Renowned Pianist Comes to BC Department Has This Fall
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Ken and Diana Tittle — UFW Volunteers 1971-73
Ken and Diana Tittle — UFW Volunteers 1971-73 Diana and I had gone from Boston to northern New Mexico and southern Colorado the summer of 1970 on a United Presbyterian health education-based community organizing project called the Health Fair project (something that a classmate of mine, Jon Kay, and I had first developed for the Presbyterians in the Southeast in 1966). We worked some with Presbyterian Medical Services down there (PMS, not initials one would choose these days), and were considering returning to northwestern New Mexico the next year. My idea, though, was to offer myself as an organizing focus. I would say to the people in that doctor- deprived area, “Clearly, one doctor cannot meet your medical needs, and I am not going to try, but I am willing to negotiate with a community group to give you a defined amount of physician services — a contract — and you would have to decide how you wanted to use those services and then how you would address the rest of the medical needs.” I was not interested in going there as a solo doctor just to burn out in a year or two, and I was committed to the idea that “community competence” to address their needs was actually more important to the community’s health than whatever a doctor might do, so in principle, the whole thing seemed to make a lot of sense. But in practice, I had never heard of anyone ever doing or even proposing such a thing before, so it was a little daunting. (“Community competence” was, in fact, a concept and term I myself had invented to sell the Health Fair idea to the Presbyterians, something drawing on my Friends Service Committee experiences.) In the meantime, we returned to Boston for another year, where I had a position as a special fellow in ambulatory medicine (and later an instructorship in internal medicine) with the Harvard Teaching Hospitals. -
Jane the Virgin”
Culture, ethnicity, religion, and stereotyping in the American TV show “Jane the Virgin” Fares 2 Contents Introduction………………………………………………………………………..…………….….3 1. Theory & Methodology……………………………………………..………..……………….…4 2. Cultural theory……………………………………………………………..…………………….6 2.1 stereotypes and their Functions: ‘othering’, ‘alterity’, ‘us’ and ‘them’ dichotomy……………………………………………………………...…..…6 2.2 race and ethnicity………………….……..…………………….......….16 2.3 religion………………………………………………………………......18 2.4 virginity and ‘marianismo’..……………………………………….…...19 2.5 identity…………………….………………………...….……………….20 3. Media Context….…………………….……………………...…………………………………24 3.1 postmodernism and television..………………...………………..…24 3.2 Latin American soap operas…………………………………….…..27 3.3 American soap operas ………………………………………..….….31 4. Genre Analysis Context…….…………………………………………………………………33 4.1 genre theory and concepts...…………………………………..……34 4.2 comedy..………………………………………………………...….…38 5. Cultural Analysis oF “Jane The Virgin”……………………………………………………….42 6. Genre Analysis oF “Jane the Virgin”…………………………………………………….……61 7. Comparison & Discussion………………………………………………...…………….…….72 8. Conclusion…………………………………………………………………..………………….75 9. Works Cited…………………..……………………………………………..………………….77 Fares 3 Adalat Lena Fares Bent Sørensen Master’s Thesis 2. June 2020 Culture, ethnicity, religion, and stereotyping in the American TV show "Jane the Virgin" "Jane the Virgin" is an American television show on The CW, that parodies the Latin American soap opera format, while also depicting and handling real-life issues. The -
SKYDANCE MEDIA CASTS NATALIA REYES, DIEGO BONETA, and GABRIEL LUNA to STAR in UPCOMING TERMINATOR PROJECT After a Global Ta
