178 Handheld Performance Mics 800-416-5090

SHURE # SHSM86 NEUMANN SM86 $17900 KMS105MT Delivering tried and true quality at an attractive price, the Shure (Black) SM86 is the cardioid condenser relative to the famous SM58. #NEKMS105MT Tailored for live vocal performances, the SM86 combines a wide $64999 response and excellent gain before feedback with the tonal characteristics and proven reliability musicians have come Bringing Neumann studio to expect from Shure. quality onto the stage, the KMS105 is a precision-engi- • Cardioid polar pattern reduces unwanted background neered supercardioid handheld • 48V phantom powered condenser that • Rugged construction ideal for touring situations delivers the transparent, • Internal shock mount and two-stage pop-fi lter reduce han- detailed performance charac- dling and wind noise teristics required by professional • Sturdy microphone clip and zippered pouch (included) vocalists. • 124dB SPL • Transformerless output provides • 50Hz-18kHz frequency response excellent clarity and minimal SHURE # SHBETA87A • 48V phantom powered $24900 • Rugged steel basket and chassis BETA 87A construction Tailored especially for vocals, the accurate and detailed BETA • 150dB SPL 87A is a high-quality, supercardioid condenser microphone • 20Hz-20kHz frequency response designed to reproduce all the musical nuances of the live stage • Padded nylon and stand clamp performance. Shure has redesigned this microphone by just (included) slightly thickening the handle for a more comfortable feel when hand-held RODE • Smooth, rich response • Ruggedly built for touring S1 • High gain before feedback • 48V phantom powered

# ROS1 • Includes the A25D break-resistant swivel adapter $29900 • 140dB SPL • 50Hz-20kHz frequency response

Crafted and engineered Beta 87C cardioid version of Beta87A for stage use, the Rode #SHBETA87C ...... $249.00 S1 is a supercardioid condenser microphone with a custom tailored AUDIX #AUVX10 frequency response VX10 $47900 that captures the clar- The high quality Audix VX10 is a natural and detailed cardioid ity, presence and subtle nuances of live vocal condenser microphone that’s ideal for live stage performances. performances. Its smooth uniform response covers a wide frequency range with amazing clarity and realism. It features a 16mm gold vapor • Rugged, lightweight diaphragm, a steel mesh grill screen, and the Audix trademark all metal construction black satin fi nish • 48V phantom powered • Rich sonic clarity in low-mid • Low-noise circuitry • Extremely versatile in vocal and acoustic instrument applications • Low-handling noise • Low-handling noise • 151dB SPL • Includes: foam lined wooden carrying case, pouch, mic stand • 20Hz-20kHz fre- adapter, and external foam windscreen quency response • Requires phantom power • 140dB SPL • 40Hz-20kHz frequency response www.bhproaudio.com Handheld Performance Mics 179

SENNHEISER #SEE835 $ 99 e835 99 AUDIX # AUOM7 $22900 Especially suited for live stage vocal applications, the OM7 Sennheiser e835 is an affordable, rugged and versatile The ruggedly built Audix cardioid dynamic microphone. Its warm, open qual- OM7 is a high-quality hypercardioid dynamic ity, high SPL handling capability and high output make it microphone that’s popular equally well suited for project studio recording situations. among live PA and touring sound engineers. Its con- • High-output Neodymium mic element trolled low-gain output stage • Available with On/Off Switch (e835-S) allows it to handle high volume • Protective zippered pouch and mic stand adapter sources producing a natural, de- (included) tailed sound, while the extremely • Capable of handling high SPL’s tight pickup pattern delivers the • 40Hz-16kHz frequency response accuracy and high gain before feedback required by many of today’s aggressive vocalists. e835S cardioid dynamic with on/off switch #SEE835S ...... $109.00 • Natural, detailed characteristic • Provides exceptionally high gain before feedback SHURE # SHBETA58A $ 00 • Low-handling noise Beta 58A 159 • Dent resistant steel grille • Mic stand adapter and zippered Tailored for vocals, the well-built Shure Beta 58A is pouch (included) a supercardioid version of the famous dynamic SM58 • 144dB SPL microphone. Its smooth, extended frequency response and • 48Hz-19kHz frequency clean high-output detail, deliver the desired sound for both response live and studio performances.

SHURE # SHSM58LC • Neodymium magnet for high -to-noise output SM58-LC $9900 • Bass rolloff for controlled proximity effect The Shure SM58 is the world’s • Supercardioid polar pattern provides high most widely used dynamic-car- gain-before-feedback dioid microphone. Its legendary • Ideal for lead, backup vocals, and spoken word reliability, dependability, and near indestructibility, have made it the • 50Hz-16kHz frequency response preferred choice of both musicians and engineers for a multitude of “live” and studio vocal applications. ELECTRO-VOICE # ELND767A N/D767A $12900 • Frequency response tailored for vocals Designed with the professional stage vocalist in mind, the EV • Pneumatic shock-mount system N/D767A is a premium quality, supercardioid dynamic micro- cuts down handling noise phone with superior feedback rejection, extremely low handling • Effective, built-in spherical wind noise and a high output Neodymium element that gives you and pop fi lter the clarity and detail you need. Electro-Voice’s VOB technol- • Includes break-resistant stand ogy counteracts the tendency of most to get adapter that rotates 180 degrees “muddy” and “boomy” by reducing unwanted resonant peaks • Unidirectional cardioid pickup in frequency response. pattern isolates desired source from unwanted • 50Hz-15kHz frequency response • Supercardioid polar pattern • Warm-Grip handle for comfort and lower handling noise SM58CN dynamic cardioid mic with 25ft XLR cable • High gain before feedback #SHSM58CN ...... $109.00 • Multi-stage shock mount SM58S dynamic cardioid mic with on/off switch • Patented low-frequency roll-off fi lter #SHSM58S ...... $104.00 • 70Hz-22kHz frequency response 180 Handheld Performance Mics 800-416-5090

BEYERDYNAMIC # BETGX58 $ 00 AKG # AKC535EB TGX-58 99 $29900 C535 EB The TG-X 58 is a handheld supercardioid dynamic micro- The C 535 EB is a handheld phone designed for vocals and instrument miking. It features cardioid condenser micro- an integrated blast shield to reduce “pop” noise associated phone with many of the with close vocal miking, and is equipped with an ON/OFF characteristics of AKG’s best switch that can be locked into position to avoid accidentally studio condensers. It has a switching it off. The microphone’s supercardioid pattern slight 2dB rise in the 7-12 kHz reduces off-axis sound, greatly reducing feedback from range, giving vocals added monotor speakers. presence. A four-position switch on the mic provides a • Supercardioid polar pattern dynamic mic useful combination of output • High gain before feedback and low frequency level • Locking ON/OFF switch contours. • Barrel coated with special soft lacquer coating • Includes MKV-108 stand adapter and plastic zipper bag • Versatile cardioid condenser • Operates on phantom pow- • 50Hz-15kHz frequency range ering from 9-52 Vdc • 4-position switch tailors ELECTRO-VOICE # ELND967 output level and bass $19900 response N/D 967 • 137dB SPL The N/D967 is a supercardioid dynamic microphone designed for high • Includes SA41/1 stand gain-before-feedback performance and extremely low handling noise. adapter Ideally suited for live vocals, the N/D967 features: an optimized • 20HZ-20kHz frequency neodymium alloy magnet for enhanced output sensitivity, superior response multistage shock mounting, and a unique removable front grille assembly and pop fi lter for easy cleaning. The N/D 967 also uses a humbucking coil to cancel hum from lighting and power sources. AUDIO TECHNICA # AUMB4K $ 95 MB4K 89 • Optimized response for live performance The Midnight Blues Series MB4K • Ultra High gain-before-feedback is a handheld cardioid condenser • EV-exclusive personality switch shapes sound designed for studio-quality vocal • “Warm Grip” handle provides comfortable feel and instrument applications at a low • Includes: stand adapter and zippered case price. This price/performance leader • 50Hz-13kHz frequency response features: battery/phantom opera- tion, an on/off switch, rugged all- metal construction, soft-touch fi nish, BEHRINGER # BEXM8500 and extended response for smooth, Ultravoice XM8500 $1999 natural sonic characteristics. The UltraVoiceXM8500 is a handheld cardioid dynamic vocal • Affordable, studio-quality hand- microphone with excellent sound rejection from the rear and held microphone sides making it less prone to feedback. It features a smooth mid- • Battery/phantom operation for frequency presence, internal shock mounting to reduce handling maximum versatility noise, a two-stage pop fi lter, and a tough steel mesh windscreen. • Corrosion-resistant gold-plated XLRM-type connector • Dynamic vocal microphone with smooth mid-frequency presence • Extended response for smooth, • Cardioid characteristic minimizes background noise and feedback natural sonic characteristics • Super rugged, reliable metal construction and electromagnetic • Includes: AT8405a stand clamp, shielding 5/8”-27 to 3/8”-16 threaded • Two-stage pop fi lter minimizes breath and pop adapter, and soft protective • High-level balanced output pouch • 137dB SPL • Low distortion for a super clean sound • 80Hz-20kHz frequency response • Includes stand adapter • 50Hz-15 kHz frequency response www.bhproaudio.com Handheld Performance Mics 181

