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Choreographing Sharbjit Movie Was Very Difficult for Me Because of Its Hard Hitting Story : Vishnu Deva
Choreographing Sharbjit movie was very difficult for me because of its hard hitting story : Vishnu deva By : INVC Team Published On : 11 May, 2016 11:18 PM IST INVC NEWS Mumbai, Vishnu Deva who is known for his creative and amazing moves in bollywood, makes the stars move to his peppy innovative moves. His creative dance style is praised by many critics. Now Aishwarya Rai Bachchan, Randeep Hooda and Richa Chadda starrer Sarbjit will see more of Vishnudeva's catchy moves. The film is currently in the news for its hard-hitting storyline. The trailer and the posters of the film have left us stunned with Aishwarya’s never seen avatar in this film. Well, finally the much awaited and refreshing Tung Luk song from Sarbjit is finally out which is choreographed by none other than Vishnu deva. This Punjabi number is surely going to make each and everyone dance on their feet and moreover, Aishwarya looks stunning in her Punjabi avatar. With high energy and desi look, Aish is totally killing this desi swag. The Punjabi number has been sung by Sunidhi Chauhan and Sukhwinder Singh, who are very well known for their Punjabi songs. On the other hand, Randeep Hooda and Richa Chaddha also make stunning appreace in the song, as they dance on the Punjabi beats. After some heart-wrenching songs and trailer of the film, this song is surely going to give some positive vibes. Vishnu Deva Said, "Sarabjit was a difficult movie to choreograph because of its hard hitting story. Aishwarya and Randeep impress with their charms and energy. -
Amfar India to Benefit Amfar, the Foundation for AIDS Research
amfAR India To Benefit amfAR, The Foundation for AIDS Research November 2014 Mumbai, India Event Produced by Andy Boose / AAB Productions A Golden Opportunity amfAR held its inaugural Indian fundraising gala in Mumbai in November 2013. The event was hosted by amfAR Global Fundraising Chairman Sharon Stone, and Bollywood stars Aishwarya Rai Bachchan and Abhishek Bachchan. It was chaired by amfAR Chairman Kenneth Cole, Vikram Chatwal, Anuj Gupta, Rocky Malhotra, and Hilary Swank. Memorable Moments The black-tie event, presented by Dr. Cyrus Poonawalla and held at The Taj Mahal Palace Hotel, featured a cocktail reception, dinner, and an exquisite gold-themed fashion show that showcased three of India’s most important fashion designers -- Rohit Bal, Abu Jani- Sandeep Khosla, and Tarun Tahiliani. The evening concluded with a spirited performance by pop sensation Ke$ha, whose Hilary Swank for amfAR India songs included her hits Animal, We R Who We R, and Tik Tok. Among the Guests Neeta Ambani, Torquhil Campbell, Duke of Argyll, Sonal Chauhan, Venugopal Dhoot, Nargis Fakhri, Sunil Gavaskar, Parmeshwar Godrej, Lisa Haydon, Dimple Kapadia, Tikka Kapurthala, Nandita Mahtani, Rocky The Love Gold Fashion Show for amfAR India Abhishek Bachchan, Sharon Stone, Nita Ambani, and Aishwarya Rai Bachchan for amfAR India Malhotra, Dino Morea, among many others. Kenneth Cole and Sharon Stone for amfAR India Total Media Impressions: 2.4 Billion Total Media Value: $1.6 Million Aishwarya Rai Bachchan for amfAR India The Love Gold Fashion Show for amfAR India A Star-Studded Cast amfAR’s fundraising events are world renowned for their ability to attract a glittering list of top celebrities, entertainment industry elite, and international society. -
Religious Studies 181B Political Islam and the Response of Iranian
Religious Studies 181B Political Islam and the Response of Iranian Cinema Fall 2012 Wednesdays 5‐7:50 PM HSSB 3001E PROFESSOR JANET AFARY Office: HSSB 3047 Office Hours; Wednesday 2:00‐3:00 PM E‐Mail: [email protected] Assistant: Shayan Samsami E‐Mail: [email protected] Course Description Artistic Iranian Cinema has been influenced by the French New Wave and Italian neorealist styles but has its own distinctly Iranian style of visual poetry and symbolic lanGuaGe, brinGinG to mind the delicate patterns and intricacies of much older Iranian art forms, the Persian carpet and Sufi mystical poems. The many subtleties of Iranian Cinema has also stemmed from the filmmakers’ need to circumvent the harsh censorship rules of the state and the financial limitations imposed on independent filmmakers. Despite these limitations, post‐revolutionary Iranian Cinema has been a reGular feature at major film festivals around the Globe. The minimalist Art Cinema of Iran often blurs the borders between documentary and fiction films. Directors employ non‐professional actors. Male and female directors and actors darinGly explore the themes of Gender inequality and sexual exploitation of women in their work, even thouGh censorship laws forbid female and male actors from touchinG one another. In the process, filmmakers have created aesthetically sublime metaphors that bypass the censors and directly communicate with a universal audience. This course is an introduction to contemporary Iranian cinema and its interaction with Political Islam. Special attention will be paid to how Iranian Realism has 1 developed a more tolerant discourse on Islam, culture, Gender, and ethnicity for Iran and the Iranian plateau, with films about Iran, AfGhanistan, and Central Asia. -
