The Case Study of Ludwig Winter's Gardens in Liguria Region
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The Palm Landscapes of the Italian Riviera Pietro Piana, Charles Watkins and Ross Balzaretti University of Nottingham
The Palm Landscapes of the Italian Riviera Pietro Piana, Charles Watkins and Ross Balzaretti University of Nottingham Abstract Palm trees are today a characteristic feature of tropical tourist landscapes around the world from Caribbean to the Maldives. They are also a distinctive element of Mediterranean landscapes. On the Italian Riviera they are frequently found in the grounds of villas and hotels, at railway stations and in public squares. This paper examines the changing landscapes of the palm trees of the Italian Riviera over the last 300 years. Palms, particularly Phoenix dactylifera, were an important element of the local economy cultivated especially for palm fronds to be sold for religious festivals. The widespread presence of palm trees gave stretches of the Ligurian coast an almost tropical character, especially around Bordighera and San Remo. These coastal towns became major health resorts in the late nineteenth century and international tourists and residents celebrated this exotic landscape. The palms became important subjects for amateur and professional artists and photographers and they proliferated in gardens, as street trees and in horticultural collections. They became signature trees for these wealthy therapeutic landscapes but rapid building development and the decline of the palm trade means that only fragments of the old palm plantations remain today and these are in need of careful conservation. Keywords: Palm trees, Liguria, landscape, British travellers, Topographical Art Introduction Trees and vegetation have always had a major role in the characterization and visual perception of the landscape. Their distribution, density, shape and size reveals much about cultural and physical associations between people and the landscape (Watkins 2014). -
Gardens of the Hanbury Family and Their Influence on the Culture of Italy at the Turn of the 19 Th -20 Th Centuries
Gardens of the Hanbury family and their influence on the culture of Italy at the turn of the 19 th -20 th centuries. By Elena Grafova Likhatchev Russian Research Institute for Cultural and Natural Heritage, Moscow Thesis: The idea of the gardens of Liguria, created by the philanthropists Daniel and Thomas Hanbury, and embodied by a landscape designer, botanist and garden architect Ludwig Winter , is to collect plants from all over the world - and give them a new reading in the gardens of the beautiful era. This idea of travel, attention to plants, flowers, butterflies collections that can be collected from different parts of the world in Japan, China, the African continent, Australia, North and South America brings the idea of beauty - diversity in a simple and complex. It was the expeditions undertaken by researchers on the Beagle and Challenger ships in the 19th century that gave an impetus to the development of natural science, which will lead to a new aesthetics of gardens, a new embodiment of the idea of modernism in architecture, decorative art in Italy and Hanbury gardens. Research interests: art nouveau, modern, natural science, botany, art, lepidopterology, botany, entomology, gardens of the XIX-XX centuries. The original version in Russian is in the second half of this document At the turn of the 19th and 20th centuries, the development of landscape gardening became popular with the science of plant phytogeography. This is due to the discovery of new geographical zones with a unique flora and the acclimatization of plants in new regions. Phytogeography is based on the works of the German scientist Alexander Humboldt and the French botanist Aime Bonplan. -
The Palms in the Riviera from the Latter Half of the 19Th Century to The
PALMS Campodonico et al.: Palms in the Riviera Vol. 59(2) 2015 PIER GIORGIO The Palms in CAMPODONICO, GABRIELE CAMPODONICO Piazza San Bartolomeo, the Riviera 6 - 18039 Ventimiglia, from the Latter Italy AND Half of the CLAUDIO LITTARDI Centro Studi e Ricerche 19th Century to per le Palme, Corso Cavallotti, 113 - 18038 Sanremo, the First World Italy War 1. The palms of Nice were featured in early post- cards. Palm horticulture along the French and Italian Riviera flourished in the late 19th and early 20th centuries (Fig. 1). Public and private gardens featured an astonishing diversity of palms, as documented by the contemporary literature. Palm nurseries, especially that of Ludwig Winter, pushed the horticultural limits during this golden age. PALMS 59(2): 63–84 63 PALMS Campodonico et al.: Palms in the Riviera Vol. 59(2) 2015 The Riviera, i.e. the Mediterranean coast of what is now Italy and France, had a strong appeal to the leisure classes of northern, central and eastern Europe during the whole of the 19th century and the beginning of the 20th century. The development of communication routes, especially the railways, stimulated tourism in the region (Figs. 2 & 3). To this end, the first sleeping cars of the Compagnie Internationale des Wagons-Lits started to operate from Paris to Menton in 1872. This service soon extended to Calais. Among the many other services that have followed, the Vienna–Cannes line stands out. That service began in 1896, and only two years later it was extended to Saint Petersburg. Purchasing agricultural land along the coast to build vacation homes was extremely appealing not only for English people, but also for Germans and Russians. -