M-AUDIO # MAACM $ 00 Aries 119 SENNHEISER # SEMD4312 $40450 The Aries is a professional cardioid condenser microphone designed MD 431-II for stage/live sound applications. M-Audio’s proprietary internal The MD 431-II is a top-quality shock-mounting technology allows the Aries to deliver studio-quality supercardioid dynamic micro- fi delity while minimizing handling noise. It’s cardioid polar pattern phone designed for rejects background sound and minimizes feedback while handling live vocals. A nearly frequency- the high SPLs of concert environments. independent polar pattern offers incredibly high gain before feedback and provides • Studio-quality condenser uncolored off-axis response. It • Class-A FET provide high output and low noise features a noiseless, mag- • Internal shock mount minimizes handling noise netic reed on/off switch that is • Integrated internal pop fi lter minimizes wind and pop noises recessed in its handle, and has • Solid brass capsule with evaporated gold diaphragm internal electronics for refi ning • Includes: stand mount and vinyl carrying case its proximity effect. • 134dB SPL • 20Hz-20kHz frequency response • Dynamic, supercardioid stage vocal mic • Exceptional feedback rejection SAMSON # SAQ7 $ 00 • Hum compensating coil re- Q7 99 duces electrical interference The Q7 is a Samson’s top-of the line Neodymium handheld dynamic • Integral pop fi lter microphone designed for live performance and studio applications. • Includes MZA 4031 stand It’s tight supercardioid pattern has excellent off-axis rejection adapter minimizing feedback problems and background noise. The Q7’s • 40Hz-16kHz frequency internal shock mount helps reduce handling noise, and protects the response microphone element from the rigors of stage use .

SHURE # SHPG58XLR • Supercardioid handheld microphone $ 00 • Neodymium dynamic mic element for high output gain PG58 (XLR) 59 • Multi-axis shock-mounted element The PG58 is a cardioid • Two-stage internal pop fi lter dynamic microphone • Includes stand adapter and carrying case tailored to accentuate the • High SPL response clarity of lead and back-up • 80Hz-12kHz frequency response vocals. This attractively priced microphone picks up the most sound from in SHURE # SH55SH2 front of the microphone, 55 SH/II $16795 and some sound from the sides making it less The 55 SH/II cardioid dynamic microphone provides susceptible to feedback in the Shure classic UNlDYNE II design coupled with high volume settings. modern acoustic components to meet today’s performance standards. It is ideal for public ad- • Neodymium magnet for dress, theater/stage sound systems, or other sound high output level applications where a stand-mounted microphone • Internal shock mount for with a classic look is desirable. reduced handling noise • Hardened steel mesh • Classic appearance, modern performance ball grille that resists • Frequency response tailored for speech, vocals & wear and abuse instrumental • Integral “pop” fi lter • Shock-mounted cartridge minimizes stand-trans- • Includes: 15ft. cable, mitted noise stand adapter, and stor- • Self-tensioning swivel mount, Built-in ON/OFF age bag • 60Hz-15kHz switch • 50Hz-15kHz 182 Handheld Performance Mics 800-416-5090

EARTHWORKS # EASR20B $ 00 BEYERDYNAMIC # BEM88TG SR20 579 $34900 M 88 TG The SR20 is a cardioid condenser performance microphone that is The M 88 TG’s hypercardioid marked by its clean on-axis pickup and smooth uncolored off-axis pickup pattern and high sound response. It will accurately capture a voice with the same preci- pressure rating make it an sion and quality up to 90 degrees off-axis, giving users the same ideal choice for a wide variety pristine sound quality at the front and side of the microphone. of vocal applications where off-axis rejection is paramount. The forgiving yet highly intelligible quality of this mic make it Its extended frequency range superb for vocals and spoken word. A removable windscreen gives this dynamic mic an accu- allows the SR20 it to be used to capture choirs, musical instru- rate response with exceptional ments and amplifi ers. bass reproduction; perfect for voice, kick drums and other • Condenser, cardioid performance mic high output instruments. • Forgiving uniform off axis response • Highly intelligible with low handling noise • Dynamic, hypercardioid • Removable windscreen assembly handheld microphone • 50Hz to beyond 20kHz frequency response • Allows high volume before feedback • Known choice for voice, kick RODE # ROS1 drums and woodwinds $ 00 • Fast response for accurate S1 299 transient reproduction The Rode S1 is designed specifi cally for ‘no compromise’ live vocal • Includes: microphone clamp performance, but has also found a place in the studio where the and storage bag performer wants to actually hold the mic during recording for a • 30Hz-20kHz frequency more dynamic performance. This supercardioid condenser features response a sophisticated high pass fi lter to dramatically reduce undesirable low-frequency background and handling noise. The multi-stage mesh head fi lters breath, wind, and plosive noise without affect- BEYERDYNAMIC # BEO69 ing sensitivity or frequency response. Opus 69 $15900 • Condenser, supercardioid handheld mic The Opus 69 is a supercardioid • Attractive satin-nickel fi nish with ergonomic design handheld dynamic vocal micro- • Rugged all metal construction and low handling noise phone that offers comfortable • Custom designed integral ‘plosive’ screen handling, rugged construction • Ergonomically weighted & balanced and a sleek design. This mic has • 20Hz to 20kHz frequency response the ability to withstand high levels, making it suitable for the close miking of SENNHEISER #SEE840 musical instruments or speaker $12999 cabinets. Its tight pattern helps e840 to suppress feedback and reject It is designed to cut through high on-stage sound levels, and is other instruments on stage, fi tted with a hum compensating coil to help reduce electromag- producing a rich clear signal netic interference. It effi ciently suppresses emanating that lets you concentrate on from outside its pickup angle while providing the performer your vocal performance. with a predictable and easy to control response. The e840s • Dynamic, supercardioid internal shock-mounting prevents handling noise and damage handheld microphone to the microphone element when accidentally dropped or hit • Excellent isolation of un- on stage. wanted sound • Aluminum shaft with matt • Cardiod, dynamic stage mic black fi nish • Includes: mic clamp and • Excellent vocal projection storage bag • Highly insensitive to feedback • 35Hz-16kHz frequency • Frequency- independent directivity response • Includes: MZQ mic clamp and protective carrying pouch • 40Hz-18kHz frequency response www.bhproaudio.com Handheld Performance Mics 183

SENNHEISER # SEE835 $ 99 e835 99 AUDIX # AUOM5 $15900 The e835 is a dynamic vocal stage mic designed with a uniform OM5 frequency pick-up pattern that maintains its signal quality when The OM5 is a dynamic moving on and off axis during performance. This cardioid mic vocal microphone that features a gentle presence boost to even tonal response ensuring is highly regarded by clarity and projection under demanding stage conditions. Its mnimal artists and engineers proximity effect provides consistently clear bass with intelligible for its ability to produce performance when singing closer to or further from the capsule. quality sound at very high sound pressure with- • Cardioid, dynamic handheld stage mic out distortion or feedback. It is naturally attenuated at • Rugged and reliable metal construction 120Hz to reduce boominess • Shock mounted capsule and handling noise, and the • Includes: protective pouch and microphone clip mid-range is tailored for clarity • 40Hz-16kHz frequency response and presence (making it easier for the vocals to be heard both Threepack 835 pack of (3) mics, clips and pouches #SEE8353K .. $219.99 in the mains and monitors). e835-S same model with silent on/off switch #SEE835S ...... $109.00 • Dynamic, hypercardioid performance microphone SENNHEISER # SEE845 • Very Low Mass capsule e845 $13999 technology yields exceptional transient response Extended high frequency response and a supercardioid pick-up pattern • Durable construction with a give the e845 the ability to deliver smooth warm tonal characteristics dent-resistant spring steel grill and an extended dynamic range at higher volumes. It’s consistent • Includes: clip and zippered on/off axis and proximity response help to maintain even sound microphone carry pouch quality while moving, providing greater on-stage freedom. The full • 48Hz-19kHz frequency response metal construction and extensive internal shock mounting make this performance mic a top choice for stage use. AUDIX # AUOM2 • Supercardioid, dynamic performance mic $ 00 • Metal construction means greater durability OM2 99 • Hum compensating coil reduces interference The OM2 is a hypercardiod dy- • Full dynamic range with excellent signal quality namic live performance mic with • Superior magnet keeps mic stable regardless of climate a transformerless design, ideal • 40Hz-16kHz frequency response for vocals, spoken word and in- strument miking. It has the same e845-S same model with silent on/off switch #SEE845S ...... $149.99 well-balanced, comfortable profi le as Audix’s high-end tour- ing vocal mics, and features a SENNHEISER # SEE865 $24999 low refl ective black e-coat fi nish, e865 a dent-resistant spring-steel grill The e865 is a lead vocal condenser microphone designed for and sound pressure handling live performance applications. Its smooth supercardioid polar capabilities in excess of 140dB. pattern rejects feedback with low, off-axis coloration and its well • Dynamic, hypercardioid hand- designed element withstands sound pressure levels of up to 150 held mic dB. This rugged mic provides detailed 40Hz–20kHz reproduction, • Equally useable on vocal artists, superb transient response and an all-metal housing with a steel spoken word and instruments grill. • Great for coffeehouses, small to medium clubs and outdoor • Supercardioid, condenser professional stage mic festivals • Rugged, robust all-metal housing and steel grill • Exceptional performance at a • Comfortable, ergonomic design with responsive performance breakthrough price • 50Hz-16kHz frequency response • Includes mic clip and protective pouch • 40Hz-20kHz frequency response OM2-s same model with on/off switch #AUOM2S ...... $119.00 e865-S same model with silent on/off switch #SEE865S ..$219.95 184 Handheld Performance Mics 800-416-5090

