5

board from among past editors, and five Art Bulletin ex officio members (Art Bulletin editor-in­ Art Journal chief, immediate past editor-in-chief or editor designate, book review editor, Editorial monograph series editor, and chair of Seeks Guest the CAA Art Historians Committee). The elected board members will serve Board three-year terms, renewable once. Editors New board members, who will Reorganizes serve from july 1994 to June 1997, were elected in February. So that all board members won't come up for renewal at the same time, the terms for several of the new members have been adjusted, as noted below. There were thirty-two nominations t the CAA annual conference in he editorial board of the Art from the membership for new positiops Nonprofit Organization February it came to the Bulletin has completed a reorga­ on the editorial board. From these, and U.S. Postage attention of the Art Journal nization process begun in the the pool of previously appointed A T members at large, the following board editorial board that many CAA mem­ Paid early 19908, partly in order to introduce bers do not know that the board s direct representation from the CAA members were named: Janet Berlo New York, N.Y. welcomes unsolicited proposals and membership at large. In addition to the (University of Missouri-St. Louis), Permit No. 4683 works actively with guest editors to scholarly experience and breadth that Patricia Mainardi (Brooklyn College, May/June 1994 develop their ideas. Each issue of Art are relevant to the editorial practice and and Graduate Center, CUNY), Journal is organized thematically under College Art Association policy of a learned journal, in seeking Lawrence Nees (University of Dela­ the supervision of a designated guest 275 Seventh Avenue new board members from the member­ ware), Richard Shlff (University of New York, New York 10001 editor and addresses a specific subject in ship at large, the board aims to address Texas, Austin), and Marianna Shreve art or art history. Proposals on 19th- and the geographical, institutional, gender, Simpson (Arthur M. Sackler Gallery, 20th-century art, architecture, and ethnic, and methodological range of Smithsonian Institution). Of these board Board of Directors photography are encouraged. Art CAA's membership. Previously the members, three people will serve until Journal issues also may be devoted to Judith K. Brodsky, President board consisted only of the past and 1997 and two will be up for second non-Western art, critical theory, Leslie King-Hammond, Vice-President present editors-in-chief, book review three-year terms. education, or any subject of interest to John R. Clarke, Secretary editors, and editors of the CAA mono­ The foHowing were appointed from John W. Hyland, Jr., Treasurer modernist art historians and artists. graph series. Members remained on the the pool of past editors: Creighton E. Barbara Hoffman, Esq., Counsel Proposals should consist of an board for life. Gilbert (term ends 1999), james Marrow Susan Ball, Executive Director overview of a particular theme and a list A formal plan for governance of the (term ends 1997, not renewable), and of possible authors and their topics Diane Burko Jock Reynolds Art Bulletin, developed by the editorial Lucy Freeman Sandler (term ends 1998). (maximum two pages). After an issue Bradford R. Collins Rita Robillard board over the last few years, was Continuing on the board as ex officio has been accepted, a call for manu­ Jonathan Fineberg Moira Roth approved by the CAA board of directors members are: Nancy J. Troy (editor-in­ scripts from the CAA membership is Sarah Greenough EmilyJ. Sana in the fall of 1993. The new board chief), Richard Brilliant (immediate past Susan L. Huntington usually published in CAA News. Send Larry Silver structure caHs for a thirteen-person editor-in-chief), joseph Koerner (book Nlichi Itami Lowery Stokes Sims proposals to Lenore Malen, Art Journal board, with five members selected from review editor), Robert S. Nelson Irving Lavin Jaune Quick-To-See executive editor. Guidelines for guest ')minations from the membership at (monograph series editor), and John R. Margo Machida Smith editors are available from the CAA Nancy Macko Judith E. Stein 'ge, three members selected by the CONTINUED ON PAGE 9 office. Patricia Mainardi Nancy J. Troy Clarence Morgan Carlos Villa Keith Moxey Deborah Willis on the conference airline, conference and verbal; attention to detail; and attendees save money through dis­ @ontents CAA dedication. Chairs must live and work in counted airfares while also helping CAA Annual CAAin the northeastern United States. Duties earn credits toward free tickets that Volume 19, Number 3 may be divided between co-chairs, but would otherwise have to be purchased. May/June 1994 News Conference at least one chair for art history and one the News for studio art must be from the New CAA Statements York metropolitan area and be em­ Update ployed at a college/ university, art Art Bulletin Editorial Board and Guidelines school, or museum. Institutional 1 Reorganizes CAA has adopted numerous statements, approval and support in the form of resolutions, and guidelines, which Art Journal Seeks Guest Editors Subscription Discounts release time, telephone, photocopying, individual and institutional members and postage are customary. The term is After publishing the 1994 Reduced Rate Here's the Poop may find useful and informative. To February 1995-February 1997. Appoint­ CAANews Subscription Coupons, several publish­ "That scent wafting through the halls of 2 request any of them/ send a self­ New 1995 Affiliated mentswill be made in fall 1994. ers notified CAA of a change of address addressed stamped envelope to the the College Art Association's Art Journal or corrected subscription rate. Subscrip­ Society Session is refreshingly sweet, borne as it is on Annual Conference Update CAAoffice. tions to Studies in the Decorative Arts A Code of Ethics for Art Historians and The following session will last 1 1/2 the brisk winds of free discussion. The CAA in the News Additional Audiotape 3 should now he addressed to: Studies in Guidelines for the Professional Practice