What the World Needs Now
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Foreign Soil by Maxine Beneba Clarke HACHETTE
2015 STELLA PRIZE SHORTLISTED TITLE Foreign Soil by Maxine Beneba Clarke HACHETTE ‘Wondrous as she seemed, Shu Yi wasn’t a problem I wanted to take on. Besides, with her arrival my own life had become easier: Melinda and the others hadn’t come looking for me in months. At home, my thankful mother had finally taken the plastic undersheet off my bed.’ Maxine Beneba Clarke, Foreign Soil INTRODUCTION TO THE TEXT suitable for study. A short synopsis and series of This collection of short stories won the Victorian reading questions are allocated for each story, along Premier’s Award for an Unpublished Manuscript in with any themes that are not included in the general 2013, and was subsequently published by Hachette list of the book’s themes below. Following this Australia. It went on to be critically recognised and breakdown are activities that can be applied to the appear on the shortlists for numerous awards. book more broadly. Like all of Maxine Beneba Clarke’s work, this ABOUT THE AUTHOR collection reflects an awareness of voices that are often pushed to the fringes of society, and frequently MAXINE BENEBA CLARKE is speaks to the experiences of immigrants, refugees and an Australian writer and slam single mothers, in addition to lesbian, gay, bisexual, poetry champion of Afro-Caribbean transgender and intersex people. In Foreign Soil, descent. She is the author of the Clarke captures the anger, hope, despair, desperation, poetry collections Gil Scott Heron is strength and desire felt by members of these groups, on Parole (Picaro Press, 2009) and Nothing Here Needs and many others. -
About the Book 2 About the Author 2 Conversation Starters 3 for Reference 4 Also by Michelle De Kretser 4 If You Liked This Book
About the book 2 About the author 2 Conversation starters 3 For reference 4 Also by Michelle de Kretser 4 If you liked this book ... 4 Welcome to Allen & Unwin’s Book Group Guide for The Life to Come the dazzling new novel from Michelle de Kretser, author of Questions of Travel, bestseller and winner of the Miles Franklin Award. About the book Set in Sydney, Paris and Sri Lanka, The Life to Come is a mesmerising novel about the stories we tell and don’t tell ourselves as individuals, as societies and as nations. It feels at once firmly classic and exhilaratingly contemporary. Pippa is a writer who longs for success. Celeste tries to convince herself that her feelings for her married lover are reciprocated. Ash makes strategic use of his childhood in Sri Lanka but blots out the memory of a tragedy from that time. Driven by riveting stories and unforgettable characters, here is a dazzling meditation on intimacy, loneliness and our flawed perception of other people. Profoundly moving as well as wickedly funny, The Life to Come reveals how the shadows cast by both the past and the future can transform, distort and undo the present. This extraordinary novel by Miles Franklin-winning author Michelle de Kretser will strike to your soul. ‘...one of those rare writers whose work balances substance with style. Her writing is very witty, but it also goes deep, informed at every point by a benign and far-reaching intelligence.’ Kerryn Goldsworthy, Sydney Morning Herald About the author Michelle de Kretser was born in Sri Lanka and emigrated to Australia when she was 14. -
Media Release
Media Release Sofie Laguna named winner of Miles Franklin Award 2015 Award has supported Australian authors with close to $1 million in philanthropic funds distributed 23 June 2015 Perpetual, as Trustee of the Miles Franklin Literary Award, today announced Sofie Laguna as the winner of the 2015 award for her novel, The Eye of the Sheep. The Miles Franklin Literary Award, recognised as Australia’s most prestigious literary prize, was established in 1954 through the Will of My Brilliant Career author, Stella Maria Sarah Miles Franklin, to encourage and support writers of Australian literature. Ms Laguna will receive $60,000 in prize money with her novel strongly presenting “Australian Life in any of its phases” and judged to be of the “highest literary merit”, in line with the criteria set out by Miles Franklin. Since moving away from careers in law and acting, Melbourne-based Ms Laguna has written for a wide readership, from picture books for very young children to series for older readers. Her debut novel for adults, One Foot Wrong, was long-listed for the Miles Franklin Literary Award in 2009. The Eye of the Sheep was selected from a short list of powerful Australian voices depicting unforgettable characters, including authors Joan London, Sonya Hartnett, Christine Piper and Craig Sherborne. Commenting on behalf of the judging panel, State Library of NSW Mitchell Librarian, Richard Neville, said that the power of Ms Laguna’s finely crafted novel lies in the “raw, high-energy and coruscating language” which describes the world of central character, young Jimmy Flick. “Jimmy Flick is a character who sees everything, but his manic x-ray perceptions don’t correspond with the way others see his world. -
Books of the Year
Survey Books of the Year Sarah Holland-Batt in Catherine Lacey’s Pew (Granta), a novel that reads like After years of anticipation, I was thrilled to finally read Jaya Flannery O’Connor penned an episode of The Twilight Zone. Savige’s dazzling third volume, Change Machine (UQP, reviewed In non-fiction, fellow Western Australian Rebecca Giggs’s BOOK YOUR SEASON PACKAGE in ABR, October 2020): an intoxicatingly inventive and erudite Fathoms: The world in the whale (Scribe) left me feeling like I’d collection rife with anagrams, puns, and mondegreens that surfaced from some uncharted deep – breathless, awestruck, ricochets from Westminster to Los Angeles to Marrakesh, re- and brimming with questions. mixing multicultural linguistic detritus into forms of the poet’s own invention. Yet for all the book’s global sweep, it’s the quiet Judith Brett poems about fatherhood that stay with me, especially Savige’s For the past two springs, I have driven from Victoria to the immensely moving elegy for a premature son, ‘Tristan’s Ascen- Flinders Ranges. Not this year, of course. Instead, locked sion’, with its devastating simplicity: ‘Oh, son. You stepped off down in the city, I read Garry Disher’s three novels set in one stop too soon. / Your mother has flown // all the way to South Australia’s dry farming country, where Constable Paul Titan / to look for you.’ I also loved Prithvi Varatharajan’s Hirschman drives up and down the Barrier Highway to solve Entries (Cordite), an introspective and deeply intelligent crimes small and large: Bitter Wash Road, Peace, and the most collection of mostly prose poems whose overriding note is one recent, Consolation (Text). -
Dialogue 2019
Dialogue 2019 CAE Book Groups Catalogue CAE BOOK GROUPS 253 FLINDERS LANE, MELBOURNE CAE.EDU.AU / 03 9652 0611 Contents 4 5 3 Join or Start a Growing Up, Book Discussion Service. 527 Collins Street Introduction CAE Book Group Moving On Contact Us 11 Level 2, 253 Flinders Lane Exceptional Women Melbourne VIC 3000 17 P (03) 9652 0611 Artist, 23 E [email protected] Maker, Thinker Relationships W www.cae.edu.au 31 45 Keep informed about upcoming Step Back in Time Families literary events, book reviews, book and movie giveaways and lots more. Email [email protected] to receive regular 38 email updates. Grand VIsions Start your own group 62 See page 4 for more information about Surviving, starting a group. Prevailing Join an existing group 55 70 Some of our existing groups are looking Journeys Dark Deeds for new members. Please contact CAE Book Groups, and we will help you find 78 82 87 a group in your area. Index by Index by Index by Author Title Large Type 87 91 Index by Enrolment Form Box Number 3 Introduction Centre for Adult Education CAE is a leading provider of Adult and Community Education and Theme Icons has been providing lifelong learning opportunities to Victorians for 70 years. CAE has a strong focus on delivering nationally F Fiction Large Print recognised and accredited training as well as non accredited L Nonfiction short courses, and connects with the community through socially N Adapted Books inclusive practices that recognise diversity and creativity. Located S Short Stories Book Group Favourite in the heart of the arts and café area of Melbourne’s CBD, CAE µ offers a vibrant and supportive adult learning environment, flexible learning options, skills recognition, practical training and supervised work placements. -