SENNHEISER #SEE935 $ 99 CAD #CACAD22A e935 159 22A $3195 The e935 is a very durable dynamic microphone with The 22A is a dynamic cardioid a high signal output and dependable construction for microphone designed with professional qualities in mind many hours of hard stage use. Its cardioid pickup pattern but priced for the budget provides both insulation from other on-stage sounds and conscious vocalist and musi- a forgiving response for the performer. Built for excellent cian. It features a frequency results day in and day out, this microphone was made for response covering the audible the working musician with long days and nights of stage range necessary for accurate wielding in mind. natural sound, and a uniform car- dioid polar pattern that reduces annoying feedback when used • Cardioid, dynamic stage mic in close proximity to sound rein- • Low sensitivity to impact and handling noise forcement speakers and monitors. • High signal output helps cut through the mix Also, the built-in presence boost • All metal construction is rugged and reliable provides the additional “punch” • 40Hz-16kHz frequency response needed in sound reinforcement. • Cardiod, dynamic handheld mic

• On/off switch with recessed button CROWN #CRCM200A • Die cast zinc alloy housing with CM-200A $24950 “soft feel” fi nish • Multi-stage blast fi lter minimizes The Crown CM-200A is a cardioid condenser microphone designed for wind and breath noise professional vocal and instrumental use. It offers studio quality sound, • 60Hz-15kHz frequency response yet is rugged enough to withstand hard professional use in the fi eld. 25A supercardioid, 50Hz-16kHz An upper midrange “presence peak” adds intelligibility and an added version #CACAD25A ...... $44.95 boost to help cut through any stage mix. This outstanding perfor- mance mic is complemented with handsome styling and a comfortable balance along with a wide frequency range and smooth response. CAD # CAC195 $ 99 • Cardiod, condenser handheld vocal mic C195 99 • Unidirectional polar pattern reduces feedback and background noise The wide and fl at frequency • Rugged aluminum housing with steel grill response of the C195 gives it a • Foam windscreen to reduce popping and wind noise natural transparent sound while • 80Hz-15kHz frequency response the cardioid pickup pattern CM-200ASW same model with on/off switch minimizes annoying feedback and #CRCM200ASW ...... $286.95 reduces the pickup of unwanted off-axis sounds. A transformerless electronic design provides opti- AUDIO-TECHNICA # AUMB1KC mum low frequency response and $4450 low distortion. Its “Flex-Form” MB 1k/c hardened steel grille screen A perfect introductory performance mic, the high-output MB dramatically resists deformation 1k/c is designed for lead, backup, or choral vocals. Supplied while greatly reducing any risk of with a 15ft. cable, it features a neodymium magnet structure adverse performance caused by a for maximum output and fast transient response, lockable bent or dented ball screen. switch design for silent on/off operation and a corrosion-re- • Cardiod, dynamic handheld sistant gold-plated XLR connector. Its velvety fi nish provides stage mic • Internal shock a secure, comfortable grip and the ultra-soft-touch surface mounting reduces handling minimizes mechanical noise. noise • Internal multistage pop fi lter and steel grill • Supplied with zippered pouch • Cardioid, dynamic handheld performance mic. and swivel mount • 50Hz- • Rugged all-metal construction with silent on/off switch 18kHz frequency response • Reduced handling noise with anti-shock engineering D189 supercardiod, neodymium 50Hz-16kHz version • High-output design allows vocals to cut through the mix #CAD189 ...... $89.99 • Includes 15 ft. cable and stand clamp • 80Hz-12kHz frequency response www.bhproaudio.com Handheld Performance Mics 185

AUDIO-TECHNICA # AUATM410 $ 00 ATM410 99 SAMSON # SAR11Q R11Q $2900 This cardioid dynamic workhorse is designed for smooth, The R11 is an affordable dynamic natural vocal reproduction and low noise. Equipped with a mic ideal for vocal performance, neodymium magnet for high output, and a multi-stage grille karaoke, public speaking and design for excellent protection against plosives, the ATM410 is DJ. It features a hypercardioid built to stand up to life on the road. Its cardioid polar pattern polar pattern for maximum reduces pickup of sounds from the sides and rear, maximizing feedback rejection and a neo- isolation from other sound sources and minimizing feedback. dymium magnet for the higher output required in today’s live performance applications. It is • Cardioid, dynamic performance mic equipped with a conveniently • Excellent off-axis rejection for minimum feedback placed on/off switch, And a triple- • Multi-stage grille offers excellent protection against plosives plated multi-stage windscreen • Rugged, all-metal design and construction for years of and noise fi lter that removes pops, trouble-free use sibilance and onstage noise. • 90Hz-16kHz frequency response • Dynamic with a hypercardioid polar pattern • Transformerless design with low impedance voice

AUDIO-TECHNICA #AUATM610 coil • Neodynmium magnet for ATM610 $13900 high output • Multi-axis shock mount to minimize handling noise Tuned for clear, detailed, extended-range reproduction of lead and • Neoprene transformer cover for backup vocals, the ATM610 dynamic vocal mic is equipped with a the reduction of microphonics rare earth neodymium magnet, a tight hypercardioid polar pattern • 50Hz-15kHz frequency response and multi-stage grille design. The microphone features an innovative R11 three-pack containing (3) R11Q’s dual-wall fl oating construction; the back-cavity assembly “fl oats” in- #SAR11 ...... $69.00 side the handle shell, providing outstanding isolation from handling noise. SAMSON #SAQ8 $ 00 • Hypercardioid, dynamic handheld stage mic Q8 129 • Tight polar pattern helps isolate performer and reduce feedback The Q8 is a handheld dynamic • Corrosion-resistant contacts from gold-plated XLR connector microphone designed for both • Includes Quiet-Flex stand clamp for fl exible microphone positioning live performance and record- • Clear sound, rock-solid durability and aesthetic design ing applications. Extremely sensitive, it employs a tight • 40Hz-16kHz frequency response super-cardioid pattern to re- duce feedback and is capable of handling audio with AUDIO-TECHNICA #AUATM710 $16900 high sound pressure levels. ATM710 The versatile Q8 is well suited With its remarkable clarity, the ATM710 condenser microphone is for a wide variety of vocal and designed for studio-quality performance on stage. It is equipped instrumental tasks on stage with an integral 80Hz hi-pass fi lter that provides easy switching and in the studio. from a fl at frequency response to a low-end roll-off position that • Supercardiod, dynamic mic reduces the microphone’s sensitivity to popping in close vocal geared for live performance use. The ATM710 is also equipped with a switchable 10 dB pad • Excellent on vocals, acous- that lowers the microphone’s sensitivity, providing higher SPL tic instruments, percussion capability. and amplifi ers • Rejects signals not originating from directly in • Cardioid, condenser stage mic front of the mic capsule • Excels in venues with controlled stage volume or in-ear • Includes: mic stand clip monitoring and carry case • Condenser design for studio-quality performance • 50Hz-16kHz frequency • Integral 80 Hz HPF switch and 10 dB pad response • 40Hz-20kHz frequency response 186 Instrument Performance Microphones 800-416-5090

