Salado Who Is Horton Foote?

Total Page:16

File Type:pdf, Size:1020Kb

Salado Who Is Horton Foote? Who is Horton Foote? Salado VVillageillage VVoiceoice Vol. XXX, Number 38 Thursday, February 21, 2008 254/947-5321 fax 254/947-9479 www.saladovillagevoice.com 50¢ Gems, jewels & more during Artfully Yours Diamonds might be a Both her parents are jew- girl’s best friend, but the elers and both her grand- Artfully Yours Winter Fes- parents were also jewelers, tival is your place to find artists and gemologists. out about these and other She is currently managing gemstone treasures. her family’s jewelry store, The three-day event, “bentons,” in Salado. She scheduled for Feb. 22-24, will be hosting a work- focuses on the artist and shop, “Beading Basics.” artisan who make Salado This workshop will consist and the surrounding area of basic tools you will need home. One focus will be to get started, as well as on jewelry, including se- some troubleshooting with lecting gem stones, the the engineering aspects of mythological powers they putting beads together to are thought to possess, and make a necklace or brace- the basics of the latest ar- let. “I will bring tools so tistic craft of beading. everyone will get “hands- On Feb. 23, Frankie on experience” at con- Gene Sidaras, a silver- structing a piece of jew- smith who creates her elry,” says Brandy. Each works of art at her Salado attendee will learn how to gallery, FSG Fine Jew- make a necklace/bracelet Grace Jones in her dress store in Salado. She died February 16, 2008. elry will make a presenta- using both wire and silk tion. Along with her own string techniques. A pam- fine jewelry, Frankie fea- phlet outlining the tools Salado’s Grace Jones will long be tures work of other artists and steps will be given for Amazing Grace: “whose work I just like!” practice at home. Work- remembered for her style, class she built a successful mod- Frankie will conduct a shop size is limited to 10. Salado’s Grace Jones and continued her educa- about her politics and em- elign career with the likes seminar titled “The Birth The three-day, Artfully died February 16, 2008 in tion at Baylor University braced her civic responsi- of Mary Alice Rice and of Birthstones”, a geeky, Yours Winter Festival is Gonzales, Texas follow- and the University of Tex- bility. She raised money John Powers. Her marriage and sometimes weird, look chock full of seminars, lec- ing a short illness. She was as. for political candidates of to Lt. Col. Jack Jones in at the meaning of birth- tures, workshops, author 87, born on November 6, In 1943, while still a her choice, including Hu- 1946 led her to Berlin dur- stones and their historical readings, music, gallery 1920. stduent at The University bert Humphrey and Lyn- ing the tense Berlin Airlift spheres of influence. “Do tours, theater performanc- She is preceded in death of Texas Grace read an ar- don Johnson. She served years and to a tour of Ja- I believe this stuff?” says es and visits to workshops by parents Juddie Finch ticle in LOOK magazine on countless boards includ- pan during which Grace Frankie. “Nah, but it’s fun, and studios of artists and Rosanky and William about the desperate need ing the University of Texas was named as one of the and by the looks of it, you artisans. Seminar topics in- Rosanky, her brother Bill for licensed women pilots School of Architecture, the five best-dressed women should live long and pros- clude woodworking, bead- Rosanky and a nephew to become part of the new Scott and White Medical in Japan. She was the first per if you wear the right ing, gemstones, stained Billy. She is survived by Women’s Army Air Force. Center, and the Institute American to perform the ones!” glass, home design, song her nephew John Rosanky, She immediately obtained for Humanities in Salado. intricate Japanse tea cere- Carolyn Dachs brings a writing, and car restora- his wife Rhonda and a her private license from She was proud of serving mony. President Dwight D. true passion for design to tion. great-niece Miki Rosanky Bobby Ragsdale Fly- with her dear friend Lady Eisenhower would name jewelry. She is the owner A complete schedule and her husband Kevin ing School in Austin. She Bird Johnson on the board Grace as an “ambassador of Gregory’s, a stunning of performances, presen- Matocha, all of Salado. joined the WASP, complet- of the National Wildflower abroad” to Japan. jewelry gallery that at- tations and seminars is on She is remembered ed her training at Avenger Research Center. She also In the mid-1950s, Jack’s tracts a distinguished Page 1B of this edition by countless friends and Field in Sweetewater, Tex- sat