DOCSLIB.ORG

STEVE BEGG Visual Effects Supervisor/Director

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
STEVE BEGG Visual Effects Supervisor/Director STEVE BEGG Visual Effects Supervisor/Director PROJECTS DIRECTOR STUDIO & PRODUCERS “HELLBOY: RISE OF THE BLOOD NEIL MARSHALL LIONSGATE QUEEN” Lloyd Levin, Matthew O'Toole, Lawrence Gordon “FIRESTORM” (Mini-Episode) STEVE BEGG Anderson Entertainment (Director) “THE COMMUTER” JAUME COLLET-SERRA LIONSGATE Alex Heineman, Andrew Rona “FILM STARS DON’T DIE IN PAUL MCGUIGAN EON PRODUCTIONS LIVERPOOL” SONY PICTURES CLASSICS (Thanks) Barbara Broccoli, Colin Vaines “SPECTRE” SAM MENDES MGM/SONY PICTURES Barbara Broccoli, Michael G. Wilson “KINGSMAN: THE SECRET SERVICE” MATTHEW VAUGHN MARV FILMS/FOX Matthew Vaughn, Adam Bohling, Iain MacKenzie, David Reid “SKYFALL” SAM MENDES MGM/SONY PICTURES Barbara Broccoli, Michael G. Wilson “UNKNOWN” JAUME COLLET-SERRA WARNER BROTHERS Leonard Goldberg, Joel Silver “1884” TIM OLLIVE BRITTANIA STUDIOS (in development) Steve Begg, Terry Gilliam, John Needham “THE WOLFMAN” JOE JOHNSTON UNIVERSAL PICTURES Bill Carraro, Sean Daniel, Scott Stuber “THE GOLDEN COMPASS” CHRIS WEITZ WARNER BROTHERS/NEW LINE nd 2 Unit Supervisor iBill Carraro, Deborah Forte “CASINO ROYALE” MARTIN CAMPBELL MGM/SONY PICTURES BAFTA Award Nomination Barbara Broccoli, Michael G. Wilson “BATMAN BEGINS” CHRISTOPHER NOLAN WARNER BROTHERS Miniature Supervisor Chuck Roven, Emma Thomas “THE BROTHERS GRIMM” TERRY GILLIAM MIRAMAX FILMS Miniature Supervisor Daniel Bobker, Chuck Roven “LARA CROFT: TOMB RAIDER: JAN DE BONT PARAMOUNT PICTURES The Cradle of Life” Lawrence Gordon, Lloyd Levin “LARA CROFT: TOMB RAIDER” SIMON WEST PARAMOUNT PICTURES Lawrence Gordon, Lloyd Levin “QUILLS” PHILLIP KAUFMAN FOX SEARCHLIGHT Julia Chasman, Nick Wechsler “LOST IN SPACE” STEPHEN HOPKINS NEW LINE CINEMA Co-Supervisor + Miniature Director Akiva Goldsman, Mark Koch Steve Begg -Continued- “RATCATCHER” LYNNE RAMSAY PATHÉ PICTURES Gavin Emerson “THE BFI LONDON IMAX TERRY JONES BRITISH FILM INSTITUTE SIGNATURE FILM” (Short) John Goldstone “TIME RUNNER” MICHAEL MAZO NEW LINE CINEMA (Magic Camera Company) John A. Curtis, Lloyd Simandl “RKO 281” (TV Movie) BENJAMIN ROSS HBO Sue Armstrong, Ridley Scott “20,000 LEAGUES UNDER THE SEA” MICHAEL ANDERSON HALLMARK (TV Movie) John Davis “SPACE PRECINCT” (TV Series) VARIOUS GROVE TELEVISION Gerry Anderson “THE ADVENTURES OF PINOCCHIO” STEVE BARRON NEW LINE CINEMA Model Unit Director Raju Sharad Patel, Jeffrey M. Sneller “CAPTAIN SCARLET STEVE BEGG ITV TELEVISION (TV Series) Sequence Director DOMINICK LAVERLY Gerry Anderson (Mercury Falling) Animated/Mocap “DICK SPANNER P.I. ” (TV SERIES) TERRY ADLAM VIRGIN/CHANNEL 4 TV Director and Cinematographer STEVE BEGG Gerry Anderson “THE IMAGINARIUM OF DOCTOR TERRY GILLIAM SONY PICTURES CLASSICS PARNASSUS” Matte Painter Amy Gilliam, Samuel Hadida, (Peerless Camera Company) William Vince “RED DWARF: THE TANK ANDREW ELLARD GRANT NAYLOR PRODUCTIONS - SERIES VIII – Model Director Helen Norman, Doug Naylor “THE AVENGERS” JEREMIAH CHECHIK WARNER BROTHERS Animation Designer Jerry Weintraub “GOLDENEYE” MARTIN CAMPBELL MGM Visual Effects Barbara Broccoli, Michael G. Wilson “LANDSLIDE” JEAN-CLAUDE LORD THE SAMUEL GOLDWYN CO. Model Unit Director Stein Monn Iversen “SPACE POLICE” TONY BELL ANDERSON BURR PICTURES Visual Effects Director “TERRAHAWKS” (39 Episodes) VARIOUS ANDERSON