ELECTRO-VOICE #ELND468 $ 00 AUDIX #AUD4 N/D468 199 $16900 D4 Designed primarily for use on instruments, the The Audix D4 is a Electro-Voice N/D468 is a supercardioid dynamic hypercardioid dynamic microphone capable of handling high SPL’s while microphone that utilizes delivering smooth and accurate audio. Its unique an entirely new capsule pivoting head and functional design ensures audio specially designed to engineers the best possible microphone placement capture high SPL instru- on percussion, horns, and both acoustic and ments with extended electric guitars. frequencies below • High-output Neodymium mic capsule 100Hz. Ideal for stage • Durable non-refl ecting black fi nish or studio use, the D4 • Supercardioid pattern effectively rejects captures a truer image background noise of the original sound • Superior high-level handling than previous generation • Zippered pouch and stand adapter (included) kick drum mics. It has a • 30Hz–22kHz frequency response fl at response down to 63 Hz, with a slight bump at 80Hz, and a gentle roll off BLUE below 40Hz. #BLBALL Ball $9900 • Compact design great for Striking in appearance and revolutionary close microphone placement in operating principal, the Ball is a high • Excellent gain before feedback quality, cardioid phantom-powered dy- • Zippered pouch and stand adapter (included) namic microphone featuring Blue’s Class- • 144dB SPL • 38Hz-19kHz frequency response A discrete low noise amplifi er circuitry. Its smooth frequency response and rich tonal consistency is a result of being SHURE #SHSM57LC designed with greater proximity effect and SM57-LC $9900 off axis rejection making the Ball an ideal choice for drum overheads, backing vocals The Shure SM57 is the and acoustic or electric guitars. industry standard instrument microphone. Its legendary • Integrated fully positional stand • Sturdy, high-impact plastic versatility and durability mount adapter • 146dB SPL earned it the worldwide • 48V phantom powered • 35Hz–16kHz frequency response reputation as a stage and studio workhorse. AKG #AKD112 • Frequency response D112 $21900 contoured for clean The AKG D112 is a rugged, dynamic cardioid instrument reproduction kick drum microphone that delivers the punch, • Unidirectional cardioid pickup defi nition, and low-end impact needed for even pattern isolates the most demanding drummers. It handles even the desired source from heaviest hitting drummers, handling up to 160dB SPL unwanted background noise with no audible distortion. The D 112 is also an • Excellent for snare drums, excellent choice for use with bass cabinets, guitar/bass amps, trombones, etc. brass and other high SPL sound sources • Large-diaphragm dynamic microphone for • Pneumatic shock-mount bass instruments • Ultra-low distortion system cuts down • Built-in windscreen and stand adapter handling noise • Solid and powerful response below 100 Hz • 40Hz–15kHz • Narrow band presence rise at 4 kHz frequency response • 168dB SPL • 20Hz–17kHz frequency response www.bhproaudio.com Instrument Performance Microphones 187

SHURE #SHBETA56A $ 00 Beta 56A 159 SHURE #SHBETA57A $13900 The Beta 56A is a supercardioid dynamic Beta 57A microphone specifi cally designed for close The Shure Beta57A is an miking snare drums, tom-toms, percussion all purpose supercardioid instruments, guitar amplifi ers, brass instruments dynamic microphone that and woodwinds. Its extremely uniform delivers great clarity and supercardioid pickup pattern provides high gain detail on vocals, acoustic before feedback and excellent rejection of unwanted instruments and both noise. A built-in dynamic locking stand adapter with an guitar and bass amplifi ers. integral XLR connector simplifi es installation. Its high output and • Dynamic instrument ideal for drums, amps, brass & woodwinds musically tailored frequency • Uniform supercardioid pattern • Advanced pneumatic shock response makes the mount system • Compact design reduces stage clutters Beta57A an invaluable • Neodymium magnet for high signal-to-noise ratio output tool in any engineer’s • Hardened steel mesh grille resists wear and abuse microphone toolbox. • Includes: 5/8”– 3/8” (Euro) thread adapter, carrying bag • Frequency response: 50-16kHz • Ideal for stage or studio • Neodymium high-output element BLUE #BL8BALL $19900 • Mic stand adapter and 8-Ball zippered pouch (included) With its unique and versatile spherical • Supercardioid pattern ensures design, the BLUE 8-Ball is a cardioid high gain before feedback condenser microphone that features • 50Hz–16kHz frequency Blue’s highly regarded Class-A circuitry, response which is both open and warm. On stage or in the studio, the high- volume capable 8-Ball delivers the full, rich timbre of vocals, percussions, and SENNHEISER #SEMD4212 acoustic instruments. MD421-II $34999 • Adjustable swivel mount adapter The Sennheiser MD421 is a large-diaphragm dynamic for improved versatility microphone known for its warm, robust sound and • 48V phantom power durable build. An industry standard among musicians • Well-suited for vocals, percussion, • 150dB SPL and engineers worldwide, the MD421 is the mic guitar and overhead miking • 35Hz–20kHz frequency response of choice for use on toms, saxophones and other percussive instruments.

SHURE #SHBETA52A • Handles extremely high sound $ 00 Beta 52A 189 pressure levels • Cardioid pattern effectively With its high output Neodymium isolates desired source element, the Shure Beta 52A is an • Five-position bass extremely rugged, supercardioid kick roll-off switch drum microphone that delivers the • 30Hz–17kHz articulated bass response required by frequency today’s contemporary drummer. response

• Excellent gain before feedback • Advanced shock system minimizes noise • Built-in locking adapter and XLR connector for easy setup • 174dB SPL • 20Hz–10kHz frequency response 188 Instrument Performance Microphones 800-416-5090

SHURE #SH520DX $ 95 AUDIX #AUD2 520DX 109 $12900 D2 The 520DX “Green Bullet” micro- The D2 from Audix is a phone produces a unique sound that dynamic hypercardioid has become legendary amongst microphone that excels at harmonica players and its unique capturing the warmth of shape allows it to fi t comfortably in percussive instruments. Its the hands. It features a volume con- body is compact for easy trol knob at its base for easy adjust- positioning, and its capsule ments during a live performance and an was designed to with- attached cable with a standard 1/4-inch phone plug is stand loud sound pressure perfect for connecting to a high-impedance device. levels for close placement to drums, horns, and wood- • Dynamic, omnidirectional harmonica microphone winds. Ideal for use in live • High impedance 1/4” output for connection to instrument amplifi ers music and recording studios • 20 ft. two conductor shielded cable with standard 1/4-inch phone plug both large and small, the D2 • Instantly recognizable green and chrome fi nished die casting will deliver a big punchy sound. • 100Hz-5kHz frequency response

• 48Hz to 18kHz frequency SENNHEISER #SEE609 response $ 99 • Noise rejecting true e609 Silver 109 hypercardioid polar pattern Able to withstand high SPLs without distorting, the e609 • Lightweight and durable solid aluminum construction Silver’s fl at-profi le capsule facilitates extremely close miking • Ideal for toms, kickdrums, hand drums, brass and of guitar cabinets and is also exceptional for drum miking and woodwinds tight placements like toms. Its supercardioid design improves • 144dB maximum sound pressure level isolation in live sound reinforcement and recording applica- tions while its increased output and wider frequency response improve performance. Its sound inlet basket, made of refi ned AUDIX #AUI5 steel, is distinguished by a unique silver address side. i5 $9900 The i-5 is designed with a car- • Supercardioid, dynamic instrument mic dioid polar pattern, allowing • Hum compensating coil reduces electrical interference it to focus on the particular • Metal construction for years of hard use instrument that is being miked • Includes protective pouch and mic clip without picking up other • 40Hz-18kHz frequency response instruments or ambient noise on stage. With a smooth and uniform frequency response SENNHEISER #SEE602 and the ability to handle e602II $17999 sound pressure levels in The e602II is a dynamic microphone especially suitable excess of 140dB, this versatile for use with kick drums, bass guitar cabinets, tubas mic can be used for a wide and other low frequency instruments. Its lightweight variety of applications. high-performance voice coil construction delivers fast transient response and the low frequency exten- • Cardioid, dynamic instru- sion and mid band attenuation produce an ultra- ment mic smooth pre-shaped signal. The microphone is ideal for • Excellent utility mic for both direct use on the most problematic bass signal sources. stage and studio • Precision cast zinc alloy • Cardioid, dynamic bass instrument mic body and grill for durability • Lightweight aluminum body for stable boom arm positioning • Handles high SPL without • High performance voice coil performance distortion • Excellent isolation from other on stage or studio signals • 50Hz-16kHz frequency • Included protective pouch and integral stand mount response • 20Hz-16kHz frequency response www.bhproaudio.com Instrument Performance Microphones 189

AUDIO TECHNICA #AUATM250 $ 00 ATM250 179 CAD #CATSM411 $5999 Excellent with high SPLs, the new ATM250 hypercardioid TSM411 dynamic is tailored for kick drum, percussion, brass and other The TSM411 is a percussion/general highly dynamic instruments. Its rich, warm low-frequency purpose microphone that incorpo- response gives the microphone excellent presence. rates an all new “duo-point” The microphone is equipped with a rare earth neodymium suspension. This technology magnet and a tight hypercardioid polar pattern. It includes a provides remarkable shock professional isolation clamp to provide secure mounting, isolation and ballistic stability, which is very versatile positioning and effective dampening of unwanted important for success- mechanical noise. ful reproduction of sound sources • Hypercardioid, dynamic instrument microphone originating from • Big, warm low-frequency response with excellent presence percussion instru- • Polar pattern reduces pickup of sounds from the sides and rear ments such as tom toms, • Handles very high SPL at close range snares, cymbals, congas and • 40Hz-15kHz frequency response guitar and keyboard amps. A rubber clad soft swivel is also included for mounting the TSM411. AUDIO TECHNICA #AUATM250DE $ 00 ATM250DE 299 • Supercardioid, dynamic general purpose instru- The ATM250DE dual-element instrument microphone ment mic • Compact design is perfect for diffi cult features cardioid condenser and hypercardioid dynamic cap- mic placements • Tight pickup pattern rejects sules combined in a single housing. The innovative use of unwanted neighboring sounds • Neodymium ele- two polar patterns is ideal for kick drum: the hypercardioid ment offers increased clean output at high SPL dynamic element focuses tightly on the aggressive attack of • 50Hz-15Khz frequency response the beater, while the condenser captures the round tonali- ties of the shell. The elements are positioned in a perfect phase relationship, something practically impossible to CAD #CAE60 achieve with two separate microphones. e60 $19900 • Dual cardioid/hypercardioid dynamic elements The e60 is designed • Perfect for kick drum, guitar amps and instrument use specifi cally for use • Includes single 5-pin to two 3-pin XLR dual shielded cable as an instrument • 40Hz-20kHz condenser and 40-15kHz dynamic frequency microphone and response is great for virtually all acoustic, wind, and amplifi ed instru- AUDIO TECHNICA #AUATM650 ments. One of this mics ATM650 $9900 most popular uses is as an overhead for drums, yet The ATM650 is a versatile addition to the Artist Series and it also excels at miking features a new multi-stage fl at grille design for precise positioning stringed instruments close to the sound source. Equipped with a neodymium magnet such as acoustic guitars. for high-output performance, it has a frequency response tailored It also features a four for clear sound reproduction of guitar cabinets, snare and percus- position roll-off switch for extended “tuning” of the sion. Its innovative dual-wall fl oating construction greatly reduces frequency response and a -10dB pad to adjust the handling noise. output level of the microphone by 10dB accordingly.