on the board of the assignment took the couple crowd. Carolyn attended Salado Village Voice. admirers and other fam- as and began to ferry mili- Salado National Bank and to New York. She steered The Fashion Institute of Three-day show passes ily members including her tary planes. She flew all served twice as the Presi- her career into modeling Technology in New York are $10 in advance or $15 cousin Richard Crozier manner and size of aircraft dent of the Salado Cham- for commercials, including where she earned her de- at the door of Salado’s and wife Barbara, of Gon- from AT-6 trainers to B-17 ber of Commerce. American icons Kodak and gree in fashion buying and Civic Center. Each dem- zales. bombers, out of one of the In lieu of flowers, me- Ford. merchandising. Carolyn onstration or workshop is Grace, a fourth genera- heaviest-trafficked airports morials may be made to In 1961, Grace and Jack will follow Frankie’s pre- $25 or four for $75 when tion Texan and the great- in the country, Love Field the Lady Bird Johnson returned to Central Texas sentation with an informa- purchased in advance. grand-daughter of a Ger- in Dallas. She became a Wildflower Center or the and opened the dress store tive seminar of her own, Registration and a com- man immigrant for whom commanding officer of the Institute for the Humani- that would carry her name, “Detailing Diamonds” plete schedule of activi- the town of Rosanky WASP stationed at Black- ties at Salado. “Grace Jones” above its - everything about cuts, ties are available on line was named, was born in land Air Force Base near Dossman Funeral Home door. The old First State color, clarity, and quality. at www.artfullyyours.org Waelder, Texas. Follow- Waco until the WASP were of Belton was in charge of Bank building at the corner She will touch on how to or by calling the Salado ing her graduation from disbanded near the end of arrangments. of Main Street and Royal sell and buy diamonds. Chamber of Commerce at Smithville High School, the war. For more photos and continues to carry her Brandy Benton has 254/947-5040. Grace attended the San After the war, she information about Grace name above it today. been making jewelry since Marcos Baptist Academy moved to New York, where Jones, please turn to 10- she was two years old. She was passionate 11A. INSIDE Turn to Page 1B Bulk Rate U.S. Postage Paid ALENDAR OF VENTS C E 2B Permit No. 50 CLASSIFIEDS 1C for complete schedule Salado, TX 76571 FORUM 2A of events for OFF THE RECORD 2A Subscribe SHOPPING MAP 4B Artfully Yours Today Rooted in Salado SPORTS 7A Since 1979 Winter Festival 254/947-5321 SALADO Page 2A, Village Voice, February 21, 2008 Demos keep primary cauldron boiling; Writer notes lighter political FORUMFORUM side and a “Special” invitation An Open Exchange of Ideas This year’s somewhat bizarre presi- dential primary c­ontest has passed the three-quarter mark, with the Repub- Off the lic­an nominee on the verge of grab- Record bing the brass ring, and Democ­rats embroiled in a rac­e that’s still too- by Ken Clapp c­lose-to-c­all. We use the term “bizarre” advisedly Our group (of pol-kibitzers) first nic­k- bec­ause GOPer John Mc­Cain, despite named the Guv “Goodhair.” Later c­hanged leading his pac­k with 903 c­onfirmed to “Landslide” after his “showing” in last delegates (1191 needed), is c­ausing the year’s elec­tion. And now we need a new right-wing of his party some major epithet to designate his speedy support- disc­omfort sinc­e “Mac­” is not c­onsid- hopping from one GOP presidential c­an- ered a true-blue (or red) c­onservative. didate to another. Skittishness resulting He lac­ks (say the righteous right) from his “new best pol-pals” inability to loyal Tory c­redentials and is tagged hang on to the nominating torc­h. a “moderate” by hard-c­ore leaders, First there was “Americ­a’s Mayor” - along with the blathering “Hate Voic­e Rudy Giuliani, who was the objec­t of Per- of the GOP” Rush Limbaugh. ry’s affec­tion. We all thought at the time The term “moderate” (in GOPtalk) that old Ric­k was angling for Veep - until is almost as bad as being c­alled a “lib- he let slip that he really preferred Mike Rebates for Non-Taxpayers? eral.” Huckabee! DEMO BATTLEFRONT Then Giuliani “bailed out” and “Huc­k” Should non-taxpayers get a tax rebate? Over on the Democ­ratic­ Primary hasn’t enough delegates to host a “get- That had been the revealing stic­king point side the situation is more “unique” ac­quainted” party (provided his evangeli- in the Washington debate over an ec­o- than “bizarre,” in that the leading c­on- c­al friends ever “party”) so Perry is now nomic­ stimulus pac­kage.
