Sundance Institute Announces 2020 Creative Producing Labs Fellows
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Westfield Filmmaker Basler Spices Estfield Filmmaker Basler Spices
Page 20 Thursday, April 11, 2002 The Westfield Leader and THE TIMES of Scotch Plains – Fanwood A WATCHUNG COMMUNICATIONS, INC. PUBLICATION Artist of Pen & Ink By Michelle H. Le Poidevin the Week Father Ozzy Knows Best When It Comes to Acing Cable TV Ratings By MICHELLE H. Le POIDEVIN Specially Written for The Westfield Leader and The Times WWestfieldestfield FilmmakerFilmmaker BaslerBasler SpicesSpices Unless he’s carrying one toward his neighbor’s house because they’re playing their music too loud, Ozzy Osbourne isn’t likely to have any association with a Cleaver on his much ballyhooed MTV program, UpUp IndustryIndustry WWitithh JustJust AAdddd PepperPepper “The Osbournes.” For the man who proclaims himself the “Prince of UpUp IndustryIndustry WWitithh JustJust AAdddd PepperPepper (ahem...expletives) Darkness” manages to juggle his bad to the bone By KERRIANNE SPELLMAN CORT For a full description Specially Written for The Westfield Leader and The Times reputation, while doddering around the house, picking up dog drop- of the story, please visit pings and fretting over whether or not he the house can stand another WESTFIELD — Talent and per- www.justaddpepper.com/ sistence have proven to be a winning story. pet. The ironic concoction of these two personas makes the Tuesday combination for one local filmmaker. On Saturday, April night show a winning combo with all generations of viewers. It’s no Peter Paul Basler of Westfield paid 27, Basler’s work wonder that “The his dues like any Osbournes” rule the cable hopeful artist. Years of attending television charts. No- school, training, Robert Redford where else would you see studying abroad a man, who once bit off and working as a the head of a bat, cud- production assis- (1937- ) dling and cooing to a ter- tant on several films all paved the By MICHELLE H. -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
Sundance Institute Announces Film Forward: Advancing Cultural Dialogue to Be Presented in Morocco September 27-30
SUNDANCE INSTITUTE ANNOUNCES FILM FORWARD: ADVANCING CULTURAL DIALOGUE TO BE PRESENTED IN MOROCCO SEPTEMBER 27-30 Filmmakers Cherien Dabis (Amreeka ) and Emmy Award Winner Stanley Nelson ( Freedom Riders ) Featured Participants for Screenings and Workshops Co-Hosted by the U.S. Embassy in Rabat RABAT, MOROCCO (September 23, 2011) — Film Forward: Advancing Cultural Dialogue , a Sundance Institute initiative in partnership with U.S. federal cultural agencies, will be presented in the Kingdom of Morocco September 27-30, in collaboration with the U.S. Embassy in Rabat. A selection of films and film- related events will be presented at locations in Tangier, Tetouan, Salé and Casablanca. Filmmakers Cherien Dabis (Amreeka ) and Stanley Nelson ( Freedom Riders ), as well as Caroline Libresco, Senior Programmer at Sundance Institute, will travel to Morocco to represent the initiative and engage with audiences. “In just the first year of this program, we’ve taken films and filmmakers around the world and built a dialogue with audiences in Tunisia, Turkey, China, Kenya, Puerto Rico and several other locations in the U.S.,” said Keri Putnam, Sundance Institute Executive Director. “Though each location is different, audiences are finding common themes and sharing their own experiences. It speaks to the goal of the program – showing the power of film to transcend culture barriers.” Screenings, including some for students and underserved youth, will take place at locations including the Cinematheque de Tanger, the Tangier American Legation Museum in conjunction with the American Language Center, University Abdelmalek Essadi, Abi bakr Errazi Junior High School, Cinema Hollywood, and School of Metiers du Cinema. Private workshops will be held at University Abdelmalek Essadi in Tetouan by Stanley Nelson who will explore the filmmaking challenges he faced with creating a historical film and how to effectively use rich archival footage to create a singular cinematic experience. -