ENTERTAINMENT/ITV Visual Effects Director Gerry Anderson, Christopher Burr “BATMAN” TIM BURTON WARNER BROTHERS Visual Effects Technician Peter Guber, Jon Peters “ALIENS” JAMES CAMERON TWENTIETH CENTURY FOX Model Effects (uncredited) Gale Anne Hurd Notable: 2017 Honorary Doctorate of Engineering - Glasgow Caledonian University i2016 UK VES Vanguard Award for Leadership and the Advancement of Visual Effects in the UK i2013 BAFTA Scotland Award: Outstanding Contribution to Craft (In Memory of Robert McCann) Locations: Austria, Bahamas, China (Shanghai), Greece, Iceland, Italy, Kenya, Los Angeles, Mexico, Miami, Morocco, Moscow, Munich, Norway, Paris, Prague, Scotland, Switzerland, Tanzania, Turkey (Istanbul), Venice Affiliations: BAFTA, Academy of Motion Picture Arts & Sciences, Visual Effects Society .
Load more

Recommended publications
  • Jennifer Ricchiazzi, Csa
    JENNIFER RICCHIAZZI, CSA www.jenniferricchiazzi.com Selected Film & Television Credits FUTRA DAYS (Pre-Production/Currently Casting) Producer: Ryan David, Orian Williams, David Zonshine. Director/Writer: Ryan David. SHOOTING HEROIN (Post-Production) Producer: Mark Joseph. Director/Writer: Spencer Folmar. Starring: Alan Powell, Cathy Moriarty, Sherilyn Fenn, Nicholas Turturro THE UNSPOKEN (Pre-Production) Winterland Pictures. Producers: Lionel Hicks, Rebecca Tranter. Director/Writer: Andrew Hunt FIGHTING CHANCE (Pre-Production) Producers: Scott Rosenfelt, Ron Winston. Director: Mikael Salomon FALL OF EDEN (Pre-Production) Producer: Mark G Mathis. Director: Susan Dynner. Attached: Dylan McDermott, Brianna Hildebrand. BLINDED BY ED (Pre-Production) Producer: Kristy Lash. Director/Writer: Chris Fetchko. Attached: Katrina Bowden. REAGAN (Pre-Production) Independent. Producer: Mark Joseph; Executive Producer: Dawn Krantz. Director: John G. Avildsen. Attached: Jon Voight and Dennis Quaid. HAUNTING OF THE MARY CELESTE Vertical Entertainment. Producers: Norman Dreyfuss, Brian Dreyfuss, Justin Ambrosino. Writer: David Ross; Executive Producers: Eric Brodeur, Jerome Oliver. Director: Shana Betz. Starring: Emily Swallow. SOLVE Mobile Series. Vertical Networks; Snapchat. THE STOLEN Independent/Cork Films Ltd. Producer/Writer: Emily Corcoran; Executive Producer: Julia Palau. Director/Co-Writer: Niall Johnson. Starring: Alice Eve, Jack Davenport. THE CLAPPER (Tribeca Film Festival 2017) Independent. Producer: Robin Schorr. Director: Dito Montiel. Starring:
    [Show full text]
  • The Time Warner Conspiracy: JFK, Batman, and the Manager Theory of Hollywood Film
    UC Irvine UC Irvine Previously Published Works Title The Time Warner conspiracy: JFK, Batman, and the manager theory of Hollywood film Permalink https://escholarship.org/uc/item/8vx5j2n7 Journal Critical Inquiry, 28(3) ISSN 0093-1896 Author Christensen, J Publication Date 2002 DOI 10.1086/343232 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Time Warner Conspiracy: JFK, Batman, and the Manager Theory of Hollywood Film Jerome Christensen Think of the future! —The Joker, Batman Formed in 1989, after the fall of the Wall, which had symbolicallysegregated rival versions of the truth, Time Warner, the corporate merger of fact and fiction, was deeply invested in a vision of American democracy gone sour and sore in need of rescue. That investment is most salient in two films: Batman, released in 1989 during the merger negotiations between Time Inc. and Warner, and