Some Popular Uses of Sea-Beans
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Gaelic Scotland in the Colonial Imagination
Gaelic Scotland in the Colonial Imagination Gaelic Scotland in the Colonial Imagination Anglophone Writing from 1600 to 1900 Silke Stroh northwestern university press evanston, illinois Northwestern University Press www .nupress.northwestern .edu Copyright © 2017 by Northwestern University Press. Published 2017. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication data are available from the Library of Congress. Except where otherwise noted, this book is licensed under a Creative Commons At- tribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Stroh, Silke. Gaelic Scotland in the Colonial Imagination: Anglophone Writing from 1600 to 1900. Evanston, Ill.: Northwestern University Press, 2017. For permissions beyond the scope of this license, visit www.nupress.northwestern.edu An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org Contents Acknowledgments vii Introduction 3 Chapter 1 The Modern Nation- State and Its Others: Civilizing Missions at Home and Abroad, ca. 1600 to 1800 33 Chapter 2 Anglophone Literature of Civilization and the Hybridized Gaelic Subject: Martin Martin’s Travel Writings 77 Chapter 3 The Reemergence of the Primitive Other? Noble Savagery and the Romantic Age 113 Chapter 4 From Flirtations with Romantic Otherness to a More Integrated National Synthesis: “Gentleman Savages” in Walter Scott’s Novel Waverley 141 Chapter 5 Of Celts and Teutons: Racial Biology and Anti- Gaelic Discourse, ca. -
The School of Scottish Studies and Language Policy and Planning for Gaelic ROBERT DUNBAR
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scottish Studies The School of Scottish Studies and Language Policy and Planning for Gaelic ROBERT DUNBAR ABSTRACT The School of Scottish Studies (the ‘School’) was inaugurated on 31 January 1951 as a semiautonomous institution within the University of Edinburgh, with the broad aim of studying ‘Scottish traditional life in its European setting, on lines similar to those developed in several Scandinavian institutes and, more recently, in Ireland and Wales’. Volume 37, pp 72-82 | ISSN 2052-3629 | http://journals.ed.ac.uk/ScottishStudies DOI: 10.2218/ss.v37i0.1794 http://dx.doi.org/10.2218/ss.37i0.1794 The School of Scottish Studies and Language Policy and Planning for Gaelic ROBERT DUNBAR The School of Scottish Studies (the ‘School’) was inaugurated on 31 January 1951 as a semi- autonomous institution within the University of Edinburgh, with the broad aim of studying ‘Scottish traditional life in its European setting, on lines similar to those developed in several Scandinavian institutes and, more recently, in Ireland and Wales’ (Kerr, n.d.: 1). The principal activities of the School have been described as the recording, documentation and study of oral traditions (e.g. tales, legends, proverbs, custom and belief), traditional song and instrumental music, material culture, and place-names, covering the whole of Scotland and including Gaelic and Scots-speaking districts (ibid). The School’s holdings comprise a sound archive of over 30,000 items, including -
Island Spirituality Island Spirituality Spiritual Values of Lewis and Harris
A lastalr M cIntosh Island Spirituality Island Spirituality SPIRITUAL VALUES OF LEWIS AND HARRIS This book explores spirituality through the lens of Lewis and Harris – the pre-Reformation “temples”, Reformation theology, A colonisation, clearances and evangelisation under the last of the LA S Mackenzies of Seaforth. Perhaps controversially and certainly TAIR unconventionally, Dr McIntosh concludes that island religion, M for all its struggled history and theological tensions, expresses a C profound inner spirituality. It reveals itself in kindness that gives I NTO backbone to the community. It leads towards an ardent desire for God. It is the island’s greatest export to a wider world. sh Front: Loch an Teine (The Loch of Fire) Lewis-Harris border Back: Teampall Eòin (St John the Baptist’s Chapel), Bragar £ .01 00 A LA S TAIR M C I NTO sh After two print runs this little book is now out of print. The Islands Book Trust have kindly allowed me to share it as a PDF. Right at the end, pp. 188 - 199 as Roman numerated, I have added an Addendum with some major new material. I develop my themes further in Poacher's Pilgrimage (Birlinn 2016). Island Spirituality Spiritual Values of Lewis and Harris Alastair McIntosh The Islands Book Trust Published in 2013 by The Islands Book Trust www.theislandsbooktrust.com Copyright remains with the named author. Other than brief extracts for the purpose of review, no part of this publication may be reproduced in any form without the written consent of the publisher and copyright owner. This book may not be lent, hired out, resold or otherwise disposed of by way of trade in any form of binding or cover other than that in which it is published, without the prior consent of the publishers. -
