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Literature of Anglo-Saxon England List I. Translation and Transmission Letter of Alexander to Aristotle Alfred preface to translation of Augustine's Soliloquies preface to translation of Gregory's Pastoral Care Aelfric, Preface to Genesis II. Historiography and Hagiography Gildas, De Excidio et Conquestu Britanniae (selections) Bede, Historia ecclesiastica gentis Anglorum Nennius, Historia Brittonum (selections) Peterborough Chronicle Aelfric, Lives of the Saints (Preface, Edmund, Alban) Wulfstan, Sermo Lupi ad Anglos III. Homiletic Material Vercelli Homilies (Spel to Forman Gangdæge, Spel to Oðrum Gangdæge, Spel to Þriddan Gangdæge, De Sancto Martino Confessore) Aelfric, Catholic Homilies (Assumptio Sanctae Mariae Virginis (I), Sermo de Sacrificio in Die Pascae (II)) Wulfstan, De Falsis Deis IV. Poems of the Junius Manuscript (Oxford, Bodleian, MS Junius 11) Genesis Exodus Christ and Satan V. Poems of the Vercelli Book (Vercelli, Cathedral Library, MS CXVII) Andreas Cynewulf, Fates of the Apostles Dream of the Rood Cynewulf, Elene VI. Poems of the Exeter Book (Exeter, Cathedral Library, MS 3501) Christ Guthlac The Phoenix Cynewulf, Juliana The Wanderer The Seafarer Widsith The Fortunes of Men The Riming Poem The Panther The Whale The Partridge Soul and Body II Deor Wulf and Eadwacer Riddles 1-59 (selections) The Wife’s Lament The Husband’s Message The Ruin Riddles 61-95 (selections) VII. Poems of Cotton Vitellius A. xv Beowulf Judith VIII. Additional Poems Finnsburh Fragment Waldere The Battle of Maldon “The Battle of Brunanburh” Durham The Rune Poem Solomon and Saturn “Caedmon’s Hymn” “Bede’s Death Song” IX. Secondary Reading Bately, Janet. The Literary Prose of Alfred’s Reign: Translation or Transformation? (1980). Frantzen, Allen. Desire for Origins (1990). Greenfield, Stanley. A Critical History of Old English Literature (1965). Howe, Nicholas. Migration and Mythmaking in Anglo-Saxon England (1989). O’Keeffe, Katherine O’Brien. Visible Song: Transitional Literacy in Old English Verse (1990). Orchard, Andy. Pride and Prodigies: Studies in the Monsters of the Beowulf-Manuscript (1995). .

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The Inscription of Charms in Anglo-Saxon Manuscripts
Oral Tradition, 14/2 (1999): 401-419 The Inscription of Charms in Anglo-Saxon Manuscripts Lea Olsan Anglo-Saxon charms constitute a definable oral genre that may be distinguished from other kinds of traditionally oral materials such as epic poetry because texts of charms include explicit directions for performance. Scribes often specify that a charm be spoken (cwean) or sung (singan). In some cases a charm is to be written on some object. But inscribing an incantation on an object does not necessarily diminish or contradict the orality of the genre. An incantation written on an amulet manifests the appropriation of the technology of writing for the purposes of a traditionally oral activity.1 Unlike epic poetry, riddles, or lyrics, charms are performed toward specific practical ends and their mode of operation is performative, so that uttering the incantation accomplishes a purpose. The stated purpose of an incantation also determines when and under what circumstances a charm will be performed. Charms inscribed in manuscripts are tagged according to the needs they answer-whether eye pain, insomnia, childbirth, theft of property, or whatever. Some charms ward off troubles (toothache, bees swarming); others, such as those for bleeding or swellings, relieve physical troubles. This specificity of purpose markedly distinguishes the genre from other traditional oral genres that are less specifically utilitarian. Given the specific circumstances of need that call for their performance, the social contexts in which charms are performed create the conditions felicitous for performative speech acts in Austin’s sense (1975:6-7, 12-15). The assumption underlying charms is that the incantations (whether words or symbols or phonetic patterns) of a charm can effect a change in the state of the person or persons or inanimate object (a salve, for example, or a field for crops).