of hours and will be scheduled between source of this breeze is the Journal's fall the Decorative Arts, Bard Graduate Art History (adopted 1973; revised 1974, program sessions: Available 1993 issue, devoted to scatological art. Art Auction Benefits Center, PO Box 3000, Denville, NJ 07834- 1975) "Schlosser Re-visited: Art Literature As a result of extensive interest on the "Inside its brown cover with the 4 Fellowship Program 3000. Checks must be payable to: Studies A Guide to the New York Print and in Art History" (sponsored by Associa­ part of conference attendees, an audio­ word 'Merdre' superimposed in yellow, in the Decorative Arts, Bard Graduate Photograph Law (1977) tion for Textual Scholarship in Art tape of the 1994 session "New Directions articles such as Elizabeth Menon's Center. Payment may also be made by A Quick Guide to Artists' Rights under the History). Chairs: Janis C. Bell, Kenyon in the Support of the Arts and the 'Potty-Talk in Parisian Plays: Henry 5 Legal Update Visa, MasterCard, and American New Copyright Law (1977) College; and William Diebold, Reed Humanities: The Arts and Humanities in Somm's La Berline de l'tfmigrtf and Alfred Express credit cards. When paying by A Statement on Standards for Sculptural College. Send abstract and c. v. to the 21st Century" (chair: Beverly Jacoby, Jarry's Ubu roi' (Ubu's exclamation, credit card, provide the card number, William Diebold, Art History and Arts Advisory Committee, 14th Con­ Merdre-'shit' in English-is the source Guidelines for the 1996 Reproduction and Preventive Measures to expiration date, daytime phone number, Humanities, Reed College, Portland, OR gressional District) is now available. of the misspelled cover), and 'Some 6 Annual Conference Combat Unethical Casting in Bronze and signature. New subscription rates (adopted 1974) 97202; E-MAIL: WILLIAM.DIEBOLD Speakers in the session were Sheldon Penetrating Insights: The Imagery of apply to Parkett Art Magazine, Parkett Art Bulletin Style Guide (1993) @DIRECTORY.REED.EDU. Deadline: July 15, Hackney, chair, National Endowment Enemas in Art,' by Laurinda Dixon, take Publishers, Inc., 636 Broadway, Rm. Art Journal: Guidelines for Contributors 1994. for the Humanities; Representatives scholarly aim at this baggage-laden 9 Solo Exhibitions by Artist Members 1206, New York, NY 10012; 4 issues: (1993) Carolyn Maloney and Jerrold Nadler; subject. regular, $75.00; members, $67.00; U.s. Art Journal: Guidelines for Guest Editors Judith Golub, executive director, "The Journal issue grew out of a American Arts Alliance; John Hammer, symposium on scatology held at the People in the News postage only; no cancellations (dis­ (1993) )earch for 1997 counted rates apply to individuals only). director, National Humanities Alliance; CAA's 1991 convention that was chaired 11 Grants, Awards, & Honors Fair Use of Visual Materials: Reproduction l'rogram Chairs Begins Full details available in the 1994 Rights in Scholarly Publishing (adopted Nominations and self-nominations are Daniel Biederman, president, Grand by Gabriel Weisberg, a professor of art Reduced Rate Subscription Coupons/ 1986) sought for CAA annual conference Central Partnership; Eduardo Diaz, history at the University of Minnesota. director, San Antonio Department of Weisberg was then invited to edit an Conferences & Symposia sent to new and renewed 1994 CAA Grievance Procedures (adopted 1978) program chairs-art history and studio 12 Opportunities members. Guidelines for Part-Time Employment art-to organize and coordinate the Arts and Cultural Affairs, and CAA issue of the Journal. (adopted 1976) program for the 1997 conference, to be President Judith Brodsky. $9 plus $4 "The CAA took the bull by the Millard Meiss Publication Fund Guidelines held in New York. postage and handling ($6 postage and horns, and whether it is to be congratu­ Classified Ads Conference Attendee and Application The program chairs win formulate, handling for orders outside the U.S.). To lated for having done so is a matter of 14 Datebook Wins Tickets Printmakers' Contracts (adopted 1978) develop, and produce the 1997 annual order: Audio Archives International, discussion. Two letters---one to Two round-trip airline tickets to any Professional Practices for Artists (adopted conference program in consultation with Inc., 3043 Foothill Blvd., Ste. 2, La Weisberg, the other to Petra ten­ American Airlines destination in Europe Crescenta, CA 91214; 800/747-8069 (in Doesschate Chu/ author of 'Scatology 1996 Annual Conference 1977) the Annual Conference Program or South America were won by Helen California: 818/957-0874), and request and the Realist Aesthetic'-illuminate 15 Session Proposal Form Public Art Works (adopted 1987) Committee and the CAA Board of Zaldn, of Oswego, New York. Zakin was Resolution Concerning the Acquisition of Directors; select and oversee session tape # 140216-025. the controversy. Both letters, interest­ randomly selected from among the Cultural Properties Originating in Foreign chairs; and work with the CAA confer­ ingly, came from men in their 80s. Writing to Petra Chu, William CAA News, a publication of the conference goers who flew on American Countries (adopted 1973; reaffirmed ence coordinator to produce conference College Art Association, is published Airlines to College Art Association/s 1991) publications and ensure smooth running Heckscher, a former professor of art six times a year. Material for 1994 annual conference in New York. To Resolution Concerning the Sale and of sessions during the conference. This history at Princeton University, was inclusion should be addressed to: be eligible for the drawing/ travel to Exchange of Works of Art by Museums position offers the opportunity to draw pleased that 'finally an art historical volume is devoted to hindsight­ Editor New York had to be on American (adopted 1973) together a variety of methodologies and CAANews Airlines, the association/s official carrier/ Standards for Professional Placement topics to provide a stimulating venue for analysis of essentialia.' He noted that the 275 Seventh Avenue and tickets had to have been purchased (adopted 1977) discussion. 