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Bob Dylan: the 30 Th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’S Great Performances in March
Press Contact: Harry Forbes, WNET 212-560-8027 or [email protected] Press materials; http://pressroom.pbs.org/ or http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS “Bob Dylan: The 30 th Anniversary Concert Celebration” Returning to PBS on THIRTEEN’s Great Performances in March A veritable Who’s Who of the music scene includes Eric Clapton, Stevie Wonder, Neil Young, Kris Kristofferson, Tom Petty, Tracy Chapman, George Harrison and others Great Performances presents a special encore of highlights from 1992’s star-studded concert tribute to the American pop music icon at New York City’s Madison Square Garden in Bob Dylan: The 30 th Anniversary Concert Celebration in March on PBS (check local listings). (In New York, THIRTEEN will air the concert on Friday, March 7 at 9 p.m.) Selling out 18,200 seats in a frantic, record-breaking 70 minutes, the concert gathered an amazing Who’s Who of performers to celebrate the 30th anniversary of the enigmatic singer- songwriter’s groundbreaking debut album from 1962, Bob Dylan . Taking viewers from front row center to back stage, the special captures all the excitement of this historic, once-in-a-lifetime concert as many of the greatest names in popular music—including The Band , Mary Chapin Carpenter , Roseanne Cash , Eric Clapton , Shawn Colvin , George Harrison , Richie Havens , Roger McGuinn , John Mellencamp , Tom Petty , Stevie Wonder , Eddie Vedder , Ron Wood , Neil Young , and more—pay homage to Dylan and the songs that made him a legend. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Still on the Road 1990 Us Fall Tour
STILL ON THE ROAD 1990 US FALL TOUR OCTOBER 11 Brookville, New York Tilles Center, C.W. Post College 12 Springfield, Massachusetts Paramount Performing Arts Center 13 West Point, New York Eisenhower Hall Theater 15 New York City, New York The Beacon Theatre 16 New York City, New York The Beacon Theatre 17 New York City, New York The Beacon Theatre 18 New York City, New York The Beacon Theatre 19 New York City, New York The Beacon Theatre 21 Richmond, Virginia Richmond Mosque 22 Pittsburg, Pennsylvania Syria Mosque 23 Charleston, West Virginia Municipal Auditorium 25 Oxford, Mississippi Ted Smith Coliseum, University of Mississippi 26 Tuscaloosa, Alabama Coleman Coliseum 27 Nashville, Tennessee Memorial Hall, Vanderbilt University 28 Athens, Georgia Coliseum, University of Georgia 30 Boone, North Carolina Appalachian State College, Varsity Gymnasium 31 Charlotte, North Carolina Ovens Auditorium NOVEMBER 2 Lexington, Kentucky Memorial Coliseum 3 Carbondale, Illinois SIU Arena 4 St. Louis, Missouri Fox Theater 6 DeKalb, Illinois Chick Evans Fieldhouse, University of Northern Illinois 8 Iowa City, Iowa Carver-Hawkeye Auditorium 9 Chicago, Illinois Fox Theater 10 Milwaukee, Wisconsin Riverside Theater 12 East Lansing, Michigan Wharton Center, University of Michigan 13 Dayton, Ohio University of Dayton Arena 14 Normal, Illinois Brayden Auditorium 16 Columbus, Ohio Palace Theater 17 Cleveland, Ohio Music Hall 18 Detroit, Michigan The Fox Theater Bob Dylan 1990: US Fall Tour 11530 Rose And Gilbert Tilles Performing Arts Center C.W. Post College, Long Island University Brookville, New York 11 October 1990 1. Marines' Hymn (Jacques Offenbach) 2. Masters Of War 3. Tomorrow Is A Long Time 4. -
Broadside Songbook
a d..sid..e BOB DYLAN: W"HAT HIS SONGS REALLY SAY ; DIANA DAVIES IN THIS ISSUE: Bob Dylan's songs interpreted by Alan Weberman, who finds in them the radical militant continuing to protest The Establishment. ALSO: Songs by ARLO GUTHRIE, BRUCE PHILLIPS, PABLO NERUDA, JAN DAVIDSON. FOREWORD Dear Readers of this Songbook: I got a check in the mail the other day. It Bill." They spelled out in detail the whole was for $3,050.06. It came, like similar list of a nation's crime against a people - ones before it over the last few years, by with a clear and precise schedule of cash pay airmail from a Berlin bank in Germany. As ments due. for each. All realistically worked usual, the explanation on the check said in out in negotiations with the Germans. A cash German, ENTSCHADIGUNGSZAHLUNG. I still can't value placed on all the