Text and Context of Gaelic Prayer in South Uist, 1880-1960. Mres Thesis
Reddy, Kathleen (2018) Ùrnaighean nan Gàidheal: text and context of Gaelic prayer in South Uist, 1880-1960. MRes thesis. https://theses.gla.ac.uk/9144/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Ùrnaighean nan Gàidheal: Text and Context of Gaelic Prayer in South Uist, 1880-1960 Kathleen Reddy BA (Hons), PGCE 9910604 Submitted in partial fulfilment for the requirements for the Degree of Master of Research College of Arts Celtic and Gaelic University of Glasgow 2 October 2017 © Kathleen Reddy, 2017 2 Contents Abstract …………………………………………………………………………….................... 3 Acknowledgements …………………………………………………………………………….. 4 Abbreviations Used …………………………………………………………………………….. 5 Introduction …………………………………………………………………………….............. 6 Chapter 1 Gaelic Folk Prayers in South Uist: Cultural Context ……………………………………………. 9 Chapter 2 Fr Allan MacDonald and Alexander Carmichael: Collectors of Gaelic Religious Folklore in Late Nineteenth-Century Uist ……………………. -
The Storyteller, the Scribe, and a Missing Man: Hidden Influences from Printed Sources in the Gaelic Tales of Duncan and Neil Macdonald
Oral Tradition, 27/1 (2012): 109-160 The Storyteller, the Scribe, and a Missing Man: Hidden Influences from Printed Sources in the Gaelic Tales of Duncan and Neil MacDonald William Lamb 1 Introduction The Scottish Gaelic tradition bearer Duncan MacDonald1 (1883-1954) was one of the most remarkable storytellers of twentieth-century Europe.2 He piqued the interest of a host of ethnologists in the later years of his life because of his considerable repertoire of traditional knowledge. They were especially interested in his ability to tell certain tales of his—particularly those with ties to older literary versions in manuscripts3—in a virtually identical fashion from recitation to recitation. During a period when scholars were admitting that the conservatism of Gaelic oral tradition had been perhaps exaggerated at times (see Ó Duilearga 1945), Duncan MacDonald’s abilities were seen as an acquittal of the seanchaidh.4 It became clear that it was possible in certain cases for the surface forms of language, not just plot, to survive down through the ages in an almost unaltered form. MacDonald’s genealogy (see Matheson 1977), with its ties to the hereditary poets and historians of Clann Dòmhnaill of Sleat, suggested that he was an approximation of the kind of professional Gaelic storyteller that would have been an institution in earlier times. 1 Originally from Snishaval (Snaoiseabhal), South Uist. He was better known as Dunnchadh Clachair —“Duncan the Stone-mason”—or by his patronymic Dunnchadh ʼac Dhòmhnaill ʼac Dhunnchaidh. 2 For biographies, see MacGillEathain 1954 and Matheson 1977. 3 The classic study of this genre of formal storytelling is Bruford 1966. -
Scotha Cennderca Cen On: a Festschrift for Séamus Mac Mathúna
Scotha cennderca cen on: A Festschrift for Séamus Mac Mathúna Edited by Ailbhe Ó Corráin, Fionntán de Brún and Maxim Fomin Contents Acknowledgements .................................................................................... 7 Introduction ................................................................................................ 9 AILBHE Ó CORRÁIN, FIONNTÁN DE BRÚN & MAXIM FOMIN Literature Hero and antihero: an approach ............................................................... 15 DEAN MILLER† Conflict and restraint in Irish heroic literature ......................................... 39 GREGORY TONER Saint Brendan and the sea giantess .......................................................... 51 JOHN CAREY ‘Dá síortha gus an Innia…’: what did Cú Chulainn say to Conchobhar in Oidheadh Chloinne Uisneach? ............................................................ 63 MAXIM FOMIN A poem on tuning a harp .......................................................................... 77 WILLIE GILLIES Slán agaibh, a fhir chumtha Giolla Brighde Ó hEodhasa cct. ................. 93 AILBHE Ó CORRÁIN Poems for all seasons: the Ó Neachtains address their clerical friends in good times and bad ............................................................................ 103 LIAM MAC MATHÚNA Three poems of welcome ascribed to Domhnall Gorm Mag Lachlainn (fl. 1691), Church of Ireland Minister of Cluain Maine in Inis Eoghain ...................................................................................... 123 PEADAR MAC GABHANN Nósbhronnadh -
