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Son Sealsseals 1942-2004
January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Security Council Set to Hit Israel on Raid UNITED NATIONS, N
Rain Likely Rain likely and cold today. THEDMLY HOME Clearing and turning colder T Bed Bank, Freehold f tonight. Sunny and cold to- morrow. I Long Branch J FINAL (Bee Details Page 2) Monmouth County''s Home Newspaper for 90 Years VOL. 91, NO. 131 RED BANK, N. J., TUESDAY, DECEMBER 31,1968 16 PAGES TEN CENTS Crime Probe Lawyer Hits Tlimsy' Evidence TRENTON (AP)'—The lawyer for a committee investiga- He told the legislative committee that Sen. Sido L. Ridolfi replied that he had represented Simone on three, Brennan said under cross-examination that young Pro- ting allegations that legislators are "too comfortable" with Ridolfi, D-Mercer, and Assemblymen John A. Selecky, R- separate occasions between 1954 and 1961, all involving faci apparently had no criminal record. organized crime characterized as "flimsy" yesterday much Mercer, and David Friedland, D-Hudson, were on his list of civil cases. He said he had no knowledge of Simone's al- POLICE CHIEF APPEARS of the evidence given by an assistant attorney general who those he considered "too comfortable" with organized crime. leged ties to organized crime "about five or six years after Selecky added that' when he arrived in court to testify, made the charges. The three vehemently denied any wrongdoing. I last represented him." he found the police chief of his township, who was also ap- "If the testimony is as flimsy in the other three cases Brennan also said that Assemblyman C. Richard Fiore, Brennan said Selecky testified as a character witness pearing as a character witness for young Profaci. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. MARIAN McPARTLAND NEA Jazz Master (2000) Interviewee: Marian McPartland (March 20, 1918 – August 20, 2013) Interviewer: James Williams (March 8, 1951- July 20, 2004) Date: January 3–4, 1997, and May 26, 1998 Repository: Archives Center, National Museum of American History Description: Transcript, 178 pp. WILLIAMS: Today is January 3rd, nineteen hundred and ninety-seven, and we’re in the home of Marian McPartland in Port Washington, New York. This is an interview for the Smithsonian Institute Jazz Oral History Program. My name is James Williams, and Matt Watson is our sound engineer. All right, Marian, thank you very much for participating in this project, and for the record . McPARTLAND: Delighted. WILLIAMS: Great. And, for the record, would you please state your given name, date of birth, and your place of birth. McPARTLAND: Oh, God!, you have to have that. That’s terrible. WILLIAMS: [laughs] McPARTLAND: Margaret Marian McPartland. March 20th, 1918. There. Just don’t spread it around. Oh, and place of birth. Slough, Buckinghamshire, England. For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 WILLIAMS: OK, so I’d like to, as we get some of your information for early childhood and family history, I’d like to have for the record as well the name of your parents and siblings and name, the number of siblings for that matter, and your location within the family chronologically. Let’s start with the names of your parents. -
Denny Zeitlin Trio in NYC 2001 & 2002--Advance Notice.Rtf
DENNY ZEITLIN TRIO In New York City 2001 and 2002 Advance Notice The Village Voice, Gary Giddins: “After an impressive Columbia debut in the ‘60s, playing a number of originals with psychiatric titles, Zeitlin opened shop as a psychiatrist. But he never stopped playing, and judging from recent records, he has developed his lyrical gift and supple rhythmic sense with much warmth and originality, exploring a diverse repertory of popular and jazz standards. For what is a rare appearance on this coast, he is accompanied by a dynamic rhythm team, Buster Williams and Al Foster.” Time Out New York: “Pianist Denny Zeitlin may not be the only practicing psychiatrist with bop chops, but he’s certainly the only one who can claim to have made historic contributions to the idiom. (He also scored the film Invasion of the Body Snatchers.) Zeitlin started his music career some 30 years ago as a disciple of Bill Evans, but has since turned into an astonishingly unique stylist. His all-star rhythm section this week includes Buster Williams and Matt Wilson.” New York Times, Ben Ratliff: “…Mr. Zeitlin has Glenn Gouldish ideas about the ritual of public performance and a reverence for standards, though he has been a thoughtful small-group composer since the early 1960’s, marrying free and written music...” New Yorker: “A pianist’s pianist, and a long-time psychiatrist to boot, Zeitlin is fondly remembered for his occasional engagements, stretching back to the sixties, with bassist Charlie Haden, and for writing “Quiet Now”, a gorgeous ballad that Bill Evans turned into a standard. -
