Television Rates 2021
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Who Owns the News Media?
RESEARCH REPORT July 2016 WHO OWNS THE NEWS MEDIA? A study of the shareholding of South Africa’s major media companies ANALYSTS: Stuart Theobald, CFA Colin Anthony PhibionMakuwerere, CFA www.intellidex.co.za Who Owns the News Media ACKNOWLEDGEMENTS We approached all of the major media companies in South Africa for assistance with information about their ownership. Many responded, and we are extremely grateful for their efforts. We also consulted with several academics regarding previous studies and are grateful to Tawana Kupe at Wits University for guidance in this regard. Finally, we are grateful to Times Media Group who provided a small budget to support the research time necessary for this project. The findings and conclusions of this project are entirely those of Intellidex. COPYRIGHT © Copyright Intellidex (Pty) Ltd This report is the intellectual property of Intellidex, but may be freely distributed and reproduced in this format without requiring permission from Intellidex. DISCLAIMER This report is based on analysis of public documents including annual reports, shareholder registers and media reports. It is also based on direct communication with the relevant companies. Intellidex believes that these sources are reliable, but makes no warranty whatsoever as to the accuracy of the data and cannot be held responsible for reliance on this data. DECLARATION OF CONFLICTS Intellidex has, or seeks to have, business relationships with the companies covered in this report. In particular, in the past year, Intellidex has undertaken work and received payment from, Times Media Group, Independent Newspapers, and Moneyweb. 2 www.intellidex.co.za © Copyright Intellidex (Pty) Ltd Who Owns the News Media CONTENTS 1. -
The Art of Pitching (2005) the Art of Co-Production the Art of Sourcing Content National and International Annual Observances Thought Memory
Producer Guide The PArti tofc hing Pitching A Handbook for Independent Producers 2013 Revised and Updated Published by the SABC Ltd as a service to the broadcast sector Pitch the act of presenting a proposal to a broadcaster – either in person or in the form of a document The word “pitch” became common practice in the early days of cinema when studios needed an expression of the passion that was not always evident in written words. “You write the words, but you pitch the feelings.” "If you want to go quickly, go alone. If you want to go far, go together" - African proverb “A tree is known by its fruit” - Zulu proverb Content is Queen In this series The Art of Pitching (2005) The Art of Co-production The Art of Sourcing Content National and International Annual Observances Thought Memory © SABC Ltd 2013 Pitching The Art of PitchingPitching Revised Edition 2013 By Howard Thomas Commissioned by SABC Innovation and Editorial Conceptualised and initiated by Yvonne Kgame © SABC Ltd 2013 The Art of Pitching Howard Thomas has worked in the entertainment industry all his life, and in television since it first arrived in South Africa in 1976. He is an award-winning TV producer, and has worked in theatre, radio, films, magazines and digital media. He has been writing about the industry for over 20 years. He is also a respected trainer, lecturer and facilitator, columnist and SAQA accredited as an assessor and moderator. All rights reserved. No part of the publication may be reproduced or transmitted in any form or by electrical or mechanical means, including any information storage and retrieval system, without prior permission in writing from the publishers. -
SABC July/August 2021 Packages in Celebration of Mandela Month XK FM 26 Breakfast Sports Show - 4 Weeks 26
SABC July/August 2021 Packages In Celebration of Mandela Month XK FM 26 Breakfast Sports Show - 4 Weeks 26 MOTSWEDING FM 27 Covid-19 Update 27 Family Health 28 Auto Feature 29 Legal, Finance & Consumer 30 contentsSABC 1 4 Movies SABC 1- Friday July @ 21h00 4 LESEDI FM 31 Movies SABC 1- Saturday July @ 20h00 5 Business Tuesdays 31 Movies SABC 1- Sunday July @ 21h00 6 Healthy Lifestyle 32 SABC 1 SHOWS - 18h00 Block 7 Diy 33 SABC 1 SHOWS - 19h30 Block 8 Transport News 34 Monthly Package 18h00-19h30 Squeeze-back and Commercial 9 Monthly Package 18h00-19h30 Squeeze-back and Commercial 10 IKWEKWEZI FM 35 Monthly Package 19h30 Tops and tails 11 National Savings Month - 4 Weeks 35 Monthly Package 18h00-19h30 Tops and tails 12 Umma Wamambala – Woman Crush Wednesday - 13 Weeks 36 Standard Terms and Conditions 13 LIGWALAGWALA FM 37 National Savings Month - 4 Weeks 37 PHALAPHALA FM 15 Business101 - 13 Weeks 38 Uplifting Vhembe Villages/Midi Na Midanani - 5 Weeks 15 Ariphalalane/Let’s Rescue Each Other - 4 Weeks 16 RADIO 2000 39 The Glenzito Super Drive 39 THOBELA FM 17 Re Go Thusha Ka Eng” / How Can We Help You - 5 Weeks 17 SAFM 40 I Am Leader (Ke Moetapele) - 5 Weeks 18 Life Happens 40 Fighting Covid With Prayer (Re Lwantšha Covid Ka Thapelo) - 4 Weeks 19 METRO FM 41 The Metro Fm Top 40 - 8 Weeks 41 MUNGHANA LONENE FM 20 Uplifting Small Local Businesses / Pfuka Uti Endlela - 5 Weeks 20 UKHOZI FM 42 Women In Business / A Hi Tshami Hi Mavoko - 4 Weeks 21 Sigiya Ngengoma - 8 Weeks 42 Round Table Discussion On Gbv With Stakeholders/Survivors 22 Round Table Discussion On Gbv With Stakeholders/Survivors 23 TRU FM 43 Mandela’s Memorable Moments 24 Trufm Top 30 - 8 Weeks 43 RSG 25 Standard Terms and Conditions 44 Praatsaam - 1 Week 25 Intro The month of July is celebrated worldwide and in South Africa as Nelson Mandela Month. -