The Blackwords Symposium: the Past, Present, and Future of Aboriginal and Torres Strait Islander Literature
The BlackWords Symposium: The Past, Present, and Future of Aboriginal and Torres Strait Islander Literature KERRY KILNER University of Queensland PETER MINTER University of Sydney We write to create, to survive, and to revolutionise; we write to haunt and we ache because we refuse to leave the past alone. We aim to disrupt the State’s founding order of things, to disrupt ‘patriarchal white sovereignty’ (Moreton- Robinson), white heteronormativity, and the colonial-continuum of history. (Harkin, herein) The BlackWords Symposium, held in October 2012, celebrated the fifth anniversary of the establishment of BlackWords, the AustLit-supported project recording information about, and research into, Aboriginal and Torres Strait Islander writers and storytellers. The symposium showcased the exciting state of Aboriginal and Torres Strait Islander creative writing and storytelling across all forms, contemporary scholarship on Indigenous writing, alongside programs such as the State Library of Queensland’s black&write! project, which supports writers’ fellowships, editing mentorships, and a trainee editor program for professional development for Indigenous editors. But really, the event was a celebration of the sort of thinking, the sort of resistance, and the re-writing of history that is evident in the epigraph to this introduction. The speakers, who included Melissa Lucashenko, Wesley Enoch, Sandra Phillips, Ellen Van Neerven, Jeanine Leane, and Boori Pryor alongside the authors of the works in this collection, explored a diverse range of topics -
October 2022
“A Place of Special Value”: Literary & Artistic Travels in Victoria – October 2022 18 OCT – 29 OCT 2022 Code: 22266AU Tour Leaders Susannah Fullerton, OAM, FRSN, Shane Carmody Physical Ratings Learn about Victorian writers, past and present, familiar and unfamiliar, from literary expert Susannah Fullerton, President of the Jane Austen Society of Australia, and historian Shane Carmody. Overview Victoria has a long and proud literary history. In 2008, Melbourne became only the second city in the world, after Edinburgh, to receive designation as a City of Literature within UNESCO's Creative Cities Network. Learn about Victorian writers, past and present, familiar and unfamiliar, from literary expert Susannah Fullerton, President of the Jane Austen Society of Australia. Susannah will be assisted by Shane Carmody, a historian with a great love of libraries and archives. Visit Mulberry Hill, the home of Lady Joan Lindsay and Daryl Lindsay, and enjoy a picnic afternoon tea at Hanging Rock. Explore Victoria’s great art collections at the Castlemaine Art Gallery, Bendigo Art Gallery, Art Gallery of Ballarat, Geelong Gallery, Heide and the The Ian Potter Centre (NGV). Take a literary walking tour of Maldon in the footsteps of Henry Handel Richardson, and learn about her connections with Queenscliff from Dorothy Johnston, author of Gerard Hardy’s Misfortune. Meet 2015 Miles Franklin Award author Sofie Laguna and discuss her new novel Infinite Splendours set in the foothills of Southern Grampians. Enjoy poetry by Adam Lindsay Gordon; view his cottage in Ballarat and his commemorative statue in Melbourne. Tour the rugged Shipwreck Coast of Victoria (Great Ocean Road) which featured in Mad Max (1979) and the TV series, Round the Twist. -
Blackwords 5 Anniversary Celebration and Symposium