• Hypercardioid, dynamic instrument microphone • Cardioid, condenser instrument microphone • Neodymium magnet for improved output and transient response • 16mm, 24k gold sputtered condenser capsule • Excellent isolation of desired sound source • 4 position hi-pass fi lter - fl at, 40Hz, 80Hz, and • Rugged, all-metal design and construction for years of trouble- 120Hz • Durable black “leather feel” urethane free use housing with black grille screen • Includes Quiet-Flex stand clamp and protective pouch • 30Hz-20kHz frequency response • 80Hz-17kHz frequency response 190 Clip-On Microphones 800-416-5090

AUDIO-TECHNICA #AUPRO35AX $ 50 SHURE #SHBETA98HC PRO 35ax 154 $20900 Beta-98H/C The PRO 35ax is a professional cardioid condenser clip-on The Beta98H/C instrument microphone designed for use with high SPL is a high quality applications. It’s ideal for live stage performances of cardioid sax, toms, brass and percussion and delivers an extended condenser frequency response for capturing the subtle nuances of a instrument performance. The UniMount clip provides accurate microphone positioning, shock resistance and protects the element. designed to accurately • Ideal for brass, toms, sax and percussion reproduce the full • Cardioid pattern rejects off-axis noise while isolating frequency range of brass, woodwinds, strings and source material percussion. Its integrated gooseneck, ratcheting swivel joint, and isolation shock-mount allows it • Gold-plated XLRM-type connectors to be easily positioned while reducing unwanted • Integral 80Hz high-pass fi lter reduces mechanical and instrument noise. The Beta98H/C handles even ambient noise • 145dB SPL the highest sound pressure levels with smooth, • 50Hz–15kHz frequency response uncolored results.

AUDIX #AUADX20I • Tailored frequency response for open, $ 00 natural sound ADX 20i 149 • Design allows optimal microphone positioning The ADX 20i is a multi-purpose cardioid • Cardioid pattern provides excellent condenser microphone designed to handle gain-before-feedback and noise rejection a variety of clip-on applications. Especially • Compact and lightweight for low visibility effective on brass, the ADX 20i benefi ts from • 143.5dB SPL • 20Hz–20kHz frequency response a wide frequency response and low noise electronic circuitry, delivering a tone that is smooth and warm, not typical of microphones SHURE #SHBETA98DS $ 00 this size. Its high tension spring clamp Beta-98D/S 229 and multi-position gooseneck optimize the The Beta98D/S placement of the mic element. is a premium supercardioid • Ideal multi-application cardioid condenser instrument microphone condenser • Durable machined brass housing • Element capsule is designed for easy replacement instrument • Foam windscreen included • 130dB SPL • 40Hz–20kHz frequency response microphone designed to stand up to the highest AUDIX #AUMICROD sound pressure levels produced by toms, snares, Micro-D $18900 hats and congas. It’s ideal for both live and studio The Micro-D is a very easy-to-use low profi le applications and excels in providing an ultra-uniform response with superior gain-before-feedback and miniature condenser microphone. Its modular noise rejection. The fl exible gooseneck allows for design is capable of using three different clips and any number of mounting confi gurations, supplying two different capsules providing a smooth uniform basically limitless sound options. response for a variety of applications including drums, percussion, instrument cabinets, vocals • Natural sound with ultra-wide dynamic range and acoustic instruments. The stock Micro-D has • Interchangeable microphone cartridges with a hypercardioid pattern and can handle sound different polar patterns pressure levels up to 140dB. • Excels in studio recording applications • Supercardioid pattern provides superior rejection • Very compact and versatile miniature condenser microphone of off-axis sound • Modular system can use 3 different clips or 2 different capsules • 160dB SPL • 20Hz–20kHz frequency response • Housed in an aluminum ring with a rubber shock mount system • Includes phantom power adapter, D-vice gooseneck clip and stand thread adapter • 140dB SPL • 40Hz–20kHz frequency response www.bhproaudio.com Clip-On Microphones 191

AUDIX #AUF90 $ 00 F-90 99 SENNHEISER #SEE608 $16999 The F-90 is a compact gooseneck condenser E 608 microphone designed for use with drums, percussion, The E 608 is a high and instruments in live sound and live broadcast performance supercardioid applications. Its durable, built-in steel clamping clip-on instrument system making it simple to attach to the rims of microphone designed to drums, percussion instruments, and a variety of other provide clean, high-output audio instruments such as sax, trumpet, and trombone. from woodwinds, brass and drums. It features metal construction and • Miniature instrument condenser microphone a reinforced glass-fi ber casing with • Cardioid pick-up pattern extensive damping and shock mounting, • Flexible gooseneck fi ts into very tight places protecting the mic element from • Frequency Response: 50Hz–18kHz • 135 dB SPL physical damage and excessive noise • Includes: phantom power adapter, integral clamp, and vibration. The neodymium magnetic cable, windscreen, and carrying pouch structure delivers high output and low noise • Machined aluminum housing audio regardless of climate conditions.

• Supercardioid instrument microphone with hum-compensating coil AMT #AMS15G $ 40 • Rugged, reliable build includes S15G 562 metal and high strength glass-fi ber The S15G is a condenser microphone system specifi cally construction designed for acoustic guitar. The pick-up pattern on • Natural tone ideal for high output woodwind, the microphone is designed to achieve higher gain brass and percussion recordings before feedback, while the element captures the best • Clamp and gooseneck mounting simplifi es capsule sound quality possible. The mic can be positioned to placement • 40Hz–16kHz frequency response accommodate the player, and it includes a belt-pack that powers the microphone. The S15G is an essential tool for

musicians that require a natural sound on stage. SENNHEISER #SEE604 E 604 $12999 • Powers with 9V battery or phantom power • Includes a hard shell protective case The rugged E 604 dynamic • Can be integrated into a wireless system instrument microphone • 50Hz–18kHz frequency response is designed to faithfully • 140dB SPL reproduce the full frequency • Microphone weighs only 44 grams ranges of drums, brass and percussion with little distortion or noise. Its AKG #AKC418 cardioid pattern and C 418 $29900 neodymium element reduces off-axis noise while capably The C 418 is a miniature condenser microphone designed specifi cally for drums and handling even the loudest percussion. It utilizes a hypercardioid polar pattern to effectively isolate source SPL’s. Easily mount the material while rejecting leakage from nearby instruments. Attached to E 604 to a mic stand or a rugged, adjustable clamp and angle joint, the C 418’s shock-mounted drum rim with the integral capsule provides high mechanical-noise rejection while withstanding the stand mount or clip. punishment of even the hardest stick blows. • Dynamic cardioid instrument microphone • High gain-before-feedback percussion microphone • Durable construction makes it ideal for • Special shock mount effectively isolates live sound applications mic element from mechanical noise • Integral stand mount and clip • 500Hz roll-off reduces low-frequency • Designed to easily mount on drum rims or overemphasis microphone stands • Mounting hardware provides ideal • Greater than 150dB SPL “sweet spot” placement • 131dB SPL • 40Hz–18kHz frequency response • 50Hz–20kHz frequency range 192 Podium / Gooseneck Microphones 800-416-5090