A Channel Guide
Intelsat is the First MEDIA Choice In Africa Are you ready to provide top media services and deliver optimal video experience to your growing audiences? With 552 channels, including 50 in HD and approximately 192 free to air (FTA) channels, Intelsat 20 (IS-20), Africa’s leading direct-to- home (DTH) video neighborhood, can empower you to: Connect with Expand Stay agile with nearly 40 million your digital ever-evolving households broadcasting reach technologies From sub-Saharan Africa to Western Europe, millions of households have been enjoying the superior video distribution from the IS-20 Ku-band video neighborhood situated at 68.5°E orbital location. Intelsat 20 is the enabler for your TV future. Get on board today. IS-20 Channel Guide 2 CHANNEL ENC FR P CHANNEL ENC FR P 947 Irdeto 11170 H Bonang TV FTA 12562 H 1 Magic South Africa Irdeto 11514 H Boomerang EMEA Irdeto 11634 V 1 Magic South Africa Irdeto 11674 H Botswana TV FTA 12634 V 1485 Radio Today Irdeto 11474 H Botswana TV FTA 12657 V 1KZN TV FTA 11474 V Botswana TV Irdeto 11474 H 1KZN TV Irdeto 11594 H Bride TV FTA 12682 H Nagravi- Brother Fire TV FTA 12562 H 1KZN TV sion 11514 V Brother Fire TV FTA 12602 V 5 FM FTA 11514 V Builders Radio FTA 11514 V 5 FM Irdeto 11594 H BusinessDay TV Irdeto 11634 V ABN FTA 12562 H BVN Europa Irdeto 11010 H Access TV FTA 12634 V Canal CVV International FTA 12682 H Ackermans Stores FTA 11514 V Cape Town TV Irdeto 11634 V ACNN FTA 12562 H CapeTalk Irdeto 11474 H Africa Magic Epic Irdeto 11474 H Capricorn FM Irdeto 11170 H Africa Magic Family Irdeto -
Analysis of SABC News and Programming Lack of Diversity (Repeat) Analysis of SABC News and Programming
Lack of Diversity (Repeat) Analysis of SABC News and Programming Lack of Diversity (Repeat) Analysis of SABC News and Programming Written by Lethabo Thebe Dibetso and Thandi Smith Edited by Wellington Radu, William Bird and Sandra Banjac Creative Commons Copyright Media Monitoring Africa 2012 Funded by: Quality and Diversity in SABC Content South Africa is a country rich in diversity and it is not only important that the SABC celebrates South Africa’s national identity and culture but also reflects South Africa’s diverse languages, cultures, and people in its programmes, as required by its mandate. This report assesses the quality and diversity of all SABC programming and news content across different mediums. Acknowledgements The successful completion of this project can be attributed to the project team consisting of Carol Netshifhefhe, Lethabo Thebe Dibetso, Thandi Smith, with the help of Wellington Radu, Sandra Roberts and Albert van Houten. Data was collected by Bradley Romersa, Musa Rikhotso, Nobantu Urbania Mkhwanazi, Silvia Matlala, Sandile Ndlangamandla and Uyanda Siyotula. Media Monitoring Africa would also like to acknowledge MMA’s Director, William Bird for his oversight of this research. We would also like to thank the Open Society Foundation for their support of this research report. i Table of Contents Table of Contents ii List of Figure iv Executive Summary vii 1. Introduction 1 2. SABC’s Commitments to Quality and Diversity 2 3. How the research was conducted 5 3.1 What do we mean by diversity and quality of programming and news? 5 3.1.1 How the schedule analysis was conducted 6 3.1.2 How the news was analysed 6 3.2 The criteria for news analysis 7 3.3 Research limitations 8 4. -
Sept16 Tv Rates Booklet
Week Monday Tuesday Wednesday Thursday Friday Saturday Sunday 02:00 Prime Time 02:00 Prime Time 02:00 Prime Time 02:00 Prime Time 02:00 Prime Time 02:00 Prime Time 02:00 News @ 8 T1=500 T1=500 T1=500 T1=500 T1=500 T1=500 T1=500 Simulcasts 02:00-03:00 02:30 Sports Live 02:30 Sports Live T1=500 T1=500 News 03:00-04:00 02:30 Your World 02:30 Your World 02:30 Your World 02:30 Your World 02:30 Your World T1=500 T1=500 T1=500 T1=500 T1=500 03:00 Your World 03:00 Your World T1=500 T1=500 Current Affairs SABC NEWS SABC 04:00-05:00 05:00 Question Time 05:00 Question Time 05:00 Question Time 05:00 Rights And T1=500 T1=500 T1=500 05:00 Health Talk 05:00 Trendz 05:00 Trendz 05:00-06:00 Recourse 05:30 Parliament A View 05:30 Parliament A View 05:30 Parliament A View T2=1000 T2=1000 T2=1000 T2=1000 From The House From The House From The House T2=1000 T2=1000 T2=1000 06:00-07:00 06:00 Morning Live 06:00 Morning Live 06:00 Morning Live 06:00 Morning Live 06:00 Morning Live 06:00 Morning Live 06:00 Morning Live 07:00-08:00 T10=5000 T10=5000 T10=5000 T10=5000 T10=5000 T6=3000 T6=3000 08:00-09:00 09:00 Health Talk 09:00 Media Monitor 09:00-10:00 T5=2500 T5=2500 09:00 Newsroom 09:00 Newsroom 09:00 Newsroom 09:00 Newsroom 09:00 Newsroom 10:00-11:00 T5=2500 T5=2500 T5=2500 T5=2500 T5=2500 10:00 AM News 10:00 AM News T5=2500 T5=2500 11:00-12:00 12:00-13:00 12:30 Bophelong 12:30 Question Time T5=2500 T5=2500 12:00 Midday Report 12:00 Midday Report 12:00 Midday Report 12:00 Midday Report 12:00 Midday Report T6=3000 T6=3000 T6=3000 T6=3000 T6=3000 13:00 News @ -
