Journey Planet #33 for More Our Tribute to Steve Dillon.)
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories
Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories PAUL A. CRUTCHER DAPTATIONS OF GRAPHIC NOVELS AND COMICS FOR MAJOR MOTION pictures, TV programs, and video games in just the last five Ayears are certainly compelling, and include the X-Men, Wol- verine, Hulk, Punisher, Iron Man, Spiderman, Batman, Superman, Watchmen, 300, 30 Days of Night, Wanted, The Surrogates, Kick-Ass, The Losers, Scott Pilgrim vs. the World, and more. Nevertheless, how many of the people consuming those products would visit a comic book shop, understand comics and graphic novels as sophisticated, see them as valid and significant for serious criticism and scholarship, or prefer or appreciate the medium over these film, TV, and game adaptations? Similarly, in what ways is the medium complex according to its ad- vocates, and in what ways do we see that complexity in Batman graphic novels? Recent and seminal work done to validate the comics and graphic novel medium includes Rocco Versaci’s This Book Contains Graphic Language, Scott McCloud’s Understanding Comics, and Douglas Wolk’s Reading Comics. Arguments from these and other scholars and writers suggest that significant graphic novels about the Batman, one of the most popular and iconic characters ever produced—including Frank Miller, Klaus Janson, and Lynn Varley’s Dark Knight Returns, Grant Morrison and Dave McKean’s Arkham Asylum, and Alan Moore and Brian Bolland’s Killing Joke—can provide unique complexity not found in prose-based novels and traditional films. The Journal of Popular Culture, Vol. 44, No. 1, 2011 r 2011, Wiley Periodicals, Inc. -
Alan Moore's Miracleman: Harbinger of the Modern Age of Comics
Alan Moore’s Miracleman: Harbinger of the Modern Age of Comics Jeremy Larance Introduction On May 26, 2014, Marvel Comics ran a full-page advertisement in the New York Times for Alan Moore’s Miracleman, Book One: A Dream of Flying, calling the work “the series that redefined comics… in print for the first time in over 20 years.” Such an ad, particularly one of this size, is a rare move for the comic book industry in general but one especially rare for a graphic novel consisting primarily of just four comic books originally published over thirty years before- hand. Of course, it helps that the series’ author is a profitable lumi- nary such as Moore, but the advertisement inexplicably makes no reference to Moore at all. Instead, Marvel uses a blurb from Time to establish the reputation of its “new” re-release: “A must-read for scholars of the genre, and of the comic book medium as a whole.” That line came from an article written by Graeme McMillan, but it is worth noting that McMillan’s full quote from the original article begins with a specific reference to Moore: “[Miracleman] represents, thanks to an erratic publishing schedule that both predated and fol- lowed Moore’s own Watchmen, Moore’s simultaneous first and last words on ‘realism’ in superhero comics—something that makes it a must-read for scholars of the genre, and of the comic book medium as a whole.” Marvel’s excerpt, in other words, leaves out the very thing that McMillan claims is the most important aspect of Miracle- man’s critical reputation as a “missing link” in the study of Moore’s influence on the superhero genre and on the “medium as a whole.” To be fair to Marvel, for reasons that will be explained below, Moore refused to have his name associated with the Miracleman reprints, so the company was legally obligated to leave his name off of all advertisements. -
The Graphic Novel and the Age of Transition: a Survey and Analysis