'merde collection gives one hope that New York, New York 10001 through CANs travel agency, Zenith Standards for Retention and Tenure of Requirements include: CAA this our shabby world isn't all censor­ Telephone: 212/691-1051 Travel. The free tickets are for business­ Visual Arts Facullt; (adopted 1993) ship and Puritanism ... [which] is for Fax: 212/627-2381 membership; practicing artist/ art class travel. Standards for the B.A. and B.F.A. Degrees historian with academic or museum the extremes-both Hitler and Stalin did their best to eliminate free and uninhib­ j Editor Renee A. Ramirez Each year CAA negotiates with air in Studio Art (adopted 1979) affiliation; wide knowledge of the field Managing Editor Virginia Wageman carriers to get the lowest fares available Standards for the M.F.A. Degree in Visual and practitioners, as well as sensitivity ited thinking.' Editor-in-Chief Susan Ball . to a particular conference site. The Arts (adopted 1977; revised 1991) to the needs and interests of CAA's "Censorship was also on the mind airline offering the best combination of Status of Women in Ph.D. Granting liverse/ 13,OOO-strong membership; of Joseph Sloane, professor emeritus at Printed on recycled paper. service and discounts is designated the Institutions (Report of the Committee on strong communication skills-written the University of North Carolina at © 1994 College Art Association, Inc. official conference airline. By traveling the Status of Women, 1980)

CAA NEWS MAY/JUNE 1994 2 CAA NEWS MAY/JUNE 1994 3 Chapel Hill-and president emeritus of exemption in copyright law allows such toward matching National Endowment the starting point for fair use analysis: there is evidence of a potential gap the CAA. Sloane voiced his 'dismay' reproduction for scholarly purposes."­ for the Arts and the National Endow­ l,egalUpdate (1) purpose and character of the use; (2) between legal culture and art historical over the issue in a letter to Weisberg, Chronicle of Higher Education, December ment for the Humanities Challenge nature of the copyrighted work; (3) culture. For example, many contempo­ saying he was 'somewhat fearful of the 15,1993 grants, awarded to CAA in 1993. amount and substantiality of the portion rary art historians have little difficulty in very considerable power exerted by CAA wishes to thank all of the used; and (4) the effect on the market for identifying the transformative purpose Senator Jesse Helms .... First donors who contributed to the success ot the copyrighted work. Readers may be of the appropriation artist. Most judges Mapplethorpe, and now shit. ... You this event: Patricia E. Bath, Daved Boyd, surprised to learn that, although and lawyers, on the other hand, don't have handed him too perfect a weapon Jheryl Busby, Countess P. Jeffries, Joe originally a judicial doctrine, the seem to get a transformational purpose to be ignored.' Sloane feared it might Ray, Gerard Riveron, Sonia Salzman, Supreme Court did not consider fair use when the transformation is in the eye of propel the senator to 'violent action Dora L. Smith, Phyllis Wayne, Georgia Fair Use until 1984 in the case of Sony Corporation the beholder and the secondary users' against the government support we all Zweber, and all of the artists. Special v. Universal City Studios, Inc., which goal is to challenge traditional notions of need so badly: thanks are extended to Clarence and involved verbatim copying of television authorship and originality. As Justice "But that is precisely the point of Jacqueline Avant, Samella Lewis,and programs by VCR owners. Although the Anthony Kennedy in a concurring the issue, notes Weisberg: 'If we only Ruth Weisberg for their generosity, Supreme Court found Betamax copying opinion cautions, the invocation of the print things that people want to see, dedication, and hard work. for horne use fair, it stated "every term parody cannot be invoked post hoc we're all going to be mired in Samella Lewis plans to hold a commercial use of copyrighted material to justify piracy. He cites with approval sameness-and in shit.' "-Peter Slatin, second fund-raising event, to take place is presumptively an unfair exploitation the Rogers v. Koons case where Koons "Vasari Diary," Artnews, March 1994 later this summer, and possibly a third. of the monopoly privilege that belongs didn't even get to first base on the The Professional Development to the owners of copyright." It was this parody question because he parodied a y column this month focuses Fellowship Program is part of CAA's presumption that the Supreme Court generic style and mass culture at large. Art Auction on several recent copyright The Passion of Mark Rothko larger Capital Campaign effort. For reversed in Acuff. In Koons, the object of the parody was cases that confront the essence " 'Mark Rothko: A Biography' ... information on how to give to the M Acuff is important for several not well known nor was the photograph of intellectual property law: to define displays an impressive command of the Capital Campaign and opportunities for reasons: Justice'Souter's opinion extends the direct object of the parody. Benefits the difficult balance between the private and professional worlds in designating gifts or to share ideas and to parody entitlement to claim fair use An ongoing fair use issue involves constitutional mandate that gives to which the painter moved .... [James become involved, call the CAA Develop­ protection. "Like less ostensibly scholars' rights to use photographs Congress the power to promote the E. B.J Breslin has a real mastery of the Fellowship ment Office. Direct donations can be humorous forms of criticism, parody, without permission. CAA past president useful arts by granting to authors a diverse milieus that shaped Rothko's sent to CAA, attn: CAA Capital Cam­ like scholarship and criticism, can Larry Silver and I recently authored a limited monopoly in their creations and life and the conflicted feelings they paign. provide social benefit by shedding light letter to comment on the failure of induced .. , . Program the fact that creativity is impossible on an earlier work, and in the process, October magazine to publish