JFK, the signature film of the new organization.I willargue that Batman and JFK are corporate expressions: the former an instrumental allegory contrived to accomplish corporate objectives, the latter a scenario that effectively expands the range of what counts as a corporate objective. Batman is an allegory addressed to savvy corporate insiders, some of whom are meant to get the message, while others err. JFK aspired to turn everyone into an insider. It inducts its viewers into a new American mythos wired for an age in which successful corporate financial performance presupposes
    [Show full text]
  • International Casting Directors Network Index
    International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy.
    [Show full text]
  • Batman, Screen Adaptation and Chaos - What the Archive Tells Us
    This is a repository copy of Batman, screen adaptation and chaos - what the archive tells us. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94705/ Version: Accepted Version Article: Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137 https://doi.org/10.1386/josc.7.1.45_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Batman: screen adaptation and chaos - what the archive tells us KEYWORDS Batman screen adaptation script development Warren Skaaren Sam Hamm Tim Burton ABSTRACT W B launch the Caped Crusader into his own blockbuster movie franchise were infamously fraught and turbulent. It took more than ten years of screenplay development, involving numerous writers, producers and executives, before Batman (1989) T B E tinued to rage over the material, and redrafting carried on throughout the shoot.
    [Show full text]
  • Hollywood Foreign Press Association 2019 Golden Globe Awards for the Year Ended December 31, 2018 Press Release
    HOLLYWOOD FOREIGN PRESS ASSOCIATION 2019 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2018 PRESS RELEASE 1. BEST MOTION PICTURE – DRAMA a. BLACK PANTHER Marvel Studios; Walt Disney Studios Motion Pictures b. BLACKKKLANSMAN QC Entertainment / Blumhouse / Monkeypaw / 40 Acres and a Mule; Focus Features c. BOHEMIAN RHAPSODY Twentieth Century Fox and Regency Enterprises; Twentieth Century Fox d. IF BEALE STREET COULD TALK Annapurna Pictures / Plan B Entertainment / We Pastel; Annapurna Pictures e. A STAR IS BORN Warner Bros. Pictures / Live Nation Productions / Metro Goldwyn Mayer Pictures / Jon Peters Production / Bill Gerber Production / Joint Effort Production; Warner Bros. Pictures 2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA a. GLENN CLOSE THE WIFE b. LADY GAGA A STAR IS BORN c. NICOLE KIDMAN DESTROYER d. MELISSA MCCARTHY CAN YOU EVER FORGIVE ME? e. ROSAMUND PIKE A PRIVATE WAR This document is being provided to the media pertaining to the nominations announcements for the 76th Annual Golden Globe Awards. The official press release is presented in PDF format and contains the official results. As a courtesy to the media, this version of the press release in Microsoft Word format is provided for ease of use. Ernst & Young LLP takes no responsibility for errors or changes made by the users of the Word file or the resulting impacts on their reporting. The official press release in PDF format represents the only official results. HOLLYWOOD FOREIGN PRESS ASSOCIATION 2019 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2018 PRESS RELEASE 3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA a.
