The Temple of Hathor at Dandara, Egypt
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Dendara. Gergory Marouard
DENDARA DENDARA Gregory Marouard Dendara (Tentyra, Iunet) is one of the major archaeological sites north of the Theban region and the ancient capital of the sixth nome of Upper Egypt, Iqer, the Crocodile nome. The site is located 55 km (34 mi) north of the Luxor area and 5 km (3 mi) south of the modern town of Qena. Situated on the “West Bank” from an ancient Egyptian perspective, Dendara lies south of the river, in a curving bend of the Nile, the only part of the valley where the river runs from the east to the w est (fig. 1). Today the site is positioned along the desert fringe of the Nile valley floodplain. It seems quite likely that the river — currently situated 2 km to the north — flowed much closer to the site in ancient times. Well known by its sanctuary complex of the goddess Hathor, which dates back to the late Ptolemaic and early Roman periods (fig. 2), the main temple is one of the most iconic and the best preserved, with the Ptolemaic temple at Edfu-Behedet. Those two sanctuaries, the temple of Hathor at Dendara and the temple of Horus in Edfu, were always considered as sister-sites sharing a close religious connection. The triad of Edfu (Horus, Hathor, Harsomtus/Ihy) was honored in both temples and every year in the month of Epiphi (Season of Shemu), when the Nile waters were at the lowest level, the “Feast of the Beautiful Reunion” was celebrated. The statue of Hathor left its temple and traveled upstream by boat to the south in order to join her consort Horus in Edfu. -
The Secret Name of Ra
Thesecret name of Ra Ra, the SoleCreator was visible to the peopleof Eglat asthe discol the sun,but they knew him in manyother {orms. He could appearas a crownedman. a falconor'a man with a falcon'shead and, as the scarabbeetle pushes a round ball of dungin front of it, the Egyptians picturedRa asa scarabpushing the sun acrossthe sky. In caverns deepbelow the earthwere hidden another seventy-five forms ofRa; mysteriousbeings with mummiEedbodies and heads consisting of birds or snakes,feathers or flowers,The namesof Rawere as numerousas his forms; he wasthe ShiningOne, The Hidden One, The Renewerof the Earth,The lfind in the Souls,The ExaltedOne, but therewas one name ofthe SunGod which hadnot beenspoken sincetime began.To know this secretname ofRa wasto havepower overhim andover the world that he hadcreated. Isislonged for suchapower. Shehad dreamed that oneday she *.ould havea marvellousfalcon-headed son called Horus andshe wantedthe throne of Ra to giveto her child. Isis wasthe Mistressof Magic,wiser than millionsofmen, but sheLrrew that nothingin creationwas powerful enoughto harmits creator.Her only chance vr'as!o turn thepower of Ra againsthimself and atlast Isisthought of a crlel andcunning plan. Everyday the SunGod walkedthrough his kingdom, attendedby a crowd ofspirits andlesser deities, but Rawas growingold. His eyeswere dim, his stepno longerfirm andhe had evenbegun to drivel. One morning Isismingled with a group of minor goddessesand followedbehind the King of the Gods.She watched the faceofRa until shesaw his salivadrip onto a clod o{ eanh.\0hen shewas sure that no-onewas taking any noticeo{ her, shescooped up the earth andcarried it awav.Isis mixed the earthwith the salivaofRa to form clay andmodelled a wickedJookingserpent. -
Ancient Egyptian Dieties
Ancient Egyptian Dieties Amun: When Amun’s city, Thebes, rose to power in the New Kingdom (1539-1070 B.C.), Amun became known as the “King of the Gods.” He was worshipped as the high god throughout Egypt. Able to take many shapes, Amun was sometimes shown as a ram or goose, but was usually shown in human form. He is fundamentally a Creator God and his name, Amun, means “The Hidden One.” Amun-Re: Originating in the Middle Kingdom, (2055 - 1650 B.C.), Amun-Re is a fusion of the Gods Amun and Re. He combined the invisible power of creation and the power visible in heat and light. Anubis: Usually represented as a black jackal, or as a human with a canine head, Anubis was a guardian of mummies, tombs, and cemeteries, as well as an escort of the deceased to the afterlife. Atum: According to the most ancient Egyptian creation myths, Atum is the creator of the world. He also brought the first gods Shu (air), Tefnut (water), Geb (earth), and Nut (sky) to Egypt. He is also god of the setting sun. Atum was represented in many forms such as a human, a human with the head of a ram, and a combination of an eel and a cobra. Bastet: Originating as early as Dynasty II (2820-2670 B.C.), Bastet was represented as a cat or a woman with a lioness’s head. She eventually became Egypt’s most important “cat goddess.” If Bastet took the form of a cat she was considered content, but if Bastet was a lioness she was considered an angry goddess. -