The International Review of Music
The International Review of Music http://irom.wordpress.com/ April 28, 2009 Jazz CDs: Denny Zeitlin “Denny Zeitlin: The Columbia Studio Trio Sessions” (Mosaic Select) “Denny Zeitlin Trio In Concert” (Sunnyside) By Don Heckman The rub on writing about Denny Zeitlin has always been his unlikely dual career track - as a working jazz musician and a teaching and practicing psychiatrist. The immediate temptation, frequently succumbed to, is to search for the subtle (and not so subtle) linkages between psychotherapy and improvisation. But that gets old fast. And, taking a contrary view, it may well be that Zeitlin’s enormous potential as a jazz artist has, in fact, been dimmed somewhat by the difficulty of getting away from patients and classrooms long enough to maintain a regular schedule of live performances, recordings, and all the other minutiae that are vital to international jazz visibility. What’s most remarkable about Zeitlin, however, is how successful he has been at reaching into the deepest reaches of his creativity, despite the academic and clinical demands on his attention. And these two recent releases—which serendipitously reveal the seemingly boundary-less aspects of his art—underscore the remarkable aspects of what could have been, and what has been. The Mosaic releases includes three studio albums Zeitlin recorded for Columbia in the ’60s: “Cathexis” (March, 1964), “Carnival” (October, 1964) and “Zeitgeist” (1966 and 1967), as well as an hour of previously unissued material. “Denny Zeitlin Trio In Concert” takes a forty year leap, chronicling live performances with bassist Buster Williams and drummer Matt Wilson, recorded at the Jazz Bakery and the Outpost Performance Space in Albuquerque between 2001 and 2006. -
2009 Festival Brochure
ELEVENTH ANNUAL Artisitc Director Jessica Felix James Moody Quartet with special guest Marlena Shaw Randy Weston’s African Rhythms BAy AReA LegendS: Denny Zeitlin - Solo Piano John Handy and the Bay Area Melding Pot Stars of BraziL: Toninho Horta trio with special guest Airto Trio da Paz Leny Andrade with Stephanie ozer esperanza Spalding Quartet Julian Lage group oakland interfaith gospel Choir Richard Howell Quintet Montclair Women’s Big Band Rising Stars Concert with Debbie Poryes trio Jason Bodlovich Quartet Noam Lemish Quintet Jazz tastings – music and wine pairings at tasting rooms around the Plaza and many more performers... Painting (detail): Robin Eschner WWW . HEALDSBURGJAZZFESTIVAL . ORG M A J O R S P O NS or S OFF I C ia L S P O NS or S SA SYST O EM R S A , T I N N C A . S T SRS O S T N A O L I E T Q U U OL IPMENT S BU S I N E SS S P O NS or S HEALDSBURG LODGING GRAPHITE STUDI O COALITION CO MM UNICAT I O N D E S I G N official airline sponsor TA S TI N G R O O M SP O NS OR S GRA N TI N G A G E NC IE S Artiste Winery Steinway Pianos Provided by Bottle Barn/Wine Annex Sherman Clay San Francisco, Topel Winery CA T HE H EALDSBURG J AZZ F ES T IVAL , I NC . IS A 5 0 1 ( C ) ( 3 ) NON - PRO F I T ORGANIZAT ION Friday, May 8: “Havana Nights” Healdsburg Jazz Festival Gala Dinner, Dance, and Auction Celebrating the 11th Anniversary of the Healdsburg Jazz Festival with wine, food, music, and a fund-raising auction to the benefit the Festival’s Education Program. -
Chicago Jazz Festival Spotlights Hometown
NOVEMBER 2017 VOLUME 84 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, -
PHILLIPS End to BEGINNING