    [Show full text]
  • Wild Wild West 1999 720P Brrip 700MB YIFY
    Wild Wild West 1999 720p BrRip 700MB YIFY 1 / 4 Wild Wild West 1999 720p BrRip 700MB YIFY 2 / 4 3 / 4 Special government agent James West, long on charm and wit, and special government agent Artemus Gordon, a master of disguises and a brilliant inventor of .... Download Wild Wild West (1999) 720p BrRip x264 - 700MB - YIFY torrent or any other torrent from Video > HD - Movies Direct download via .... Wild Wild West movie YIFY subtitles. ... -2, English, subtitle Wild.Wild.West.1999.1080p.720p.BluRay.x264.[YTS.AG], sub, download. 3, Greek, subtitle Wild Wild .... Wild Wild West is a 1999 American steampunk western comedy film co-produced and directed by Barry Sonnenfeld, produced by Jon Peters and written by S. S. .... Download Wild Wild West (1999) 720p BrRip x264 - 700MB - YIFY torrent or any other torrent from the Video HD - Movies. Direct download .... Wild Wild West (1999) 720p, The two best hired guns in the West must save President Grant from the clutches of a 19th century inventor-villain.. Download Wild Wild West (1999) 720p BrRip x264 - 700MB - YIFY torrent or any other torrent from the Video HD - Movies. Direct download via .... Wild Wild West (1999) 1080p BrRip x264 - YIFY. Year ... If you need help about torrent you can visit our step by step GUIDE. Quality: 480p. 720p. 1080p. 4K. All.. Wild Wild West (1999) 720p BrRip - 700MB - YIFY ... Legless Southern inventor Dr. Arliss Loveless plans to rekindle the Civil War by assassinating President .... Download Wild Wild West (1999) 720p BrRip - 700MB - YIFY torrent or any other torrent from Movies category.
    [Show full text]
  • Redalyc.PERSONALIDAD CREADORA, EXPLORANDO LO NUEVO: ORSON WELLES, “CIUDADANO KANE” Y “RKO 281”. EL NACIMIENTO DE LA NARR
    Razón y Palabra ISSN: 1605-4806 [email protected] Universidad de los Hemisferios Ecuador Caerols Mateo, Raquel; Tapia Frade, Alejandro PERSONALIDAD CREADORA, EXPLORANDO LO NUEVO: ORSON WELLES, “CIUDADANO KANE” Y “RKO 281”. EL NACIMIENTO DE LA NARRATIVA AUDIOVISUAL MODERNA. Razón y Palabra, núm. 85, diciembre, 2013 Universidad de los Hemisferios Quito, Ecuador Disponible en: http://www.redalyc.org/articulo.oa?id=199531506053 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto RAZÓN Y PALABRA Primera Revista Electrónica en Iberoamerica Especializada en Comunicación. www.razonypalabra.org.mx PERSONALIDAD CREADORA, EXPLORANDO LO NUEVO: ORSON WELLES, “CIUDADANO KANE” Y “RKO 281”. EL NACIMIENTO DE LA NARRATIVA AUDIOVISUAL MODERNA. Raquel Caerols Mateo Alejandro Tapia Frade1 Resumen Introducirse en la enseñanza del lenguaje visual y en la narrativa audiovisual como hecho específico del lenguaje cinematográfico supone indagar y estudiar aquel material que ha marcado un giro en la forma de decir del cine, este es el caso de Orson Welles y Ciudadano Kane (Citizen Kane, Orson Welles, 1941). Trabajar en el aprendizaje de esta materia no es hacer una historia del cine, —centrándose en aquellos que inauguraron una nueva corriente o tendencia—, sino realizar bosquejos en la función expresiva de los elementos que conforman un lenguaje audiovisual, en el por qué y significación de los mismos, pues es lo que constituye un aprendizaje significativo. Pero si además lo hacemos con un visionado conjunto con RKO 281 La batalla por Ciudadano Kane (RKO 281: The Battle Over Citizen Kane, Benjamin Ross, 1999) nos encontramos con la oportunidad de indagar, además, sobre la creatividad, sus procesos y las claves que hicieron de Ciudadano Kane una obra significativamente creativa.