Egyptian Temples
Originalveröffentlichung in: Christina Riggs (Hrsg.), The Oxford Handbook of Roman Egypt, Oxford 2012, S. 362-382 CHAPTER 22 EGYPTIAN TEMPLES MARTINA MINAS-NERPEL From the beginning of their rule in Egypt, the Ptolemies initiated a gigantic temple con struction and decoration programme, which the Roman emperors continued well into the second century ce. Temples were still decorated on a much smaller scale into the third and the beginning of the fourth centuries. The last known cartouche of a Roman emperor in a temple was inscribed under Maximinus Daia (305-13 ce) on blocks belonging to the temple of Horus at Tahta (Holbl 2000: 45 n. 177; 114, fig. 157). Otherwise, the latest evidence comes from Esna (Sauneron 1975:65-6, no. 495; 84-7, no. 503), where the temple of Khnum was still being decorated under Decius (249-51 ce). Stelae inscribed in hieroglyphs continued to be set up in Egyptian temples, for example in the Bucheum at Armant, of which the latest is dated to 340, the fifty-seventh year of the era of Diocletian (Holbl 2000:45 n. 178; Goldbrun- ner 2004:78-9,302). The temple of Isis at Philae, where hieroglyphs were carved in the tem ple of Harendotes as late as 394 (Winter 1982:1023), was the last to be kept open, being closed down under Justinian between 535 and 537 (Winter 1982:1026), when it was converted to a church (Dijkstra 2008). The Hellenistic and Roman periods of Egypt are often subsumed under the term ‘Graeco- Roman Egypt’. In his examination of Egyptian society under Ptolemaic and Roman rule, Naphtali Lewis (1970) correctly pointed out that this phrase should not be used to imply con tinuity between the two eras, since the changes in the governmental structure, social pat terns and politics, administration, and the economy were so fundamental in Roman times as to render the term misleading. -
Egyptian Creation
EGYPTIAN CREATION Nu was the name of the dark, swirling chaos before the beginning of time. Out of these waters rose Atum; he created himself using his thoughts and the sheer force of his will. He created a hill, for there was nowhere he could stand. Atum was alone in the world. He was neither male nor female, and he had one all-seeing eye that could roam the universe. He joined with his shadow to produce a son and a daughter. Atum gave birth to his son by spitting him out. He named him Shu and made him god of the air. He vomited up his daughter. Naming her Tefnut and making her the goddess of mist and moisture. Shu and Tefnut were given the task of separating the chaos into principles of law, order and stability. The chaos was divided into light and dark and set into place. This order was called Maat, which formed the principles of life for all time. Maat was a feather; it was light and pure. Shu and Tefnut also produced Geb, the Earth and Nut the Sky. At first these two were tangled together as one. Shu, god of the air, pushed Nut up into the heavens. There she would remain arched out over Geb, her mate. They longed to be together, but in the name of Maat they had to be apart, to fulfil their functions. Nut produced rain for Geb, and Geb made things grow on earth. As the sky, she gave birth to the sun every night before dawn, and by day it would follow its course over the earth and die at sunset. -
The Routledge Dictionary of Egyptian Gods and Goddesses
The Routledge Dictionary of Egyptian Gods and Goddesses The Routledge Dictionary of Egyptian Gods and Goddesses provides one of the most comprehensive listings and descriptions of Egyptian deities. Now in its second edition, it contains: ● A new introduction ● Updated entries and four new entries on deities ● Names of the deities as hieroglyphs ● A survey of gods and goddesses as they appear in Classical literature ● An expanded chronology and updated bibliography ● Illustrations of the gods and emblems of each district ● A map of ancient Egypt and a Time Chart. Presenting a vivid picture of the complexity and richness of imagery of Egyptian mythology, students studying Ancient Egypt, travellers, visitors to museums and all those interested in mythology will find this an invaluable resource. George Hart was staff lecturer and educator on the Ancient Egyptian collections in the Education Department of the British Museum. He is now a freelance lecturer and writer. You may also be interested in the following Routledge Student Reference titles: Archaeology: The Key Concepts Edited by Colin Renfrew and Paul Bahn Ancient History: Key Themes and Approaches Neville Morley Fifty Key Classical Authors Alison Sharrock and Rhiannon Ash Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Allen Kendall Who’s Who in the Greek World John Hazel Who’s Who in the Roman World John Hazel The Routledge Dictionary of Egyptian Gods and Goddesses George Hart Second edition First published 2005 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. -