Recommended publications
  • Horton Foote
    38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis .......................................................................................................
    [Show full text]
  • Understanding Screenwriting'
    Course Materials for 'Understanding Screenwriting' FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 Evan Wm. Cameron Professor Emeritus Senior Scholar in Screenwriting Graduate Programmes, Film & Video and Philosophy York University [Overview, Outline, Readings and Guidelines (for students) with the Schedule of Lectures and Screenings (for private use of EWC) for an extraordinary double-weighted full- year course for advanced students of screenwriting, meeting for six hours weekly with each term of work constituting a full six-credit course, that the author was permitted to teach with the Graduate Programme of the Department of Film and Video, York University during the academic years 2001-2002 and 2002-2003 – the most enlightening experience with respect to designing movies that he was ever permitted to share with students.] Overview for Graduate Students [Preliminary Announcement of Course] Understanding Screenwriting FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 FA/FILM 4501 A 6.0 & FA/FILM 4501 B 6.0 Understanding Screenwriting: the Studio and Post-Studio Eras Fall/Winter, 2002-2003 Tuesdays & Thursdays, Room 108 9:30 a.m. – 1:30 p.m. Evan William Cameron We shall retrace within these courses the historical 'devolution' of screenwriting, as Robert Towne described it, providing advanced students of writing with the uncommon opportunity to deepen their understanding of the prior achievement of other writers, and to ponder without illusion the nature of the extraordinary task that lies before them should they decide to devote a part of their life to pursuing it. During the fall term we shall examine how a dozen or so writers wrote within the studio system before it collapsed in the late 1950s, including a sustained look at the work of Preston Sturges.
    [Show full text]
  • Curriculum Vitae: Bruce F. Kawin
    October 30, 2020 Curriculum Vitae: Bruce F. Kawin Professor Emeritus of English University of Colorado at Boulder Boulder, CO 80309 Home: 4393 13th St. Boulder, CO 80304 Phone: (303) 449-4845 (land line) — (303) 514-6707 (cell; use this or e-mail until further notice) Fax: (303) 449-2503 E-mail: [email protected] Born: Los Angeles, CA Education: Ph.D.: Cornell University, September 1970 Major: 20th Century British and American Literature Minor: Film History and Aesthetics Thesis: Telling It Again and Again: The Aesthetics of Repetition M.F.A.: Cornell University, June 1969 Major: Creative Writing Minor: Filmmaking Thesis: Slides Summer program in Documentary Film Production, UCLA, August 1968 B.A. cum laude: Columbia College, Columbia University, June 1967 Major: English and Comparative Literature Teaching Experience: Professor of English: English Department, University of Colorado at Boulder, 1975-2015. (Professor Emeritus, 2015-present; Full Professor since 1980; tenure awarded, 1979; Associate Professor, 1977- 80; Assistant Professor, 1975-77.) Taught half-time in Film Studies Program 1975-2006 (two Film Studies courses/year), then one Film Studies course/year through 2014; other film courses after 2006 taught in English Dept. Fields: Modern Literature, Film History and Theory, Creative Writing. Visiting Fellow: Theater Arts Board, College 5, University of California at Santa Cruz, 1980-81. Fields: Film History and Theory. Specialist in Film Analysis: Center for Advanced Film Studies, American Film Institute, 1974. Lecturer in English and Film: English Department, University of California at Riverside, 1973-75. Fields: Modern Literature, Film History, Composition, Women Studies. Assistant Professor of English: English Department, Wells College, 1970-73.
