Biography | Dmitry Baevsky

Total Page:16

File Type:pdf, Size:1020Kb

Biography | Dmitry Baevsky BIOGRAPHY | DMITRY BAEVSKY The only son of a writer and a translator, he grew up in St Petersburg surrounded by books and started piano lessons at the age of six. However, he discovered his passion and seriousness for music as a teenager only when he picked up an alto saxophone. Although Dmitry was not surrounded by professional musicians, his family was closely connected to music. His great grand-father, Moisei Beregovsky, was one of the most famous and respected Jewish ethnomusicologists who spent his life gathering melodies and words of Yiddish folk songs, as well as Eastern European Jewish dance melodies (Klezmer music). Dmitry entered the Mussorgsky College of Music in St-Petersburg when he was 15 and studied for four years with the brilliant Russian jazz saxophonist Gennady Goldstein. When he turned 19, Baevsky auditioned to join the Jazz Department at the New School University in New York and was granted a full scholarship. He therefore left Russia to settle in the USA. As he was finishing college, Baevsky was already a member of the New York jazz community and decided to settle permanently. He released his first album as a leader in 2005 with “Introducing Dmitry Baevsky” (Lineage Records). The album features such masters as Cedar Walton and Jimmy Cobb. Since then, Baevsky has performed and/or recorded with musicians such as Benny Green, Peter Washington, Willie Jones III, David Hazeltine, "Killer" Ray Appleton, Peter Bernstein, Cedar Walton, Dennis Irwin, Jeremy Pelt, Steve Williams, Joe Magnarelli, Ryan Kisor... In 2009, he recorded “Some Other Spring” (Rideau Rouge / Harmonia Mundi) while on tour in Europe with the great guitarist Joe Cohn. In September 2010, the label Sharp Nine Records released “Down With It”, an album featuring trumpet player Jeremy Pelt as well as Jeb Patton (p), David Wong (b) and Jason Brown (dr). The recording stayed more than four months in the Jazzweek charts (a weekly report of the top fifty Jazz recordings played on radio stations across the United States and Canada). His second release on Sharp Nine Records, called “The Composers”, came out in 2012 and features David Hazeltine on piano, John Webber on bass, Jason Brown on drums and the great guitarist Peter Bernstein on three tracks. 2015 marks his debut on the label Jazz Family with “Over and Out”, a trio album recorded in New York with bassist David Wong and drummer Joe Strasser. .
Recommended publications
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • May-June 293-WEB
    May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock.
    [Show full text]
  • Did You Receive This Copy of Jazzweek As a Pass Along?
    JazzWeek with airplay data powered by jazzweek.com • Feb. 6, 2006 Volume 2, Number 11 • $7.95 In This Issue: Surprises at Berklee 60th Anniversary Concert . 4 Classical Meets Jazz in JALC ‘Jazz Suite’ Debut . 5 ALJO Embarks On Tour . 8 News In Brief . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz Radio. 25 Industry Legend Radio Panels. 24, 29 BRUCE LUNDVALL News. 4 Part One of our Two-part Q&A: page 11 Charts: #1 Jazz Album – Jae Sinnett #1 Smooth Album – Richard Elliot #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger n part one of our two part interview with Bruce Lundvall, the MUSIC EDITOR Tad Hendrickson Blue Note president tells music editor Tad Hendrickson that Iin his opinion radio indeed does sell records. That’s the good CONTRIBUTING EDITORS news. Keith Zimmerman Kent Zimmerman But Lundvall points out something that many others have CONTRIBUTING WRITER/ pointed out in recent years: radio doesn’t make hits. As he tells Tad, PHOTOGRAPHER “When I was a kid I would hear a new release and they would play Tom Mallison it over and over again. Not like Top 40, but over a period of weeks PHOTOGRAPHY you’d hear a tune from the new Hank Mobley record. That’s not Barry Solof really happening much any more.” Lundvall understands the state Founding Publisher: Tony Gasparre of programming on mostly non-commercial jazz stations, and ac- ADVERTISING: Devon Murphy knowledges that kind of focused airplay doesn’t happen. Call (866) 453-6401 ext. 3 or This ties into my question of last week – does mainstream jazz email: [email protected] radio play too much music that’s only good, but not great? I’ve SUBSCRIPTIONS: received a few comments; please email me with your thoughts on Free to qualified applicants this at [email protected].