BlackWords 5th Anniversary Celebration and Symposium Friday, 19 October: Avid Reader Bookshop, Boundary Street, West End. Time: 6.00 p.m. for a 6.30 p.m. start 8.00 p.m. finish The event will celebrate five years of BlackWords and almost 25 years of the David Unaipon Award which has brought so many wonderful writers to light. Some recent award winners will read, and the UQP Unaipon eBook Collection will be launched. Saturday, 20 October – UQ Art Museum – BlackWords Symposium Time: 8.30 a.m. for an 8.45 a.m. start. 7.00 p.m. finish MC – Kerry Kilner 8.45 Kerry Kilner – welcome and acknowledgements 8.50 Welcome to Country – Uncle Joe Kirk 8.55 Welcome to the Symposium – Dr Anita Heiss, Convenor 9.00 Keynote address: Melissa Lucashenko 9.45 Session one: Writing Us Speakers: Dr Sandra R Phillips; Ellen Van Neerven-Currie; Dr Anita Heiss Chair: Dr Peter Minter 10.45 Morning tea 11.15 Session two: Writing the Record Speakers: Dr Jeanine Leane; Irene Howe; Natalie Harkin Chair: Kerry Kilner 12.30 Lunch Book selling and signing 1 1.30 Session three: Writing and Editing Speakers: Dr Peter Minter; J. Linda McBride-Yuke; Simone Tur; Faye Blanche Chair: Dr Jeanine Leane 2.30 Afternoon tea 3.00 Tour of the UQ Art Museum’s Desert Country exhibition with Gillian Ridsdale 3.30 Session four: Writing Across Land and Genre Speakers: Bruce Pascoe; Dr Jared Thomas; Wesley Enoch Chair: Dr Sandra R Philips 4.30 – 5.30 Australian Children’s Laureate Boori Pryor in conversation with Dr Anita Heiss. -
Sydney Writers' Festival
Bibliotherapy LET’S TALK WRITING 16-22 May 1HERSA1 S001 2 swf.org.au SYDNEY WRITERS’ FESTIVAL GRATEFULLY ACKNOWLEDGES SUPPORTERS Adelaide Writers’ Week THE FOLLOWING PARTNERS AND SUPPORTERS Affirm Press NSW Writers’ Centre Auckland Writers & Readers Festival Pan Macmillan Australia Australian Poetry Ltd Penguin Random House Australia The Australian Taxpayers’ Alliance Perth Writers Festival CORE FUNDERS Black Inc. Riverside Theatres Bloomsbury Publishing Scribe Publications Brisbane Powerhouse Shanghai Writers’ Association Brisbane Writers Festival Simmer on the Bay Byron Bay Writers’ Festival Simon & Schuster Casula Powerhouse Arts Centre State Library of NSW Créative France The Stella Prize Griffith REVIEW Sydney Dance Lounge Harcourts International Conference Text Publishing Hardie Grant Books University of Queensland Press MAJOR PARTNERS Hardie Grant Egmont Varuna, the National Writers’ House HarperCollins Publishers Walker Books Hachette Australia The Walkley Foundation History Council of New South Wales Wheeler Centre Kinderling Kids Radio Woollahra Library and Melbourne University Press Information Service Musica Viva Word Travels PLATINUM PATRON Susan Abrahams The Russell Mills Foundation Rowena Danziger AM & Ken Coles AM Margie Seale & David Hardy Dr Kathryn Lovric & Dr Roger Allan Kathy & Greg Shand Danita Lowes & David Fite WeirAnderson Foundation GOLD PATRON Alan & Sue Cameron Adam & Vicki Liberman Sally Cousens & John Stuckey Robyn Martin-Weber Marion Dixon Stephen, Margie & Xavier Morris Catherine & Whitney Drayton Ruth Ritchie Lisa & Danny Goldberg Emile & Caroline Sherman Andrea Govaert & Wik Farwerck Deena Shiff & James Gillespie Mrs Megan Grace & Brighton Grace Thea Whitnall PARTNERS The Key Foundation SILVER PATRON Alexa Haslingden David Marr & Sebastian Tesoriero RESEARCH & ENGAGEMENT Susan & Jeffrey Hauser Lawrence & Sylvia Myers Tony & Louise Leibowitz Nina Walton & Zeb Rice PATRON Lucinda Aboud Ariane & David Fuchs Annabelle Bennett Lena Nahlous James Bennett Pty Ltd Nicola Sepel Lucy & Stephen Chipkin Eva Shand The Dunkel Family Dr Evan R. -
The Process and Importance of Writing Aboriginal Fiction for Young Adult Readers Exegesis Accompanying the Novel “Calypso Summers”
The process and importance of writing Aboriginal fiction for young adult readers Exegesis accompanying the novel “Calypso Summers” Jared Thomas Thesis submitted for the degree of Doctor of Philosophy School of Humanities Discipline of English University of Adelaide September 2010 Dedication For the Nukunu and all Indigenous people in our quest to live, reclaim, document and maintain culture. 2 TABLE OF CONTENTS DEDICATION................................................................................................... 2 TABLE OF CONTENTS ................................................................................... 