The Franco-Prussian War: the German Conquest of France In
P1: IML/FFX P2: IML/FFX QC: IML/FFX T1:IML CB563-FM CB563-Wawro-v3 July 2, 2003 9:55 This page intentionally left blank P1: IML/FFX P2: IML/FFX QC: IML/FFX T1:IML CB563-FM CB563-Wawro-v3 July 2, 2003 9:55 “Geoffrey Wawro has brought us an engrossing, authoritative, superbly researched history, with a glittering cast of characters starting with Bismarck and Napoleon III. The book demonstrates the importance of the Franco-Prussian War to our modern world and will make readers feel as if they are watching the conflict unfold.” – Michael Beschloss, author of The Conquerors: Roosevelt, Truman, and the Destruction of Hitler’s Germany, 1941–1945 (2002) “Wawro combines extensive archival research with perceptive critical in- sight to provide fresh perspectives on a subject dominated for almost a half-century by the work of Michael Howard. The Franco-Prussian War invites and withstands comparison with Howard’s classic volume.” – Dennis Showalter, Professor of History, Colorado College “A lively narrative history, based on an abundance of new research.” – MacGregor Knox, The London School of Economics i P1: IML/FFX P2: IML/FFX QC: IML/FFX T1:IML CB563-FM CB563-Wawro-v3 July 2, 2003 9:55 ii P1: IML/FFX P2: IML/FFX QC: IML/FFX T1:IML CB563-FM CB563-Wawro-v3 July 2, 2003 9:55 The Franco-Prussian War The Franco-Prussian War of 1870–1871 violently changed the course of Eu- ropean history. Alarmed by Bismarck’s territorial ambitions and the Prussian army’s crushing defeats of Denmark in 1864 and Austria in 1866, French Em- peror Napoleon III vowed to bring Prussia to heel. -
The Manuscript Transmission of Js
THE MANUSCRIPT TRANSMISSION OF J. S. BACH’S MASS IN B MINOR (BWV 232) AND THE DEVELOPMENT OF THE CONCEPT OF TEXTUAL AUTHORITY, 1750-1850 by DANIEL FELLERS BOOMHOWER Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2017 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Daniel Fellers Boomhower candidate for the degree of Doctor of Philosophy.* Committee Chair Susan McClary Committee Member L. Peter Bennett Committee Member Francesca Brittan Committee Member Martha Woodmansee Date of Defense January 26, 2017 *We also certify that written approval has been obtained for any proprietary material contained therein. For Keely, Eleanor, and Greta Table of Contents List of Tables v List of Figures vi Bibliographic Abbreviations vii Acknowledgements viii Abstract x Introduction 1 Chapter 1: Composing 16 Chapter 2: Revising 51 Chapter 3: Copying 84 Chapter 4: Collecting 114 Chapter 5: Performing 148 Chapter 6: Editing 182 Conclusion 212 Bibliography 218 iv List of Tables Table 2.1: Stages of Revisions by C. P. E. Bach to the Mass in B Minor 68 Table 5.1: Performances of the Mass in B Minor, 1770s-1850s 152 v List of Figures Figure 1.1: Parody Sources for the “Lutheran” Masses (BWV 233-236) 32 Figure 2.1: Stage I Revisions to the Symbolum Nicenum 68 Figure 2.2: C. P. E. Bach’s Insertions into the Autograph 69 Figure 2.3: Stemma of Revision Stages I and II 70 Figure 2.4: Stage III Revisions to the -
Heir of the Month: the Second Year (2014-15)
Heir of the Month: The Second Year (2014-15) www.heirstothethrone-project.net 2 H Preface As we look back on another year of our „Heirs to the Throne“ project, we find that our topic really is a gift that keeps on giving. The members and friends of the St Andrews team have written another dozen “Heir of the Month” essays and the variety of the topics addressed and perspectives chosen has proved to be as colourful as ever. Our monthly offerings have dealt with countries as far-flung as Mexico, Portugal, Greece and Spain – along with old favourites such as France, Prussia, Italy and Britain – and have gazed through analytical lenses as diverse as motor cars, sepulchral monuments, choreographed travel, marriage diplomacy or literary responses to royal topics. We are happy to collate our second clutch of twelve essays into another freely available “Royal Annual” for ease of access and to mark the ongoing commitment of our AHRC- funded venture to communicating our work and our ideas to a wide circle of readers with an interest in the history of the monarchical nineteenth century. We are delighted to take this opportunity to thank the AHRC and the School of History for their continued support of our activities. St Andrews, October 2015 Heidi Mehrkens Frank Lorenz Müller 3 H Essays November 2014 – October 2015 Edward (David) Prince of Wales: Monarchy and Motorcars 04 (Heidi Mehrkens) Amedeo Duca d’Aosta / don Amadeo I of Spain: Mission Impossible: 13 An Italian King in Spain (Maria-Christina Marchi / Richard Meyer Forsting) ‘Distant from the court and all of its influences’: The German Crown Prince at the 25 Prinzenschule in Plön (Frank Lorenz Müller) Albert Edward and Alexandra, Prince and Princess of Wales: The Politics of a Royal 34 Marriage (Charles A. -