    [Show full text]
  • Arthur Penn's Bonnie and Clyde
    Arthur Penn’s Bonnie and Clyde Edited by LESTER D. FRIEDMAN Syracuse University PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, UK http://www.cup.cam.ac.uk 40 West 20th Street, New York, NY 10011-4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarco´n 13, 28014 Madrid, Spain ᭧ Cambridge University Press 2000 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United States of America Typeface Stone Serif 10/14 pt. System DeskTopPro/UX [BV] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication data Arthur Penn’s Bonnie and Clyde / edited by Lester D. Friedman. p. cm. – (Cambridge film handbooks series) Filmography: p. Includes bibliographical references and index. ISBN 0-521-59295-X – ISBN 0-521-59697-1 (pbk.) 1. Bonnie and Clyde (Motion picture) I. Friedman, Lester D. II. Series. PN1997.B6797 1999 791.43'72 – dc21 98-32173 CIP ISBN 0 521 59295 X hardback ISBN 0 521 59697 1 paperback LESTER D. FRIEDMAN Introduction ARTHUR PENN’S ENDURING GANGSTERS HISTORICAL PERSPECTIVES: COUNTERCULTURAL CINEMA Boy meets girl in small-town Texas. Their crime spree begins as girl goads boy into robbing a grocery store; they speed out of town in a stolen car, spirits high.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected]
    DAVID CAPARELLIOTIS Caparelliotis Casting /212-575-1987 [email protected] CASTING DIRECTOR (selected) Holler If Ya Hear Me (Todd Kreidler) Palace Theatre/Broadway dir. Kenny Leon (upcoming) Casa Valentina (Harvey Fierstein) Freidman Theatre/ Broadway dir. Joe Mantello (upcoming) Commons of Pensacola (Amanda Peet) Manhattan Theater Club dir. Lynne Meadow The Snow Geese (Sharr White) Freidman Theatre/ Broadway dir. Daniel Sullivan All New People (Zach Braff) Second Stage Theatre dir. Peter DuBois Water By The Spoonful (Quiara Hudes) Second Stage Theatre dir. Davis McCallum My Name Is Rachel Corrie Minetta Lane/Off-Broadway dir. Alan Rickman Complicit (Joe Sutton) Old Vic/London dir. Kevin Spacey Orphans (Lyle Kessler) Schoenfeld Theatre/ Broadway dir. Daniel Sullivan Lonely I’m Not (Paul Weitz) Second Stage Theatre dir. Trip Cullman Tales of the City: the musical American Conservatory Theatre dir: Jason Moore Romantic Poetry (John P. Shanley) MTC/Off-Broadway dir: John P. Shanley Trip to Bountiful (Horton Foote) Sondheim Theatre/ Broadway dir. Michael Wilson Dead Accounts (Theresa Rebeck) Music Box Theatre/ Broadway dir. Jack O’Brien Fences (August Wilson) Cort Theatre/Broadway dir. Kenny Leon Sweet Bird of Youth (T. Williams) Goodman Theatre/ Chicago dir. David Cromer The Other Place (Sharr White) Freidman Theatre/ Broadway dir. Joe Mantello Seminar (Theresa Rebeck) Golden Theatre/ Broadway dir. Sam Gold Grace (Craig Wright) Court Theatre/ Broadway dir. Dexter Bullard Bengal Tiger … (Rajiv Josef) Richard Rodgers/ Broadway dir. Moises Kaufman Stick Fly (Lydia Diamond) Cort Theatre/ Broadway dir. Kenny Leon The Columnist (David Auburn) Freidman Theatre/Broadway dir. Daniel Sullivan The Royal Family (Ferber) Freidman Theatre/ Broadway dir.
    [Show full text]
  • Robert Duvall
    VOICE Journal of the Alex Film Society Vol. 14, No. 1 February 2, 2008, 2 pm & 8 pm 02/08 of theTHEATRE Gregory Peck By Randy Carter has to age six decades over the course of the film regory Peck has and Zanuck thought Peck always been a could carry it off. Although Gleading man. He the film did well at the never played a waiter box office it didn’t recoup with two lines or a police Zanuck’s $3 million dollar officer who gets killed in investment. But Peck got an the first reel. A California Oscar® nomination for Best boy from La Jolla, he Actor and his position as a went to San Diego State top leading man was minted and Cal, did some college in only his second film. He theatre and headed to New would be nominated three York. A student of Sanford more times in the next four Meisner, he played the years for The Yearling (1946), lead in his first Broadway Gentleman’s Agreement production, “The Morning (1947) and Twelve O’ Clock Star”, a New York version High (1950). of a London hit by the Welsh actor/playwright Emlyn Williams. This was 1942 Gentleman’s Agreement teamed Peck with New Yorker and a few good notices, a round of Hollywood meetings Elia Kazan in a film about Anti-Semitism. Peck actually set up by his agent Leland Hayward, set the stage for played a gentile impersonating a Jew to observe the his first film role in the RKO production of Days of depth of prejudice in America.