certain "Biography is, after all, a literary without a rich public domain. Certain creating a new one." The Supreme Court photographs by photographer Diane genre, and its primary requisite is an concepts such as the ideal expression rejected evidentiary presumptions that Arbus in connection with an article ability to reconstruct imaginatively the dichotomy, the noncopyrightability of precluded a case by case analysis of the about her. Arbus's estate requested high inner life of a subject on the basis of all ~acts, and the doctrine of fair use help to fair use factors and instructed the lower permission fees and editorial changes. In the knowable external evidence, This is achieve that balance; yet, a narrow or courts to use a flexible approach that our view, the doctrine of fair use should not something you are likely to hear restrictive interpretation of these sensitively balances the four factors in have been broad enough to permit use much discussed at the meetings of the silent auction was held on concepts can have the effect of limiting light of the purpose of the copyright law of the photographs, so long as the article College Art Association, where political March 9, 1994, to benefit free expression without necessarily to promote creativity. Once the second commented on the photographs and the theory now dominates and individual College Art Association's serving the economic incentives that user establishes a parodic purpose, the October article did not serve as a market A copyright was meant to create. More­ talents are classified on the basis of Professional Development Fellowship parody has to work its way through the substitute for the monograph (see "Hot class, race and sex. For a biographer, Program for artists and art historians. over, a narrow interpretation can give factors, without anyone factor given Type:' page 4). Federal Court of however, it is the individual life and The auction was held at the home of rise to serious First Amendment predominance. By focusing the analysis Appeals Judge Pierre N. Leval, partici­ talent that must be given priority."­ Clarence and Jacqueline Avant in concerns in light of the fact that the on the interrelatedness of the factors, the pating on a CAA panel on appropria­ Hilton Kramer, "The Passion of Mark Beverly Hills, California, Past CAA current judicial approach is to give voice Court's approach helps broaden tion, also stated the opinion that the use Rothko," New York Times Book Review, president Ruth Weisberg and former to such concerns within the context of protection afforded to parody and of the photographs might be fair use, December 26, 1993 board member Samella Lewis organized intellectual property doctrine and not as criticism under the fair use doctrine. For although other judges might not agree. the event along with Avant, which an independent First Amendment example, the Court rejects an approach It seems scholars and publishers are netted over $25,000 for the CAA defense, that automatically finds excessive unnecessarily self-censoring, and are not Hot Type fellowship program. For this reason, the recent Supreme copying if the secondary user copied the pushing the fair use envelope to its Court decision in Acuff Rose v. Campbell, "Demands by Diane Arbus's estate A total of thirty-six original Willette Klausner, Jacqueline Avant, total or uhear~' of the copyrighted work limit. New technologies are likely to amounted to censorship and prevented artworks, donated by eighteen artists, and Phoebe Beasley in front of Beasley's at first analysis, is a welcome victory for and recognizes that once enough is push the envelope of defining rights and donated work Fine China. the inclusion of her photographs with an were installed in the Avant's home for those who champion freedom of artistic taken to ensure audience recognition of fair use limitation on such rights even article in October, the editors write in the event. Participating artists included expression. Justice David Souter writing the original, how much more is reason­ further. their latest issue .. , , Yinka Adeyemi, Richmond Barte, for the Court reversed the Sixth Circuit able will depend on the interrelationship For example, the Getty Art History "Despite threats of a laWSuit, Phoebe Beasley, Elizabeth Catlett, Court of Appeals decision that ruled of the factors, including the degree to Information Program recently spon­ October's editors considered running the Claude Fiddler, Sam Gilliam, Leon that 2 Live Crew's parody of Roy which the new work acts as a market sored an Initiative on Electronic Imaging Arbus photographs anyway, but Hicks, Varnette Honeywood, Mildred Orbison's song "Pretty Woman" could substitute for the original. Similarly, a and Information Standards. Copyright decided against it. That disappointed Howard, Suzanne Jackson, Artis Lane, not be fair use because of its commercial parody may more loosely target the and other intellectual property issues j Barbara Hoffman, who serves as special Richard Mayhew, Joe Ray, Betye Saar, nature. The fair use doctrine, an original if there is little or no risk of were cited by the participants as one of counsel to the College Art Association. Miriam Schapiro, Alma Thomas, exception and defense to the law of market substitute, The definitions of the major barriers to "universal and 'It was pretty cowardly of October not to Mildred Thompson, and Ruth Weisberg. copyright infringement, is codified in market substitute and transformative comprehensive access to images and just go ahead and do it: says Ms. Proceeds from the auction will go ;ection 107 of the copyright law, which purpose will be key to fair use as information in art." One participant Hoffman, who argues that the 'fair use' identifies four nonexclusive factors as applied to the visual arts. In this respect, noted that intellectual property rights