The Pleiades: the Celestial Herd of Ancient Timekeepers
The Pleiades: the celestial herd of ancient timekeepers. Amelia Sparavigna Dipartimento di Fisica, Politecnico di Torino C.so Duca degli Abruzzi 24, Torino, Italy Abstract In the ancient Egypt seven goddesses, represented by seven cows, composed the celestial herd that provides the nourishment to her worshippers. This herd is observed in the sky as a group of stars, the Pleiades, close to Aldebaran, the main star in the Taurus constellation. For many ancient populations, Pleiades were relevant stars and their rising was marked as a special time of the year. In this paper, we will discuss the presence of these stars in ancient cultures. Moreover, we will report some results of archeoastronomy on the role for timekeeping of these stars, results which show that for hunter-gatherers at Palaeolithic times, they were linked to the seasonal cycles of aurochs. 1. Introduction Archeoastronomy studies astronomical practices and related mythologies of the ancient cultures, to understand how past peoples observed and used the celestial phenomena and what was the role played by the sky in their cultures. This discipline is then a branch of the cultural astronomy, an interdisciplinary field that relates astronomical phenomena to current and ancient cultures. It must then be distinguished from the history of astronomy, because astronomy is a culturally specific concept and ancient peoples may have been related to the sky in different way [1,2]. Archeoastronomy is considered as a quite new interdisciplinary science, rooted in the Stonehenge studies of 1960s by the astronomer Gerald Hawkins, who tested Stonehenge alignments by computer, and concluded that these stones marked key dates in the megalithic calendar [3]. -
PERSPECTIVES on PTOLEMAIC THEBES Oi.Uchicago.Edu Ii
oi.uchicago.edu i PERSPECTIVES ON PTOLEMAIC THEBES oi.uchicago.edu ii Pre-conference warm-up at Lucky Strike in Chicago. Standing, left to right: Joseph Manning, Ian Moyer, Carolin Arlt, Sabine Albersmeier, Janet Johnson, Richard Jasnow Kneeling: Peter Dorman, Betsy Bryan oi.uchicago.edu iii O CCASIONAL PROCEEdINgS Of THE THEBAN WORkSHOP PERSPECTIVES ON PTOLEMAIC THEBES edited by Pete R F. DoRMAn and BetSy M. BRyAn Papers from the theban Workshop 2006 StuDIeS In AnCIent oRIentAL CIvILIzAtIon • nuMBeR 65 the oRIentAL InStItute oF the unIveRSIty oF ChICAgo ChICAgo • ILLInois oi.uchicago.edu iv Library of Congress Control Number: 2001012345 ISBN-10: 1-885923-85-6 ISBN-13: 978-1-885923-85-1 ISSN: 0081-7554 The Oriental Institute, Chicago © 2011 by The University of Chicago. All rights reserved. Published 2011. Printed in the United States of America. studIeS IN ANCIeNT orIeNTAL CIvILIzATIoN • NUmBer 65 The orIeNTAL INSTITUTe of The UNIverSITy of ChICAgo Chicago • Illinois Series Editors Leslie Schramer and Thomas g. Urban Series Editors’ Acknowledgments rebecca Cain, françois gaudard, foy Scalf, and Natalie Whiting assisted in the production of this volume. Cover and Title Page Illustration Part of a cosmogonical inscription of Ptolemy vIII euergetes II at Medinet habu (Mh.B 155). Photo by J. Brett McClain Printed by McNaughton & Gunn, Saline, Michigan The paper used in this publication meets the minimum requirements of American National Standard for Information Services — Permanence of Paper for Printed Library materials, ANSI z39.48-1984. -
Hathor in the Context of the Coffin Texts
Studia Antiqua Volume 6 Number 1 Article 6 June 2008 Hathor in the Context of the Coffinexts T BG McGill Follow this and additional works at: https://scholarsarchive.byu.edu/studiaantiqua Part of the Classics Commons, and the History Commons BYU ScholarsArchive Citation McGill, BG. "Hathor in the Context of the Coffinexts. T " Studia Antiqua 6, no. 1 (2008). https://scholarsarchive.byu.edu/studiaantiqua/vol6/iss1/6 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Studia Antiqua by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Hathor in the ConteXT of the Coffin TEXts BG McGILL he modern understanding of Egyptian religion is heavily based on the Textensive funerary texts. The basic collection of Egyptian funerary literature includes the Pyramid Texts, dating from the Old Kingdom, the Coffin Texts, dat- ing from the Middle Kingdom, and the Book of the Dead, dating from the New Kingdom. Funerary texts are comprised of mortuary rituals and spells to attain eternal life. This paper focuses on the Middle Kingdom and the Coffin Texts. The Middle Kingdom consisted of a brief period of unification, a civil war instigated by the nomarchs or nobles, a reunification, and the eventual downfall to the Hyk- sos. This period is most specifically characterized by a diffusion of power from the pharaoh to the nomarchs.1 During this time, there were significant changes in the funerary texts. One change is the additional emphasis of the goddess Hathor in the Coffin Texts. -