    [Show full text]
  • Orphans Home Cycle Part One the Story of a Childhood, The.Qxd 3/14/2013 12:59 PM Page I
    Orphans Home Cycle Part One The Story of a Childhood, The.qxd 3/14/2013 12:59 PM Page i THE ORPHANS’ HOME CYCLE PART ONE: THE STORY OF A CHILDHOOD BY HORTON FOOTE # # DRAMATISTS PLAY SERVICE INC. Orphans Home Cycle Part One The Story of a Childhood, The.qxd 3/14/2013 12:59 PM Page 2 THE ORPHANS’ HOME CYCLE, PART ONE: THE STORY OF A CHILDHOOD Copyright © 2012, Sunday Rock Corp. Director’s Note Copyright © 2013, Michael Wilson All Rights Reserved CAUTION: Professionals and amateurs are hereby warned that performance of THE ORPHANS’ HOME CYCLE, PART ONE: THE STORY OF A CHILDHOOD is subject to payment of a royalty. It is fully protected under the copyright laws of the United States of America, and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), and of all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention, the Berne Convention, and of all countries with which the United States has reciprocal copyright relations. All rights, including without limitation professional/amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical, electronic and digital reproduction, transmission and distribution, such as CD, DVD, the Internet, private and file-sharing networks, information storage and retrieval systems, photocopying, and the rights of translation into foreign languages are strictly reserved. Particular emphasis is placed upon the matter of readings, permission for which must be secured from the Author’s agent in writing.
    [Show full text]
  • Paint Your Wagon at the 5Th Avenue Theatre Encore Arts Seattle
    2015/16 SEASON MATILDA AUG 18 - SEPT 6, 2015 WATERFALL OCT 1 - 25, 2015 RODGERS & HAMMERSTEIN’S THE SOUND OF MUSIC NOV 24, 2015 - JAN 3, 2016 HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING JAN 28 - FEB 21, 2016 ASSASSINS FEB 27 - MAY 8, 2016 CO-PRESENTED AT ACT - A CONTEMPORARY THEATRE A NIGHT WITH JANIS JOPLIN MAR 25 - APR 17, 2016 KINKY BOOTS APR 27 - MAY 8, 2016 LERNER & LOEWE’S PAINT YOUR WAGON JUNE 2 - 25, 2016 A GENTLEMAN’S GUIDE TO LOVE & MURDER JULY 12 - 31, 2016 Readers June 2016 Volume 13, No. 9 Paul Heppner Publisher Captivated Susan Peterson Readers Sophisticated Sophisticated Consumers Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Catering to your Whim & Fancy Production Artists and Graphic Design Advertise in Mike Hathaway .net Photo courtesy of Seattle Opera. Bill Mohn photographer Sales Director Performing for you Event Space & Full Catering Service 206.443.0445 x113 Brieanna Bright, (206) 285-7846 • 570 Roy St. [email protected] Joey Chapman, Ann Manning EMG07Seattle Audience Area Account 1_12.pdf Executives Marilyn Kallins, Terri Reed T A E H C I S San Francisco/Bay Area Account Executives Brett Hamil M A. B, D.C. -- Online Editor Chiropractic Jonathan Shipley Official Chiropractor of Associate Online Editor Rehabilitation Ad Services Coordinator Massage Therapy Carol Yip Therapy Laser Sales Coordinator Nutrition WWeight Loss Serving Seattle for over 20 years - Crawl-ins welcome Captivated www.MidtownChiroSeattle.com Readers Sophisticated Sophisticated Consumers Leah Baltus 1420 5th Avenue, Suite 205, Seattle, WA 98101 Editor-in-Chief Paul Heppner Publisher Advertise in Dan Paulus Photo courtesy of Seattle Opera.
