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Minae Mizumura, La Nacion, Buenos Aires
Interview with Minae Mizumura, La Nacion, Buenos Aires. Revised April 11, 2014. 1 Leopoldo Brizuela, Oliverio Cohelo, “Interview with Minae Mizumura,” La Nacion, Buenos Aires, March 1, 2008—on the publication of A True Novel’s Spanish translation. Revised April 11, 2014. 1. Where and when were you born? How would you describe the circumstance of your family, the American milieu in which you grew up and were educated? Is your human "landscape" the one you choose in writing your novels? I was born in Tokyo in the nineteen fifties. My family background is urban and middle-class. Luckily, we were surrounded by wealthier relatives and family friends who provided perfect—and often amusing—models for my novel. The Japanese urban population had always embraced the West eagerly ever since the country opened its doors to the world in 1868, especially the upper echelon of the society. They embraced the West so eagerly, in fact, that, sometimes, they even forgot they were Japanese. My parents’ love of everything Western was also very strong and, I think, slightly beyond their material means. We were definitely snobs. There was only Western music in our house. My family only went out to see Western movies. My sister and I took piano and ballet lessons. We were given a collection of European literature that was adapted for children. So we grew up not only reading the two Bronte sisters but also Hugo, Tolstoy, Chekhov, Goethe, Pushkin, Shakespeare, Theodor Storm, Stefan Zweig, Hans Christian Andersen, Alexandre Dumas, père and fils, among many Interview with Minae Mizumura, La Nacion, Buenos Aires. -
A True Novel Free
FREE A TRUE NOVEL PDF Minae Mizumura | 880 pages | 13 Nov 2014 | Other Press LLC | 9781590512036 | English | New York, United States A True Novel - Wikipedia Like all artists, A True Novel find the impetus to begin in various places. Some inspire themselves with a formal challenge. Most commonly, though, novels find their A True Novel in other novels: Books are built upon books. In some cases the books upon which other books are built are difficult for the undiscerning reader to see: the Wilkie Collins in Franz Kafka, for example. In other cases, the source texts are obvious and acknowledged. Driving the A True Novel, for example, is the Catherine-and-Heathcliff-like passion between a woman called Yoko whose background is respectably upper class and Taro Azuma, a war orphan returned from China, who is not so much working class as a total outcaste. Mizumura borrows from Bronte, too, in the manner in which the story is related. Though as with Ellen Dean, it will be easy for unwary readers to sympathize with her and to see her as offering an objective view of both the upper-class Saegusa and Shigemitsu families, and the impoverished background out of which the Heathcliff stand-in, Taro Azuma, emerges. What is undeniable is that Fumiko is capable of telling as riveting story as the gossipy Ellen Dean. What would Aunt Harue and everyone say? His impulse is human rather than demonic. A recurring marker of their snobbishness, for example, is their love for and knowledge of A True Novel music. Such lapses are rare. -
Capital Games: the Bourdieuxian Movements of Heathcliff and Nelly Dean in Neo-Victorian Revisitations of Wuthering Heights
Eastern Washington University EWU Digital Commons EWU Masters Thesis Collection Student Research and Creative Works Spring 2018 Capital games: the Bourdieuxian movements of Heathcliff nda Nelly Dean in Neo-Victorian revisitations of Wuthering Heights Ryan S. Wise Eastern Washington University Follow this and additional works at: http://dc.ewu.edu/theses Part of the Literature in English, British Isles Commons Recommended Citation Wise, Ryan S., "Capital games: the Bourdieuxian movements of Heathcliff nda Nelly Dean in Neo-Victorian revisitations of Wuthering Heights" (2018). EWU Masters Thesis Collection. 