Growth Show Set to Begin Inox Leisure
Initiating Coverage | 16 March 2015 Sector: Media Inox Leisure Growth show set to begin Niket Shah ([email protected]); +91 22 3982 5426 Atul Mehra ([email protected]); +91 22 3982 5417 Inox Leisure Inox Leisure: Growth show set to begin Summary ................................................................................................... 3 Set to lead in exhibition business................................................................ 5 Operating metrics set to improve ............................................................... 7 Acquisition of Satyam – a strategic move ...................................................14 Industry overview .....................................................................................17 Company description ................................................................................23 Key management ......................................................................................24 Key risks ....................................................................................................25 Key assumptions .......................................................................................26 Financials and valuations ...................................................................... 27-28 Investors are advised to refer through disclosures made at the end of the Research Report. Motilal Oswal research is available on www.motilaloswal.com/Institutional-Equities, Bloomberg, Thomson Reuters, Factset and S&P Capital. 16 March 2015 2 Initiating Coverage -
FICCI FRAMES: a Brief Introduction the FICCI Media & Entertainment
FICCI FRAMES: A Brief Introduction The FICCI Media & Entertainment Committee, headed by the legendary Late Yash Chopra, one of the prominent film producers in India, comprising visionary thought leaders of the Indian entertainment industry, first met in 1999. An idea was born which crystallized into the first FICCI FRAMES, a platform and a voice for the entire Indian media and entertainment industry. The first ever industry report giving numbers to this industry was brought out by FICCI and is updated every year. Over the last 19 years, FICCI FRAMES, the most definitive annual global convention on the entertainment business in Asia, has grown in strength, stature and horizon. FRAMES not only facilitates communication and exchange between key industry figures, influencers and policy makers, it is also an unparalleled platform for the exchange of ideas and knowledge between individuals, countries and conglomerates. FRAMES has brought together more the 400,000 professionals from India and abroad representing the various sectors of the industry. The three eventful days of FRAMES are pulsating with activity – sessions, keynotes, workshops, masterclasses, policy roundtables, B2B meetings, exhibition, cultural evening, networking events and a meeting of the best minds in the business under a single umbrella. 20 th Edition of FICCI FRAMES: March 12 th -14 th , 2019 FRAMES 2019 will be the landmark 20 th Edition of FRAMES reflecting the richness of the platform which it has acquired over the years. Like every year, the world’s media and entertainment industry will be in attendance at FRAMES 2019, with nearly 2,000 Indian and over 600 foreign delegates representing the entire gamut of the sector, including Film, Broadcast (TV & Radio), Digital Entertainment, Animation, Gaming, VFX, etc. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Eros International