SKYDANCE MEDIA CASTS NATALIA REYES, DIEGO BONETA, AND GABRIEL LUNA TO STAR IN UPCOMING TERMINATOR PROJECT After a global talent search, Skydance Media announced today Natalia Reyes ("Lady, La Vendedora de Rosas"), Diego Boneta (“Scream Queens,” Rock of Ages), and Gabriel Luna (“Marvel’s Agents of S.H.I.E.L.D.”) will join MaCkenzie Davis as the new stars of the latest Terminator project directed by Tim Miller (Deadpool) and produced by James Cameron and David Ellison. Specific details on the characters are being kept under wraps As previously announced, Arnold Schwarzenegger and Linda Hamilton are set to star in the film which is scheduled for release the Friday before Thanksgiving on November 22, 2019. The movie will be a direct sequel to Cameron's Terminator 2: Judgment Day, with Schwarzenegger and Hamilton anchoring the story while passing the baton to a new generation of characters. The film will be distributed domestically by Paramount Pictures and internationally by 20th Century Fox. Natalia Reyes, is a Colombian actress best known for her starring role in Sony's hit Latin America series "Lady, La Vendedora de Rosas" and as one of the stars of Peter Webber’s Netflix original film Pickpockets. In 2017, she shot Sumergible produced by Ecuadorian director Sebastián Cordero and was part of Sticks and Stones a film by Martin SkovbJerg in Denmark. She Just finished shooting Running with the Devil, an upcoming American thriller starring Nicolas Cage. Reyes is a graduate of the Lee Strasberg Theatre and Film Institute (New York City). Mexican-born actor Diego Boneta, made his feature debut in the musical Rock of Ages. -
Supplemental Information for the Consolidated Financial
Supplemental Information for the Consolidated Financial Results for the Second Quarter Ended September 30, 2019 2019 年度第 2 四半期連結業績補足資料 October 30, 2019 Sony Corporation ソニー株式会社 Supplemental Financial Data 補足財務データ 2 ■ Average / assumed foreign exchange rates 期中平均/前提為替レート 2 ■ FY19 Estimated Foreign Exchange Impact on Annual Operating Income 2019 年度 為替感応度(年間営業利益に対する影響額の試算) 2 ■ Results by segment セグメント別業績 3 ■ Sales to customers by product category (to external customers) 製品カテゴリー別売上高(外部顧客に対するもの) 4 ■ Unit sales of key products 主要製品販売台数 4 ■ Sales to customers by geographic region (to external customers) 地域別売上高(外部顧客に対するもの) 4 ■ Depreciation and amortization (D&A) by segment セグメント別減価償却費及び償却費 5 ■ Amortization of film costs 繰延映画製作費の償却費 5 ■ Additions to long-lived assets and D&A 固定資産の増加額、減価償却費及び償却費 5 ■ Additions to long-lived assets and D&A excluding Financial Services 金融分野を除くソニー連結の固定資産の増加額、減価償却費及び償却費 5 ■ Research and development (R&D) expenses 研究開発費 5 ■ R&D expenses by segment セグメント別研究開発費 5 ■ Restructuring charges by segment (includes related accelerated depreciation expense) セグメント別構造改革費用(関連する加速減価償却費用を含む) 6 ■ Period-end foreign exchange rates 期末為替レート 6 ■ Inventory by segment セグメント別棚卸資産 6 ■ Film costs (balance) 繰延映画製作費(残高) 6 ■ Long-lived assets by segment セグメント別固定資産 6 ■ Long lived assets and right-of-use assets by segment セグメント別固定資産・使用権資産 7 ■ Goodwill by segment セグメント別営業権 7 ■ Return on Invested Capital (ROIC) by segment セグメント別ROIC 7 ■ Cash Flow (CF) by segment セグメント別キャッシュ・フロー 7 Game & Network Services Segment Supplemental Information (English only) -
Why Emma Roberts Is My Spirit Animal
Dating Tip #77: Google the person. Thursday, October 15, 2015 12A The Valdosta Daily Times The video !! art of brain tra surgery FROM JOE Medical Degrees: 0 Malpractice Suits: Too many to count XX he patient is readied. My #vdtxtra assistants are ready. My Thands are washed. It’s time to start on an appendectomy. Just as I make my first incision, I get the horrific realization I forgot some- thing. Maybe it’s the fact the patient just let out a bone-chilling scream that could be heard by everyone on the helipad six stories above us. My lead assistant looks at me, not really im- pressed with my minor mistake. “You know, that wasn’t really the proper procedure,” he tells me, as calm as ever. The chief surgeon, trying to make par 3 on the 15th in one stroke, had his phone go off just as he made the shot. When he stormed into my vicinity, I thought he was going to wrap his 5-iron around my throat. “I am outraged at your unbelievable incompetence!” he roared in my direc- tion. Gee, thanks. I found out later his shot wound up beaning someone Gerald Ford-style. My job was now to take care of this guy. JOE By the way, I should point out that I’m really just playing a game — “Life and Death,” a game by Software Toolworks which came out in 1988. The first game focused on the lower body — the appendix, the stomach, etc. Its sequel, “Life and Death II,” focused on the brain. -
MTV Evitará Transmitir La Escenade Miley Cyrus