4 CAA NEWS MAY lruNE 1994 CAA NEWS MAY /JUNE 1994 5 laws have not kept pace with technol­ chairs will make their selections from (1973). work of Jonathan Borofsky, Eric Fischl, the Impressionist artist Berthe Morisot: ogy, while another observed that the Guidelines among eligible proposals solely on the His primary area of research is the and Jasper Johns. The latter is of one is a biography published by trade problem is lithe perceived uncertainty basis of merit; however, if essentially social history of French prints and particular interest to him, as he has presses in France, America, England, surrounding rights and uses and the identical proposals are received from printing from 1789 to 1848, specifically edited a book, Foirades/Fizzles: Echo and and Sweden; the other is a study of absence of a system for simplified for the 1996 two or more individuals, preference ( ~he production, distribution, and Allusion in the Art of Jasper Johns (1987) Morisot's work in the context of permission, fulfillment, and fee collec­ may be given to the individual from the' meaning of caricature in Paris during and written an essay on the artist's nineteenth-century feminine visual tions." CANs intellectual property region in which the conference win be that period's considerable social, Seasons prints and paintings in the culture, published in 1992 by Harvard Annual University Press. A dozen shorter works committee expects to play an active role held. Where proposals overlap, the political, and demographic upheaval. Walker Art Center's exhibition cata­ in this area and welcomes comments chairs reserve the right to select the most On that subject he has published articles logue Jasper Johns: Printed Symbols (1990) address audiences ranging from the and information on developments. Conference considered version or, in some cases, to in Art Journal and Gazette des Beaux-Arts and a review article in Print Quarterly specialized and scholarly to the very Another example is a test case suggest a fusion of two or more versions and reviews in the Art Bulletin, Print (1986). generaL She has contributed to Art in brought in December 1993. Ten journal­ from among the proposals submitted. Quarterly, and Master Drawings. What Jasper Johns'S art and French America, Genders, R11dical History Review, ists sued Time-Warner, Times-Mirror, The program chairs may invite submis­ Occasioned by the bicentennial of caricature have in cornmon is, in Cuno's and Critical Inquiry, to a collection of New York Times Corporation, Mead sions from people who have not the French Revolution, he curated an opinion, coded meaning. And, if there is essays titled Significant Others, and to a Data Central Corporation (the on-line submitted proposals, but whose exhibition and edited an accompanying a single reason for his being so con­ five-volume History of Women, for which giant that owns Lexis and Nexis), and experience, expertise, and outreach book titled French Caricature and the cerned with these subjects, it is because she wrote the essays on women and University Microfilms International (a would, in the chairs' opinion, be French Revolution, 1789-1799 (1988). This of his interest in how things mean and visual culture for both the nineteenth­ CD-Rom publisher). The suit alleges that he 1996 annual conference will important to shaping an interesting and led to essays on J.-L. David, which were take on meaning. This will be the subject and the twentieth-century volumes. the magazines and newspapers sold be held in Boston, with the balanced program. In doing so, program published in James A. Heffernan, ed., of his forthcoming book with Princeton She is currently writing a book on articles to Mead without the writers' T Boston Marriott Copley Place chairs will consider a number of factors, Representing the French Revolution (1992), University Press, which will concern the history of private art museums. The permissions and without compensation and Sheraton Boston Hotel and Towers including which topics were not covered and Regis Michel, ed., David Contre itself with caricature in Paris from 1789 project spans the years between 1848 for the additional electronic rights. The serving as co-headquarter hotels. in recent CAA conferences. All other David (Louvre, 1993). to 1848. and the Second World War in Europe facts of the individual cases differ: some Sessions will take place Wednesday, things being equal, preference may be Most recently he contributed an Anne Higonnet graduated from and America, and is organized around writers had oral agreements to deliver February 21, through Saturday, Febru­ given to artists / scholars from the region essay, ''Violence, Satire, and Social Harvard College in 1980 and received the themes of nationalism, public and "FNAS" Rights-or First North Ameri­ ary 24. Co-chairing the art history in which the conference will be held. Types in the Graphic Art of the July her PhD. from Yale University in 1988. private, gender, redefinitions of aes­ can Serial rights; one writer claims he program are James Cuno and Anne Both the art history and studio art Monarchy," to a volume edited by She teaches in the art department at thetic value, and the problems of had an oral agreement with Newsday to Higonnet, and the studio art program is program chairs wish to encourage the Gabriel Weisberg and Petra Chu, The Wellesley College, where she will institutional permanence. deliver his work as usual, but when he co-chaired by Deborah Bright and Ed submission of joint sessions. Popularization of Images: Visual Culture become an associate professor in fall Higonnet's work has been sup­ received payment, the check said his Levine. As in 1995, each CAA affiliated under the July Monarchy, to be published 1994. Her courses focus on modern ported by grants or fellowships from the endorsed signature would grant all society may submit one proposal for a by Princeton University Press later this visual culture and critical theory, with a Huntington Library, the Getty, Ameri­ electronic rights as well. The writer, thematic (not "open") session to be year. special interest in issues of gender, can Council of Learned Societies, president of the National Writers Union, Proposal Submission included in the CAA program. These As a secondary interest, he has method, and the history of institutions. Florence Gould Foundation, Social needed the money, crossed out the proposals are to be submitted directly tl -written exhibition catalogues on the