AUDIO-TECHNICA #AUPRO47TL $ 95 AUDIO-TECHNICA #AUAT808G Pro Series PRO47TL 129 $12295 AT808G The PRO47 is a cardioid condenser 15.8” gooseneck microphone designed With its frequency response custom for use in boardrooms, schools, houses of worship and more. It easily tailored for voice, the AT808G is mounts to any 5/8”-27 stand or the included threaded mounting stud and a subcardioid dynamic microphone features a low-mass diaphragm for superior performance. Self-contained electronics eliminates the need for external power. well suited for use in environments where excessive room noise compromises speech • Flat, smooth frequency response intelligibility. Great for industrial applications, • Quiet, fi xed-placement gooseneck restaurants, studio talkback and lectern • Permanently attached cable presentations, the AT808G’s rugged design • 70Hz–16kHz frequency response provides reliable performance for even the PRO47T 12.4” version #AUPRO47T ...... $129.95 most demanding applications. PRO49Q 13” quick-mount cable-less version #AUPRO49Q ...... $107.95 PRO49QL 16.5” quick-mount cable-less version #AUPRO49QL ..$107.95 • Dynamic 16” subcardioid gooseneck AT8416 shock mount for “adapter and quick-mount” goosenecks microphone #AUAT8416 ...... $49.95 • High quality talk-back microphone • Plugs directly into XLR mounting COUNTRYMAN #COI4H18BB surfaces $31695 • Internal windscreen reduces breath and Isomax 4 wind noise The Isomax 4 is an ultra-low noise, hypercardioid gooseneck microphone • Subcardioid pickup pattern reduces designed for houses of worship, board rooms and institutional applications. speech plosives It features an 18” adjustable gooseneck, Active Vibration Isolation, a • 200Hz–5kHz frequency response microphone base with a standard XLR male connection, and a linear frequency response that accurately reproduces vocals while minimizing AUDIO-TECHNICA #AUU857QU low frequency noise and rumble. U857QU $21995 The U857QU is a 19” quick-mount gooseneck • 18” hypercardioid condenser gooseneck microphone condenser microphone featuring AT’s • Active Vibration Isolation eliminates mechanical/surface noise “UniLine” line-cardioid element (with a tightly focused 90° acceptance • Excellent off-axis rejection angle). Equipped with “UniGuard” • 70Hz–18kHz frequency response innovations that offer unsurpassed immunity from radio frequency

interference, the U857QU CROWN #CRLM300A accepts interchangeable LM-300A $30395 elements available in cardioid, hypercardioid and The LM-300A is a 17” supercardioid condenser gooseneck omni polar patterns. microphone designed to provide a smooth, wide-frequency response for natural reproduction of singing or speaking • Quick-mount condenser voices. Its silent adjusting gooseneck effectively reduces microphone with mechanical noise and low-end room rumble, while the “shotgun-style” element supercardioid pattern rejects more background • Superior off-axis rejection noise, room reverberation and feedback. • Ultra-fl exible, robust design resists inadvertent repositioning • Designed for high-quality speech • 80Hz low-cut fi lter reduces reproduction low-end rumble • Two-stage pop-fi lter reduces • 30Hz–20kHz frequency response breath noise • Built-in low-cut fi lter reduces U857QL 19” cardioid version handling noise #AUU857QL ...... $199.95 • 12-48V phantom power • 80Hz–15kHz frequency response www.bhproaudio.com Podium / Gooseneck Microphones 193

ELECTRO-VOICE #ELPCS5 $ 00 PolarChoice Satellite 429 ELECTRO-VOICE #ELRE90P12 $18600 The PC-Sat-5 is an extremely versatile free-standing RE90P12 5” gooseneck microphone. Its elegant, low-profi le base is capable The RE90P12 is a slim-profi le podium of housing a Telex of Electro-Voice bodypack wireless transmitter. microphone acoustically designed This, along with multi-pattern versatility, makes the easy-to-use Satellite ideal for fl exible microphone placement and maintaining a for high-quality sound reinforcement clean appearance in virtually any installation. and public address applications. This 12” gooseneck picks up and • Consistently smooth voicing across all four patterns reproduces sound naturally from a • Free-standing weighted base for reliable stability direct or distant source and can be • Programmable mute switch easily positioned without excessive • Bodypack transmitter creates a high-quality wireless microphone twisting and turning. • 50Hz–20kHz frequency response • Small, streamlined appearance PCS12 12” version #ELPCS12 ...... $429.00 • Uniform cardioid pattern PCS18 18” version #ELPCS18 ...... $429.00 • Mounts quickly to any lectern, pulpit or podium • Steel construction reduces noise SENNHEISER from RFI Gooseneck Combo Kits • 70Hz–15kHz frequency response Sennheiser offers three microphone capsules and gooseneck options for a variety of applications. The ME34 cardioid, ME35 supercardioid and unique ME36 RE90P18 18” version directional mini-shotgun elements perform smooth across all frequencies with the #ELRE90P18 ...... $186.00 latter two providing superior isolation and detail. All contact points are gold plated CPSM permanent install shock and corrosion resistant, insuring long-term reliability. mount kit #ELCPSM ...... $22.50 • Cardioid, Supercardioid and mini-Shotgun elements • 6”, 16” and a special 16” gooseneck with additional top bend • Cardioid version fl exible for most miking applications • Supercardioid rejects feedback SHURE and delivers high isolation • Mini-shotgun provides Microfl ex MX412DC detailed direction, high SPL and lower self-noise The MX412 is a 12” gooseneck microphone that is not only fully I15C 6” cardioid version 40Hz–20kHz frequency response #SEI15C ...... $229.95 adjustable, but allows for the I40C 16” cardioid version 40Hz–20kHz frequency response #SEI40C ...... $243.50 interchangeable Microfl ex condenser I15L 6” mini-shotgun version 40Hz–20kHz frequency response #SEI15L ...... $299.95 microphone element. Available I42S 16” top-bend gooseneck supercardioid 50Hz–20kHz freq. response #SEI42S . $259.50 in cardioid, supercardioid and omnidirectional polar patterns, the SHURE interchangeable cartridges deliver a wide frequency response and accurate sound Easyfl ex EZG & EZG-SE series reproduction for a variety Shure “Easyfl ex” EZG and EZG-SE Series microphones are miniature of applications. gooseneck-mounted electret condenser microphones designed • Perfect for houses of worship, boardrooms, primarily for speech and vocal pickup. Ideal for boardrooms, conference courtrooms and conference centers • Balanced low-noise transformerless output centers, classrooms and houses of worship, these inexpensive cardioid • Shock mount provides 20dB of isolation microphones and are available in four different models. from vibration • Programmable on/off switch with LED • Cardioid polar pattern indicator • 50Hz–17kHz • Included integrated preamp and foam wind screen frequency response • 50Hz–17kHz frequency response MX412DC 12” desktop cardioid version #SHMX412DC ...... $243.95 MX412DS 12” desktop supercardioid version EZG/12 12” gooseneck, locking fl ange mount #SHEZG12 ...... $118.95 #SHMX412DS ...... $249.95 EZG/12SE 12” gooseneck, side exit #SHEZG12SE ...... $129.95 MX418C 18” cardioid version #SHMX418C ...... $186.50 EZG/18 18” gooseneck, locking fl ange mount #SHEZG18 ...... $118.95 MX418S 18” supercardioid version #SHMX418S .. $192.50 EZG/18SE 18” gooseneck, side exit #SHEZG18SE ...... $129.95 194 Boundary / PZM Microphones 800-416-5090

AKG #AKC542BL $ 00 AUDIO-TECHNICA #AUAT849 C 542 BL 279 $34895 AT849 The extremely small C 542 BL is a high- The AT849 is a stereo cardioid quality omni-directional boundary condenser boundary microphone that combines high sensitivity microphone featuring and low self noise with superior sound and two closely-matched rugged design build. Sonically versatile, elements confi gured the C 542 BL delivers a smooth, uniform in an X/Y stereo response that’s ideal for recording room polar pattern. environments with instruments. Designed for professional • Extremely thin, inconspicuous surface-mount omni-directional boundary mic applications, it provides the • Very sensitive condenser element with spatial impact and high headroom • Lightweight, realism of a live sound fi eld easy-to-place permanently or temporarily for broadcast, recording and sound • 9-52V phantom power • 20Hz–20kHz frequency response reinforcement.