Visión. “Quiero aprender de los mejores”, dijo Diego Boneta al platicar de Scream Queens, serie en la que alterna con Lea Michele, Ariana Grande y Nick Jonas >4 EXCELSIOR MARTES 1 DE SEPTIEMBRE DE 2015 @Funcion_Exc x om.m c . funcion@gimm POR HISTORY CHANNEL BOWIE LE CANTARÁ A BOB ESPONJA David Bowie, Steven Tyler y Joe Perry son algunas de las figuras del rock que estarán presentes en el musical de Bob Esponja que se está preparando. ES LA REINA En la puesta en escena del personaje televisivo también se contará con temas de Cyndi Lauper, John Legend, The Flaming Lips, T.I., Plain White T’s, They Might Be Giants, Lady Antebellum, Panic! At The Disco y Dirty Projectors, entre otros. La estadunidense Se planea estrenar en junio de 2016 en Chicago. La expectación es alta por lo que se tiene calculado que DEL VOLANTE Lisa Kelly muestra el posteriormente se monte en Broadway, con larga temporada que llegará hasta 2017. (De la Redacción) lado desconocido de los camioneros, trabajo Fotos: Cuartoscuro, AP y Archivo al que se dedica desde joven, a través de la serie Rutas mortales, que mañana estrena su octava temporada en Latinoamérica >6 Fotos: Cortesía History Channel MTV evitará transmitir la escena de Miley Cyrus LOS ÁNGELES.- Las actitu- entrega de premios este des de Miley Cyrus nueva- momento. mente dieron de qué hablar “MTV no está bajo la au- en la reciente ceremo- toridad de la FCC (Comisión nia de los MTV Video Music Federal de Comunicacio- Awards. nes), así que MTV no sería Primero la cantante se objeto de ninguna multa por apareció entre bambalinas indecencia por este motivo”, con un cigarrillo de mari- dijo Melissa Henson, direc- guana encendido y lo hizo tora de educación y apoyo circular. -
Juan Gabriel, Luis Miguel, and José José Transmitted by Television Channels and Streaming Platforms with International Influence
Television, melodrama and DAVID GONZÁLEZ HERNÁNDEZ1 bio-series: Juan Gabriel, https://orcid.org/0000-0003-3041-8750 Luis Miguel, and José José ANTONIETA MERCADO ANAYA2 Televisión, melodrama y bioseries: Juan https://orcid.org/0000-0003-4153-7368 Gabriel, Luis Miguel, y José José EFRAÍN DELGADO RIVERA3 DOI: https://doi.org/10.32870/cys.v2020.7492 https://orcid.org/0000-0003-3663-5502 JAIME MIGUEL GONZÁLEZ CHÁVEZ4 https://orcid.org/0000-0003-0517-8767 This article examines the narrative strategies that have structured the biographical series of Juan Gabriel, Luis Miguel, and José José transmitted by television channels and streaming platforms with international influence. It focuses primarily on their retrospective stories and struggles to achieve “success”. We discussed how these storylines are reconfigured as melodramas to manage tensions about gender, sexuality, drug addiction and family. KEYWORDS: Television, melodrama, biographical series. Este artículo examina las estrategias narrativas que estructuran las series biográficas de Juan Gabriel, Luis Miguel, y José José transmitidas por canales de televisión y platafor- mas de streaming con alcance internacional. Se enfoca principalmente en sus historias retrospectivas y sus luchas por alcanzar el “éxito”. Discutimos cómo estas historias se reconfiguran como melodramas para manejar las tensiones sobre el género, la sexuali- dad, la drogadicción y la familia. PALABRAS CLAVE: Televisión, melodrama, series biográficas. 1 How to cite: González Hernández, D., Mercado Anaya, A., Delgado Rivera, E. & González Chávez, J. M. (2020). Televisión, melodrama and bio-series: Juan Gabriel, Luis Mi- guel, and José José. Comunicación y Sociedad, e7492. https://doi.org/10.32870/cys. v2020.7492 Instituto Tecnológico y de Estudios Superiores de Occidente, Mexico. -
'Assassinated' War Correspondent Marie Colvin, Lawsuit Filed by Her Relatives Claims