    [Show full text]
  • The Influence of Bushido, Way of the Warrior, On
    THE INFLUENCE OF BUSHIDO ON NATHAN ALGREN’S PERSONALITY DEVELOPMENT AS SEEN IN JOHN LOGAN’S MOVIE SCRIPT THE LAST SAMURAI A Thesis Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By PRIMADHY WICAKSONO Student Number: 991214175 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 THE INFLUENCE OF BUSHIDO ON NATHAN ALGREN’S PERSONALITY DEVELOPMENT AS SEEN IN JOHN LOGAN’S MOVIE SCRIPT THE LAST SAMURAI A Thesis Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By PRIMADHY WICAKSONO Student Number: 991214175 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 i This thesis is dedicated to My beloved Family: ENY HARYANI and ENDHY PRIAMBODO You are the best that God has given to me iv v ACKNOWLEDGEMENTS First of all, I would like to thank The Almighty Allah, SWT, for giving me the amazing love, courage and honor in my life. Through Allah’s love, I can stand in every moment in my life to face the sadness and happiness, and I can see that everything is beautiful. I also would like to thank my major sponsor, Drs. A. Herujiyanto, MA., Ph.D., who has devoted his time, knowledge and effort to improve this thesis. He has not only given me considerable and continual corrections, guidance, and support, but also great lessons for my life in the future.
    [Show full text]
  • Batfilm V Warner Brothers, Decision by Yaffe, J., Calif. Superior Ct., March 14, 1994
    Batfilm Productions, Inc., et al., Plaintiffs, v. Warner Bros. Inc., et al., Defendants Superior Court of the State of California for the County of Los Angeles; Consolidated Cases No. BC 051653 and No. BC 051654 March 14, 1994 In 1981, Polygram assigned to Warner Bros. its rights and obligations under the Yaffe, J. Casablanca Agreement. In 1988, Mr. Melniker and Mr. Uslan and Warner Bros. Phase I Statement of Decision signed a written amendment to the Casablanca Agreement (the "Warner The Court divided the trial of this case Agreement"). Under the Warner Agreement, into two phases. Phase I consisted of a bench Mr. Melniker and Mr. Uslan were entitled to trial of plaintiffs' non-jury claims. Those receive $300,000 in fixed compensation for claims primarily concern plaintiffs' "Net Batman, plus a $100,000 "deferment" once Profits" participation in the Batman motion the film generated a certain level of receipts, pictures. plus 13% of the so-called "Net Profits," as The plaintiffs are two individuals, defined in an attachment to the Warner Benjamin Melniker and Michael Uslan, and Agreement. the two corporations that furnish their Warner Bros. has paid Messrs. Melniker services, Batfilm Productions, Inc., and and Uslan the $300,000 fixed fee and Franklin Enterprises, Ltd. The defendants are $100,000 deferment. Under the Warner Warner Bros. and Polygram Pictures, Inc. Agreement, Warner Bros. has also paid (The Court previously granted the summary Melniker and Uslan an additional $700,000 in judgment notion of defendants Peter Guber, fixed fees on two additional motion pictures Jon Peters, and the Guber-Peters (Batman Returns and Batman: Mask of the Entertainment Co.) Polygram Pictures did not Phantasm).
    [Show full text]
  • Available from TCG Books: I’Ll Eat You Last and Peter and Alice by John Logan
    FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan May 21, 2013 [email protected] | 212-609-5955 Available from TCG Books: I’ll Eat You Last and Peter and Alice by John Logan NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the availability of two new plays by John Logan: I’ll Eat You Last: A Chat with Sue Mengers and Peter and Alice, both published by Oberon Books (London). The three-time Oscar-nominated screenwriter of such films as Skyfall and Hugo returns with two new plays on Broadway and in London’s West End, respectively. I’ll Eat You Last is a one-woman show about legendary Hollywood super-agent Sue Mengers, whose clients included Barbra Streisand, Cher, Gene Hackman and Mike Nichols. Currently on Broadway, starring Bette Midler, I’ll Eat You Last is nominated for the 2013 Drama League awards for Outstanding Production of a Broadway or Off-Broadway Play. Based on the real individuals that inspired J.M. Barrie’s Peter Pan and Lewis Carroll’s Alice in Wonderland, Peter and Alice tells the story of when Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932. Currently playing to acclaim in the West End, Judi Dench stars as Alice and Ben Whishaw as Peter in this new play where enchantment and reality collide. “A delectable soufflé of a solo show… It’s a heady sensation, thanks to the buoyant, witty writing of Mr. Logan… Tangy and funny.” — New York Times on I’ll Eat You Last “A haunting play that sounds profound notes of loss and grief..