She has written two books about Science Research Council, Tocqueville language, and signed and cashed the Guidelines Suzanne Schanzer, CAA conference Program, Woodrow Wilson Research check The writers are looking for actual Session proposals should be submitted coordinator. Affiliated society sessions Foundation, and American Association and statutory damages, and for valida­ to the program chairs in the form of a must adhere to all session guidelines of University Women. She has partici­ tion that print rights are separate from one-to-two page letter / essay framing (for example, chairs must be CAA pated in past CAA conferences as electronic database rights, which are the topic of the session and explaining members from application through 1996 panelist, co-chair, and, most recently, as separate from optical disk rights, etc. any special or timely significance it may and are not eligible to chair a session chair of the 1994 session "Daughter of They allege that their rights of access, have for a particular field and/ or more than once every three years). Feminism: Feminism as a Passage out of display, performance, reproduction, and discipline, and must be accompanied by Deadline for program chairs (or Art History." the right to make derivative works have a session proposal form (see page 15). conference coordinator) to receive been infringed. When possible, potential panelists and session proposals: September 1, 1994. -Barbara Hoffman, Esq., CAA Counsel procedures should be outlined. Explana­ Art History tory or supportive materials may be Program Statement included. Send a c.v., biographical Art History Program statement, mailing address, and work The Art History Program of the 1996 and home telephone numbers. It is Co-Chairs conference will be organized in two recommended that you enclose a self­ Currently director of the Harvard parts in order to give it a meaningful addressed, stamped postcard so that University Art Museums and professor and coherent structure while still chairs may acknowledge receipt of your of fine arts at Harvard, James Cuno has appealing to CAA's many art history. proposal, and an SASE if you wish any served previously as assistant professor constituencies. materials returned. at Vassar College; director of the Approximately half of the sessions To summarize CAA procedures: Grunwald Center for the Graphic Arts, will remain as they are now organized, chairs will consider proposals only from u.c.L.A.; and director of the Hood two-and-a-half-hour sessions on themes CAA members and, once selected, session Museum of Art, Dartmouth College. both open and submitted by panel chairs must remain members in good He received PhD. and A.M. chairs, to ensure continuity with standing through 1996. No one may degrees in fine arts from Harvard previous conferences and the presenta­ chair a session more than once every University (1985 and 1980, respectively), tion of a full complement of sessions three years (for example, individuals an M.A. degree in art history from the organized in response to the wishes of who chaired sessions in 1994 or 1995 University of Oregon (1978), and a B.A. I the art history membership. The second cannot chair sessions in 1996). Program in history from Willamette University Anne Higonnet and James Cuno

6 CAA NEWS MAY IJUNE 1994 CAA NEWS MAY IJUNE 1994 7 half will be oriented around one theme, Studio Art Program Studio Art to be neglected in art discourse? What The Object and Its Limits, and sessions Co-Chairs Program Statement factors perpetuate this disciplinary . Solo will be shortened to one-and-a-half­ separatism? What is the role of tra~I­ Both an artist and published critic, In the studio art program, we want to hours, or paired by session chairs into tional crafts and design in a changmg, Deborah Bright moved to the Boston explore our relations to the world and two connected one-and-a-half-hour more interdisciplinary education? What Exhibitions area in 1986 after thirteen years in to each other through education ~nd sessions. The one-and-a-half-hour are the responsibilities of industrial and Chicago. She received her M.F.A. i~ technology, to investigate the dialectic sessions should include no more than graphic designers in our contemporary painting from the University of Chicago between the human imagination and three fifteen-minute papers (or two social, ecological, and intellectual by Artist in 1975 and worked as a freelance the tools of technology and between papers and one respon~ent), ~eaving environment? How have new technolo­ graphic designer for several years before changing social formations a~d m~re forty-five minutes for dIscussIOn. gies affected traditional pract.ic~s ~nd ? teaching at DePaul University and other established institutional relatIonshIps as Members Emphasis in these sessions will be conceptualizations of these dISCIplines. Chicago-area institutions. After two these relate to studio practice and balanced between discussion and We welcome these and other topics years at the University of Massachusetts, education. In general, we want to look papers, which in this format will most and strongly encourage creative Only artists who are eAA members are included Boston, she joined the faculty of the at the changing nature of practice and appropriately be open-endedly provoca­ approaches to session forms and in this listing. When submitting information, Rhode Island School of Design where how its contexts affect the ways we tive. formats. Send a copy of your proposal to include name of artist, galien} or museum name, she currently holds a joint full-time make, exhibit, and perform our work. The theme Tlte Object and Its Limits both Deborah Bright, 72 Newton St., city, dates of exhibition, medium. Please indicate appoinhnent in the photography and art Areas we would like to explore eAA membership. asks the central question: what is the art Somerville, MA 02143-3937, and Ed history departments. concern the social role and material Photographs are welcome but will be used only if object? Or, to turn the wo.rding aroU1:d: Levine, Visual Arts Program, MIT, N51- For many years, Bright has been Ed Levine conditions of art