528. http://dc.ewu.edu/theses/528 This Thesis is brought to you for free and open access by the Student Research and Creative Works at EWU Digital Commons. It has been accepted for inclusion in EWU Masters Thesis Collection by an authorized administrator of EWU Digital Commons. For more information, please contact [email protected]. Capital Games: The Bourdieuxian Movements of Heathcliff and Nelly Dean in Neo-Victorian Revisitations of Wuthering Heights A Thesis Presented to Eastern Washington University Cheney, Washington In Partial Fulfillment of the Requirements for the Degree Master of Arts in English Literature and Writing By Ryan S. Wise Spring 2018 ii THESIS OF Ryan S. Wise APPROVED BY __________________________________________ DATE________________________ DR. BETH TORGERSON, GRADUATE STUDY COMMITTEE CHAIR __________________________________________ DATE________________________ DR. ANTHONY FLINN, GRADUATE STUDY COMMITTEE MEMBER __________________________________________ DATE________________________ DR. MICHAEL CONLIN, GRADUATE STUDY COMMITTEE MEMBER iii MASTER’S THESIS In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Eastern Washington University, I agree that the JFK Library shall make copies freely available for inspection. -
Fall 2014 OTHER PRESS RIGHTS GUIDE
OTHER PRESS 2 Park Ave New York NY 10016 fall 2014 OTHER PRESS RIGHTS GUIDE DIRECTOR OF SUBSIDIARY RIGHTS: EASTERN EUROPE AND BALTIC STATES: JAPAN: Lauren Shekari Milena Kaplarevic Hamish Macaskill Other Press Prava I Prevodi The English Agency Ltd. 2 Park Avenue, 24th floor Boulevard Mihaila Pupina 10B/I 4F Sakuragi Building New York, NY 10016 U.S.A. 5th Floor 6-7-3 Minami Aoyama PHONE: (212) 414-0054 x209 11070 Belgrade Minato-Ku FAX: (212) 414-0939 Serbia Tokyo E-MAIL: [email protected] PHONE: +(381-11) 311 9880 Japan 107-0062 FAX: PHONE: BRAZIL/SPAIN/PORTUGAL/CATALONIA: +(381-11) 311 9879 +81 3 3046 5385 Monica Martin E-MAIL: [email protected] FAX: +81 3 3046 5387 MISSION STATEMENT E-MAIL: [email protected] MB Agencia Literaria GERMANY: Ronda Sant Pere, 62, 1º-2ª Marc Koralnik Liepman AG KOREA: 08010 Barcelona Englischviertelstrasse 59 Danny Hong OTHER PRESS publishes literature from America and around the world that represents writing at its PHONE: +93 265 90 64 CH-8032 Zurich Danny Hong Agency 3F, 395-204 Seogyo-dong, best. We feel that the art of storytelling has become paramount today in challenging readers to see and think FAX: +93 232 72 21 Switzerland E-MAIL: [email protected] PHONE: +41 43 268 23 80 Mapo-gu, Seoul 121-840 differently. We know that good stories are rare to come by: they should retain the emotional charge of the CHINA AND TAIWAN: FAX: +41 43 268 23 81 Korea PHONE: +82-2-6402-889 best classics while speaking to us about what matters at present, without complacency or self-indulgence. -
2013-Fall.Pdf
OTHER PRESS fall 2013 OTHER PRESS 2 Park Ave New York NY 10016 R IGHTS GUIDE DIRECTOR OF SUBSIDIARY RIGHTS: EASTERN EUROPE AND BALTIC STATES: JAPAN: Lauren Shekari Milena Kaplarevic Hamish Macaskill Other Press Prava I Prevodi The English Agency Ltd. 2 Park Avenue, 24th floor Boulevard Mihaila Pupina 10B/I 4F Sakuragi Building New York, NY 10016 U.S.A. 5th Floor 6-7-3 Minami Aoyama PHONE: (212) 414-0054 x209 11070 Belgrade Minato-Ku FAX: (212) 414-0939 Serbia Tokyo E-MAIL: [email protected] PHONE: +(381-11) 311 9880 Japan 107-0062 FAX: PHONE: BRAZIL/SPAIN/PORTUGAL/CATALONIA: +(381-11) 311 9879 +81 3 3046 5385 Monica Martin E-MAIL: [email protected] FAX: +81 3 3046 5387 Mission s tateMent E-MAIL: [email protected] MB Agencia Literaria GERMANY: Ronda Sant Pere, 62, 1º-2ª Marc Koralnik Liepman AG TURKEY: 08010 Barcelona Englischviertelstrasse 59 Amy Marie Spangler OTHER PRESS publishes literature from America and around the world that represents writing at its PHONE: +93 265 90 64 CH-8032 Zurich AnatoliaLit Agency Gunesli Bahce Sok. best. We feel that the art of storytelling has become paramount today in challenging readers to see and think FAX: +93 232 72 21 Switzerland E-MAIL: [email protected] PHONE: +41 43 268 23 80 No:48 Or. Ko Apt. B Blok: D differently. We know that good stories are rare to come by: they should retain the emotional charge of the CHINA AND TAIWAN: FAX: +41 43 268 23 81 34710 Kadikoy - Istanbul Turkey best classics while speaking to us about what matters at present, without complacency or self-indulgence. -