The Graphic Novel and the Age of Transition: A Survey and Analysis STEPHEN E. TABACHNICK University of Memphis OWING TO A LARGE NUMBER of excellent adaptations, it is now possible to read and to teach a good deal ot the Transition period litera- ture with the aid of graphic, or comic book, novels. The graphic novei is an extended comic book, written by adults for adults, which treats important content in a serious artistic way and makes use of high- quality paper and production techniques not available to the creators of the Sunday comics and traditional comic books. This flourishing new genre can be traced to Belgian artist Frans Masereel's wordless wood- cut novel. Passionate Journey (1919), but the form really took off in the 1960s and 1970s when creators in a number of countries began to employ both words and pictures. Despite the fictional implication of graphic "novel," the genre does not limit itself to fiction and includes numerous works of autobiography, biography, travel, history, reportage and even poetry, including a brilliant parody of T. S. Eliot's Waste Land by Martin Rowson (New York: Harper and Row, 1990) which perfectly captures the spirit of the original. However, most of the adaptations of 1880-1920 British literature that have been published to date (and of which I am aware) have been limited to fiction, and because of space considerations, only some of them can be examined bere. In addition to works now in print, I will include a few out-of-print graphic novel adap- tations of 1880-1920 literature hecause they are particularly interest- ing and hopefully may return to print one day, since graphic novels, like traditional comics, go in and out of print with alarming frequency. -
A Chilling Look Back at Jeph Loeb and Tim Sale's
Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch . -
Swivel-Eyed Loons Had Found Their Cheerleader at Last: Like Nobody Else, Boris Could Put a Jolly Gloss on Their Ugly Tale of Brexit As Cultural Class- War
DOWNLOAD CSS Notes, Books, MCQs, Magazines www.thecsspoint.com Download CSS Notes Download CSS Books Download CSS Magazines Download CSS MCQs Download CSS Past Papers The CSS Point, Pakistan’s The Best Online FREE Web source for All CSS Aspirants. Email: [email protected] BUY CSS / PMS / NTS & GENERAL KNOWLEDGE BOOKS ONLINE CASH ON DELIVERY ALL OVER PAKISTAN Visit Now: WWW.CSSBOOKS.NET For Oder & Inquiry Call/SMS/WhatsApp 0333 6042057 – 0726 540141 FPSC Model Papers 50th Edition (Latest & Updated) By Imtiaz Shahid Advanced Publishers For Order Call/WhatsApp 03336042057 - 0726540141 CSS Solved Compulsory MCQs From 2000 to 2020 Latest & Updated Order Now Call/SMS 03336042057 - 0726540141 Politics Among Nations: The Struggle for Power & Peace By Hans Morgenthau FURTHER PRAISE FOR JAMES HAWES ‘Engaging… I suspect I shall remember it for a lifetime’ The Oldie on The Shortest History of Germany ‘Here is Germany as you’ve never known it: a bold thesis; an authoritative sweep and an exhilarating read. Agree or disagree, this is a must for anyone interested in how Germany has come to be the way it is today.’ Professor Karen Leeder, University of Oxford ‘The Shortest History of Germany, a new, must-read book by the writer James Hawes, [recounts] how the so-called limes separating Roman Germany from non-Roman Germany has remained a formative distinction throughout the post-ancient history of the German people.’ Economist.com ‘A daring attempt to remedy the ignorance of the centuries in little over 200 pages... not just an entertaining canter -
One-Shot Special Edition Script Gerry Finley-Day Guy Adams Art Dave Gibbons Darren Douglas Lee Carter Letters Simon Bowland Dave Gibbons
ONE-SHOT SPECIAL EDITION SCRIPT GERRY FINLEY-DAY GUY ADAMS ART DAVE GIBBONS DARREN DOUGLAS LEE CARTER LETTERS SIMON BOWLAND DAVE GIBBONS REBELLION Creative Director and CEO Junior Graphic Novels Editor JASON KINGSLEY OLIVER BALL Chief Technical Officer Graphic Design CHRIS KINGSLEY SAM GRETTON, OZ OSBORNE & MAZ SMITH Head of Books & Comics Reprographics BEN SMITH JOSEPH MORGAN 2000 AD Editor in Chief PR & Marketing MATT SMITH MICHAEL MOLCHER Graphic Novels Editor Publishing Assistant KEITH RICHARDSON OWEN JOHNSON Rogue Trooper Published by Rebellion, Riverside House, Osney Mead, Oxford OX2 0ES. All contents © 1981, 2014, 2015, 2018 Rebellion 2000 AD Ltd. All rights reserved. Rogue Trooper is a trademark of Rebellion 2000 AD Ltd. Reproduction, storage in a retrieval system or transmission in any form or by any means in whole or part without prior permission of Rebellion 2000 AD Ltd. is strictly forbidden. No similarity between any of the fictional names, characters, persons and/or institutions herein with those of any living or dead persons or institutions is intended (except for satirical purposes) and any such similarity is purely coincidental. ROGUE TROOPER SCRIPT GERRY FINLEY-DAY ART DAVE GIBBONS LETTERS DAVE GIBBONS ROGUE TROOPER DREGS OF WAR SCRIPT GUY ADAMS ART DARREN DOUGLAS LETTERS SIMON BOWLAND ROGUE TROOPER THE FEAST SCRIPT GUY ADAMS ART LEE CARTER LETTERS SIMON BOWLAND ROGUE TROOPER THE DEATH OF A DEMON SCRIPT GUY ADAMS ART DARREN DOUGLAS LETTERS SIMON BOWLAND THE END ROGUE TROOPER GRAPHIC NOVELS FROM 2000 AD ROGUE TROOPER ROGUE -