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Widsith Beowulf. Beowulf Beowulf
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Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
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Conflict Between the Body and the Soul As a Metaphor of the Moral Struggle \U the Middle Ages, with Special Reference to Middle English Literature
THE CONFLICT BETWEEN THE BODY AND THE SOUL AS A METAPHOR OF THE MORAL STRUGGLE \U THE MIDDLE AGES, WITH SPECIAL REFERENCE TO MIDDLE ENGLISH LITERATURE by JOHN ALLEN CANUTESON A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 1975 ACKNOWLEDGMENTS I am indebted to many good friends who have helped during the research and v/riting of this study. To Dr. Richard Green, Chairman of my Supervisory Committee, and to Dr. Robert H. Bowers go my warm thanks for criticism and guidance. To Dr. Dean Dunham and Dean Bruce R. Thompson of IVilliam Jewell College go my thanks for patience, small classes, and immunity from committee assignments, and to Asso- ciate Dean Gordon Kingsley my appreciation for a winter term in which to work exclusively on the dissertation. The staffs of the University of Florida Library and William Jewell College Library have been dili- gent in finding and borrowing material from other libraries, and the University of Texas Library at Austin has been a friendly haven during holidays and vacations. Thanks also go to Miss Susan Goodwin for typing countless notecards and to Mrs. Julia Merrill for typing the final draft. My greatest debts are owed to my greatest loves — my wi f e and two sons. TABLE OF CONTENTS ACKNOWLEDGEMENTS ABSTRACT IV Chapter „ '^ . Page I THE CONFLICT BETWEEN THE BODY AND THE SOUL \H MEDIEVAL L I TERATURE , NOTES 54 I I THE IMAGES OF THE LATIN TRADITION 52 NOTES ,38 III THE IMAGES OF THE MIDDLE ENGLISH TRADITION AND THE DE- BATE BETWEEN THE BODY AND THE SOUL 7777777.
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STEPHEN J. HARRIS Professor University of Massachusetts PO Box
STEPHEN J. HARRIS Professor University of Massachusetts P.O. Box 805 Department of English Amherst, MA 01004 Bartlett Hall (413) 253-1163 Amherst, MA 10003 [email protected] (413) 545-6598 Professor, Department of English, UMass Professor (Adjunct), Department of Germanic and Scandinavian Studies, UMass EDUCATION LOYOLA UNIVERSITY CHICAGO Ph.D. in English Literature, May, 1999. Specialization in Old English. Dissertation awarded with double distinction. Dissertation: Identity in Anglo-Saxon Literature: Ethnogenesis from Bede to Geoffrey of Monmouth. Committee: Allen J. Frantzen (Director), Karma Lochrie, Tracy Lounsbury (Dept. of Philosophy). UNIVERSITY OF OTTAWA (OTTAWA, ONTARIO) M.A. in English Literature, December, 1991. BISHOP’S UNIVERSITY (LENNOXVILLE, QUÉBEC) B.A. Honours in English Literature, May, 1988. Lisgar Collegiate Institute (Ottawa, Ontario); University of Detroit High School and Jesuit Academy (Detroit, MI). PUBLICATIONS Bede and Aethelthryth: An Introduction to Christian Latin Poetics. West Virginia University Press, 2016. An introduction to how poems were read in monastic schools along with a close reading of Bede’s Hymn to Aethelthryth. Vox Germanica: Essays on Germanic Languages and Literatures in Honor of James E. Cathey, ed. with Michael Moynihan and Sherrill Harbison. Tempe, AZ: ACMRS, 2012. 306 pp. Nineteen chapters on topics ranging from Norwegian accent shifts to Rilke. Misconceptions about the Middle Ages, ed. with Bryon Grigsby. London: Routledge, 2008. 308 pp. Thirty chapters. Edited collection of essays by international contributors describing and correcting commonly held misconceptions about the Middle Ages. Examples include the notion that medieval people thought the world was flat, that they burned witches, that they used chastity belts, that they submitted wholly to the Catholic Church, and so forth.
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The Intertextuality of Beowulf, Cynewulf and Andreas1
The departure of the hero in a ship: The intertextuality of Beowulf , Cynewulf and Andreas 1 Francis Leneghan University of Oxford This article identifies a new Old English poetic motif, ‘The Departure of the Hero in a Ship’, and discusses the implications of its presence in Beowulf , the signed poems of Cynewulf and Andreas , a group of texts already linked by shared lexis, imagery and themes. It argues that the Beowulf -poet used this motif to frame his work, foregrounding the question of royal succession. Cynewulf and the Andreas -poet then adapted this Beowulfian motif in a knowing and allusive manner for a new purpose: to glorify the church and to condemn its enemies. Investigation of this motif provides further evidence for the intertextuality of these works. Keywords : Old English poetry; Beowulf , Cynewulf; Andreas ; Anglo-Saxon literature 1. Introduction Scholars have identified a number of ‘motifs’, ‘themes’ or ‘type scenes’ in Old English poetry. Two of the best-known such motifs are ‘the beasts of battle’, typically featuring the carrion eagle, wolf and raven, anticipating or rejoicing in slaughter (Magoun 1955, Bonjour 1957, Griffith 1993), and ‘the hero on the beach’, wherein a hero is depicted with his retainers in the presence of a flashing light, as a sea-journey is completed (or begun), usually at dawn 1 I would like to thank Daniel Anlezark, Hugh Magennis, Richard North, Andy Orchard, Rafael Pascual and Daniel Thomas for their helpful comments on earlier versions of this article. Francis Leneghan, Selim24 (2019): 105 –132. ISSN 1132-631X / DOI https://doi.org/10.17811/selim.24.2019.105-134 106 Francis Leneghan (Crowne 1960: 368; Fry 1966, 1971).2 Broadening the focus to consider both Old English verse and prose, Mercedes Salvador Bello identified the ‘leitmotif’ of ‘the arrival of the hero in a ship’ in the Anglo-Saxon Chronicle and Beowulf , featuring “a recurrent thematic pattern which presents the story of the heroes (or the hero) who arrive from northern lands in a boat and become the ancestors of Anglo-Saxon dynasties” (1998: 214).