Regional Television Broadcasting Services
Independent Communications Authority of South Africa REGIONAL TELEVISION BROADCASTING SERVICES POSITION PAPER 26 November 2003 Contents Index Page Number CONTENTS...........................................................................................................................................................................................2 SUBMISSIONS.....................................................................................................................................................................................3 A. INTRODUCTION ...............................................................................................................................................................4 1. AIMS OF THE POSITION PAPER....................................................................................................................................................4 B. SUBMISSIONS.....................................................................................................................................................................8 2. FREQUENCY ASSIGNMENT AND AVAILABILITY.......................................................................................................................8 3. APPROACH TO PUBLIC REGIONAL TELEVISION SERVICES...................................................................................................10 3.1 The Broadcasting Act.............................................................................................................................................................. -
Link Digital Dilemmas
Digital Dilemmas for South African TV Chris Armstrong & Richard Collins July 2004 Digital Dilemmas for South African TV Table of Contents Abstract 1. Introduction - The ‘Digital Age’............................................................3 2. The Digital TV ‘Switchover’.................................................................5 3. The Digital TV Stakeholders in South Africa ......................................9 4. Policy Balancing Act .........................................................................14 5. Spectrum Efficiency ..........................................................................16 6. Interactivity........................................................................................17 7. Transmission Costs ..........................................................................19 8. Licence Fee Collection .....................................................................21 9. Citizen Access ..................................................................................22 9.1 Signal Coverage ...................................................................23 9.2 Affordability ...........................................................................25 9.3 Home-Language Provision ...................................................26 10. The Way Forward ...........................................................................28 Acknowledgements...............................................................................30 References............................................................................................31 -
Amendment to Licences of SABC 1 , SABC 2, SABC 3, RSG, Lesedi FM
STAATSKOERANT, 19 AUGUSTUS 2008 No. 31349 3 NOTICE 992 OF 2008 APPLICATION FOR THE TECHNICAL AMENDMENT TO THE LICENCES OF SABC 1, SABC 2, SABC 3, RSG, LESEDI FM, THOBELA FM, MOTSWEDING FM AND PHALAPHALA FM 1. The Independent Communications Authority of South Africa ("the Authority1') hereby gives notice, in terms of the provisions of section lO(2) of the Electronic Communications Act, No. 36 of 2005 ("EC Act"), that it has received an application from the South African Broadcasting Corporation Limited ("SABC") for the amendment to the broadcasting licences of SABC 1, SABC 2, SABC 3, RSG, Lesedi FM, Thobela FM, Motsweding FM and Phalaphala FM in terms of section 1O(1) (c) of the EC Act. 2. The amendment is sought to allow for the expansion of SABCI, SABC 2, SABC 3 and different radio stations in the areas mentioned below: 2.1 Free State Province * Philippolis - SABC 1, 2, 3 and Lesedi FM * Villiers - SABC 1, 2, 3 and Lesedi 2.2 Western Cape Province Agter-witzenberg - SABC 1, 2, 3 and RSG Genadendal - SABC 1,2,3and RSG 2.3 Limpopo Province * lndermark - SABC 1, 2, 3, and Thobela FM * Vhulaudzi o Mavhunga - SABC 1,2,3 and Phalaphala FM o Mpzema - SABC 1,2, 3 and Phalaphala FM 2.4 Northern Cape Province * Kgalagadi ISRDP Node o Springbokpan - SABC 1, 2,3, RSG and Motsweding FM o Heuningvlei - SABC 1, 2, 3 and Motsweding FM o Laxey - SABC 1,2,3 and Motsweding FM o Severn - SABC 1, 2, 3, and Motsweding FM o Loopeng - SABC 1,2,3 and Motsweding FM 4 No. -
