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ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
Katalog Dwa Brzegi 2009:Layout 1.Qxd
katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 1 katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 2 Sponsor Generalny Sponsorzy Oficjalny Oficjalny Hotel Samochód Festiwalu Festiwalu PRZYJACIELE FESTIWALU Partnerzy 2 FRIENDS FESTIVAL’S Organizatorzy Kazimierz Dolny Patronat Medialny katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 3 FILM AND ART FESTIVAL TWO RIVERSIDES Kazimierz Dolny Janowiec n/ Wisłą Festiwal Filmu i Sztuki DWA BRZEGI katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 4 katalog_dwa_brzegi_2009:Layout 1 2009-07-24 08:11 Strona 5 Spis treści | Content Przyjaciele Festiwalu | Festival’s Friends 2 Kto jest kto | Who Is Who 6 Wstęp | Foreword 9 FILM Świat pod namiotem | World Under Canvas 12 Dokument | Documentary 30 Na krótką metę | In the Short Run 38 Serial animowany | Animated Series 78 Na krótką metę na Zamku w Janowcu | In the Short Run (Screenings In the Castle in Janowiec) 80 Muzyka, moja miłość | Music My Love 84 Pokaz specjalny | Special Screening 90 Krystyna Janda. I Bóg stworzył aktorkę | And the God Created an Actress 92 Kocham kino | I Love Cinema 98 Wielkie kino na Małym Rynku | Great Cinema on Small Market Square 106 Retrospektywa Pawła Kłuszancewa | Retrospective of Pawel Klushantsev 112 W hołdzie Janowi Machulskiemu | Tribute to Jan Machulski 120 Dzień z Piotrem Szulkinem | A Day with Piotr Szulkin 122 Krótka retrospektywa Bruno Baretto | A Short Retrospective of Bruno Baretto 126 Lekcje kina | Cinema Lessons 128 Video • 130 TEATR | THEATRE CONTENT Krystyna Janda. I Bóg stworzył -
Half Title>NEW TRANSNATIONALISMS in CONTEMPORARY LATIN AMERICAN
<half title>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS</half title> i Traditions in World Cinema General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema Linda Badley, R. Barton Palmer, and Steven Jay Schneider (eds) Japanese Horror Cinema Jay McRoy (ed.) New Punk Cinema Nicholas Rombes (ed.) African Filmmaking Roy Armes Palestinian Cinema Nurith Gertz and George Khleifi Czech and Slovak Cinema Peter Hames The New Neapolitan Cinema Alex Marlow-Mann American Smart Cinema Claire Perkins The International Film Musical Corey Creekmur and Linda Mokdad (eds) Italian Neorealist Cinema Torunn Haaland Magic Realist Cinema in East Central Europe Aga Skrodzka Italian Post-Neorealist Cinema Luca Barattoni Spanish Horror Film Antonio Lázaro-Reboll Post-beur Cinema ii Will Higbee New Taiwanese Cinema in Focus Flannery Wilson International Noir Homer B. Pettey and R. Barton Palmer (eds) Films on Ice Scott MacKenzie and Anna Westerståhl Stenport (eds) Nordic Genre Film Tommy Gustafsson and Pietari Kääpä (eds) Contemporary Japanese Cinema Since Hana-Bi Adam Bingham Chinese Martial Arts Cinema (2nd edition) Stephen Teo Slow Cinema Tiago de Luca and Nuno Barradas Jorge Expressionism in Cinema Olaf Brill and Gary D. Rhodes (eds) French Language Road Cinema: Borders,Diasporas, Migration and ‘NewEurope’ Michael Gott Transnational Film Remakes Iain Robert Smith and Constantine Verevis Coming-of-age Cinema in New Zealand Alistair Fox New Transnationalisms in Contemporary Latin American Cinemas Dolores Tierney www.euppublishing.com/series/tiwc iii <title page>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS Dolores Tierney <EUP title page logo> </title page> iv <imprint page> Edinburgh University Press is one of the leading university presses in the UK. -
Please Turn Off Cellphones During Screening April 17, 2012 (XXIV:13)