categories of horrors! pronounce it, but I can translate it: RESTI So much for Loss of Life ... Loss of Liberty •.. TUTION PAYMENT. Restitution! To whom? For Loss of Health ... of Parents ... of Education .. c.what? Most important of all -- ~ whom? of Property ... bf Inheritance ... of Insurance .. stitution to the survivors and victims of of Business. It was an enormous task, cover ial persecution for the deaths and terrible ing 13 years, and the accounting involved ses they suffered under the Nazi government some six million people killed by the Nazis. Germany. Paid out -- not by the actually But the restitution payments have made it ty Hitler government, but by the suc- possible for the surviving vict~ms of 7ac~sm or government which accepted its responsi to start a decent life over aga1n. -
Bob Dylan and His Lyrics in the 1960S an Honors Thesis
Teaching Honors 390: Bob Dylan and His Lyrics in the 1960s An Honors Thesis (HONRS 499) by Ben Purcell Thesis Advisor Dr. Timothy Berg Ball State University Muncie, Indiana May 2012 Expected Date of Graduation May 2012 Speo)) L/ nder9fL:1 the if:> LV ')..Ljt69 Abstract ' Z. L-) B,.Oj CL- As a conlpone~t ~~Jr respective individual Honors theses, for the first ten weeks of the Spring 2012 semester fellow graduating senior Marc Keith and I co-taught a one credit hour Honors Colloquium on the music, lyrics and historical context ofBob Dylan. While the literary influences, historical context and stylistic development of Dylan's lyrics were a primary focus of our analysis, the classroom format allowed us access to all the nledia through which Dylan's art is appreciated. Though teaching the class itself was the primary component of the project, I provide in this binder the course syllabus, written and developed by Marc and 1. Also included is an extensive week-to-week reflection of my experience teaching fellow students. Acknow ledgements I would like to thank Dr. Timothy Berg for serving as faculty adviser on this project. Receiving permission to teach the class required the willingness of a faculty adviser willing to attend each class meeting, meaning that this seriously couldn't have been completed without him. Reflection on Teaching Honors 390: Bob Dylan and His Lyrics in the 1960s An Honors Thesis Project Course Background/Planning The genesis of the idea to teach a class on Bob Dylan occurred when I asked eventual co-instructor Marc Keith what sort of project he planned to carry out in fulfillment of his Honors Thesis. -
Keep on Keepin' On
KEEP ON KEEPIN ’ ON BOB DYLAN 1994 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , RELEASES , TAPES & BOOKS . © 2001 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Keep On Keepin’ On — Bob Dylan 1994 CONTENTS 1 A SHORT SUBJECTIVE RETROSPECTIVE ................................................................................ 4 2 THE YEAR AT A GLANCE .............................................................................................................. 4 3 CALENDAR ......................................................................................................................................... 5 4 RECORDINGS..................................................................................................................................... 9 5 NEW TAPES ........................................................................................................................................ 9 5.1 GENUINE BOOTLEG SERIES ............................................................................................................. 9 5.2 INFIDELS SESSIONS .......................................................................................................................... 9 6 THE NEVER-ENDING TOUR CONTINUES ............................................................................... 11 6.1 INTRODUCTION ............................................................................................................................ -
1988 Tour of North America Interstate 88 Tour, Part 3