Certain Women
CERTAIN WOMEN Starring Laura Dern Kristen Stewart Michelle Williams James Le Gros Jared Harris Lily Gladstone Rene Auberjonois Written, Directed, and Edited by Kelly Reichardt Produced by Neil Kopp, Vincent Savino, Anish Savjani Executive Producers Todd Haynes, Larry Fessenden, Christopher Carroll, Nathan Kelly Contact: Falco Ink CERTAIN WOMEN Cast (in order of appearance) Laura LAURA DERN Ryan JAMES Le GROS Fuller JARED HARRIS Sheriff Rowles JOHN GETZ Gina MICHELLE WILLIAMS Guthrie SARA RODIER Albert RENE AUBERJONOIS The Rancher LILY GLADSTONE Elizabeth Travis KRISTEN STEWART Production Writer / Director / Editor KELLY REICHARDT Based on stories by MAILE MELOY Producers NEIL KOPP VINCENT SAVINO ANISH SAVJANI Executive Producers TODD HAYNES LARRY FESSENDEN CHRISTOPHER CARROLL NATHAN KELLY Director of Photography CHRISTOPHER BLAUVELT Production Designer ANTHONY GASPARRO Costume Designer APRIL NAPIER Casting MARK BENNETT GAYLE KELLER Music Composer JEFF GRACE CERTAIN WOMEN Synopsis It’s the off-season in Livingston, Montana, where lawyer Laura Wells (LAURA DERN), called away from a tryst with her married lover, finds herself defending a local laborer named Fuller (JARED HARRIS). Fuller was a victim of a workplace accident, and his ongoing medical issues have led him to hire Laura to see if she can reopen his case. He’s stubborn and won’t listen to Laura’s advice – though he seems to heed it when the same counsel comes from a male colleague. Thinking he has no other option, Fuller decides to take a security guard hostage in order to get his demands met. Laura must act as intermediary and exchange herself for the hostage, trying to convince Fuller to give himself up. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
2021 Sundance Film Festival
2021 SUNDANCE FILM FESTIVAL JANUARY 28 - FEBRUARY 3 SUNDANCE INSTITUTE is a nonprofit organization dedicated to the discovery and development of independent artists and audiences. Through its programs, the Institute seeks to discover, support, and inspire independent film, media, and interdisciplinary artists from the United States and around the world, and to introduce audiences to their new work. There will always be new terrain to explore as long as there are artists willing to take risks, who tell their stories without compromise. And Sundance will be here—to provide support and a creative community in which a new idea or distinctive view is championed. ROBERT REDFORD, PRESIDENT & FOUNDER The Sundance Film Festival is the premiere showcase for independent filmmakers. REIMAGINING THE TRADITIONAL LIVE FESTIVAL EXPERIENCE 2021 SUNDANCE ANCHORED BY A NEW DIGITAL PLATFORM FOR GLOBAL FILM FESTIVAL AUDIENCES TO ACCESS FILMS AND OFFSCREEN EXPERIENCES A REIMAGINED FESTIVAL INTRODUCING A DIGITAL PLATFORM WITH AN EXPANDED WITH PROGRAMMING IN GLOBAL AUDIENCE ADDITIONAL MARKETS ACROSS THE US Please note that our live plans are subject to change pending public health circumstances. 6 THE 2021 SUNDANCE FILM FESTIVAL WILL BE ACCESSIBLE IN A WAY IT NEVER HAS BEEN BEFORE. DIGITAL FESTIVAL CENTERED ON OUR VALUES OF ENGAGEMENT, INCLUSION, AND PLATFORM ENTERTAINMENT, GLOBAL AUDIENCES WILL BE ABLE TO VIEW OFFERING ACCESS TO ONLINE THE PROGRAM AND TAKE PART IN SCREENINGS AND EXPERIENCES TO A DISCUSSIONS AND SPECIAL LIVE BROADER AUDIENCE EVENTS ONLINE VIA A BRAND-NEW PLATFORM. 7 OUR OFFICIAL PARTNERS ARE CENTRAL TO THE FESTIVAL EXPERIENCE DIGITAL FESTIVAL PLATFORM PARTNER ACTIVATION The digital festival will offer opportunities to engage with artists and audiences globally. -