Please turn off cellphones during screening April 17, 2012 (XXIV:13) Online versions of the Goldenrod Handouts are in color Fernando Meirelles, CITY OF GOD (2002, 130 min.) Directed by Fernando Meirelles Based on the novel by Paulo Lins Screenplay by Bráulio Mantovani Produced by Andrea Barata Ribeiro and Mauricio Andrade Ramos Original Music by Ed Cortês and Antonio Pinto Cinematography by César Charlone Film Editing by Daniel Rezende Alexandre Rodrigues…Buscapé - Rocket Leandro Firmino…Zé Pequeno - Li'l Zé Phellipe Haagensen…Bené - Benny Douglas Silva…Dadinho - Li'l Dice Jonathan Haagensen…Cabeleira - Shaggy Matheus Nachtergaele…Sandro Cenoura - Carrot Seu Jorge…Mané Galinha - Knockout Ned Jefechander Suplino…Alicate - Clipper Alice Braga…Angélica Emerson Gomes…Barbantinho - Stringy 2002 City of God, 2002 “Cidade dos Homens”, and 2000 “Brava Edson Oliveira…Barbantinho Adulto - Older Stringy Gente.” Michel de Souza…Bené Criança - Young Benny Roberta Rodrigues…Berenice - Bernice ED CORTÊS has 5 composer credits: 2007 Not by Chance, 2002 Luis Otávio…Buscapé Criança - Young Rocket Onde a Terra Acaba, 2002 City of God, 2002 “Cidade dos Maurício Marques…Cabeção – Melonhead Homens”, and 2001 Behind the Sun. FERNANDO MEIRELLES (November 9, 1955, São Paulo, São ANTONIO PINTO has 7 music credits: 2007 Love in the Time of Paulo, Brazil) has 17 director credits: 2011 360, 2011 Cholera, 2006 “Um Menino Muito Maluquinho” (26 episodes), “Brazukas”, 2009 Som e Fúria - O Filme, 2009 “Sound & Fury”, 2005 “Jonny Zero”, 2004 Collateral, 1998 The Nutty Boy 2, and 2008 Blindness, 2002-2005 “Cidade dos Homens”, 2005 The 1998 Central Station. Constant Gardener, 2002 City of God, 2001 Maids, 2000 “Brava Gente”, 1998 The Nutty Boy 2, 1998 E no meio passa um trem, CÉSAR CHARLONE (1958, Montevideo, Uruguay) has 19 1997 “A Comedy of Private Lives”, 1989 “Rá-Tim-Bum” (30 cinematographer credits: 2011 La Redota - Una Historia de episodes), 1986 Olhar Eletrônico, 1983 Brasília, and 1983 Marly Artigas, 2010 Futebol Brasileiro, 2009 “Independent Lens” Normal. -
Passaro Films My Sweet Orange Tree
PASSARO FILMS MY SWEET ORANGE TREE – 2012 99 minutes Directed by Marcos Bernstein Written by Marcos Bernstein and Melanie Dimantas Based on the book ‘O Meu Pe de Laranja Lima” by José Mauro de Vasconcelos, published in 1968 by Editora Melhoramentos Ltda. Produced by Katia Machado Executive Producers Katia Machado, Elza Cataldo, Samantha Capideville Associete Producers Patrick Siaretta and Jerome Merle Editor Marcelo Moraes Director of Photography Gustavo Hadba, ABC Original Music Armand Amar Art Director Bia Junqueira Costumes Luciana Buarque Maribel Espinoza Casting Bruno Costa and Valter Lagoa Sound Designer Beto Ferraz PRINCIPAL CAST João Guilherme Ávila - ZEZE José de Abreu – PORTUGA Caco Ciocler - WRITER Emiliano Queiroz - TIO EDMUNDO Eduardo Dascar - FATHER Fernanda Vianna - MOTHER Julia de Victa - GLORIA Tino Gomes – ARIOVALDO Kathia Calil – JANDIRA Pedro Valle – TOTOCA Leônidas José – LUIS Inês Peixoto – TEATCHER Eduardo Moreira – LADISLAU Ricardo Bravo - DOCTOR LOG LINE When Zezé grows up, he wants to be "a poet with a bow tie". For now, he’s just an intelligent 7-year-old who survives the violent life inside a blue-collar family with the help an orange tree. Meu Pé de Laranja Lima –Pássaro Films do Brasil Audiovisuais Ltda. Rua do Russel 710/402 Gloria Rio de Janeiro , RJ CEP 22210-010 Brasil +55 21 3826 1059 SYNOPSIS Zezé Vasconcelos is the 7-year-old son of factory workers and fourth in a family of five children. Their family is simple and poorly educated, but Zezé is different: he’s sensitive, precocious, and is a talented young storyteller. And he’s trouble! Nothing gives him more pleasure than transforming his neighbourhood into a setting for his mischief. -
SETTLEMENT FICTIONS: GLOBAL SOUTH LITERATURE and the POSTCOLONIAL URBAN IMAGINARY by CAROLYN PATRICIA MALCOM a Dissertation Subm
