Pka S&D 1935 Apr
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Read Ebook {PDF EPUB} Loving Attitudes by Rachel Billington Loving Attitudes by Rachel Billington
Read Ebook {PDF EPUB} Loving Attitudes by Rachel Billington Loving Attitudes by Rachel Billington. ‘One Summer is a real emotional roller-coaster of a read, and Billington expertly sustains the suspense.’ Daily Mail. Available to order. One Summer is unashamedly a tragic love story. Great passion is a theme I return to every decade or so. (For example, my earlier book, based on Tolstoy’s Anna Karenina, Occasion of Sin.) Of course it is a theme recurring in all fiction over the centuries. In this case the man, K, is twenty four years older than his love object who is still a school girl – and a naïve school girl at that. I have, however, not just written about the love affair but about its consequences fourteen years on so that the story is told in two different time-scales. It is also told in two voices – the male and the female. Part of the book is set in Valparaiso, Chile, where I stayed with my daughter, Rose Gaete, and my Chilean son-in-law just as I started writing the novel. Chance experience always plays a big part in what goes into my novels, although my characters are virtually never drawn directly from life. ‘Writing with grace and unflinching intensity, Billington acknowledges the complexity of cause and effect in a novel that is as much about the sufferings of expiation as the joys of passion.’ Sunday Times. ‘One Summer is a real emotional roller-coaster of a read, and Billington expertly sustains the suspense.’ Daily Mail. ‘Reading One Summer is an intense, even a claustrophobic experience: there is no escape, no let up, no Shakespearian comic gravedigger to lighten the tension. -
A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope To
Fielding, Steven. "The Televised Crisis." A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to . : Bloomsbury Academic, 2014. 157–186. Bloomsbury Collections. Web. 25 Sep. 2021. <http://dx.doi.org/10.5040/9781472545015.ch-006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 00:50 UTC. Copyright © Steven Fielding 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 The Televised Crisis The Clangers was a children’s animated television series featuring what their creator Oliver Postgate described as ‘a small tribe or extended family of civil mouse-like persons living their peaceful lives on, in and around a small, undis- tinguished moon’. They were ‘plump and shocking pink, with noses that were long, perhaps for sucking up … soup’.1 Originally broadcast on BBC One during 1969–72, the series was repeated many times thereafter. On the night of 10 October 1974 the BBC showed a special episode, ‘Vote for Froglet’, one designed for grown-ups, in which the narrator informs the Clangers that ‘the proudest moment of the British people [is] a parliamentary election’. The purpose of the episode was, however, not to celebrate the state of democracy on the day the country went to the polls. Postgate had something he wanted to get off his chest. The grandson of George Lansbury, who led the Labour party during 1932–5, Postgate was from a left-wing bohemian family. Yet, as the post-war period developed, he came to believe that ‘the prospect of a just and loving social order based on the principles of true socialism’, for which his grandfather and parents had worked, would not materialize. -
Crime, Class, and Labour in David Simon's Baltimore
"From here to the rest of the world": Crime, class, and labour in David Simon's Baltimore. Sheamus Sweeney B.A. (Hons), M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. August 2013 School of Communications Supervisors: Prof. Helena Sheehan and Dr. Pat Brereton I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________________________________ (Candidate) ID No.: _55139426____ Date: _______________ TABLE OF CONTENTS Introduction 1 Literature review and methodology 17 Chapter One: Stand around and watch: David Simon and the 42 "cop shop" narrative. Chapter Two: "Let the roughness show": From death on the 64 streets to a half-life on screen. Chapter Three: "Don't give the viewer the satisfaction": 86 Investigating the social order in Homicide. Chapter Four: Wasteland of the free: Images of labour in the 122 alternative economy. Chapter Five: The Wire: Introducing the other America. 157 Chapter Six: Baltimore Utopia? The limits of reform in the 186 war on labour and the war on drugs. Chapter Seven: There is no alternative: Unencumbered capitalism 216 and the war on drugs. -