Result Update June 2, 2016 Rating matrix Rating : Hold Eros International (EROINT) | 206 Target : | 225 Target Period : 12 months Improving clarity on transfer pricing… Potential Upside : 9% • Revenues were expected to be subdued in the quarter as it had no What’s changed? big budget movie release. During the quarter, there were six medium Target Changed from 164 to | 225 and six low budget movies, respectively. Hence, revenues came in at EPS FY17E Changed from | 23.8 to | 25.2 | 269.9 crore, down 39.9% YoY and 19.5% QoQ EPS FY18E Introduced at | 28.2 • EBITDA came in at | 32.1 crore vs. our expectation of | 37.9 crore Rating Unchanged while margins came in at 11.9% (estimated 14.9%). Margins came in Quarterly performance lower than estimated owing to higher-than-expected operating Q4FY16 Q4FY15 YoY (%) Q3FY16 QoQ (%) expenses, which came in at | 208.3 crore vs. estimate of | 199 crore Revenue 269.9 449.1 -39.9 335.4 -19.5 • PAT came in at | 32.7 crore, higher than our estimate of | 21.9 crore. EBITDA 32.1 68.2 (52.9) 66.8 -52.0 The beat was due to tax credit of | 5 crore EBITDA (%) 11.9 15.2 -329 bps 19.9 -803 bps Leading producer/distributor with one of the largest film libraries PAT 32.7 51.7 (36.8) 37.8 -13.4 Eros, a producer/distributor, has a large film library of over 2000 films. Key financials Also, it has launched Trinity Pictures to focus on franchise films. -
Cinema Superstars from Across the Country Join Hands to Support the 18Th Jio MAMI Mumbai Film Festival with Star
Cinema superstars from across the country join hands to support the 18th Jio MAMI Mumbai Film Festival With Star Superstars Pawan Kalyan,Prithviraj Sukumaran & Suriya along with Riteish Deshmukh, National Award winning filmmaker Paresh Mokashi join Ranveer Singh and Anushka Sharma in pledging their support for the festival. Mumbai July 8, 2016: In its second phase of the Call for Entries, The Jio MAMI Mumbai Film Festival with Star has seen a surge of support from prominent film personalities across India. These Call for Entries encourage films from all across India to participate in the Mumbai based festival. Leading stars from the South such as Pawan Kalyan, Prithviraj Sukumaran and Suriya along with Bollywood stars Riteish Deshmukh, John Abraham and National Award winning filmmaker Paresh Mokashi can be seen in the Call for Entries series of films. Anupama Chopra, Festival Director, MAMI said, “The Call for Entries films feature diverse talents from across India and illustrates that cinema is truly an art form that unites. I am extremely grateful to them all for participating in this initiative and encouraging filmmakers across India to send us their films.” Last year saw the likes of Alia Bhatt, Ranbir Kapoor, Karan Johar, Vidhu Vinod Chopra and Raju Hirani with Festival Director - Anupama Chopra and Chaitanya Tamhane, Winner of Best Film in the International Competition, MAMI 2014 participate in the Call for Entries films. Last month Anushka Sharma, Ranveer Singh and Suriya all avid supporters of MAMI announced the Call for Entries for this year’s edition of the festival. The final submission deadline for the festival ends on August 10, 2016. -
Redirected from Films Considered the Greatest Ever) Page Semi-Protected This List Needs Additional Citations for Verification
List of films considered the best From Wikipedia, the free encyclopedia (Redirected from Films considered the greatest ever) Page semi-protected This list needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be chall enged and removed. (November 2008) While there is no general agreement upon the greatest film, many publications an d organizations have tried to determine the films considered the best. Each film listed here has been mentioned in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources focus on American films or we re polls of English-speaking film-goers, but those considered the greatest withi n their respective countries are also included here. Many films are widely consi dered among the best ever made, whether they appear at number one on each list o r not. For example, many believe that Orson Welles' Citizen Kane is the best mov ie ever made, and it appears as #1 on AFI's Best Movies list, whereas The Shawsh ank Redemption is #1 on the IMDB Top 250, whilst Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. None of the surveys that produced these citations should be viewed as a scientif ic measure of the film-watching world. Each may suffer the effects of vote stack ing or skewed demographics. Internet-based surveys have a self-selected audience of unknown participants. The methodology of some surveys may be questionable. S ometimes (as in the case of the American Film Institute) voters were asked to se lect films from a limited list of entries. -
List of Films Considered the Best