    [Show full text]
  • Papers of Lucy Kroll [Finding Aid]. Library of Congress
    Lucy Kroll A Register of Her Papers in the Library of Congress Prepared by Donna Ellis with the assistance of Loren Bledsoe, Joseph K. Brooks, Joanna C. Dubus, Melinda K. Friend, Alys Glaze, Harry G. Heiss, Laura J. Kells, Sherralyn McCoy, Brian McGuire, John R. Monagle, Daniel Oleksiw, Kathryn M. Sukites, Lena H. Wiley, and Chanté R. Wilson Manuscript Division, Library of Congress Washington, D.C. 2002 Contact information: http://lcweb.loc.gov/rr/mss/address.html Finding aid encoded by Library of Congress Manuscript Division, 2006 Finding aid URL: http://hdl.loc.gov/loc.mss/eadmss.ms006016 Collection Summary Title: Papers of Lucy Kroll Span Dates: 1908-1998 Bulk Dates: (bulk 1950-1990) ID No.: MSS78576 Creator: Kroll, Lucy Extent: 308,350 items; 881 containers plus 15 oversize; 356 linear feet Language: Collection material in English Repository: Manuscript Division, Library of Congress, Washington, D.C. Abstract: Literary and talent agent. Contracts, correspondence, financial records, notes, photographs, printed matter, and scripts relating to the Lucy Kroll Agency which managed the careers of numerous clients in the literary and entertainment fields. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. Names: Kroll, Lucy Braithwaite, E. R. (Edward Ricardo) Davis, Ossie Dee, Ruby Donehue, Vincent J., d. 1966 Fields, Dorothy, 1905-1974 Foote, Horton Gish, Lillian, 1893-1993 Glass, Joanna M. Graham, Martha Hagen, Uta, 1919- Hayes, Helen, 1900-1993 Jones, James Earl Kübler-Ross, Elisabeth Petrie, Daniel Petrie, Dorothea G.
    [Show full text]
  • Salsa2bills 1..4
    By:AADukes H.R.ANo.A699 RESOLUTION 1 WHEREAS, A state replete with diverse landscapes, iconic 2 American legends, and talented residents, Texas has long been a 3 favorite location for motion picture and television productions, 4 and that rich and ongoing tradition is being celebrated on Texas 5 Film Industry Day, which is taking place at the State Capitol on 6 March 6, 2007; and 7 WHEREAS, More than 1,500 films and television programs have 8 been made in Texas since 1910, and the first movie ever to win the 9 Academy Award for Best Picture, the silent World War I epic Wings, 10 was shot in and around San Antonio; and 11 WHEREAS, Audiences all over the world have discovered the 12 Lone Star State through films and television programs made here; 13 Giant, filmed near Marfa, tells the sprawling story of cattle and 14 oil in West Texas; no less than three films about the siege of the 15 Alamo have been made in Texas, including John Wayne 's 1960 epic The 16 Alamo; the film and television series Friday Night Lights tell the 17 distinctively Texan story of high school football; and week after 18 week Austin City Limits brings the best of American popular music to 19 the nation with a Texas flair; and 20 WHEREAS, Great filmmakers from all over the world have 21 journeyed to Texas to make their films; Steven Spielberg shot his 22 first feature, The Sugarland Express, here; Sam Peckinpah filmed 23 his classic thriller The Getaway in El Paso; Clint Eastwood has made 24 several films in Texas, including A Perfect World and Space 80R9767 JGH-D 1
    [Show full text]
  • Horton Foote
    CIli J 9 . F i l l 1447 19 A CONVERSATION WITH HORTON FOOTE uiortuti Foote left Texas in ll> l.i at age 17 think about it. You have interesting mate- didn't. Then one day after these early Cite: Was there anybody else in television to beaurn'an actor. He would return liter- rial, an instinct, and a sense of place." plays had been on television, I got a letter at the time w r i t i n g regional things the eBy and tbemattcally to his hometown At the time, I didn't k n o w w h a t she from a lady w h o said, " I ' m very con- way you were? H o w did those regional of Wharton, .55 miles southwest of was talking about. At the time I thought, fused. I live in I larrison, Texas, but we themes play on national television? Houston, many limes during his distin- "Well, doesn't everyone write about have no G u l l breezes." I didn't k n o w Foote: Well, what happened was budgets guished career. From his early plays, lexas?" I just couldn't imagine that until then that there was a real Harrison were very small for television. And there which were performed live in the begin seemed peculiar. So, I thought about it on the other tide ol Dallas. Hut I didn't was a m a n , w h o was really a genius, nini; yean of television, to his nine-play and wrote a one-act play called Wharton change it; 1 decided to stick w i t h it.
    [Show full text]