SETTLEMENT FICTIONS: GLOBAL SOUTH LITERATURE AND THE POSTCOLONIAL URBAN IMAGINARY by CAROLYN PATRICIA MALCOM A dissertation submitted to the Graduate School – New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in English Written under the direction of Richard Dienst And approved by ____________________________ ____________________________ ____________________________ _____________________________ New Brunswick, New Jersey May 2012 ABSTRACT OF THE DISSERTATION “Settlement Fictions: Global South Literature and the Postcolonial Urban Imaginary” By CAROLYN PATRICIA MALCOM Dissertation Director: Richard Dienst This dissertation traces the emergence of overlooked articulations of the megacity in contemporary postcolonial novels. Representations of non-Western cities and informal settlements or “slums” in global popular culture and Anglophone urban commentary enact a series of elisions -- making poor women and their economic and social activities invisible, allowing the volatile space of the street to stand in for all noteworthy space, and ignoring the progressive energies of slum-based social movements by equating them with religious extremism and other radicalisms. Postcolonial novelists, this dissertation argues, challenge these elisions by crafting what I term settlement fictions: narratives that foreground the unforeseen intra- community relationships, hidden spaces of work and laboring solidarities, and flexible approaches to spatial politics engendered by impoverished megacity life. Analyzing urban images of the Global South in film, journalism, visual culture, and literature, I suggest that ii contemporary African, Indian, and Caribbean writers, including Chris Abani, Zakes Mda, Rohinton Mistry, and Patrick Chamoiseau, loosen the bonds that have heretofore tightly associated the imagined megacity with the fate of postcolonial nations embedded in a global system of exploitative capitalism. -
Last Stop 174 / Ultima Parada 174 — Brésil 2008, 110 Minutes]
Document généré le 24 sept. 2021 14:12 Séquences La revue de cinéma Last Stop 174 Ultima Parada 174 — Brésil 2008, 110 minutes Luc Chaput Numéro 263, novembre–décembre 2009 URI : https://id.erudit.org/iderudit/63352ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Chaput, L. (2009). Compte rendu de [Last Stop 174 / Ultima Parada 174 — Brésil 2008, 110 minutes]. Séquences, (263), 29–29. Tous droits réservés © La revue Séquences Inc., 2009 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ L’ÉCRAN DVD | ARRÊT SUR IMAGE 29 Last Stop 174 PVC-1 n juin 2000, un jeune homme, Sandro Rosa do ans les dernières décennies, les prises d’otages, qu’elles Nascimento, prend le contrôle d’un autobus de la soient de caractère politique ou plus crapuleux, ont Eligne 174 près du Jardin botanique à Rio au Brésil. Dpris une ampleur démesurée, peut-être en partie à Il tient en otage les autres passagers du véhicule et le con- cause de l’importance que donnent aux faits divers les canaux ducteur. -
A Travel Writer in Brazil
Striving for Honesty: A Travel Writer in Brazil Frances Bryson Department of English and Creative Writing University of Adelaide Thesis submitted as a Major Work (Volume One) and Exegesis (Volume Two) for the degree of Doctor of Philosophy in English and Creative Writing, School of Humanities, University of Adelaide, December 2016. Table of Contents: Striving for Honesty: A Travel Writer in Brazil (PhD Thesis in two volumes) Volume One Table of Contents (overall thesis) ii Table of Contents (volume one) iv Abstract vi Candidate Statement viii Acknowledgements ix Major Work: ‘In Good Faith’ Prologue 1 The North and the Northeast 15 The Central West 89 The Southeast 145 Back to the North and the Northeast 187 ii Epilogue 251 References 258 Volume Two Table of Contents (volume two) ii Abstract iv Candidate Statement vi Acknowledgements vii Exegesis: Playing God: The Travel Book and its Potential to (Re)design the World Introduction 1 Chapter One: Categories and Clues: Sending the (Right) Message 7 Chapter Two: Fictions, Fabrications and Lies: Exceptions to the Promise 23 Chapter Three: Flying the Flag: Sending (mixed) Messages 39 Chapter Four: Bruce Chatwin: Legitimate Creativity or (Re)designing the 53 World? In Conclusion 71 Works Cited 73 iii Table of Contents Volume One: Major Work In Good Faith Table of Contents: Striving for Honesty: A Travel Writer in Brazil ........................................ ii Table of Contents ..................................................................................................................... -
Sight and Sound: the International Film Monthly
Sight and Sound: the international film monthly 2008 – 18:1 Articles The Road Goes On Forever Wim Wenders took the language of American film - in particular the rambling alienation of the road movie - and gave it a distinctly European spin. Nick Roddick travels the director's landscapes of the mind Cruel Intentions: Ang Lee Ang Lee's Lust, Caution portrays a lost world whose glittering surfaces mask sexual intrigue and political treachery. He tells Nick James how a midlife crisis prompted his triumphant return to the Shanghai and Hong Kong of the late 1930s It ain't me, babe In I'm Not There Todd Haynes turns his gift for precise recreations of the past to a portrait of Bob Dylan's early years that uses six different actors to personify aspects of the music legend. And it works, says Michael Gray PLUS Jonathan Romney talks to the director about gaining Dylan's approval and James Bell surveys the singer's journeys into cinema Things fall apart Southland Tales, the second feature from Donnie Darko director Richard Kelly, imagines an apocalyptic American near- future that's not far removed from our current political, economic and ecological collective insanity, says Amy Taubin. She talks to the director about the Second Coming and the Terminator in the White House Mystery Trains Trains in movies are claustrophobic microcosms that intensify class conflicts, criminal urges and sexual tension - and no one better exploited their potential than Alfred Hitchcock in The Lady Vanishes, says Graham Fuller PLUS Philip Kemp celebrates the career of star Margaret Lockwood The sheltering sky Mexican director Carlos Reygadas' Silent Light infuses its tale of a love triangle in a strictly religious Mennonite community with a sensuality and beauty that's near miraculous, says Jonathan Romney. -
Directed by BRUNO BARRETO Starring
Presents: Directed by BRUNO BARRETO Starring: MIRANDA OTTO GLORIA PIRES TRACY MIDDENDORF Screenplay by MATTHEW CHAPMAN and JULIE SAYRES, Based on the Screenplay by CAROLINA KOTSCHO, AC. Two iconic women One passion Based on the true love story of Elizabeth Bishop and Lota de Macedo Soares. Marketing/Publicity Contacts required viewing Steven Raphael [email protected] Denise Sinelov [email protected] Big Time PR Sylvia Desrochers [email protected] Tiffany Bair Wagner [email protected] Short synopsis Academy Award nominateed filmmaker Bruno Barreto (FOUR DAYS IN SEPTEMBER, DONA FLOR AND HER TWO HUSBANDS) returns with a sophisticated tale of an unlikely romance between two extraordinary artists, set against the backdrop of political upheaval and a clash of cultures. Grappling with writer’s block, legendary American poet Elizabeth Bishop (Miranda Otto) travels from New York City to Rio de Janeiro in the 1950s to visit her college friend, Mary (Tracy Middendorf). Hoping to find inspiration on Mary’s sprawling estate, Elizabeth winds up with much more — a tempestuous relationship with Mary’s bohemian partner, architect Lota de Macedo Soares (Glória Pires), that rocks the staid writer to her foundation. Alcoholism, geographical distance and a military coup come between the lovers, but their intimate connection spans decades and forever impacts the life and work of these two extraordinary artists. The attraction of two polar-opposite women has rarely been so volatile and so erotically charged on the big screen. Long synopsis 1951, a cargo boat arrives in Rio de Janeiro, Brazil coming from New York. ELIZABETH, 40, disembarks, she plans on leaving for a journey through South America on a boat that will depart within 5 days. -