The Question Concerning the Cooptation of the Sundance Film Festival: an Analysis of the Commodification of Independent Cinema
Utah State University DigitalCommons@USU All Graduate Theses and Dissertations Graduate Studies 12-2009 The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema Matt Dee Cottrell Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/etd Part of the Sociology Commons Recommended Citation Cottrell, Matt Dee, "The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema" (2009). All Graduate Theses and Dissertations. 485. https://digitalcommons.usu.edu/etd/485 This Thesis is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Theses and Dissertations by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. THE QUESTION CONCERNING THE COOPTATION OF THE SUNDANCE FILM FESTIVAL: AN ANALYSIS OF THE COMMODIFICATION OF INDEPENDENT CINEMA by Matt Dee Cottrell A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in Sociology Approved: _______________________ _______________________ Christy Glass Richard S. Krannich Major Professor Committee Member _______________________ _______________________ Richley Crapo Byron R. Burnham Committee Member Dean of Graduate Studies UTAH STATE UNIVERSITY Logan, Utah 2009 ii Copyright Matt Dee Cottrell 2009 All Rights Reserved iii ABSTRACT The Question Concerning the Cooptation of the Sundance Film Festival: An Analysis of the Commodification of Independent Cinema by Matt Dee Cottrell, Master of Science Utah State University, 2009 Major Professor: Dr. Christy Glass Department: Sociology, Social Work & Anthropology The Sundance Film Festival has transformed from being a fringe festival to a leading showcase for independent cinema. -
Night Moves Instrueret Og Skrevet Af Kelly Reichardt
ANGEL FILMS PRÆSENTERER Night Moves Instrueret og skrevet af Kelly Reichardt 112 minutter Kontakt:(Peter(Sølvsten(Thomsen,([email protected]( 1 Night Moves Dansk synopsis: En spændingsfyldt fortælling om de tre passionerede miljøaktivister, Josh (Jesse Eisenberg), Dena (Dakota Fanning) og Harmon (Peter Sarsgaard), der sammen planlægger en bombeaktion mod en dæmning. Aktionen lykkes, men ikke uden uforudsete konsekvenser – konsekvenser som skal vise sig at blive skæbnesvanger for de tre aktivister. Josh, Dena og Harmon vender tilbage til deres hverdag i forsøget på at holde lav profil, men begynder hurtigt at mærke det psykiske pres af deres store hemmelighed. Efterhånden som paranoia og mistillid kryber ind i de sammensvornes hoveder, begynder idealismens skyggesider at vise sig. Gennem Kelly Reichardts særegne stil og atmosfære, stiller NIGHT MOVES skarpt på spørgsmålet om, hvorvidt terrorhandlinger kan retfærdiggøres, så længe bevæggrunden herfor er sympatisk, eller om al terror leder til umoralsk fanatisme? Kontakt:(Peter(Sølvsten(Thomsen,([email protected]( 2 NIGHT MOVES ABOUT THE STORY Kelly Reichardt’s suspense thriller NIGHT MOVES follows three passionate environmentalists whose homegrown plot to Blow up a controversial dam unravels into a journey of douBt, paranoia and unintended consequences. Set against the ravishing, threatened natural Beauty of Oregon, the film tracks step-By- relentless-step as quiet organic farmer Josh (Jesse EisenBerg, THE SOCIAL NETWORK), high society dropout Dena (Dakota Fanning, WAR OF THE WORLDS, the TWILIGHT saga) and adrenaline-driven ex-Marine Harmon (Peter Sarsgaard, BLUE JASMINE, “The Killing”) prepare, carry out and then experience the shocking fallout of what they hoped would Be an attention-grabBing act of sabotage. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
State District Organization Name Discipline / Field City Project Description Fiscal Year Grant Amount Salt Lake UT 0 Levy, Rachel Literature N/A 2018 $25,000 City