practice. What roles space allows. Photographs cannot be returned. what is the object of art hIstory? SeSSIons 315 265 Massachusetts Ave., Cam­ active in the Society for Photographic can artists in marginalized constituen­ might investigate: the mus~ological. bridge, MA 02139. Deadline for receipt of Education, serving as both an elected cies play within established institutions practice of presenting and mterpretmg of sex-gender and landscape. Her proposals: September 1, 1994. representative of the Women's Caucus to promote new ways of thinking and works of art; the kinds of knowledge current work in progress focused on for Art and as a member of the board of experience? How do artists form gained from the scientific ~alysis of art New England, All Tltat is Solid ... , is a directors. She is active in the Gay and alliances, share resources, and work objects through conserv~tIOn; th~ value meditation on the notion of a "national, Lesbian Caucus of CAA and is editing a together across divides of class, and limitations of connOIsseurship; the industrial heritage" in the age of ABROAD! critical anthology exploring new generation, ethnicity, sexuality, gender, possibilities of iconographical analysis; transnational capitalism. Another Sana Hoefman. Winfred Heid Gallery, constructions of sex-gender in recent . etc.? How do we establish a broad the relevance or irrelevance of critical recently completed work, The Manage­ Heidelberg, Germany, May 2S-June 25,1994. photography. Her other area of critical spectrum of practice in a pluralistic Paintings. theory to an understanding of art objects ment of Desire, explores complex c~des. focus is contemporary landscape society without inscribing other and their history; the boundary between of sexual identity and pathology (m this Susan Wilmarth-Rabineau. L'!sola Gallery, practice in photography, where she oppressive hierarchies? How: do. art and other objects; the necessity of case breast cancer) as these are written Rome, March 15-April18, 1994. brings critical perspectives from post­ practice and teaching deal WIth Issues of Art Bulletin Editorial Board objects to our field of study; and the on the artist's own body. colonial, feminist, and cultural geogr~­ race, class, and sexuality in ways that CONT'D FROM PAGE 1 effects of new electronic technology on Bright has received numerous , MlD-ATLANTIC! phy studies to bear on how the matenal do not re-create the constraining our appreciation and understanding of grants and awards for both her writing I Clarke (chair, Art Historians Commit­ Michelle La Perriere. Parlor Gallery, Ascension environment is represented. conditions of the institutions that objects. and artwork, including funding from tee). Lutheran Church, Towson, Md., January 3- Not surprisingly, Bright's artwork constrain them? Tlte Object and Its Limits draws all the National Endowment for the Arts, When it met in February, the Art February 28,1994. Drawings and paintings. explores related interests in both areas Another area of inquiry is the kinds of art historians together around Art Matters, the New England Founda­ Bulletin editorial board planned to elect relationship of art practice and educa­ their common commitment to visual tion for the Arts, and the David and an entirely new slate of members for the tion to notions of tradition and progress. MIDWEST! culture. We will try to reinforce this Reva Logan Fund for photographic Bulletin's Advisory Committee, which What can we learn from other cultures Jeffrey Carr. Columbus Cultur~l Arts Center,. sense of focused inclusion by making a criticism. Her work has been shown advises and assists the several editors Columbus, Ohio, March 6-ApnI4, 1994. FaWlck about the meaning and place of art special effort to include amon.g ~anel nationally and internationally, includ­ and the editorial board. However, Gallery, Baldwin-Wallace College, Berea, Ohio, making for the individual and :he chairs a good number of specIalIsts from ing exhibitions at the Museum because of the press of business, this January 10-February 4, 1994. Boyd Gallery, community? How has art practice neighboring disciplines who have Folkwang, Essen; the National Museum was deferred until the board next meets, Wilmington College, Wilmington, Ohio, Odober raised questions about the uses and 4-29,1993. already demonstrated their commitment of American Art, Smithsonian Institu­ in October 1994. meaning of the body within the to the study of visual culture, as well as tion' the Vancouver Art Gallery; Artists Michael Kessler. Klein Art Works, Chicago, university and society? How have new May 4-9, 1994. Paintings. colleagt:les from different countries. It is Spa~e; Randolph Street Gallery; Denise technologies altered traditional studio also expected that some of the Object Bibro Fine Arts; Cambridge Darkroom; Ralph Murrell Larmann. Chath~m Galle~, pedagogy and disciplinary thinking? sessions will take place in Boston-area and the Toronto Photographers Indianapolis, Ind., March 4-April5, 1994. Are Have video and digital imagmg We Done Yet?" Paintings. museums. Thus, proposals that focus on Workshop. technologies been misapplied or poorly specific Boston-area objects will be Ed Levine was born in Brooklyn. Sharon M. Louden. Sean Kelley Gallery, Kansas integrated into art programs? How has City, Mo., March 1S-May 13, 1994. Works on especially welcome. Send proposal~ to: As a child he was a fanatic Brooklyn the introduction of critical theory mylar and paper. James Cuno, Director, Harvard Uruver­ Dodger fan who sat in the bleachers transformed traditional curricula and sity Art Museums, 32 Quincy St., hoping they could beat the New York Dale Osterle. Kertman Gallery, Rockford, Ill., practice in the studio? How have June 1994. Paintings. Cambridge, MA 02138; and Anne Yankees. He never forgave the Dodgers developments in public art affected Higonnet, Art Dept., Jewett Arts Center, for leaving Brooklyn. This explains Bhakti Ziek. Goldstein Gallery, University of teaching and art practice's relationship Minnesota, St. Paul, June 26-Septernber 30, 1994. Wellesley College, Wellesley, MA 02181. almost everything in his life as an artist to the larger social environment? How "Merging Paths." Deadline for receipt of proposals: September and teacher. While teaching in the has the relationship among artists, 1,1994. Visual Arts Program of the Massachu­ architects, and public institutions setts Institute of Technology, he has NORTHEAST! extended our conception of art making? become a Boston Red Sox fan since they Emma Amos. Art in General, New York, March A third area of interest concerns the also have a sad history against the 12-April30, 1994. "Changing the Subject," field of applied design and the crafts. paintings and prints. Yankees. Why do the traditional crafts continue Prilla Smith Brackett. Gallery 57, Cambridge, Deborah Bright