From Spoken Word to Digital Corpus: the Calum Maclean Project The
From Spoken Word to Digital Corpus: The Calum Maclean Project John Shaw and Andrew Wiseman University of Edinburgh The Calum Maclean Collection (www.calum-maclean-project.celtscot.ed.ac.uk) is a searchable, standards based catalog of a collection of Scottish Gaelic oral narrative that was developed between 2005 and 2009 with major research funding from the AHRC (Arts and Humanities Research Council). It is one of a series of projects begun early in the past decade to make folklore materials in Scotland more widely available to the public through the uses of digital technology. Implicit in such initiatives has been the intention to develop multiple social applications of archived folklore materials; throughout the developments, the two primary aspects of technological applications have been a wider promotion of folklore materials through technology, and the enhancement of Scotland’s main folklore archives. The major share of the various projects’ activities and the funding has gone toward the institutional, social, and promotional aspects, but the size and value of the archival collections themselves have presented a strong case for the applications of technology for research purposes. Ways in which such archival collections in Scotland could be further developed became clear during a visit in 2002 to the National Folklore Collection at UCD (University College Dublin) with a view to assessing the research potential of their extensive collection by the Scottish folklorist Calum Maclean (1915-1960). The importance of the collection to ethnologists is uncontested, but until that time very little of it had been made available to researchers. Maclean’s transcriptions were meticulous, written out in a clear hand, which gave rise to the possibility that the entire collection would not only be useful in a digitized form, but could be made searchable, with additional information and comments for the use of researchers in a range of disciplines. -
Scottish Oral Tradition Online
Oral Tradition, 27/1 (2012): 171-186 Dipping into the Well: Scottish Oral Tradition Online Cathlin Macaulay Scotland has a long history of collecting material from its oral traditions as illustrated by the various manuscripts and publications of songs, tales, and verse that have appeared from the sixteenth century onwards in the languages of Gaelic, Scots, and English. For a small country, Scotland’s influence has stretched widely, particularly from the 1760s onwards with the publication of MacPherson’s Ossian, a literary creation in English drawing on oral tradition from Gaelic-speaking Badenoch. The text was seminal to the European Romantic movement and the antiquarianism of that and the following centuries, and there has been much debate as to its “authenticity,” which continues even to the present day. Collectors in Scotland have come from all walks of life, from aristocrats and landed gentry such as Lady Evelyn Stewart Murray (1868-1940), sister of the Duke of Atholl, who collected Gaelic tales from people working on the family estate in Perthshire,1 to those born into much poorer circumstances such as Robert Burns (1759-1796), son of a tenant farmer, who collected material for the Scots Musical Museum (1787-1803), songs and airs that attracted the interest of composers such as Haydn and Beethoven. Most of the collectors, though, appear to have been from the “professional” classes, principally teachers and preachers. They were literate and therefore able to create texts of the oral material, and their roles gave them access as “insider-outsiders” to the communities in which they were located. -
Carmina Gadelica Reading a Spiritual Classic
Carmina Gadelica Reading a Spiritual Classic Essay for Foundations in Christian Spirituality MA in Christian Spirituality Alastair Cutting 2001 Heythrop College University of London 1 CONTENTS Page 3 Reading a Spiritual Classic - Carmina Gadelica Page 4 Gathering The Material Page 7 What Did Carmichael Think He Was Collecting? Page 8 Is The Material ‘Christian’? Page 9 Is Carmichael’s Methodology And Handling Of Material ‘Sound’? Page 11 Themes in Carmina Gadelica Page 12 Measuring A Spiritual Classic Page 14 Reflections On Reading A Classic Bibliography Page 16 Primary Bibliography - books with specific references and data Page 17 Secondary Bibliography - books of anthologies etc. Page 18 Appendices Notes marked in Arabic numerals, such: 1, 2 are footnotes at the bottom of the page. Notes marked in Roman numerals, such: i, ii are appendices at the end of the essay. Quotes from Carmina Gadelica are numbered according to the 1992/4/7 Floris Books edition. 