1988 TOUR OF NORTH AMERICA INTERSTATE 88 TOUR, PART 3: EAST COAST FALL TOUR OCTOBER 13 Upper Darby, Pennsylvania The Tower Theatre 14 Upper Darby, Pennsylvania The Tower Theatre 16 New York City, New York Radio City Music Hall 17 New York City, New York Radio City Music Hall 18 New York City, New York Radio City Music Hall 19 New York City, New York Radio City Music Hall DECEMBER 6 Oakland, California Bridge Benefit, Oakland Coliseum Bob Dylan 1988: Interstate 88 Tour, part 3 9750 The Tower Theatre Upper Darby, Pennsylvania 13 October 1988 Soundcheck before concert 1. Give My Love To Rose (Johnny Cash) 2. Give My Love To Rose (Johnny Cash) 3. I Don't Hurt Anymore (Don Robertson-Jack Rollins) 4. I'm Movin' On (Hank Snow) 5. What'd I Say (Ray Charles) Bob Dylan (vocal & guitar), G.E. Smith (guitar), Kenny Aaronson (bass), Christopher Parker (drums). 5 instrumental. Stereo "audience" recording, 35 minutes. Session info updated 1 February 1994. Bob Dylan 1988: Interstate 88 Tour, part 3 9760 The Tower Theatre Upper Darby, Pennsylvania 13 October 1988 1. Subterranean Homesick Blues 2. Absolutely Sweet Marie 3. Masters Of War 4. You're A Big Girl Now 5. Shelter From The Storm 6. Bob Dylan's 115th Dream 7. Highway 61 Revisited 8. With God On Our Side 9. Girl From The North Country 10. Don't Think Twice, It's All Right 11. Knockin' On Heaven's Door 12. Silvio (Bob Dylan & Robert Hunter) 13. I Shall Be Released 14. Like A Rolling Stone 15. -
The Cambridge Companion to Bob Dylan Edited by Kevin J
Cambridge University Press 978-0-521-88694-9 - The Cambridge Companion to Bob Dylan Edited by Kevin J. H. Dettmar Frontmatter More information the cambridge companion to bob dylan A towering figure in American culture and a global twentieth-century icon, Bob Dylan has been at the center of American life for over forty years. The Cambridge Companion to Bob Dylan brings fresh insights into the imposing range of Dylan’s creative output. The first Part approaches Dylan’s output thematically, tracing the evolution of Dylan’s writing and his engagement with American popular music, religion, politics, fame, and his work as a songwriter and performer. Chapters in Part II analyze his landmark albums to examine the consummate artistry of Dylan’s most accomplished studio releases. As a writer Dylan has courageously chronicled and interpreted many of the cultural upheavals in America since World War II. This book will be invaluable both as a guide for students of Dylan and twentieth-century culture, and for his fans, providing a set of new perspectives on a much-loved writer and composer. kevin j. h. dettmar is W. M. Keck Professor and Chair of the Department of English, Pomona College, California. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88694-9 - The Cambridge Companion to Bob Dylan Edited by Kevin J. H. Dettmar Frontmatter More information CAMBRIDGE COMPANIONS TO AMERICAN STUDIES This series of Companions to key figures in American history and culture is aimed at students of American studies, history and literature. Each volume features newly commissioned essays by experts in the field, with a chronology and guide to further reading. -
4. Folk, Folk Rock, Singer-Songwriters
4. Folk, Folk Rock, Singer-Songwriters Lecture Outline • Traditional folk definition and folk song features • Three different ideas of “folk” • Professionalization of folk in the 1950s and 1960s • Singer-songwriters • Some newer folk artists and sounds Traditional Folk • Oral/Aural transmission • Anonymous composition (and communal composition) • Heavy ideological side to the term – Authenticity claims, ideas that change with time • Some Folk Song Types: – Ballads • Narratives (love, war, heroes, disasters, etc.) – Work Songs • Sailors, fishing, mining, lumber, sewing, etc. – Other • Lullabies, children’s songs, drinking songs etc. Traditional Folk Song Features • Often unaccompanied (a cappella) • Simple melodies (and harmonies, if present) • Usually solo singer or solo instrument – Simple accompaniment – Fiddle, guitar, accordion, whistle, spoons, etc. • Strophic form (AAAAA, etc.) or verse/chorus • Modal (not major or minor, but Dorian, Lydian modes, etc.) • Dancing often accompanies folk music Three different ideas of “folk” music 1. 19th Century – Romantic nationalism – European classical composers use folk melodies for new compositions – Start of song collecting • Turns it into a pop music • Shapes folk culture in terms of what is and isn’t collected • Turns it into a written music (as opposed to purely oral/aural) 2. 1930s and 1940s 3. Folk Revival Period (1958-1965) Folk in the 1930 and 1940s: Three Trends • Folk music starts to be used as a political tool – Beginning of connections with folk and protest music – Folk singers often advocated for social change – Usually left wing positions, socialism, helping the poor or marginalized • Creation of new “folk” songs – These were often written to sound old-timey, but were also often about current events • Some of these new songwriters became celebrities – One of the best examples of these three trends (left wing politics, new songs, and celebrity), was Woody Guthrie… Woodie Guthrie Ex: Woody Guthrie “Do Re Mi” (1940) • Similar to 19th C. -