BUNN-DISSERTATION-2014.Pdf
Copyright by Matthew Stephen Bunn 2014 The Dissertation Committee for Matthew Stephen Bunn Certifies that this is the approved version of the following dissertation: Censors, Intellectuals, and German Civil Society, 1815-1848 Committee: Tracie Matysik, Supervisor David Crew Judith Coffin Kirsten Belgum George Williamson Censors, Intellectuals, and German Civil Society, 1815-1848 by Matthew Stephen Bunn, AB; MA Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2014 Acknowledgements I would like to thank the members of my committee, David Crew, Kirsten Belgum, George Williamson, and Judith Coffin, and my adviser, Tracie Matysik, for their tireless and conscientious reading of my work. The research for this dissertation was made possible thanks to the generous support of the DAAD, the American Council on Germany, the Central European History Society, and the Graduate School at the University of Texas at Austin. I also received valuable feedback on the project from the participants of the Transatlantic Doctoral Seminar at the German Historical Institute; in particular, James Brophy and Kenneth Ledford were especially supportive and generous with their time. The Institute for Historical Studies offered a wonderful forum for presenting part of this work at an early stage as well, for which I would like to thank the IHS staff and its then-director, Julie Hardwick. Without the guidance and friendship of Susan Boettcher, who first taught me German paleography among many other things, this work might never have gotten off the ground. -
A Precious Photo Album in Honor of Thomas Hanbury Recently Rediscovered
Boll. Mus. Ist. Biol. Univ. Genova, 79, 2017 86 _______________________________________________________________________ A PRECIOUS PHOTO ALBUM IN HONOR OF THOMAS HANBURY RECENTLY REDISCOVERED FRANCESCA DE CUPIS1*, DANIELA GANDOLFI2* 1Soprintendenza Archeologia, Belle Arti e Paesaggio per la città metropolitana di Genova e le province di Imperia, La Spezia e Savona. Via Balbi 10, 16126 Genova, Italy 2Istituto Internazionale di Studi Liguri, Centro Nino Lamboglia. Via Romana 39, 18012 Bordighera, Italy *Corresponding authors: [email protected], [email protected] ABSTRACT The contribution is a first and preliminary presentation of the precious large- format photo album made at the initiative of Alwin and Elise Berger on the occasion of Thomas Hanbury's 75th birthday. Hanbury died before the delivery of the gift. KEY WORDS. Thomas Hanbury, Alwin and Elise Berger, photo album, Patrick Geddes, Robert Horne INTRODUCTION Last March, through Dr. Elena Zappa, curator of the Giardini Botanici Hanbury (Università degli Studi di Genova), we learned of a request made by Mr. Lutz Schmalfuß, öschlitz, Thuringia (central Germany) in the municipality of Schleiz, which had given birth to the illustrious German botanist, curator of the Botanical Gardens of La Mortola from 1897 to 1914. In his correspondence of March 12, Mr. Schmalfuß referred to a letter, identified in the archives under his direction, in which Alwin Berger expressed his intention to donate to Thomas Hanbury, on the photographs in which were present all the personalities that had been, or Boll. Mus. Ist. Biol. Univ. Genova, 79, 2017 87 _______________________________________________________________________ were at the time, in contact with the Botanical Gardens of La Mortola and with Hanbury himself. -
Between the Middle of the 19Th Century and the First Half of the 20Th
Boll. Mus. Ist. Biol. Univ. Genova, 79, 2017 166 _______________________________________________________________________ CLAUDIO LITTARDI Centro Studi e Ricerche per le palme Sanremo C.so Cavallotti, 113 Sanremo corresponding author: [email protected] ABSTRACT The author reviews the many German botanists, nurserymen and growers who conducted their activities in the Riviera di Ponente, contributing to the development of the region. KEY WORDS German culture, botany, floriculture, Riviera INTRODUCTION Between the middle of the 19th century and the first half of the 20th century the most western part of Liguria, better known as the Ponente Ligure or the Riviera dei Fiori, was considered as a coveted destination for botanists, naturalists and garden lovers. This extraordinary moment was characterized by the creation of wonderful public and private acclimatization gardens, nurseries, the first horticultural businesses and a rich botanical literature. When we mention the botanists on the Riviera we don't refer only to the sporadic presence of some great scientists or to their excursions, but also to all those gardeners, growers, naturalists and more generally to all those people who have thoroughly described the local flora, to the famous personalities and other less known people who have stayed on the Riviera to study its plants, to make experiments about their acclimatization and at the same time to create extraordinary botanical collections. In this pioneering context the Germans have played a prominent role, which cannot be restricted to some sporadic appearances or to some short scientific trips (Carassale et al., 2016). The presence of the German community on the Riviera has been well Boll. Mus. Ist.