State District Organization Name Discipline / Field City Project Description Fiscal Year Grant Amount Salt Lake UT 0 Levy, Rachel Literature N/A 2018 $25,000 City To support the Sundance Institute Theatre Program. The program is designed to serve the field of American theater by providing resources and development opportunities to generative theater artists. The program includes residency Labs in Wyoming and Massachusetts, which offer a focused and rigorous creative process Sundance Children's and mentorship for artists as they develop new work for the stage. In UT 1 Theater Park City 2018 $65,000 Theatre Inc. addition, participants receive year-round creative and tactical support including dramaturgical input, work-in-progress readings, workshops, and other opportunities. The program also includes Creative Tensions, participatory theater workshops held in cities across the United States that are designed to engage participants in collective conversation through physical movement. To support the Creative Distribution Initiative (CDI), a distribution service and resource for independent filmmakers. CDI is a collection of educational tools and creative funding, marketing, and distribution partnerships created to support independent film. Providing a nonprofit alternative to commercial distribution, CDI allows independent filmmakers to retain the rights to their work and devise their own audience engagement strategies. Through CDI, artists receive such benefits as the opportunity to distribute their own films UT 1 Sundance Institute Media Arts Park City 2018 $100,000 at preferred rates to platforms such as Hulu, Netflix, iTunes, and Amazon, as well as discounted fees and curated support from Kickstarter. Additionally, CDI offers public workshops in cities across the U.S. -
CRANFORD, Brett
BRETT J. CRANFORD PRODUCER FEATURES THE BOYS IN THE BAND Netflix Prod: Ned Martel, Ryan Murphy, David Stone Dir: Joe Mantello (LP/Co-Producer) JUST MERCY (UPM) Warner Bros. Prod: Gill Netter, Mike Drake, Michael B. Jordan Dir: Destin Cretton *Official Selection, Gala Premieres, Toronto International Film Festival, 2019 Asher Goldstein GREEN BOOK (Addt’l Photography) Participant Media Prod: Steven Snyder, Charlie Wessler Dir: Peter Farrelly DON’T WORRY, HE WON’T GET Amazon Studios Prod: Mike Bartol, Jason Tobias, Steve Golin, Dir: Gus Van Sant FAR ON FOOT (Executive Producer) David Marks, Charles-Marie Anthonioz *Official Selection, Sundance 2018 IMPERIUM Atomic Features Prod: Dennis Lee, Ty Walker, Simon Taufique Dir: Daniel Ragussis THE BOUNCE BACK Cima Productions Prod: Ray Brown, Shemar Moore, Amir Delara Dir: Youssef Delara NIGHT MOVES Tipping Point Prods. Prod: Anish Savjani, Neil Kopp Dir: Kelly Reichardt RESTLESS Columbia Pictures Prod: Ron Howard, Brian Grazer, David Cress Dir: Gus Van Sant YOU CAN’T WIN You Can’t Win Prods. Prod: Robert Scarff Dir: Robinson Devor THE A-LIST Astromech Productions Prod: Sanjay Rao, Ian Rao Dir: Will Bigham SHIVER Bandersnatch Film Co. Prod: Robert Weinbach, Aaron Gordon Dir: Julian Richards THE WAIT Sammy Films Prod: M Blash, Ryan Crisman Dir: M Blash GOLF IN THE KINGDOM GITK Productions Prod: George Stephanopolis, Mindy Affrime Dir: Susan Streitfeld SOME DAYS ARE Palisades Tartan Prod: David Kress, Neil Kopp Dir: Matt McCormick BETTER THAN OTHERS 1 OUT OF 7 Endurance Pictures Prod: Kristin Jensen, York Shackleton Dir: York Shackleton THE ASSISTANTS The Assistants Prods. Prod: Steve Morris, Mykel Denis, Karen Morris Dir: Steve Morris MEEK’S CUTOFF (UPM) Thunderegg Films Prod: Neil Kopp, Anish Savjani Dir: Kelly Reichardt THE RIVER WHY Steelhead Films Prod: Kristi Denton Cohen Dir: Matt Leutwyler 8 TseTse Fly Film Co. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First