AUDIO-TECHNICA #AUPRO44 • X/Y stereo cardioid condenser $ 50 • Minimally visible, low-profi le design Pro 44 104 • Rugged, die-cast case and non-slip rubber bottom The PRO 44 is a half-cardioid unidirectional reduces low-end noise boundary microphone equipped with a wide-range • Switchable low-frequency roll-off condenser element for superior performance. • Each channel requires 9-52V phantom power This versatile low-profi le microphone’s • 30Hz–20kHz frequency response self-contained electronics eliminate the need for external power modules, and is ideal for conference tables, podiums, lecterns, and many other installed-sound uses. CROWN #CRPCC160 $ 95 PCC-160 292 • Low-profi le for minimal visibility The Crown PCC-160 • Self-contained electronics eliminates the need for is the industry external electronics standard boundary • Rugged design and build • 70Hz–16kHz frequency response microphone PRO42 least visible miniature condenser version (70Hz–14kHz) featuring a #AUPRO42 ...... $96.95 half-supercardioid electret condenser element whose AUDIO-TECHNICA #AUU851A Phase Coherent $21995 Cardioid design and U851A surface mounting Designed for surface-mount applications that require high-quality sound reinforcement, provides superior the half-cardioid U851A microphone is ideal for professional recording, television, gain before feedback and sensitivity for a wide, smooth conferencing and other critical sound pickup situations. It performs in the most frequency response. The inconspicuous, but rugged challenging environments and relies on its heavy die-cast case with PCC-160 covers a relatively large boundary surface silicon foam bottom pads to minimize surface vibration and protect while reducing the unwanted noise associated with its high-quality interchangeable condenser element. both lectern and stage mounted presentations. • Low-profi le design available in cardioid, hyper and omni • Small mic capsule ensures phase coherency and clarity polar patterns • PivotPoint rotating output connector • Rugged, heavy-gauge all steel body withstands rigors allows rear or bottom exiting • UniSteep low-cut fi lter and of stage use • Three position “bass-tilt” switch offers UniGuard RFI shielding standard • Battery of phantom fl at/boost/cut low-frequency tailoring • 12-48V powered • 30Hz–20kHz frequency response phantom power • 50Hz–18kHz frequency response U851R phantom powered only version PCC-130 smaller, elegantly designed half-cardioid #AUU851R ...... $192.50 version (50Hz–20kHz) #CRPCC130 ...... $246.50 U851RW phantom powered only (white) #AUU851RW...... $192.50 www.bhproaudio.com Boundary / PZM Microphones 195

SAMSON #SACM11B $ 00 CM11B 99 CROWN #CRPZM185 $18250 The CM11B is a low profi le, surface-mount PZM-185 boundary microphone ideal for conference room tables, alters, or hanging on walls. It features an omni-directional condenser element with a wide frequency response and internal electronics requiring no external power supply. Its metal, mesh grill top and rubber bottom protect and isolate the CM11B from damage and low-end vibration.

• Omni-directional condenser • Low-profi le with onboard electronics and no external power supply • Mini XLR connector • Standard 9-52V phantom power • 30Hz–18kHz frequency response The PZM-185 (Pressure Zone Microphone) is a hemispherical (half-omni) electret condenser microphone CM10B half-cardioid version (30Hz–18kHz) #SACM10B ...... $99.00 ideal for interviews, broadcast, video production and CM11BW omni-directional version (white) #SACM11BW ...... $99.00 lectures. Its low-profi le design reduces “mic fright” and clutter, and allows it to be unobtrusively placed on large surfaces such as tables, walls, lecterns or the fl oor.

SHURE #SHEZBC EASYFLEX EZB/C $11295 • Ideal for table-top and on-fl oor placement • Internal “AA” battery of phantom powered The Shure EZB microphones are small, surface mounted • Removable boundary “paddle” electret condenser microphones designed for conference • High-impact plastic housing and steel power module tables, stage fl oors, and lecterns. Their wide frequency range makes them especially suitable for speech and SG2 inexpensive half-omni condenser mic with 1/8” vocals in sound reinforcement and recording applications. phone plug #CRSG2...... $67.50 They feature a fl at, uncolored sound, sleek, low-profi le design, and in-line preamp, allowing a reduction in

overall chassis size. SANKEN #SACUB01GY CUB-01 $44900 • Cardioid condenser boundary microphone (shown in grey) • Flat response with uncolored sound • In-line preamp reduces visible size of the microphone • 50Hz–17kHz frequency response

EZBO omni-directional version #SHEZBO ...... $99.95 The CUB-01 is a professional boundary

SHURE #SHMX391BPC microphone that utilizes its Microfl ex MX391BPC $17995 unique square-shaped cardioid capsule to signifi cantly enlarge the A versatile boundary microphone, effective area of the diaphragm, resulting in a sound that the MX391BPC is a low profi le, is rich and natural. “Full bodied” narration and dialogue surface mounted, cardioid are now reproduced without the unnecessary background electret condenser that’s ideal for noise. This revolutionary design eliminates the need to speaking in corporate, institutional overdesign the acoustic construction to create cardioid and broadcast environments. directivity in TV, fi lm and broadcast applications. Combining convenient powering and polar pattern options with a • Ideal for TV and fi lm fi eld shooting, broadcast wide, neutral response, the MX391 studios and conference tables • Uniquely-designed makes an ideal choice for installs. square cardioid condenser capsule • Special design overcomes limitations of similar boundary mics • Low-profi le design offers unobtrusive appearance • Incredibly small and , easy to conceal and attach • Interchangeable polar pattern options • MX1BP-9V battery/phantom power pre-amp included • Mute on/off switch • 50Hz–17kHz frequency response • 70Hz–20kHz frequency response

MX391BPO omni-directional version #SHMX391BPO ...... $167.50 CUB01BE beige version #SACUB01BE ...... $449.00 MX692C cardioid wireless version (requires UC4 wireless receiver) #SHMX692C .. $454.95 196 Hanging Microphones 800-416-5090

CROWN #CRCM31 AUDIO-TECHNICA CM31 $21750 U853 Series The CM31 is a high-quality The U853 Series are high-quality cardioid condenser hanging miniature supercardioid condenser microphones known for their clear, transparent sound and microphone with a smooth, extremely wide frequency response. Ideally suited for stage wide-range frequency response sound reinforcement, they allow every musical detail to be that’s both clear and open. Ideally heard with low distortion and superior RFI rejection. suited for hanging above choirs or The microphones accept interchangeable elements, live studio audiences, the versatile available in cardioid, hypercardioid, omnidirectional and CM31 reliably delivers quality results for the ultra-responsive UniLine line-cardioid polar patterns. recording or broadcast applications. • Cardioid condenser hanging microphone • Rich, vibrant sound with very low distortion • Supercardioid electret condenser • Interchangeable elements to permit angle of microphone with built-in electronics acceptance from 90° to 360° • 80Hz UniSteep fi lter • Ideal for choirs, orchestras, stage production provides steep low-frequency attenuation and more • Microphones include: windscreen, steel hanger, power • 30’ permanently attached cable with module and stand adapters • 30Hz–20kHz frequency response XLR connector U853R cardioid version with phantom power only • Focused pattern reduces feedback and #AUU853R ...... $184.95 low frequency roll-off switch reduces rumble U853RU UniLine line-cardioid version with phantom only • 12-48V phantom power #AUU853RU ...... $202.95 • 40Hz–20kHz frequency response U853RW cardioid version with phantom power only (white) #AUU853RW ...... $184.50 CM31W white version #CRCM31W ...... $223.50 U853A cardioid version battery or phantom powered CM30 version w/electronics mountable to standard electrical #AUU853A ...... $218.50 outlet box #CRCM30 ...... $209.95 U853AW cardioid version battery or phantom powered CM30W version w/electronics mountable to standard electrical outlet #AUU853AW ...... $218.50 box (white) #CRCM30W ...... $206.95

AUDIO-TECHNICA #AUPRO45 ELECTRO-VOICE #ELRE90H Pro 45 $8950 RE90H $19600 The inexpensive Pro 45 is a wide-range miniature The RE90H is a very compact back-electret condenser microphone that features a cardioid pickup condenser hanging microphone with an pattern and unobtrusive design. This versatile extended, fl at frequency response and well-controlled cardioid polar pattern. It’s specifi cally microphone is ideal for capturing the voices of people designed for live pickup of choirs, instrument, vocal on a church or theatre stage, and for the reproduction groups and theater. Exceptional high sensitivity of orchestral and choral music. The Pro 45’s low-profi le and pattern control makes the RE90 ideal for distant look and robust vinyl-coated steel hanger allow it to be sound pickup without feedback or distortion. positioned inconspicuously over a stage without distracting the audience. • Compact, cardioid condenser hanging microphone • Shielded pre-amp minimizes electrical noise and RFI • Wide-range condenser element with low-mass diaphragm • Highly sensitive, smooth frequency response, ideal for superior performance for distant miking • Self-contained electronics eliminate need for external • 25’ braided, shielded cable maintains mic power modules position (not rotation) • Permanently attached 25’ cable with XLR male connector • Non-refl ective casings • Includes the AT8146 foam windscreen and unobtrusive • XLR connector steel hanger • 9-52V phantom power • 134dB SPL (ideal for suspension over choirs) • 75Hz–15kHz frequency response • 70hz-16kHz frequency response

RE92H premium wide-response cardioid version w/hi-pass fi lter Pro 45W white version (40Hz–20kHz) #ELRE92H ...... $249.00 #AUPRO45W ...... $104.50 www.bhproaudio.com Hanging Microphones 197