MAY 2019—ISSUE 205 YOUR FREE guide TO tHe NYC JAZZ sCENE NYCJAZZRECORD.COM BARRE PHILLIPS END TO BEGINNING janis simon mulatu danny siegel nabatov astatke barker Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2019—ISSUE 205 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 new york@nigHt 4 Laurence Donohue-Greene: interview : janis siegel 6 by jim motavalli [email protected] Andrey Henkin: artist Feature : simon nabatov 7 by john sharpe [email protected] General Inquiries: on The Cover : barre pHillips 8 by andrey henkin [email protected] Advertising: enCore : mulatu astatke 10 by mike cobb [email protected] Calendar: lest we Forget : danny barker 10 by john pietaro [email protected] VOXNews: LAbel spotligHt : pfMENTUM 11 by robert bush [email protected] VOXNEWS by suzanne lorge US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or obituaries 12 by andrey henkin money order to the address above or email [email protected] Cd reviews 14 Staff Writers Duck Baker, Stuart Broomer, Robert Bush, Kevin Canfield, misCellany 33 Marco Cangiano, Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, event Calendar Tom Greenland, George Grella, 34 Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Suzanne Lorge, Marc Medwin, Jim Motavalli, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Contributing Writers Mike Cobb, Pierre Crépon, George Kanzler, Steven Loewy, Franz Matzner, If jazz is inherently, wonderfully, about uncertainty, about where that next note is going to Annie Murnighan, Eric Wendell come from and how it will interact with all that happening around it, the same can be said for a career in jazz. -
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NEW RELEASE O N I N T U I T I O N R E C O R D S R E C E I V E D 4 G R A M M Y N O M I N A T I O N S OREGON’s latest project, Oregon In Moscow, is a double CD with the Moscow Tchaikovsky Symphony Orchestra, and the group’s recorded debut of their orchestral repertoire—a prodigious body of work that has been developing over the life of the band, but never documented. In the thirty-year history of OREGON, there has always existed a strong kinship to orchestral music. The use of the double reeds alone has given the quartet an identity and expansive sound associated with the symphonic orchestra. This association isn’t confined only to their use of many orchestral instruments, but applies also to the composition and presentation of the music, including the careful attention to details such as articulation, dynamics, phrasing and tone production derived from their respective classical studies. Chief composer Ralph Towner explains, “OREGON came together as a group in New York City in 1970, and from the outset it was clear that our unusual instrumentation and collective musical experience invited a different approach to composition and improvisation. The jazz tradition of improvisation usually consists of the soloists taking turns improvising on the song’s harmonic structure, recycling the chord progressions and returning to the original melody only on the last repeat of the cycle. While still using and honoring this tradition, we began composing longer, more sectional forms that allowed each soloist to improvise on different material within the context of a single piece. -
The GAVIN REPORT the COUNTRY CLASS of 1992
the GAVIN REPORT THE COUNTRY CLASS OF 1992 _; Also featuring NEAL McCOY DIXIANA COLLIN RAYE MARTY BROWN LEE ROY PARNELL GREAT PLAINS MICHELLE WRIGHT McBRIDE AND THE RIDE LINDA DAVIS MICHAEL WHITE SAMMY KERSHAW GAVIN e A K.lLITES BLACK MUSIC MdfleekrTlW In the dictionary, next to the wo -d "summer,' is a picture of the Love Shack. The video for "Roam" changed the way you eat bagels and bananas forever. Cosmic Thing comes to nearly four million pieces of history. T{ -at about cover; the last lime tl-e B -52's made a reco-d.Thisigk, the first ry direction. s Produced by Don Was Direct Manage -rent Group -Stemmei Jensen & Martin Krkup 9 ®' 992 Reprise Recoris. ft s a sock hop it +our own private Idc óo the GAVIN REPORT GAVIN AT A * Indicates Tie it» 4rv URBAN MOST ADDED MOST ADDED THE CURE EN VOGUE YO YO Friday I'm In Love (Fiction/Elektra) Giving Him Something He Can Feel (Atco/EastWest Home Girl Don't Play Dat (Atco/EastWest America) DEF LEPPARD America) ERIC B & RAKIM Make Love Like A Man (Mercury) TLC Don't Sweat The Technique (MCA) TOAD THE WET SPROCKET Baby -Baby -Baby (LaFace/Arista) X -CLAN Xodus (Polydor/PLG) All I Want (Columbia) ALYSON WILLIAMS Just My Luck (RAL/OBR/Columbia) HEAVY D. & THE BOYZ RECORD TO WATCH RECORD TO WATCH RETAIL MERYN CADELL DAVID BLACK You Can't See What I Can See The Swea er (Sire/Reprise) Nobody But You (Bust It/Capitol) (MCA) itAe RADIO SHANTE RICHARD MARX MARIAN CAREY Big Mama (Livin' Large/ Take This Heart (Capitol) I'll Be There (Columbia) Tommy Boy) COUNTRY MOST ADDED MOST ADDED MOST ADDED RICHARD