Judge Dredd the Megazine 331
Judge dredd the megazine 331 Judge Dredd - All is Bright (Mike Carroll - John Burns); Interview - Michael Carroll; Interview - Annie Parkhouse; Tales from Mega-City One - But. Name. Meg Volume. Judge Dredd Megazine. Issue Number. Cover Date. January 15, In Store Date. N/A. Read Judge Dredd The Megazine page 1, Judge Dredd The Megazine of Judge Dredd The Megazine page 1. Judge Dredd Megazine A Judge's life isn't easy- but neither is anyone else's in Mega-City One. What They Say: Mega-City One, AD. That doesn't mean reading Megazine # isn't worthwhile. Judge Dredd's holiday tale, “All is Bright,” has a mutant child who can sees things. Read Judge Dredd Megazine (Vol. 5) Issue # comic online free and high quality. Unique reading type: All pages - just need to scroll to read next page. Judge Dredd Megazine Hell Freezes Over! Print Edition - 19th Dec Digital Edition $ · Print Edition $ Read Judge Dredd Megazine (Vol. 5) Issue # Online. Search for 'Judge Dredd Megazine (vol. 5)' on Amazon Cover Date: January 15 Cover Price: UK £ Issue Tagline: Lawbreakers Beware - Judgement. JUDGE DREDD MEGAZINE (VOL.4) (Series Began ) Issue # in Near Mint condition. Published by Fleetway-Quality Comics. Near Mint - Nearly perfect. Publication Name: Judge Dredd Megazine. Publication Year: , Subject: Comics. Publication Month: January, Language: English. Issue Type: Monthly, EAN. More action and adventure in the future-shocked world of Judge Dredd! Psi-Judge Anderson wades through rivers of blood in the climax to "Stone Voices," and. Click to enlarge. Meg Meg Meg Meg prequel to Invasion Reprinted Judge Dredd Megazine () Judge Dredd Megazine (). -
ANNUALS-EXIT Total of 576 Less Doctor Who Except for 1975
ANNUALS-EXIT Total of 576 less Doctor Who except for 1975 Annual aa TITLE, EXCLUDING “THE”, c=circa where no © displayed, some dates internal only Annual 2000AD Annual 1978 b3 Annual 2000AD Annual 1984 b3 Annual-type Abba Gift Book © 1977 LR4 Annual ABC Children’s Hour Annual no.1 dj LR7w Annual Action Annual 1979 b3 Annual Action Annual 1981 b3 Annual TVT Adventures of Robin Hood 1 LR5 Annual TVT Adventures of Robin Hood 1 2, (1 for repair of other) b3 Annual TVT Adventures of Sir Lancelot circa 1958, probably no.1 b3 Annual TVT A-Team Annual 1986 LR4 Annual Australasian Boy’s Annual 1914 LR Annual Australian Boy’s Annual 1912 LR Annual Australian Boy’s Annual c/1930 plane over ship dj not matching? LR Annual Australian Girl’s Annual 16? Hockey stick cvr LR Annual-type Australian Wonder Book ©1935 b3 Annual TVT B.J. and the Bear © 1981 b3 Annual Battle Action Force Annual 1985 b3 Annual Battle Action Force Annual 1986 b3 Annual Battle Picture Weekly Annual 1981 LR5 Annual Battle Picture Weekly Annual 1982 b3 Annual Battle Picture Weekly Annual 1982 LR5 Annual Beano Book 1964 LR5 Annual Beano Book 1971 LR4 Annual Beano Book 1981 b3 Annual Beano Book 1983 LR4 Annual Beano Book 1985 LR4 Annual Beano Book 1987 LR4 Annual Beezer Book 1976 LR4 Annual Beezer Book 1977 LR4 Annual Beezer Book 1982 LR4 Annual Beezer Book 1987 LR4 Annual TVT Ben Casey Annual © 1963 yellow Sp LR4 Annual Beryl the Peril 1977 (Beano spin-off) b3 Annual Beryl the Peril 1988 (Beano spin-off) b3 Annual TVT Beverly Hills 90210 Official Annual 1993 LR4 Annual TVT Bionic -
Tharg's Nerve Centre
THARG’S NERVE CENTRE IN THIS PROG JUDGE DREDD // WAR BUDS Mega-City One, 2139 AD. Home to over 72 million citizens, this urban hell is situated along the east coast of post-apocalyptic North America. Unemployment is rife, and crime is rampant. Only the Judges — empowered to dispense instant justice — can stop total anarchy. Toughest of them all is JUDGE DREDD — he is the Law! Now, former members of the Apocalypse Squad are fleeing the city, having freed a friend... Judge Dredd created by John Wagner & Carlos Ezquerra THE ALIENIST // INHUMAN NATURES England, 1908. Madelyn Vespertine, an Edwardian woman of unknown age and origin, BORAG THUNGG, EARTHLETS! investigates strange events of an occult nature, accompanied by Professor