became the Maryland Heritage Committee.
    [Show full text]
  • Criminal Procedure, the Police, and the Wire As Dissent
    Brooklyn Law School BrooklynWorks Faculty Scholarship 2018 Criminal Procedure, the Police, and The irW e as Dissent I. Bennett aC pers Brooklyn Law School, [email protected] Follow this and additional works at: https://brooklynworks.brooklaw.edu/faculty Part of the Criminal Law Commons, and the Criminal Procedure Commons Recommended Citation 2018 U. Chi. Legal F. 65 (2018) This Article is brought to you for free and open access by BrooklynWorks. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of BrooklynWorks. Criminal Procedure, the Police, and The Wire as Dissent Bennett Caperst The Wire is rich with metaphors. There is the physical wire in the opening credits, a metaphor for surveillance more generally. There is the metaphor of the wire in the sense of a modern tightrope-another filmic work, Man on a Wire,1 comes to mind-where any minute one can lose one's balance. There is even the metaphor of the wire in the 2 sense that the criminal justice system is all connected or networked. Indeed, thinking about our criminal justice system as a complex net- work allows us to see that many of the perceived flaws in the criminal justice system-racial disparities in charging3 and sentencing,4 and t Visiting Professor of Law, Boston University School of Law (Fall 2017); Stanley A. August Professor of Law, Brooklyn Law School. B.A. Princeton University; J.D. Columbia Law School. Assistant U.S. Attorney, Southern District of New York 1995-2004. E-mail: bennett.capers @brooklaw.edu. ' See generally MAN ON A WIRE (Magnolia Pictures 2008) (documentary about Phillipe Pet- it's successful attempt, on August 7, 1974, to walk on a wire suspended between the towers of the World Trade Center; his act would later be described as the "artistic crime of the century").
    [Show full text]
  • THE WIRE & the MYTHOLOGY of the WESTERN a Thesis Submitted
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Saskatchewan's Research Archive THE WIRE & THE MYTHOLOGY OF THE WESTERN A Thesis submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts In the Department of English University of Saskatchewan Saskatoon By KELSEY TOPOLA © Copyright Kelsey Topola, December, 2013. All rights reserved. PERMISSION TO USE In presenting this thesis/dissertation in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis/ dissertation in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis/dissertation work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis/dissertation or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis/dissertation. DISCLAIMER Reference in this thesis/dissertation to any specific commercial products, process, or service by trade name, trademark, manufacturer, or otherwise, does not constitute or imply its endorsement, recommendation, or favoring by the University of Saskatchewan.
    [Show full text]
  • Here in Our Own City, Baltimore
    THE WIRE Series Wrap-Up David Simon, Series Creator Welcome to a special series of podcasts by the Center for Emerging Media. On Sunday, the Wire will air its final episodes, marking the end of five seasons of intense social and political commentary transmitted in the form of a groundbreaking tv drama, set right here in our own city, Baltimore. I sat down with the showscreator, David Simon, who also serves as a writer and producver, to ghear his thoughts on what the Wire has meant to him and what he thinks The Wire says to all of us in the 21st century. Here is our conversation. The conversation I had with Ed was really good, we were talking a lot about the philosophy behind it and it’s funny, I said to him about whose characters were whose and how you work together to write things and he said that McNulty was probably more you than him. No, I say it’s more Ed than me. I do, listen, there’s some of me in there and there’s some of Ed in there and there’s some of nobody, there’s some of Dominic West. So, ultimately, I think plausible deniability requires Ed to say it’s more of me and requires me to say it’s more of Ed. We were talking about how the characters in this, those that stand up against the system, those that have some sense of honor and righteousness no matter who and what they do, are the ones that seem to always get it in the end, or get hurt in the process and not be able to come out on top.
    [Show full text]
  • The Wire the Complete Guide
    The Wire The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Tue, 29 Jan 2013 02:03:03 UTC Contents Articles Overview 1 The Wire 1 David Simon 24 Writers and directors 36 Awards and nominations 38 Seasons and episodes 42 List of The Wire episodes 42 Season 1 46 Season 2 54 Season 3 61 Season 4 70 Season 5 79 Characters 86 List of The Wire characters 86 Police 95 Police of The Wire 95 Jimmy McNulty 118 Kima Greggs 124 Bunk Moreland 128 Lester Freamon 131 Herc Hauk 135 Roland Pryzbylewski 138 Ellis Carver 141 Leander Sydnor 145 Beadie Russell 147 Cedric Daniels 150 William Rawls 156 Ervin Burrell 160 Stanislaus Valchek 165 Jay Landsman 168 Law enforcement 172 Law enforcement characters of The Wire 172 Rhonda Pearlman 178 Maurice Levy 181 Street-level characters 184 Street-level characters of The Wire 184 Omar Little 190 Bubbles 196 Dennis "Cutty" Wise 199 Stringer Bell 202 Avon Barksdale 206 Marlo Stanfield 212 Proposition Joe 218 Spiros Vondas 222 The Greek 224 Chris Partlow 226 Snoop (The Wire) 230 Wee-Bey Brice 232 Bodie Broadus 235 Poot Carr 239 D'Angelo Barksdale 242 Cheese Wagstaff 245 Wallace 247 Docks 249 Characters from the docks of The Wire 249 Frank Sobotka 254 Nick Sobotka 256 Ziggy Sobotka 258 Sergei Malatov 261 Politicians 263 Politicians of The Wire 263 Tommy Carcetti 271 Clarence Royce 275 Clay Davis 279 Norman Wilson 282 School 284 School system of The Wire 284 Howard "Bunny" Colvin 290 Michael Lee 293 Duquan "Dukie" Weems 296 Namond Brice 298 Randy Wagstaff 301 Journalists 304 Journalists of The Wire 304 Augustus Haynes 309 Scott Templeton 312 Alma Gutierrez 315 Miscellany 317 And All the Pieces Matter — Five Years of Music from The Wire 317 References Article Sources and Contributors 320 Image Sources, Licenses and Contributors 324 Article Licenses License 325 1 Overview The Wire The Wire Second season intertitle Genre Crime drama Format Serial drama Created by David Simon Starring Dominic West John Doman Idris Elba Frankie Faison Larry Gilliard, Jr.
    [Show full text]