Feedback Tuesday, Apr 10th 2018 12AM 64°F 3AM 57°F 5-Day Forecast Home U.K. News Sports U.S. Showbiz Australia Femail Health Science Money Video Travel Columnists DailyMailTV Latest Headlines News World News Arts Headlines Pictures Most read Wires Coupons Login ADVERTISEMENT As low as $0.10 ea STUDENT Ribbon Learn More Assad's forces 'assassinated' Site Web Enter your search renowned war correspondent Marie ADVERTISEMENT Colvin and then celebrated after they learned their rockets had killed her, lawsuit iled by her relatives claims President Bashar Assad's forces targeted Marie Colvin and celebrated her death This is according to a sworn statement a former Syrian intelligence oicer made The 55-year-old Sunday Times reporter died in a rocket attack in Homs By JESSICA GREEN FOR MAILONLINE PUBLISHED: 14:25 EDT, 9 April 2018 | UPDATED: 16:14 EDT, 9 April 2018 65 175 shares View comments Syria President Bashar Assad's forces allegedly targeted veteran war correspondent Marie Colvin and then celebrated after they learned their rockets had killed her. This is according to a sworn statement a former Syrian intelligence oicer made in a wrongful death suit iled by her relatives. The 56-year-old Sunday Times reporter died alongside French photographer Remi Ochlik, 28, in a rocket attack on the besieged city of Homs. ADVERTISING Like +1 Daily Mail Daily Mail Follow Follow @DailyMail Daily Mail Follow Follow @dailymailuk Daily Mail FEMAIL TODAY The intelligence defector, code named EXCLUSIVE: Tristan Ulysses, says Assad's military and Thompson caught on intelligence oicials sought to capture or video locking lips with a brunette at NYC club kill journalists and media activists in just days before Khloe Homs. -
Hispanic Access a TOP TEN LIST of PLACES IMPORTANT to THE
ACCESS WHITEPAPER SERIES PLACE, STORY & CULTURE A TOP TEN LIST OF PLACES IMPORTANT TO THE LATINO COMMUNITY AND IN NEED OF PRESERVATION PREPARED BY LATINO HERITAGE SCHOLARS: MANUEL G. GALAVIZ , NORMA HARTELL, ASHLEYANN PEREZ-RIVERA ADVISED BY: JENNIFER BRANDT, JESSICA LOYA, AND JOSEPHINE TALAMANTEZ Hispanic Access Foundation Hispanic Access Foundation TABLE OF CONTENTS EXECUTIVE SUMMARY 3 INTRODUCTION 5 TYPES OF PROTECTIONS 7 #1: PUEBLO OF TORTUGAS 8 #2: THE TRUJILLO ADOBE 10 #3: CORPUS AQUINO GALLEGOS RANCH 12 #4: CASTNER RANGE 14 #5: RIO VISTA FARM 16 #6: MCDONNELL HALL 18 #7: FORTY ACRES 20 #8: SANTA RITA HALL 22 #9: LINCOLN HIGH SCHOOL 24 #10: BALMY ALLEY 26 ENDNOTES 28 BIBLIOGRAPHY 30 2 Hispanic Access Foundation EXECUTIVE SUMMARY Numerous sites dot our American landscapes and cities that tell a different story about our past. Places that embody the architectural, cultural and deep historical roots of the Latino community within the shared national identity. In an effort to provide insight into the vast amount of sites that deserve protection and merit official recognition, the Latino Heritage Scholars have developed a top ten list of historic sites associated with Latino heritage worthy of consideration. These sites are organized chronologically: #1: Pueblo of Tortugas Located in southern New Mexico, Tortugas Pueblo is representative of mestizo identity. It is full of history and culture with traditions that represent the blending of indigenous Native American and Hispanic cultures unique to the area. #2: The Trujillo Adobe Built in 1863, the Trujillo Adobe is one of the last remnants of the original settlements of Riverside, California. -
ROCK of AGES Pk 5 24 12 Domestic
Under the direction of Adam Shankman (“Hairspray”), New Line Cinema’s feature film adaptation of the smash hit Broadway musical “Rock of Ages” comes to the big screen. “Rock of Ages” tells the story of small town girl Sherrie and city boy Drew, who meet on the Sunset Strip while pursuing their Hollywood dreams. Their rock ‘n’ roll romance is told through the heart-pounding hits of Def Leppard, Foreigner, Journey, Poison, REO Speedwagon, Twisted Sister and more. The movie musical stars Julianne Hough (“Burlesque”), with actor/singer Diego Boneta in his feature film debut, Russell Brand (“Arthur,” “Get Him to the Greek”), Oscar® nominee Paul Giamatti (“Cinderella Man”), Academy Award® winner Catherine Zeta- Jones (“Chicago”), Malin Akerman (“The Proposal”) and R&B queen Mary J. Blige, with Oscar® nominee Alec Baldwin (“The Cooler,” TV’s “30 Rock”), and Oscar® nominee Tom Cruise (“Mission: Impossible – Ghost Protocol,” “Magnolia,” “Jerry Maguire”) as Stacee Jaxx. Shankman directs “Rock of Ages” from a screenplay by Justin Theroux and Chris D’Arienzo and Allan Loeb, based on D’Arienzo’s musical of the same name. The film is being