    [Show full text]
  • Eric Nemeyer's
    Eric Nemeyer’s WWW.JAZZINSIDEMAGAZINE.COM October-November 2017 Interviews DafnisDafnis PrietoPrieto Jazz At Lincoln Center, Nov 3-4 ScottScott RobinsonRobinson Jazz Standard, October 31 BobbyBobby SanabriaSanabria Dizzy’s Clu, Nov 17-19 MariaMaria SchneiderSchneider Jazz Standard, November 21-26 WarrenWarren WolfWolf Dizzy’s Club, Nov 10-12 Comprehensive DirectoryDirectory of NY Club, Concert ElioElio VillafrancaVillafranca With Nuevo Jazz Latino at Jazz At Lincoln Center, November 3-4 Spectacular Jazz Gifts - Go To www.JazzMusicDeals.com To Advertise CALL: 215-887-8880 December 2015 Jazz Inside Magazine www.JazzInsideMagazine.com 1 COVER-2-JI-15-12.pub Wednesday, December 09, 2015 15:43 page 1 MagentaYellowBlacCyank To Advertise CALL: 215-887-8880 October-November 2017 Jazz Inside Magazine www.JazzInsideMagazine.com 1 Jazz Inside Magazine ISSN: 2150-3419 (print) • ISSN 2150-3427 (online) October-November 2017 – Volume 8, Number 8 Cover Photo (and photo at right) of Elio Villafranca by Jerry Lacay; Photo at right by Eric Nemeyer Publisher: Eric Nemeyer Editor: Wendi Li Marketing Director: Cheryl Powers Advertising Sales & Marketing: Eric Nemeyer Circulation: Susan Brodsky Photo Editor: Joe Patitucci Layout and Design: Gail Gentry Contributing Artists: Shelly Rhodes Contributing Photographers: Eric Nemeyer, Ken Weiss Contributing Writers: John Alexander, John R. Barrett, Curtis Daven- port; Alex Henderson; Joe Patitucci; Ken Weiss. ADVERTISING SALES 215-887-8880 Eric Nemeyer – [email protected] ADVERTISING in Jazz Inside™ Magazine (print and online) Jazz Inside™ Magazine provides its advertisers with a unique opportunity to reach a highly specialized and committed jazz readership. Call our Advertising Sales Depart- ment at 215-887-8880 for media kit, rates and information.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • Downbeat.Com April 2011 U.K. £3.50
    £3.50 £3.50 U.K. PRIL 2011 DOWNBEAT.COM A D OW N B E AT MARSALIS FAMILY // WOMEN IN JAZZ // KURT ELLING // BENNY GREEN // BRASS SCHOOL APRIL 2011 APRIL 2011 VOLume 78 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Maureen Flaherty ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz,
    [Show full text]
  • June 2020 Volume 87 / Number 6
    JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow.
    [Show full text]
  • 59Th Annual Critics Poll
    Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Discography Updates (Updated May, 2021)
    Discography Updates (Updated May, 2021) I’ve been amassing corrections and additions since the August, 2012 publication of Pepper Adams’ Joy Road. Its 2013 paperback edition gave me a chance to overhaul the Index. For reasons I explain below, it’s vastly superior to the index in the hardcover version. But those are static changes, fixed in the manuscript. Discographers know that their databases are instantly obsolete upon publication. New commercial recordings continue to get released or reissued. Audience recordings are continually discovered. Errors are unmasked, and missing information slowly but surely gets supplanted by new data. That’s why discographies in book form are now a rarity. With the steady stream of updates that are needed to keep a discography current, the internet is the ideal medium. When Joy Road goes out of print, in fact, my entire book with updates will be posted right here. At that time, many of these changes will be combined with their corresponding entries. Until then, to give you the fullest sense of each session, please consult the original entry as well as information here. Please send any additions, corrections or comments to http://gc-pepperadamsblog.blogspot.com/, despite the content of the current blog post. Addition: OLIVER SHEARER 470900 September 1947, unissued demo recording, United Sound Studios, Detroit: Willie Wells tp; Pepper Adams cl; Tommy Flanagan p; Oliver Shearer vib, voc*; Charles Burrell b; Patt Popp voc.^ a Shearer Madness (Ow!) b Medley: Stairway to the Stars A Hundred Years from Today*^ Correction: 490900A Fall 1949 The recording was made in late 1949 because it was reviewed in the December 17, 1949 issue of Billboard.