Sebastian I am The Mighty Tharg, galactic godhead at the Wetherall. Little do those that meet the pair know that the Professor is actually an actor helm of this award-winning SF anthology! called Reginald Briggs, a stooge covering for the fact that Madelyn is not human. Now, the We’re barrelling towards the explosive finales of all sinister Professor Praetorius is aiming to stop a dimensional infection from spreading... the current Thrills next prog to make way for a brand- The Alienist created by Gordon Rennie, Emma Beeby & Eoin Coveney new line-up to commence in the truly scrotnig Prog 2050. Last week I spoke of the Rogue Trooper story GREYSUIT // FOUL PLAY by James Robinson and Leonardo Manco that you’ll London, 2014. John Blake is a GREYSUIT, a Delta-Class assassin working for a branch of find within its pages, but what else will be joining it? British Intelligence. -
Dundee Comics Day 2011
PRESS RELEASE FROM THE UNIVERSITY OF DUNDEE ‘WOT COMICS TAUGHT ME…’ – DUNDEE COMICS DAY 2011 Judge Dredd creator John Wagner, and Frank Quietly, one of the world’s most sought-after comics artists, are among the top names appearing at this year’s Dundee Comics Day. They are just two of a number of star names from the world of comics lined up for the event, which will see talks, exhibitions, book signings and workshops take place as part of this year’s Dundee Literary Festival. Wagner started his long career as a comics writer at DC Thomson in Dundee before going on to revolutionise British comics in the late 1970s with the creation of Judge Dredd. He is the creator of Bogie Man, and the graphic novel A History of Violence, and has written for many of the major publishers in the US. Quietly has worked on New X-Men, We3, All-Star Superman, and Batman and Robin, as well as collaborating with some of the world’s top comics writers such as Mark Millar, Grant Morrison, and Alan Grant. His stylish artwork has made him one of the most celebrated artists in the comics industry. Wagner, Quietly and a host of other top industry talent will head to Dundee for the event, which will take place on Sunday, 30th October. Comics Day 2011 will be asking the question, what can comics teach us? Among the other leading industry figures giving their views on that subject will be former DC Thomson, Marvel, Dark Horse and DC Comics artist Cam Kennedy, Duncan of Jordanstone College of Art and Design graduate Colin MacNeil, who worked on various 2000AD and Marvel and DC Comics publications, such as Conan and Batman, and Robbie Morrison, creator of Nikolai Dante, one of the most beloved characters in recent British comics. -
JOHN SMITH G LEAH MOORE G JOHN REPPION Writers COLIN
JOHN SMITH g LEAH MOORE g JOHN REPPION Writers COLIN MACNEIL g TOM FOSTER Artists COLIN MACNEIL Cover Artist Creative Director and CEO: Jason Kingsley Chief Technical Officer: Chris Kingsley 2000 AD Editor in Chief: Matt Smith Graphic Novels Editor: Keith Richardson Graphic Design: Sam Gretton & Oz Osborne Reprographics: Kathryn Symes Head of Books & Comics: Ben Smith PR: Michael Molcher Original Commissioning Editor: Matt Smith Originally serialised in the Judge Dredd Megazine 319-323 & 361-366 .Copyright © 2012, 2015, 2016 Rebellion A/S. All Rights Reserved. Strange & Darke, Storm Warning and all related characters, their distinctive likenesses and related elements featured in this publication are trademarks of Rebellion A/S. 2000 AD is a registered trademark. The stories, characters and incidents featured in this publication are entirely fictional. Published by Rebellion, Riverside House, Osney Mead, Oxford OX2 0ES, UK www.rebellion.co.uk A CIP catalogue record for this book is available from the British Library. For information on other 2000 AD graphic novels, or if you have any comments on this book, please email [email protected] ToSample find out more about 2000 AD, visit www.2000ADonline.com file BRIT-CIT NOIR Sample file STRANGE & DARKE CREATED BY JOHN SMITH & COLIN MACNEIL STORM WARNING CREATED BY JOHN REPPION, LEAH MOORE & TOM FOSTER STRANGE & DARKE: NEW BLOOD Sample fileScript: John Smith Art: Colin MacNeil Colour: Len O’Grady & Dee Cunniffe Letters: Ellie De Ville Originally published in Judge Dredd Megazine 319-323 THE SOUTH WALES PENINSULA: AHHHHHH! OH GODDD! OH JESUS, PLEASE! GET IT OUT OF ME! ... P-PLEASE, GOD..