2 Reading a Spiritual Classic - Carmina Gadelica Carmina Gadelica - literally Gaelic Songs - is a gathering of hymns and incantations originally collected in six volumes by Alexander Carmichaeli in the late 1800s around the highlands and islands of Scotland. A Civil servant, working for the Excise Service, Carmichael started his collection of the oral tradition of poetry and songs ‘of our dear lovable people’1, including prayers, charms, rituals, omens & auguries; fearing that without being recorded, many of the ‘genii of the Highlands are disappearing before the spirit of modernism, as the Red Indian, once bold and courageous, disappears before the white man’2. It is as though the spark of first coming across the literature, that ‘first naïveté’3 of initial discovery and interest, fired a life-long quest for him. -
The Calum Maclean Project
Oral Tradition, 28/2 (2013):355-362 From Spoken Word to Digital Corpus: The Calum Maclean Project John Shaw and Andrew Wiseman The Calum Maclean Collection (http://www.calum-maclean-project.celtscot.ed.ac.uk) is a searchable, standards-based catalog of a collection of Scottish Gaelic oral narrative that was developed between 2005 and 2009 with major research funding from the Arts and Humanities Research Council (AHRC, http://www.ahrc.ac.uk). It is one of a series of projects begun early in the past decade to make folklore materials in Scotland more widely available to the public through the usage of digital technology. Implicit in such initiatives has been the intention to develop multiple social applications of archived folklore materials; during such development, two primary aspects of the technological applications have been a wider promotion of folklore materials through technology and the enhancement of Scotland’s main folklore archives. The major share of the various projects’ activities and funding has gone toward the institutional, social, and promotional aspects, but the size and value of the archival collections themselves have presented a strong case for the applications of technology for research purposes. Ways in which such archival collections in Scotland could be further developed became clear during a visit in 2002 to the National Folklore Collection at University College Dublin (UCD) aimed at assessing the research potential of their extensive collection by the Scottish folklorist Calum Maclean (1915-1960). The importance of the collection to ethnologists is uncontested, but until that time very little of it had been made available to researchers. -
Alexander Carmichael Dates and People
ALEXANDER CARMICHAEL DATES AND PEOPLE This file records all dated material written by or relating to Alexander Carmichael, both in the Carmichael Watson collection and beyond. It includes transcriptions (marked T) and letters (marked L). A ‘T’ before the date means that a transcription was made on this particular date. A ‘(T)’ after a manuscript folio number signifies a transcription of original material, whether extant or not, apparently recorded on the date in question. Although almost all of the Skye material Carmichael sent to John Francis Campbell (JFC) is composed of transcripts, it is not clear how much of the corresponding material in the Carmichael Watson collection in Edinburgh University Library is in fact original. It should be stressed – as will be seen throughout the index – that all through his collecting career Carmichael was to say the least somewhat lackadaisical about recording dates accurately, with days, months, years, and on one occasion an entire century being misplaced. It should also be noted that Carmichael habitually uses ‘Faoilleach’ for the month of February rather than January. The index gives the reader an overview not only of what AC was doing, with whom, and where, on specific days, but also, if used in conjunction with the subject indices, should suggest how his interests changed during his collecting career. The CW number – for example, CW150 - represents an item in the Carmichael Watson collection. For citation purposes it should be prefixed GB 237 Coll-97 eg GB 237 Coll-97/CW150. Colours have been used to identify Carmichael’s field notebooks. It should be stressed that, especially with regard to his early years collecting in Uist, an item – especially a ‘neat’ item – written in a field notebook does not necessarily represent the original recording, and could well be written up from an earlier rendering.