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University of California, Los Angeles Invisible Labor In
UNIVERSITY OF CALIFORNIA, LOS ANGELES INVISIBLE LABOR IN THE MEDIEVAL WORLD A THESIS SUBMITTED TO THE DEPARTMENT OF ENGLISH IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS BY ANGIE RODRGUEZ ADVISOR: MATTHEW FISHER LOS ANGELES, CA MARCH 11, 2020 ABSTRACT INVISIBLE LABOR IN THE MEDIEVAL WORLD BY ANGIE RODRIGUEZ This thesis explores invisible labor, which is a conteMporary term, as written in Old English literature. This thesis contends that invisible labor refers to labor that is ignored, underpaid, oftentiMes spans across social hierarchies and is socially constructed. The first part of this thesis goes into the conteMporary understanding of invisible labor, how this understanding leads to recognition of invisible labor in Old English literature and shows that this labor is not gender specific. The second part of this thesis goes into peace-weaving as invisible labor, which had been culturally considered women’s work and economically devalued, as depicted by the actions of Wealhtheow when she serves mead and speaks up for her sons in Beowulf and heroic actions of killing Holofernes by Judith in Judith. The third part of this thesis explores peaceMaker as invisible labor, as depicted by Wiglaf serving “water” in Beowulf, Widsith taking Ealhhild to her new king in Widsith, Constantine taking advice from the Angel as depicted in Cynewulf’s Elene, the soldiers standing by King Athelstan and defeating the Scots in “The Battle of Brunburgh,” and the men being faithful to AEthelred against the Vikings in “The Battle of Maldon.” In analyzing invisible labor as depicted in Old English literature, what may be viewed in conteMporary terms as “ordinary” work of service that is easily disMissed and unrecognized, will bring insight into how invisible labor was seen in Old English literature.
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ABSTRACT Jesus Christ Warrior-King: Analysis of the Old
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Cynewulf's Juliana
CYNEWULF’S JULIANA: AN ANNOTATED MODERN ENGLISH TRANSLATION BY Rosetta M. Berger A Study Presented to the Faculty of Wheaton College in Partial Fulfillment of the Requirements for Graduation with Departmental Honors in English Norton, Massachusetts May 11, 2015 i Ic wille secgan ealles þonc, eow þe me geholpen hæfdon geara gongum, þæt ic æfre stande æghwæs onsund: To my parents: Mom and Dad, for always being there and supporting me every step of the way; To my siblings: Sara and Lewis, for love, laughs, and lifelong friendship; To my heorðgeneatas: Nina Forrest, for every day of making the world a better place together; Namiko Hitotsubashi, for many late nights and every paper written together; To all of my friends and family who have given me love and support along the way—you have all of my love and gratitude; To my fellow thesis writers: Elizabeth Peterson, for all the times we’ve shared from Young 3rd to Meneely 2nd; Jonathan Gerkin, for his theological contributions; And to my thesis committee: Professor Thomas Dolack, за четыре года поддержки и отличного преподавания; Professor Sam Coale, for his love of his students and of life; And last, but most certainly not least, Professor Michael Drout, for being an incredible, supportive, and inspiring professor, mentor, colleague, and friend throughout my college career. Wesað ge ealle hale. ii Contents Introduction 1 The Legend of Juliana ............................... 2 Manuscript and Text ............................... 7 Dialect ....................................... 8 Notes on Translation ............................... 10 1 Cynewulf’s Juliana: A Modern English Translation 17 Modern English .................................. 18 Old English .................................... 45 Bibliography 73 iii Introduction Although there has been and continues to be much scholarship on the relationship between Old English and Middle English literature, there has been very little discussion about the relationship between the Old English and Middle English versions of the saint’s life of Juliana.
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The Devil As a Prince Conquered, Exiled, Bound and Despoiled: the Early Medieval Redemption Theory and the Formulaic Theme of Exile in Old English Poetry
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