Ancient Egyptian Religion Gods and Goddesses Visit Twinkl.Com
Ancient Egyptian Religion Gods and Goddesses visit twinkl.com There were more than 2000 gods in ancient Egypt. 5. Ma’at - Ma’at was the goddess of truth, justice 1. 2. 3. Most took human form but some had the heads of and harmony and the wife of Thoth. A pharaoh had animals. Here is a selection of the more important to promise to follow Ma’at and be a fair and honest gods that Egyptians would have worshipped. leader. 1. Ra - Ra was God of the sun and the lord of the gods. 6. Isis - Isis is the mother of Horus and the queen He is shown to have the body of a human and the of the goddesses. Sometimes she is shown to have a head of a falcon. Above his head sits a sun disc with a throne on her head and other times she has a sun disk sacred cobra twisted round it. It is said that Ra sailed similar to Hathor. the heavens in a boat called ‘Barque of Millions of 7. Osiris - Osiris is the God of the dead and husband Years’. At the end of every day many thought Ra had of Isis. He is shown wearing the white linen wrapping died as he sailed through the night in the Underworld 4. from a mummy. He wears a white crown with large 6. leaving the moon to light the night sky until he was feathers. Although he was the God of the underworld, born again at dawn. Egyptians still liked him for helping people pass on to 5. -
One of Cleopatra's Nights
One of Cleopatra's Nights Theophile Gautier One of Cleopatra's Nights Table of Contents One of Cleopatra's Nights........................................................................................................................................1 Theophile Gautier..........................................................................................................................................1 I.....................................................................................................................................................................1 II....................................................................................................................................................................4 III...................................................................................................................................................................7 IV..................................................................................................................................................................9 V..................................................................................................................................................................12 VI................................................................................................................................................................15 i One of Cleopatra's Nights Theophile Gautier Translated by Lafcadio Hearn This page copyright © 2001 Blackmask Online. http://www.blackmask.com • I • II -
Armant Christophe Thiers, Laurent Coulon, Mélanie Cressent
Armant Christophe Thiers, Laurent Coulon, Mélanie Cressent To cite this version: Christophe Thiers, Laurent Coulon, Mélanie Cressent. Armant. Laurent Coulon, Mélanie Cressent. French Archaeology in Egypt. Research, Cooperation, Innovation, IFAO, pp.140-143, 2020, Biblio- thèque Générale 62, 9782724707731. halshs-03081788 HAL Id: halshs-03081788 https://halshs.archives-ouvertes.fr/halshs-03081788 Submitted on 21 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. EDITED BY LAURENT COULON AND MÉLANIE CRESSENT FRENCH ARCHAEOLOGY IN EGYPT RESEARCH, COOPERATION, INNOVATION INSTITUT FRANÇAIS D’ARCHÉOLOGIE ORIENTALE BIBLIOTHÈQUE GÉNÉRALE 62 – 2020 VI FRENCHARCHAEOLOGYINEGYPT MEDITERRANEAN SEA N uto Alexandria p. CEe Plintine p. p. Delta Tanis Taposiris Magna p. Tell elerr p. Tell elSamara p. p. Tell elsid p. om bu ellu p. Abu Rawas p. Sinai Saqqara Cairo afSTabbet elues fao p. p. p. Fayum Piladelpia yn Souna p. p. urob Tebtynis p. p. Wadi Sannur adi Araba p. W P. 170-173 adi elarf p. Bahariya oasis anub asr elgu p. Middle Egypt FrenchBait archaeologyin p. Hatnub p. RED SEA EgyptUpper Egypt Eastern Desert Dendara p. Coptos TT /sasif p. p. p. Qus Dakhla oasis Ramesseum p.