' : A8'$EAGPDIB Carol “Lee ;Jones ;:F; a Thesis Submitted to the Faculty of the ' M ? of Mohiss' .:Ln 'Partial “Fulfillment
An examination of four O'Neill plays as tragedies Item Type text; Thesis-Reproduction (electronic) Authors Jones, Carol Lee, 1935- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 17:49:56 Link to Item http://hdl.handle.net/10150/318871 " AH E M 1 H A $ I 0 H OP: FOBB: 0 > HEIIL; PEATS : ; ' : A 8' $EAGPDIB8 ; ' ' Carol “lee ; Jones ;:f; A Thesis Submitted to the Faculty of the . ' ' m? OF mohiss' . :ln ' partial “Fulfillment- of the Requirements For the Degree of . : ; . MASTER' OF ' ABf S' : . In the Graduate College THE. OTIPERSITT -OF ARIZOHA STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The University of Arizona and is deposited in The university Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special nermission, provided that accurate acknowledgment of source is made. Requests for per mission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Bean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. -
XXXI:9) Joffé, the MISSION (1986, 125 Min)
October 27, 2015 (XXXI:9) Joffé, THE MISSION (1986, 125 min) (The version of this handout on the website has color images and hot urls.) Winner of the 1987 Oscar for Best Cinematography for Chris Menges. Directed by Roland Joffé Original story & screenplay by Robert Bolt Produced by Fernando Ghia & David Puttnam Music by Ennio Morricone Cinematography by Chris Menges Film Editing by Jim Clark Costume Design by Enrico Sabbatini Armorer…Simon Atherton Supervising rock climber…Joe Brown Robert De Niro…Rodrigo Mendoza Jeremy Irons...Father Gabriel Ray McAnally …Cardinal Altamirano nominated for two Oscars for Best Director in 1987 for The Aidan Quinn…Felipe Mendoza Mission (1986) and in 1985 for The Killing Fields (1984). He has Cherie Lunghi…Carlotta directed 24 films and TV shows including, The Lovers (2015), Ronald Pickup…Hontar There Be Dragons (2011), You and I (2011), Captivity (2007), Chuck Low…Cabeza Undressed (2002, TV Series, 1 episode), Vatel (2000), Goodbye Liam Neeson…Fielding Lover (1998), The Scarlet Letter (1995), City of Joy (1992), Fat Bercelio Moya …Indian Boy Man and Little Boy (1989), The Mission (1986), The Killing Fields Sigifredo Ismare…Witch Doctor (1984), 'Tis Pity She's a Whore (1980, TV Movie), Headmaster Asuncion Ontiveros…Indian Chief (TV Series) (1977, 3 episodes), Sam (TV Series) (1974-1975, 4 Alejandrino Moya…Chief's Lieutenant episodes), and Coronation Street (1973-1974, TV Series, 4 Daniel Berrigan…Sebastian episodes). Rolf Gray…Young Jesuit Álvaro Guerrero…Jesuit Robert Bolt (writer) (b. August 15, 1924 in Sale, Cheshire, Tony Lawn…Father Provincial England, UK—d. February 20, 1995, age 70, in Petersfield, Joe Daly…Nobleman Hampshire, England, UK) won two Oscars for Best Writing, Carlos Duplat…Portuguese Commander Screenplay Based on Material from Another Medium for A Man Rafael Camerano…Spanish Commander for All Seasons (1966) in 1967 and for Doctor Zhivago (1965) in Monirak Sisowath…Ibaye 1966. -
Caryl Churchill …………………………………
UNIVERSITÀ DEGLI STUDI DI VERONA DIPARTIMENTO DI CULTURE E CIVILTÀ SCUOLA DI DOTTORATO DI SCIENZE UMANISTICHE DOTTORATO DI RICERCA IN STUDI FILOLOGICI, LETTERARI E LINGUISTICI XXXI CICLO / 2015 TITOLO DELLA TESI DI DOTTORATO A Map of the World The 4-Way Street of British Political Theatre 1968-1985 S.S.D. L-ART/05 DISCIPLINE DELLO SPETTACOLO Coordinatore: Prof. Paolo Pellegrini Tutore: Prof. Nicola Pasqualicchio Dottorando: Dott. Carlo Vareschi Contents Abstract ……………………………………………………….. p. 3 Introduction .....……………………………………………….. p. 5 Chapter 1 CAST ……………………………………………… p. 17 1.1 In the Beginning there was CAST (p. 18); 1.2 Rebels with a Cause (p. 21); 1.3 Revolutionaries on a State Pay-Roll (p. 49); 1.4 The Rise and Fall (p. 82); 1.5 The End (p. 93) Chapter 2 David Edgar ……………………………………… p. 107 2.1 Public Theatre in a Private Age (p. 108); 2.2 A Belief in Collaborative Production (p. 109); 2.3. An Aspiration to a Wider Audience (p. 113); 2.4 An Open Attitude to Form (p. 115); 2.5 A Concern with the Public World (p. 120); 2.6 Unlike Arnold Wesker or Brendan Behan (p. 123); 2.7 Unlike Bond, Arden and Brecht (p. 124); 2.8 Unlike Shaw (p. 125); 2.9 Dick Deterred (p. 127); 2.10 Destiny (p. 144); 2.11 Our Own People (p. 155) Chapter 3 Caryl Churchill ………………………………….. p. 173 3.1 Far from the Madding Crowd (p. 178); 3.2 Churchill’s Newspeak (p. 188); 3.3 Sometimes it’s Hard to be a Woman (p. 192); Snakes and Ladders (p. 211) Chapter 4 Howard Barker …………………………………. -