Create account Log in Article Talk Read View source View history Search List of films considered the best From Wikipedia, the free encyclopedia Main page This list needs additional citations for verification. Please Contents help improve this article by adding citations to reliable sources. Featured content Current events Unsourced material may be challenged and removed. (November Random article 2008) Donate to Wikipedia Wikimedia Shop While there is no general agreement upon the greatest film, many publications and organizations have tried to determine the films considered the best. Each film listed here has been mentioned Interaction in a notable survey, whether a popular poll, or a poll among film reviewers. Many of these sources Help About Wikipedia focus on American films or were polls of English-speaking film-goers, but those considered the Community portal greatest within their respective countries are also included here. Many films are widely considered Recent changes among the best ever made, whether they appear at number one on each list or not. For example, Contact page many believe that Orson Welles' Citizen Kane is the best movie ever made, and it appears as #1 Tools on AFI's Best Movies list, whereas The Shawshank Redemption is #1 on the IMDB Top 250, whilst What links here Star Wars Episode V: The Empire Strikes Back is #1 on the Empire magazine's Top 301 List. Related changes None of the surveys that produced these citations should be viewed as a scientific measure of the Upload file Special pages film-watching world. Each may suffer the effects of vote stacking or skewed demographics. -
Current Affairs Q&A
Current Affairs Q&A PDF This is Paid PDF provided by AffairsCloud.com, Our team is working hard in back end to provide quality PDF. If you not buy this paid PDF subscription plan, we kindly request you to buy pdf to avail this service. Help Us To Grow & Provide Quality Service Subscribe(Buy) Current Affairs PDF 2019 - Pocket, Study and Q&A (English & Hindi) Current Affairs Q&A PDF - September 2019 Table of Contents INDIAN AFFAIRS ................................................................................................................................................................................... 2 INTERNATIONAL AFFAIRS ............................................................................................................................................................ 59 BANKING & FINANCE ....................................................................................................................................................................... 87 ECONOMY & BUSINESS ................................................................................................................................................................. 112 AWARDS & RECOGNITIONS ........................................................................................................................................................ 128 APPOINTMENTS & RESIGNS ....................................................................................................................................................... 154 SCIENCE & TECHNOLOGY ........................................................................................................................................................... -
Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran
Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran by Golbarg Rekabtalaei A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Near and Middle Eastern Civilizations University of Toronto © Copyright by Golbarg Rekabtalaei 2015 Cinematic Modernity Cosmopolitan Imaginaries in Twentieth Century Iran Golbarg Rekabtalaei Doctor of Philosophy Near and Middle Eastern Civilizations University of Toronto 2015 Abstract Cinematic Modernity explores the ―genesis amnesia‖ that informs the conventional scholarly accounts of Iranian cinema history. Critiquing a ―homogeneous historical time,‖ this dissertation investigates cinematic temporality autonomous from (and in relation to) political and social temporalities in modern Iran. Grounding the emergence of cinema in Iran within a previously neglected cosmopolitan urban social formation, it demonstrates how the intermingling of diverse Russian, Georgian, Armenian, Azerbaijani, French and British communities in interwar Tehran, facilitated the formation of a cosmopolitan cinematic culture in the early twentieth century. In the 1930s, such globally-informed and aspiring citizens took part in the making of a cinema that was simultaneously cosmopolitan and Persian-national, i.e. cosmo-national. This dissertation explains how in the late 1940s, after a decade long hiatus in Iranian feature-film productions—when cinemas were dominated by Russian, British, and German films—Iranian filmmakers and critics actualised their aspirations for a sovereign national cinema in the form a sustained commercial industry; this cinema staged the moral compromises of everyday life and negotiation of conflicting allegiances to families and social networks in a rapidly changing Iran—albeit in entertaining forms. While critiqued for ―imitating‖ European commercial films, this cinema—known as ―Film-Farsi‖ (Persian-Language)–was highly ii informed by lived experiences of Iranians and international commercial motion pictures.