    [Show full text]
  • Austin, Lil Armstrong, Mary Lou Wil- Suggests That Brackeen Plays Best in Good the Lack of a Live Audience to Respond to Liams, Marian Mcpartland, and Toshiko Company
    ART BLAKEY AND THE JAZZ MES- SENGERS: Reflections in Blue. Art Blakey (drums);Valerie Ponomarev (trumpet); Robert Watson (alto saxophone); David Schnitter (tenor saxophone); Dennis Irwin (bass); James Williams (piano). E.T.A.; Mishima; Ellington Medley; My Foolish Heart; and four others. TimELEss/MusE TI 317 $7.98. Performance:Fresh Recording:Deadened Decades come and decades go, but Art Bla- instrumentalists, especially pian-interfere with her solo playing on Pausa's key continues to run that hotbed of new tal- FEMALEists, have actively contributed to jazz"Mythical Magic" album. I don't mean toent called the Jazz Messengers. This latest since it first took on a recognizable form, dismiss JoAnne Brackeen as a solo force, Blakey release was recorded in Holland to- but it was not until the late Seventies- for it could simply be that the atmosphere ward the end of 1978, with the same person- when the feminist movement made us take at the MPS studio in Germany's Black For- nel as "In This Corner," the excellent set a retrospective look at sexism and other est hampered her spirit (many fine artists released by Concord Jazz last year. Unlike forms of discrimination-that the public at havegivendisappointingperformances that set-a live recording from a San Fran- large discovered the extent of that contribu- there for some reason), but a comparison of cisco club-this one was made in a studio, tion. JoAnne Brackeen stands out in the "Mythical Magic" with either "Prism" orbut not, I'm afraid, a first-class one; the long line of distinguished women pianist/ "Keyed In" (where she is aided by Gomez sound lacks the resiliency of a studio de- composers, which today includes Lovieand drummer Jack DeJohnette) strongly signed with regard for acoustics.
    [Show full text]
  • Audition Requirements 2021-2022
    General Audition Requirements 2021-2022 *See page 2, 3 and 4 for separate Upper Division Requirements Harmonic and Melodic Instruments (piano, guitar, horns, vocal, bass, etc.) 1) Play one or two of the following jazz standards: Blue Monk (beginning level) Autumn Leaves It Could Happen To You Have You Met Miss Jones All The Things You Are Play the melody once and improvise over one chorus with a play-along track or with a metronome. Memorization of tunes is highly encouraged. 2) Play this ballad: In a Sentimental Mood (music provided). Please only play the melody once. 3) Transcription: Play one solo you have transcribed by memory (a piece that has not been submitted in the past); minimum of 24 bars. Here is a very helpful link for those who do not know how to transcribe or what transcribing means: https://www.jazzadvice.com/10-killer-tips-for-transcribing-jazz-solos/ Percussion (drum kit and percussion) Play each of the following: 1) Fast tempo Swing for 24 bars (equals 2 choruses of blues); quarter note equals 210-240 2) Basic Bossa Nova at med tempo for 8 bars; quarter note equals 110-130 3) Jazz Waltz for 16 bars with brushes; quarter note equals 140-180 4) Play Mambo, Afro-Cuban, or other faster latin groove of your choice; quarter note equals 230-250 Young Lions Jazz Conservatory Audition Requirements For Upper Division Ensembles: 1) The following two compositions must be played by ALL Upper Division instrumentalists and vocalists: 26-2 - John Coltrane. Music will be provided in concert key only.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]