3 ABSTRACT...................................................................................................... 4 STATEMENT OF ORIGINALITY ..................................................................... 5 ACKNOWLEDGEMENTS ................................................................................ 6 INTRODUCTION ............................................................................................. 7 PART A: ABORIGINAL REPRESENTATION AND NEGOTIATING PROTOCOL ......................................................................................................................... 9 Representation of Aboriginal people and culture in film and fiction................ 10 Who can represent Aboriginal Australia and how? ........................................ 13 Identity and its impact on engagement with protocols ................................... 21 Writing in accord with Aboriginal cultural protocols ....................................... -
The True Story of Maddie Bright Mary-Rose Maccoll
AUSTRALIA APRIL 2019 The True Story of Maddie Bright Mary-Rose MacColl The bestselling author of In Falling Snow returns with a spellbinding tale of friendship, love and loyalty Description 'This book has it all: an unforgettable first chapter, a fascinating insight into the Prince of Wales' visit to Australia in 1920 through the eyes of two women who worked for him, and a compelling mystery set in contemporary times, against the backdrop of Princess Diana's death. Truly wonderful storytelling.' - Natasha Lester, bestselling author of The Paris Seamstress In 1920, at seventeen years of age, Maddie Bright takes a job as a serving girl on the Royal Tour of Australia by Edward, Prince of Wales. She meets the prince's young staff - his vivacious press secretary Helen Burns, his most loyal man Rupert Waters - and the prince himself - beautiful, boyish, godlike. Maddie might be on the adventure of a lifetime. Sixty-one years later, Maddie Bright is living a small life in a ramshackle house in Paddington, Brisbane. But an unlooked- for letter has arrived in the mail and there's news on the television from Buckingham Palace that makes her shout back at the screen. Maddie Bright's true story may change. In August 1997, London journalist Victoria Byrd is tasked by her editor with the job of finding the elusive M.A. Bright, author of the classic war novel of ill-fated love, Autumn Leaves. It seems Bright has written a second novel, and Victoria has been handed the scoop. Recently engaged to an American film star, Victoria is horrified by her own sudden celebrity and keen to escape to Australia to follow the story. -
The Book Thief
Ryde Library Service Community Book Club Collection The choke By Sofie Laguna First published in 2018 Genre & subject Australian fiction Domestic fiction Dysfunctional families Fathers and daughters Synopsis 'I never had words to ask anybody the questions, so I never had the answers.' Abandoned by her mother as a toddler and only occasionally visited by her volatile father who keeps dangerous secrets, Justine is raised solely by her Pop, an old man tormented by visions of the Burma Railway. Justine finds sanctuary in Pop's chooks and The Choke, where the banks of the Murray River are so narrow they can almost touch - a place of staggering natural beauty that is both a source of peace and danger. Although Justine doesn't know it, her father is a menacing criminal and the world she is exposed to is one of great peril to her. She has to make sense of it on her own - and when she eventually does, she knows what she has to do. A brilliant, haunting novel about a child navigating an often dark and uncaring world of male power, guns and violence, in which grown-ups can't be trusted and comfort can only be found in nature, The Choke is a compassionate and claustrophobic vision of a child in danger and a society in deep trouble. Author biography Sofie Laguna (born 1968 in Sydney) originally studied to be a lawyer, but after deciding law was not for her, she moved to Melbourne to train as an actor. Sofie worked for many years as an actor before she began to write – both for children and adults.