produced by Matthew Weaver, Scott Prisand, Carl Levin, Tobey Maguire, Garrett Grant and Jennifer Gibgot, with Toby Emmerich, Richard Brener, Michael Disco, Samuel J. Brown, Hillary Butorac Weaver, Janet Billig Rich, Shankman and D’Arienzo serving as executive producers. Rounding out the “Rock of Ages” creative team are director of photography Bojan Bazelli (“Hairspray”), production designer Jon Hutman (“It’s Complicated”), editor Emma 1 E. Hickox (“A Walk To Remember”), Oscar®-nominated costume designer Rita Ryack (“How the Grinch Stole Christmas,” “Hairspray”), Grammy-nominated music supervisor Matt Sullivan (“Dreamgirls,” “Nine”), and Emmy Award-winning choreographer Mia Michaels (“So You Think You Can Dance”). -
Logotipo El Siglo De Durango NUEVO DISEÃ'o
JUEVES 19 DE ABRIL DE 2018 3 TÍMPANO EN LA ESCALA Nuevas actuaciones confirmadas para los Platino 2018 Malú, Morat, Axel y los raperos Arkano y Aczino se unirán a Maná en las actuaciones musicales de la gala de entrega de los Pre- mios Platino 2018, que se celebrará el próximo 29 de abril en el teatro Tla- chco de Xcaret en Rivie- ra Maya (México), infor- mó la organización en un comunicado. Los Premios Platino La gala se celebrará en Xcaret, del Cine Iberoamericano en la Riviera Maya. están promovidos por la Entidad de Gestión de Derechos de los Productores Au- diovisuales (EGEDA), junto con la Federación Iberoame- ricana de Productores Cinematográficos y Audiovisua- les (FIPCA) y el apoyo de las Academias e Institutos de cine iberoamericanos, Latin Artis y la Fundación Aisge. (AGENCIAS) La británica Jessie J gana el talent AGENCIAS show más popular de la TV china Lanzamiento. La serie biográfica de Luis Miguel, protagonizada por Diego Boneta, se estrenará este fin de semana por Netflix La cantante británica Jessie J, que ha sido juez de la ver- y Telemundo. sión británica de La Voz, se ha puesto ahora en la piel de los concursantes en un concurso similar pero en China, el popular Singer, donde se ha convertido en la ganadora de la sexta HABRÁ 2° TEMPORADA edición. En la final, que se emi- te los días 13 y 20 de abril, Jessie J se impuso a los La intérprete triunfó tras cantar locales Hua Chenyu y ‘I will always love you’. Wang Meng gracias a su DE ‘LUIS MIGUEL’ interpretación de ‘I Will Always Love You’, el conocido Confirman la continuación de la serie biográfica de ‘El Sol’. -
Read Leah Glaser's Thesis
THE STORY OF GUADALUPE, ARIZONA: THE SURVIVAL AND PRESERVATION OF A YAQUI COMMUNITY by Leah S. Glaser A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts ARIZONA STATE UNIVERSITY December 1996 ABSTRACT Guadalupe’s formation and persistence in the Phoenix area is a long overlooked topic of local history. Despite heavy residential, commercial, and industrial development, the once remote farm labor community has remained impervious to urban expansion. Residents have managed to preserve a degree of cultural and geographic separatism while participating in the economic and political structure of Phoenix’s dominant Anglo society. When late nineteenth century land reform policies of Mexican dictator Porfirio Diaz forced Yaquis from their homeland in Sonora, Mexico and threatened to kill them, Yaqui Indians fled to Arizona. Anglos there were sympathetic to their plight as refugees and Yaquis were able to find a niche in the Salt River Valley’s agricultural economy. Catholic and Presbyterian missionaries also supported the community and helped secure land for a legal townsite. But as immigrants and squatters, the political status of both Yaquis and Guadalupe was legally ambiguous. Meanwhile, many corporations set up labor camps, or “company towns,” the Salt River Valley Water Users’ Association established an exclusively Yaqui village that provided stability for the community’s sustenance and persistence. These factors combined with self identity, determination, and community consciousness to place the Yaqui community in a promising position for sustenance and longevity. By the 1960s, Guadalupe was no longer just a Yaqui community, but a Mexican-American as well. Whether by choice or by proximity, they joined Mexican-Americans in their fight for political voice and economic improvements.