Incorporating Flow for a Comic [Book] Corrective of Rhetcon
INCORPORATING FLOW FOR A COMIC [BOOK] CORRECTIVE OF RHETCON Garret Castleberry Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2010 APPROVED: Brian Lain, Major Professor Shaun Treat, Co-Major Professor Karen Anderson, Committee Member Justin Trudeau, Committee Member John M. Allison Jr., Chair, Department of Communication Studies Michael Monticino, Dean of the Robert B. Toulouse School of Graduate Studies Castleberry, Garret. Incorporating Flow for a Comic [Book] Corrective of Rhetcon. Master of Arts (Communication Studies), May 2010, 137 pp., references, 128 titles. In this essay, I examined the significance of graphic novels as polyvalent texts that hold the potential for creating an aesthetic sense of flow for readers and consumers. In building a justification for the rhetorical examination of comic book culture, I looked at Kenneth Burke’s critique of art under capitalism in order to explore the dimensions between comic book creation, distribution, consumption, and reaction from fandom. I also examined Victor Turner’s theoretical scope of flow, as an aesthetic related to ritual, communitas, and the liminoid. I analyzed the graphic novels Green Lantern: Rebirth and Y: The Last Man as case studies toward the rhetorical significance of retroactive continuity and the somatic potential of comic books to serve as equipment for living. These conclusions lay groundwork for multiple directions of future research. Copyright 2010 by Garret Castleberry ii ACKNOWLEDGEMENTS There are several faculty and family deserving recognition for their contribution toward this project. First, at the University of North Texas, I would like to credit my co-advisors Dr. Brian Lain and Dr.
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