Wuthering Heights and Honkaku Shosetsu(A True Novel)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DWCLA Academic Repository 同志社女子大学 学術研究年報 第 66 巻 2015年 113 論 文 模倣を遊ぶ ― Wuthering Heights(1847)と『本格小説』(2002) ― 風 間 末起子 同志社女子大学 表象文化学部・英語英文学科 教授 Beyond a Pastiche: Wuthering Heights and Honkaku Shosetsu(A True Novel) Makiko Kazama Department of English, Faculty of Culture and Representation, Doshisha Women’s College of Liberal Arts, Professor 序 本格小説と私小説の融合 の土屋冨美子、Lockwood 氏に相当する人間嫌いの青年加 藤祐介、Earnshaw 家と Linton 家の 2 つの旧家をモデル 水村美苗(1951-)の第三作目の小説『本格小説』 にした日本の有閑階級の一族(宇多川家、三枝家、重光 あずま (2002) は、 エ ミ リ・ ブ ロ ン テ(Emily Brontë, 1818- 家)、Heathcliffに代わる出自不明の東太郎、Catherine I 1848)の『嵐が丘』(Wuthering Heights, 1847, 以下 WH を彷彿させる宇多川家の次女よう子、Heathcliff を可愛が と略す)を模倣した小説である。それについて、著者の水 る Mr. Earnshaw に相当する宇多川家のお祖母さま、など 村自身が折にふれて述べている。 1) ポストモダニズムの用 がその例である。家屋や道具立てについても、両者の類似 語を使えば、パスティーシュ(pastiche, 模倣)を公言し 性を挙げれば枚挙にいとまがない。 た作品と言える。風刺、パロディ、もじり、茶化し、20世 では、始めに戻って、水村の模倣の意図は何だったのだ 紀的な書き直し・修正、いずれの目的であっても、模倣で ろうか。『本格小説』の冒頭部分には、著者の水村と同名 あると作家が宣言する場合、かなりの思い入れがあっての の登場人物、水村美苗が語り手として登場する長い章があ ことだろう。 るが、そこで、模倣の真髄とも言える内容が述べられてい 実際に、両作品を比較してみると、類似点は枚挙にいと る。 まがない。例えば、構造と主題における次の特徴、①強固 な時間的構造、②枠物語としての語りの構造、③社会的階 そもそもその小説[『嵐が丘』]をくり返し読んでいた 層と差別のテーマ、④三角関係の恋愛劇、⑤復讐のテーマ、 からこそ、東太郎の話を聞いたとたん、まるで「小説 ⑥自然/文化の対立構造、⑦霊界/現世の二項対立などに のような話」だと私が思ったのにちがいなかった。 おいて、『本格小説』はWH の構造と主題を忠実に踏襲し、 ということは、私が試みようとしていることは、西 ほぼパラレルに展開している。時代と舞台背景については、 洋の小説にある話をもう一度日本語で書こうというこ ふ そん WH における18世紀末(1771年~1802年)のヨークシャー とに他ならない。だが、不遜な言い方かもしれないが、 の荒野一帯を、『本格小説』では日本の戦後(1954年~ 私はその試み自体に問題があるとは思わなかった。実 1998年)に時代を移し、場所も東京の成城と信州の軽井沢 際、近代に入り、西洋文明の支配が世界中に広まり、 -
Faulknerian Sources of Endō Shūsaku's Literature
GODS ARE CRUEL: FAULKNERIAN SOURCES OF ENDŌ SHŪSAKU’S LITERATURE Justyna Weronika Kasza Abstract: The purpose of this essay is to put Endō Shūsaku, a well-known Japanese author for his work Silence (1966), on world literature map by focusing on diaries he kept during his stay in France (1950-1953). The study of Endō has focused on the influence of French authors, particularly Catholic writers, represented by François Mauriac, Georges Bernanos, and Julien Green. However, in his diaries, Endō repeatedly refers to American authors and it is clear that William Faulkner was one of the writers who had significant impact on his writing. , Yet, the scholars of Faulkner in Japan have overlooked his influence on Endō. This paper will highlight new perspectives in researching Endō’s texts by expanding the frameworks of existing studies and recognize his writing as a contribution to Faulkner studies in Japan. There is no such thing as was—only is. If was existed, there would be no grief or sorrow. I like to think of the world I created as being a kind of keystone in the universe; that, small as that keystone is, if it were ever taken away the universe itself would collapse. My last book will be the Doomsday Book, the Golden Book, of Yoknapatawpha County. Then I shall break the pencil and I’ll have to stop. --William Faulkner Faulkner is not the writer you should read in autumn. Nor should he to be read on peaceful spring days or during the cold winter days. I feel that I can understand some of the world of perplexing writer such as Faulkner when I read his works on a hot summer day, my body covered in sweat in the full sunshine. -
Spring OTHER PRESS
spring OTHER PRESS 2017 MISSION STATEMENT OTHER PRESS publishes literature from America and around the world that represents writing at its best. We feel that the art of storytelling has become paramount today in challenging readers to see and think differently. We know that good stories are rare to come by: they should retain the emotional charge of the best classics while speaking to us about what matters at present, without complacency or self-indulgence. Our list is tailored and selective, and includes everything from top-shelf literary fiction to cutting-edge nonfiction— political, social, or cultural—as well as a small collection of groundbreaking professional titles. Judith Gurewich Publisher OTHER PRESS BOOKSELLERS’ DISCOUNTS Other Press books are in two discount categories: Trade and Professional. All books are Trade unless indicated Professional (P). Please contact your Random House representative for details. KEY C: Canadian price NCR: no Canadian rights (Other Press edition not licensed for sale in Canada) CQ: carton quantity (P): professional discount code applies Titles, prices, and other contents of this catalog may be subject to change without notice. TABLE OF CONTENTS: SPRING 2017 FRONTLIST QUICKSAND Malin Persson Giolito .......................................................................... 2–3 GENERATION REVOLUTION Rachel Aspden ..................................................... 4–5 STRANGER IN A STRANGE LAND George Prochnik ........................................... 6–7 WHO YOU THINK I AM Camille Laurens ...........................................................