Kalafatas.Pdf
The Bellstone b THE BELLSTONE The Greek Sponge Divers of the Aegean One American’s Journey Home b MICHAEL N. KALAFATAS Brandeis University Press Published by University Press of New England Hanover and London brandeis university press Published by University Press of New England, 37 Lafayette St., Lebanon, NH 03766 ᭧ 2003 by Brandeis University Press All rights reserved Printed in the United States of America 54321 Includes the epic poem “Winter Dream” by Metrophanes I. Kalafatas written in 1903 and published in Greek by Anchor Press, Boston, 1919. The poem appears in full both in its English rendering by the poet Olga Broumas, published here for the first time, and in the original Greek, in chapters 11 and 12. “Harlem (2)” on page 161. Reprinted by permission of Harold Ober Associates Incorporated. From THE COLLECTED POEMS OF LANGSTON HUGHES by Langston Hughes, copyright ᭧ 1994 by The Estate of Langston Hughes. Used by permission of Alfred A. Knopf, a division of Random House, Inc. Title page illustration: Courtesy Demetra Bowers, from a holograph copy of the poem by Metrophanes Kalafatas. Library of Congress Cataloging-in-Publication Data Kalafatas, Michael N. The bellstone : the Greek sponge divers of the Aegean / Michael N. Kalafatas. p. cm. Includes bibliographical references. ISBN 1–58465–272–1 1. Sponge divers—Greece—Dodekanesos—History. 2. Sponge fisheries—Greece—Dodekanesos—History. 3. Sponge divers—Greece—Dodekanesos—Poetry. I. Title. HD8039.S55552 G763 2003 331.7'6397—dc21 2002153371 For Joan, for the children, and for those so loved now gone b And don’t forget All through the night The dead are also helping —Yannis Ritsos, from “18 Thin Little Songs of the Bitter Homeland” The poem is like an old jewel buried in the sand. -
Sacrifice and Destruction in Selected Family Plays by Eugene O'neill
SACRIFICE AND DESTRUCTION IN SELECTED FAMILY PLAYS BY EUGENE O'NEILL by Thelma Jane Bryan “I J Dissertation submitted to the Faculty of the Graduate School of the University of Maryland in partial fulfillment of the requirements for the degree of Doctor of Philosophy 1982 espy I UMI Number: DP70007 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI DP70007 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code uest ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106 - 1346 APPROVAL SHEET Title of Dissertation: Sacrifice and Destruction in Selected Family Plays by Eugene O'Neill Name of Candidate: Thelma Jane Bryan Doctor of Philosophy, 1982 Dissertation and Abstract Approved: Carl Bode Professor Department of English Language and Literature Date Approved: , f ?$ ^ ABSTRACT Title of Dissertation: Sacrifice and Destruction in Selected Family Plays by Eugene O ’Neill Thelma Jane Bryan, Doctor of Philosophy, 1982 Dissertation directed by: Carl Bode Professor Department of English Language and Literature In most of his plays Eugene O'Neill continues in the family-oriented tradition of eighteenth- and nineteenth-century American dramatists. Like theirs, his works treat the themes of sacrifice and destruction in the domestic setting. -
A Nemzeti Identitás Kérdése a Brit Filmben És Filmtörténetírásban Az 1970-80-As Évek Változásainak Tükrében
A nemzeti identitás kérdése a brit filmben és filmtörténetírásban az 1970-80-as évek változásainak tükrében Váró Kata Anna 2015. Témavezető: Dr. Báron György Színház- és Filmművészeti Egyetem 1 Köszönetnyilvánítás Ezúton szeretnék köszönetet mondani témavezetőmnek, Dr. Báron Györgynek, hogy segítette szakmai fejlődésemet, felbecsülhetetlen támogatást, bátorítást és segítséget nyújtott a doktori tanulmányaim során, valamint a dolgozat elkészültében. Szeretnék köszönetet mondani a szigorlat és a házi védés bizottságának: Dr. Schulze Évának, Dr. Varga Balázsnak, Dr. Stőhr Lórántnak és Dr. Miklauzič Bencének a dolgozattal kapcsolatos értékes észrevételeikért és inspiráló javaslataikért. Köszönet illeti Dr. Győri Zsoltot, aki évekkel ezelőtt segített a kutatás elindításában. Szeretnék továbbá köszönetet mondani Dr. Szűcs Editnek, Dr. Bujalos Istvánnak, Dr. Silye Magdolnának és Dr. Szíjártó Imrének, akik hosszú évek óta egyengetik utamat és segítik szakmai előmenetelemet. Indulásomkor nagyon sok segítséget kaptam Dr. Vajdovich Györgyitől, Csantavéri Júliától és Urbán Máriától, aki sajnos nem érhette ezt meg. Köszönöm Molnár-Mills Eszternek és a külföldi szakirodalom beszerzésében nyújtott segítségét és baráti támogatását. 2 Tartalom Bevezetés ............................................................................................................................ 5 Egyetemes filmtörténetírás az 1960-as évek előtt ............................................................ 10 Az empirista módszer megújulása ................................................................................... -