AUDIX #AUADX40HC ADX-40HC $21900 SHURE The ADX-40HC is a miniature Microfl ex MX202 hypercardioid condenser designed The Shure MX202 is a miniature electret to hang from an overhead position for condenser microphone designed for overhead professional live sound, music, theater, and recording or choirs and performance groups. broadcast applications. It features a focused It’s attached to a free-hanging 4” adjustable pickup pattern that provides maximum rejection of gooseneck, features interchangeable unwanted noise and feedback. The interchangeable cartridges and in-line or plate-mounted capsules are sonically warm and rich, not typical of pre-amps for wide-range, accurate sound microphones of this size. They are machined from solid reproduction. brass and deliver a smooth, uniform response throughout their frequency range. Available in non-refl ective black or white. • 4” fl exible gooseneck attached to 30’ mic cable • Most commonly use for theatrical groups, • Interchangeable Cardioid, Supercardioid and vocal choirs and ambient room miking Omnidirectional cartridge choices • Miniature hypercardioid condenser • 11-52V phantom power hanging microphone • Easy installation and setup • Easily interchangeable capsules • 50HZ–17kHz frequency response • 5-52V phantom powered • MC40 wire hanger, WS20 external MX202BPC black cardioid version w/plate- windscreen and 30’ cable included mounted pre-amp #SHMX202BPC ... $167.50 • 40Hz–20kHz frequency response MX202BC black cardioid version w/in-line pre-amp #SHMX202BC ...... $167.50 ADX40 cardioid condenser version #AUADX40 ...... $209.00 MX202BS black supercardioid version ADX40W cardioid condenser version (white) #AUADX40W ...... $219.00 w/in-line pre-amp #SHMX202BS .....$173.50

SAMSON #SACM12C #SHEZOG SHURE $ 00 $ 95 CM12C 99 112 Easyfl ex EZO Overhead Microphones The CM12C is an economical miniature hanging condenser microphone designed The Shure Easyfl ex Overhead Microphone is a cost effective to be placed over a sound stage with little condenser microphone for choirs, or no detection. Utilizing the supplied conferences, performances and more. steel hanger, users can easily confi gure It features a wide frequency response its cardioid element to point towards the and cardioid polar pattern enabling sound source, thereby providing a smoother, accurate signal reproduction at both natural sound and maximum gain-before- close and distant proximities. A feedback. Its multi-stage windscreen fl exible wire mount is included for reduces wind noise and artifacts. easy positioning of the microphone.

• Miniature cardioid hanging mic with • Cardioid pattern with wide dynamic range sturdy, adjustable steel hanging bracket • High gain-before-feedback • Protected by metal housing with low • Includes: adjustable wire refl ectance, black matte fi nish mount, in-line pre-amp, • Included multistage windscreen and 30 ft. 30’ cable and windscreen cable with mini XLR connector • 50Hz–17kHz frequency response • 9-52V phantom power • 50Hz–18kHz frequency response EZO white color version #SHEZOW ...... $112.95 198 Headset Microphones 800-416-5090

ELECTRO-VOICE #ELRE97TXBE AUDIO-TECHNICA RE97Tx $29900 AT892 MicroSet The AT892 is a high-quality omnidirectional microphone with an ergonomic under-ear design that’s both fl exible, lightweight and features a contoured loop that hooks comfortably behind the ear with or without glasses. Even with its inconspicuous design, vocal reproduction is natural and extremely intelligible, ideal for stage, The RE97TX is an ultra-low profi le, omnidirectional condenser headworn television, lectures and houses of worship. microphone designed for use with standard EV and Telex belt packs. It’s intended for house of worship, theater, corporate AV, and other applica- • Omnidirectional condenser headset with secure, tions requiring a clean and balanced sound regardless of the microphone comfortable under-ear design • Wide frequency response position to the source. The RE97Tx design is extremely fl exible and easily with maximum clarity and natural vocal reproduction forms over the ear of the user with the boom shaped to match almost any • Windscreens, clothing clip, moisture guard and carrying case provided contour. • 20Hz–20kHz frequency response • Lightweight, durable and extremely fl exible for precise positioning AT892CWTH beige locking 4-pin version for AT UniPak body pack • Omnidirectional pattern provides accurate, uniform response wireless #AUAT892CWTH ...... $299.00 • Moisture resistant, interchangeable for left or right ear AT892CT4TH beige w/TA4F connector for Shure wireless systems • 50Hz–15kHz frequency response #AUAT892CT4TH ...... $299.00 AT892CT5 black w/TA5F connector for ATW-U101 and Lectrosonics RE97TXB black version of above #ELRE97TXB...... $299.00 systems #AUAT892CT5 ...... $299.00 RE97SBE beige version wired for Shure TA4 body packs AT892CTH beige unterminated version #AUAT892CTH ...... $289.00 #ELRE97SBE ...... $299.00 AT892CLM3T beige locking 3.5mm for Sennheiser wireless systems RE97SB black version wired for Shure TA4 body packs #AUAT892CLM3T ...... $299.00 #ELRE97SB ...... $299.00

DPA #DPMMB4088F COUNTRYMAN 4088 $52350 Isomax EarSet E6 The 4088 is recognized as one The EarSet Isomax E6 is by far the the fi nest miniature cardioid smallest, lightest and least visible condenser headband microphones headworn microphone available. It available. Reliable in even clips directly to your ear, is resistant the most demanding acoustic to moisture and make-up, needs no environments, open, natural adjustment for the width of your vocals are heard right away head, and attaches quickly for easy – not the microphone itself, this serviceability. Available in multiple highly-sensitive, focused design pattern confi gurations, the virtually characteristic allows the 4088 invisible E6 is the perfect solution to reduce background noise and for stage, house of worship and feedback to an afterthought. presentation.

• Combines outstanding sound quality, versatility and visual elegance • Multiple available patterns effective in tough feedback environments • High volume, low distortion ideal for theater and • Moisture-resistant element with excellent tone quality television performance • Convenient, minimally obtrusive design • Reliable against feedback, acoustic • Available for use with most wireless transmitters abnormalities and moisture • XLR connector • 50Hz–20kHz frequency response • MicroDot connector allows use with virtually any professional wireless system E6IHWT tan hardwired omnidirectional version • 100Hz–20kHz frequency response #COE6IHWT ...... $359.95 E6IUHWT tan hardwired unidirectional version 4088B black version of above #COE6IUHWT ...... $454.95 #DPMMB4088B ...... $523.50 www.bhproaudio.com Headset Microphones 199

SHURE #SHWH20XLR $ 95 WH20XLR 74 AUDIO-TECHNICA #AUPRO8HEX $7995 Ideal for active microphone users, especially Pro 8Hex aerobic and dance instructors, the Shure WH20 The AT Pro 8Hex is an ideal hyper- is a lightweight, yet durable cardioid headset cardioid headset microphone for microphone that easily accommodates any musicians who need accurate head shape or size. It is capable of handling hands-free vocal performance. high vocal levels without clipping and delivers Its stable, cushioned a smooth, natural response similar to dynamic support provides handheld mics. a comfortable fi t, while the • Lightweight and durable without bulky appearance pivot-mounted fl exible mic • Collapsible mic boom for easy storage boom descends from either the left or right side. Its effi cient • Reliable through temperature and humidity extremes neodymium element provides a • XLR connector • 50Hz–15kHz frequency response hotter signal without distortion, further isolating the mic from unwanted noise. WH20QTR with right-angle 1/4” connection for any unbalanced mic input #SHWH20QTR .. $79.50 WH20TQG with miniature four-pin female 4-pin mini connection #SHWH20TQG ...... $79.50 • Ideal for guitarists, drummers, keyboardists and others who need hands-free performance • Comfortable, stable, with less noticeable appearance SHURE #SHWBH53B • Hi-Energy neodymium element with hypercardioid WBH53 $29900 pattern • Permanently attached cable between mic and XLR(M) connector The WBH53 is a wireless omnidirectional condenser • 200Hz–18kHz frequency response microphone designed for inconspicuous headworn use. It can be exactly positioned on either the left or right PRO8HEcW 55” cable terminated with locking corner of the mouth and combines a fl exible wire frame 4-pin connector for AT UniPak systems with lightweight modular headband and soft earpieces for #AUPRO8HECW ...... $92.95 superior comfort. The Beta 53 mic itself has the sound quality, extended response and performance consistency

required for professional productions. AUDIO-TECHNICA #AUATM75 ATM75 $14295 • Headworn omnidirectional condenser microphone • Provides excellent sound with minimal visibility • Comfortable, latex-free Dynafl ex earforms • Available with TA4F or no connector for full wireless compatibility • 20Hz–20kHz frequency response

CROWN #CRCM311A $ 95 CM311A 303 The ATM75 is a professional cardioid condenser Extremely popular among many of headset microphone designed to provide hands-free today’s top live Pop, R&B and Country operation. Its low-visibility headband features a performers, the CM-311A is the pivot-mounted fl exible mic boom and low-noise industry standard headworn electret element that’s capable of descending from either condenser microphone. It combines side and is battery or phantom powered from its Crown’s Differential Cardioid belt-mounted power module. technology with a fully-adjustable, behind-the-ear design, resulting in a • Professional-quality front-of-mouth vocal pickup truly comfortable headworn mic that • Cardioid element effectively isolates the source effectively isolates the vocal source from unwanted background noise. reducing unwanted noise • Integrated 80Hz high-pass UniSteep fi lter • Industry standard headworn microphone • XLR connector • 100Hz–13kHz frequency response • Crisp, clear vocal response with little unwanted noise • Electronically controlled bass roll-off • XLR connector • 50Hz–17kHz frequency response ATM73A side-of-mouth pickup (40Hz–15kHz) #AUATM73A...... $181.95 CM311AE unterminated for wireless transmitter of your choice #CRCM311AE ...$219.95