    [Show full text]
  • The City in Crisis Urban Nightmares in U.S
    The City in Crisis Urban Nightmares in U.S. Literature and Culture Course instructor: PD Dr. Stefan Brandt Summer term 2010 Bibliography (selection) Albrecht, Donald. “New York, Old York: The Rise and Fall of a Celluloid City.” Film Architecture: From Metropolis to Blade Runner. Ed. Dietrich Neumann. Munich: Prestel, 1999. 39-43. Annesley, James. Blank Fictions: Consumerism, Culture and the Contemporary American Novel. London: Pluto Press, 1998. Auster, Paul. The Brooklyn Follies. New York: Henry Holt, 2006. ---. In the Country of Last Things. London: Viking, 1987. ---. The New York Trilogy: City of Glass. 1985. Ghosts. 1986. The Locked Room. 1986. London and Boston: Faber and Faber, 1990. ---. Oracle Night. New York: Henry Holt, 2003. ---. Travels in the Scriptorium. New York: Picador, 2006. Baer, Ulrich, ed. 110 Stories. New York Writes after September 11. New York: New York University Press, 2002. Baldwin, James. “Notes of a Native Son.” 1953. The Price of the Ticket. Collected Nonfiction, 1948-1985. New York: St. Martin’s/Marek, 1985. 127-145. Baudrillard, Jean. “Kool Killer, or, The Insurrection of Signs.” Symbolic Exchange and Death. Introd. by M. Gane, London: Sage, 1993. 76-86. Bauman, John F., Roger Biles, and Kristin M. Szylvia. The Ever-Changing American City, 1945 – Present. Lanham, Md.: Rowman & Littlefield Publishers, 2012. Baumann, Zygmunt. City of Fears, City of Hopes. London: Goldsmith College, University of London, 2003. Brandt, Stefan L. “The City as Liminal Space: Urban Visuality and Aesthetic Experience in Postmodern U.S. Literature and Cinema.” Amerikastudien – American Studies 54.4 (2010): 553-581. ---. “Open City, Closed Space: Metropolitan Aesthetics in American Literature from Brown to DeLillo.” Transcultural Spaces: Challenges of Urbanity, Ecology, and the Environment in the New Millennium.
    [Show full text]
  • A SONY PICTURES CLASSICS RELEASE Www
    A SONY PICTURES CLASSICS RELEASE www.itmightgetloudmovie.com Running time: 97 minutes *Official Selection: 2008 Toronto International Film Festival *Official Selection: 2009 Sundance Film Festival Publicity Distributor PMK/HBH Sony Pictures Classics Allen Eichhorn Carmelo Pirrone 622 Third Avenue Lindsay Macik 8th Floor 550 Madison Ave New York, NY 10017 New York, NY 10022 212-373-6115 Tel: 212-833-8833 [email protected] Short Synopsis Rarely can a film penetrate the glamorous surface of rock legends. It Might Get Loud tells the personal stories, in their own words, of three generations of electric guitar virtuosos – The Edge (U2), Jimmy Page (Led Zeppelin), and Jack White (The White Stripes). It reveals how each developed his unique sound and style of playing favorite instruments, guitars both found and invented. Concentrating on the artist’s musical rebellion, traveling with him to influential locations, provoking rare discussion as to how and why he writes and plays, this film lets you witness intimate moments and hear new music from each artist. The movie revolves around a day when Jimmy Page, Jack White, and The Edge first met and sat down together to share their stories, teach and play. Long Synopsis Who hasn't wanted to be a rock star, join a band or play electric guitar? Music resonates, moves and inspires us. Strummed through the fingers of The Edge, Jimmy Page and Jack White, somehow it does more. Such is the premise of It Might Get Loud, a new documentary conceived by producer Thomas Tull. It Might Get Loud isn't like any other rock'n roll documentary.
    [Show full text]