National Broadcasting Board Audience Survey
National Broadcasting Board Audience Survey for the Broadcasting Sector in Botswana Report (Volume I) April 2013 ~ 1 ~ Broadcasting Audience Survey 2012/2013 Table of Contents LIST OF FIGURES........................................................................................................................................................... 3 LIST OF TABLES ............................................................................................................................................................. 4 APPENDICES .................................................................................................................................................................. 5 ACRONYMS .................................................................................................................................................................... 5 EXECUTIVE SUMMARY ................................................................................................................................................. 6 KEY FINDINGS ................................................................................................................................................................ 7 Radio Broadcasting Findings ........................................................................................................................................... 7 Television Broadcasting Findings .................................................................................................................................... 9 COMPARATIVE -
Framed: COP17 on South African Television: 1
Framed: COP17 on South African Television: 1 Framed: COP17 on South African Television Rouxnette Meiring MRNROU001 A minor dissertation submitted in partial fulfilment of the requirements for the award of the degree of Master of Arts Town Faculty of Humanities University of CapeCape Town of2013 Supervisor: Prof. Ian Glenn Univesity The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgementTown of the source. The thesis is to be used for private study or non- commercial research purposes only. Cape Published by the Universityof of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. Univesity Framed: COP17 on South African Television: 2 Compulsory declaration This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signature: Date: Framed: COP17 on South African Television: 3 Acknowledgments This thesis would not have been possible without the support of the following people: My father, who provided me with the financial means to complete this project, my husband and children for their continued support, Wadim Schreiner for supplying me with the COP17 visual news material and my supervisor Ian Glenn for his insight and direction. Framed: COP17 on South African Television: 4 Abstract The media have a critical role to play in informing and changing public opinion on climate change, “the defining human development issue of our generation” (United Nations Development Programme for Human Development Report, 2008, 1). -
Rise of the Otaku: Investigating the Anime Fandom in South Africa
RISE OF THE OTAKU: INVESTIGATING THE ANIME FANDOM IN SOUTH AFRICA BY TRISHA RAMRATHEN (208506528) Submitted in fulfilment of the academic requirements for the degree of Master of Arts in Media and Cultural Studies in the School of Art, University of KwaZulu-Natal, Durban. Rise of the Otaku COLLEGE OF HUMANITIES DECLARATION - PLAGIARISM I, Trisha Ramrathen, declare that 1. The esearchr reported in this thesis, except where otherwise indicated, is my original research. 2. This thesis has not been submitted for any degree or examination at any other university. 3. This thesis does not contain other persons’ data, pictures, graphs or other information, unless specifically acknowledged as being sourced from other persons. 4. This thesis does not contain other persons’ writing, unless specifically acknowledged as being sourced from other researchers. Where other written sources have been quoted, then: a. Their words have been re-written but the general information attributed to them has been referenced b. Where their exact words have been used, then their writing has been placed in italics and inside quotation marks, and referenced. 5. Thisthesis does not contain text, graphics or tables copied and pasted from the Internet, unless specifically acknowledged, and the source being detailed in the thesis and in the References sections. Signed ……………………………………………………………………………… A Rise of the Otaku Acknowledgement Acknowledgement I would like to express my gratitude to my supervisors Professor Jean-Philippe Wade and Ms. Giuditta Toniolo for the useful comments, remarks and engagement through the learning process of this master thesis. Also, I would like to thank the participants of my study, who have willingly shared their precious time and information during the process of interviewing.