2017 Yale Invitational
The 22nd Annual Yale Invitational December 2-3, 2017 || New Haven, Connecticut Bob Dylan Division Round 1 Round 2 Round 3 Round 4 Summary π v. Baylor Δ v. Fordham LC A π v. UMBC A Δ v. Columbia A 4-4-0 American WLT WW WL WL LL CS: 21 OCS: 65.5 Jolene PD +6 +9 +1 -4 +6 -8 -1 -3 PD: 6 π v. Northwestern Δ v. Yale A Δ v. Emory π v. Brown 4-4-0 Arizona WLT L L L L W W W W CS: 18 OCS: 64 Autumn Leaves PD -2 -4 -6 -2 +4 +6 +9 +8 PD: 13 Δ v. American π v. Emory π v. Kentucky Δ v. Illinois 3-5-0 Baylor WLT LL WL WW LL CS: 12 OCS: 70.5 Summer Days PD -6 -9 +4 -2 +15 +2 -3 -2 PD: -1 π v. Brown Δ v. Rochester A π v. Wesleyan A Δ v. Michigan A 0-8-0 Boston College WLT LL LL LL LL CS: 14.5 OCS: 51.5 Drifter's Escape PD -1 -1 -8 -14 -19 -23 -6 -22 PD: -94 Δ v. Boston College π v. NYU A π v. Illinois Δ v. Arizona 3-5-0 Brown WLT WW LL LW LL CS: 10.5 OCS: 67 All Along The Watchtower PD +1 +1 -29 -2 -5 +5 -9 -8 PD: -46 Δ v. Rochester B π v. Yale B π v. Rutgers A Δ v. Yale A 5-3-0 Chicago WLT WW WL WW LL CS: 16 OCS: 64.5 Masters Of War PD +19 +2 +1 -2 +11 +15 -14 -1 PD: 31 π v. -
2017 Yale Invitational
The 22nd Annual Yale Invitational December 2-3, 2017 || New Haven, Connecticut Bob Dylan Division Round 1 Round 2 Round 3 Round 4 Summary π v. Baylor Δ v. Fordham LC A π v. UMBC A Δ v. Columbia A 4-4-0 American WLT W W W L W L L L CS: 21 OCS: 65.5 Jolene PD +6 +9 +1 -4 +6 -8 -1 -3 PD: 6 π v. Northwestern Δ v. Yale A Δ v. Emory π v. Brown 4-4-0 Arizona WLT L L L L W W W W CS: 18 OCS: 64 Autumn Leaves PD -2 -4 -6 -2 +4 +6 +9 +8 PD: 13 Δ v. American π v. Emory π v. Kentucky Δ v. Illinois 3-5-0 Baylor WLT L L W L W W L L CS: 12 OCS: 70.5 Summer Days PD -6 -9 +4 -2 +15 +2 -3 -2 PD: -1 π v. Brown Δ v. Rochester A π v. Wesleyan A Δ v. Michigan A 0-8-0 Boston College WLT L L L L L L L L CS: 14.5 OCS: 51.5 Drifter's Escape PD -1 -1 -8 -14 -19 -23 -6 -22 PD: -94 Δ v. Boston College π v. NYU A π v. Illinois Δ v. Arizona 3-5-0 Brown WLT W W L L L W L L CS: 10.5 OCS: 67 All Along The Watchtower PD +1+1-29-2-5+5-9-8 PD: -46 Δ v. Rochester B π v. Yale B π v. -
The Influence of the Folk Music Revival on the Antiwar Movement During the Vietnam Era
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 12-19-2019 A Different Master of War: The Influence of the olkF Music Revival on the Antiwar Movement during the Vietnam Era Isabelle Gillibrand Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Social History Commons, and the United States History Commons A Different Master of War: The Influence of the Folk Music Revival on the Antiwar Movement during the Vietnam Era Isabelle Gillibrand Salve Regina University Department of History Senior Thesis Dr. Neary December 6, 2019 The author would like to express gratitude to Salve Regina University’s Department of History for financial support made possible through the John E. McGinty Fund in History. McGinty Funds provided resources to travel to Memphis and Nashville, Tennessee in the spring of 2019 to conduct primary research for the project. “What did you hear, my blue-eyed son? What did you hear, my darling young one?” -Bob Dylan, “A Hard Rain’s a-Gonna Fall,” 1963 In the midst of victorious rhetoric from the government, disturbing insight from the news media, and chaos from the protests, people heard the music of the Vietnam War era. The 1960s was known as a time of change, ranging from revised social norms to changing political stances to new popular music. Everyone seemed to have something to say about the war, musicians being no exception. The folk revival in the 1960s introduced young listeners to a different sound, one of rebellion and critical thought about their country.