The Politics of New Atheism: an Examination of the Aims, Impact and Validity of the Movement Within a British Context
_________________________________________________________________________Swansea University E-Theses The politics of new atheism: An examination of the aims, impact and validity of the movement within a British context. Bidmead, Andrew How to cite: _________________________________________________________________________ Bidmead, Andrew (2015) The politics of new atheism: An examination of the aims, impact and validity of the movement within a British context.. thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42674 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ The Politics of NEW ATHEISM An examination of the aims, impact and validity of the movement within a British Context Andrew Bidmead Candidate for MPHIL Dept of Politics and Cultural Studies, Swansea University Student Number: 220419 ProQuest Number: 10807443 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Jim Allen : Radical Drama Beyond 'Days of Hope' Willis, A
Jim Allen : radical drama beyond 'days of hope' Willis, A http://dx.doi.org/10.3366/E1743452108000381 Title Jim Allen : radical drama beyond 'days of hope' Authors Willis, A Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/12666/ Published Date 2008 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. December 19, 2008 Time: 09:13am jbctv038.tex Jim Allen: Radical Drama Beyond Days of Hope Andy Willis Due to a desire to establish television as a serious medium, television drama has often been seen as a forum for writers, with names such as David Mercer, Dennis Potter and Trevor Griffiths identified by critics as the driving force, or auteur, behind the works that bear their names rather than, as in much writing about film, the director. However, while this has been so, there are also many examples of writers whose contribution to television writing has been much less celebrated, often due to their close collaboration with a high-profile director who in many critics’ view remains the most influential contributor to the final piece of work. One practitioner who arguably has failed to get the critical credit he is due is Jim Allen, a writer still perhaps best known for his work with one such high-profile director, Ken Loach. -
Download Download
Television and New Media Studies — Peer Reviewed Cinergie – Il cinema e le altre arti. N.12 (2017) https://doi.org/10.6092/issn.2280-9481/7390 ISSN 2280-9481 Teatro da salotto. Il single play britannico dalle origini alla scomparsa Gianluigi Rossini Pubblicato: 4 dicembre 2017 Abstract The single play or teleplay was a ‘prestige’ programme in the BBC schedule since the early, experimental phase of the 1930s. At the beginning the plays were mostly adaptations of novels or theatrical dramas, and they were transmitted live using a multi-camera system. In the early 1950s, however, the staging had already reached a remarkable technical and narrative sophistication, as The Quatermass Experiment (1953) or 1984 (1954) show. After the systemic evolution triggered by the introduction of commercial television, thesingle play developed its own specificity with anthologies like Armchair Theater (ABC, 1956-1974), The Wednesday Play (BBC 1, 1964-70) and Play for Today (BBC 1, 1970-84). Many commentators dubbed this a “golden age”, as it was a time of great creative freedom and heated discussions about the form and aesthetics of television narrative. The aim of this paper is to trace the history and evolution of the British single play, from its theatrical origins rooted in the “kitchen sink drama” to naturalism, from the revolution of “Cathy Come Home” (1966) to its almost complete disappearance in the new political and industrial climate of the 1980s. Asit will be argued, the single play disappeared because on the one hand it converged with cinema, on the other it evolved into the miniseries.