Market Report
CREATIVE INDUSTRIES Brazil FILM AND TELEVISION MARKET REPORT MARKET GUIDANCE FOR CANADA’S CREATIVE EXPORTERS This report was commissioned by the Consulate General of Canada in Rio de Janeiro on behalf of the Canadian Trade Commissioner Service (TCS). The opinions expressed herein are those of the authors and do not necessarily reflect those of the Government of Canada. Table of Contents 1. Executive Summary . .5 . 2. Industry Overview . .6 . 2.1. Commercial Environment. 6 2.2. Challenges/Opportunities for Foreign Companies in Brazil . .8 . 2.3. Industry Characteristics - What Makes Businesses Fail?. 9 2.4. How Do Canadian Companies Access These Opportunities? . .9 . 3. Sectoral Breakdown: Film, Television and VoD . 11 3.1. Film Sector . .12 . 3.1.1. Market Entry Strategies . .15 . 3.1.2. Key Decision Makers, Market Agents and Stakeholders. 15 3.2. Television Sector. 16 3.2.1. Market Entry Strategies . .17 . 3.2.2. Key Decision Makers, Market Agents and Stakeholders. 18 3.2.3. Coproduction with Television channels . .18 . 3.2.4. Production service. 19 3.2.5. Branded content . 19. 3.3. Online Exhibitors/ VoD Operations. 19 4. Film and Television Project Funding . 22. 4.1. Audiovisual Sectoral Fund (FSA) (Law 11,437/06) . 22. 4.2. Financing Funds in the National Film Industry (“FUNCINEs”) – MP 2,228-1/2001 . .23 . 4.3. The Audiovisual Act (Law 8,685/93). 24 4.3.1. Article 1 . .24 . 4.3.2. Article 1-A (Sponsorship) . 24. 4.3.3. Article 3 . .25 . 4.3.4. Article 3-A. 25 4.4. Article 39, X, of MP 2,228/2001. -
Opening Pages.Pages
ABSTRACT Studies of Latin American culture have returned time and again to the issue of how to capture the many conflicts and tensions inherent in national, group, and individual identities of the region. This dissertation examines an overlooked component of identity debates: the experience of being anonymous or unrecognized. In particular, I focus on late twentieth and early twenty-first century representations of anonymity in Argentina and Brazil. These countries share various key characteristics: emergence from recent military dictatorships; accelerating urbanization and globalization; rapid transformation of public spaces and media technologies that shape the possibilities of expressing an identity and having it recognized. Within these contexts, my dissertation considers a corpus of novels and films centered on attempts to either escape anonymity or become anonymous. Chapter 1 analyzes the decay of family and community bonds as a source of recognition and social value in Fernando Bonassi’s Subúrbio and Guillermo Saccomanno’s El oficinista. Chapter 2 examines media technology and the relationship between audiences and celebrities. I read Alejandro López’s La asesina de Lady Di and Ignácio de Loyola Brandão’s O anônimo célebre as depictions of individuals seeking mass-media fame as a form of large-scale, public recognition. Chapter 3 looks at two cinematic representations of the bus 174 hijacking in Rio de Janeiro. José Padilha’s Ônibus 174 and Bruno Barreto’s Última parada 174 show the challenge of preserving the disruptive potency of the hijacker’s demand for recognition, and the danger of neutralizing it through conventional narrative tropes. Chapter 4 analyzes representations of “desired anonymity” in Sergio Chejfec’s novel Mis dos mundos and Albertina Carri’s film Los rubios.