8 CAANEWS MAY/JUNE1994 CAA NEWS MAY/JUNE 1994 9 "Paintings in Translation: Twenty Years Later." Amherst, after 35 years of service. Artists Space, New York, January 26-March 19, portraits of women from a rural upstate village 1994. "Stones in Translation: Thirteen Years People in will be accompanied by a jOlUnal documenting William T. Oedel has been promoted to Later." Fine Arts Museum, Nashville, Tenn., the project. associate professor of American art at the March 20-May 15, 1994. Harn Museum, University of Massachusetts, Amherst. Gainesville, Fla., June 5-August 7, 1994. "Bridge the News Albert Sperath has been awarded an art of Knots." fellowship from the Kentucky Arts Council. Larry Silver will teach in Australia, summer John Devaney. Miami-Dade Community 1994, through the Fulbright Commission. In the James B. Thompson has been awarded the College, May 9-27, 1994. "Fifteen-Year fall he willlectlUe at Smith College as Kennedy Arnold L. and Lois S. Graves award from Retrospective." Professor of Art History. Pomona College for a travel study of medieval Alfred Durante. Longview Art Museum, art and architectlUe in Great Britain for the Longview, Tex., May 7-July 11, 1994. Photo­ summer of 1995. graphs. Organizations Hachivi Edgar Heap of Birds. Art Gallery, Daniel W. Weiss, assistant professor of Pembroke Pines, Fla., February 24-April7, 1994. In Memoriam medievfll art atJohns Hopkins, has received the Paintings, prints, drawings, and public Marsha L. Semmel has been named director of 1994 Van COlUtlandt Elliott Prize hom the artworks. public programs at the National Endowment for Medieval Academy of America. He is the first the Humanities. art historian to be awarded the Elliott Prize, Ross Horrocks. Alliance Franc;ais d'Atlanta, Edith Porada, 81, Arthur Lehman Professor ----'~~~~~~- given for an outstanding article by a medievalist. Atlanta, Ga" March ll-AprlI15, 1994. "Paint_ Emeritus of Art History and Archaeology at Columbia University, died on March 24, 1994. ings and Monotypes." The American Academy of Arts and Sciences Porada was the world's leading authority on Barry Sparkman. Durham Art Guild, Durham, has announced elected fellows and foreign ancient cylinder seals, and served as honorary Jeffrey Carr, On the Avenue, 1993, N.C., March 27-April20, 1994. Paintings. honorary members and the following CAA curator of seals and tablets at the Pierpont Prisma color, 12" x 22" members have been so honored: Marjorie Morgan Library. A native of Vienna, she Waterville, Maine, March 6-Aprill0, 1994. Benedict Cohn, Harvard University, Cam­ received her doctorate in 1935 at the University "Captive Luminous Souls," monoprints. bridge, Mass.; Julius S. Held,. Barnard College, Mass., March 1-31, 1994. "Two Hemispheres: of Vienna and arrived in the U.s. three years New York; and Angelica Zander Rudenstine, Painting and Drawing." Anne Seelbach. Painting Center, New York, WEST/ later. Porada joined the Columbia faculty in Cambridge, Mass. March 29-April16, 1994. Paintings. Wolf Gowin. LA Artcore's Brewery Annex, Los 1958, was named Arthur Lehman Professor in David L. Brandon. 80 Washington Square East Diane Snelling. 80 Washington Square East Angeles, April 27-May 29,1994. "Sculptures and 1974, and designated Lehman Professor Grants, Gallery, New York, March 23-ApriI15, 1994. Copper Wallworks." "Siblings," site-specific installation. Gallery, New York, March 23-Apri115, 1994. Emeritus in 1981. In 1989 Columbia awarded her Installation. Sheila Pitt. University of Arizona Museum of the honorary degree of Doctor of Letters. In 1968 Jennifer Cecere. Chambers Street IRT Subway Art, Tucson, June S-July 12, 1994. "Women on she organized and directed Columbia's Awards, & William Steiger. Condeso/Lawler Gallery, New Station, New York, May 15, 1994-May 15, 1995. excavations on the Phlamoudhi plain near the York, March 1-26, 1994. Contemporary Realist the Altar." Artemesia Gallery, Chicago, August "Chandeliers/There's No Place Like Home," Mediterranean in northeastern Cyprus. There Gallery, San Francisco, April 7-30, 1994. S-27, 1994. San Francisco State University, San installation. she discovered a lead weight that provided Paintings. Francisco, Calif., September 1994. Honors Robin Dash. Hardie Gallery, Montserrat College evidence of the existence of close commercial Fritz Scholder. Louis Newman Galleries, of Art, Beverly, Mass., February 7-26,1994. ties between Cyprus and the Greek islands in Beverly Hills, Calif., March 10-24, 1994. "Recent Paintings. the late Bronze age. Porada was the author of ten SOUIB/ Work." books, including Mesopotamian Art in Cylinder Publication policy: Ollly grants, awards, or honors Hank DeRicco. 55 Mercer Street Gallery, New Helene Aylon. Knoxville Museum of Art, James B. Thompson. Focus Gallery, Salem, Ore., Seals (947) and Corpus of Ancient Near Eastern received by individual CAA members are listed. T/Je York, April 26-May 17, 1994. "Ripple: Ellipsoid Knoxville, Tenn., June 1993. Aldrich Museum, grant/award/hollor amount is not included. Please March 1994. /J A Room with an Attitude." Seals in North American Collections (1948). Her Etagere," sculpture, installation. Ridgefield, Conn., January 23-March 23, 1994. Corpus is still the standard reference work on note the following format: cite name, institutional Patti Fitzmaurice. Hera Gallery, Hera Educa­ seals. afft1iatioll, alld title Of the grant, award, or /Jailor, and tional Foundation, Wakefield, R.I., February 5- (optiollal) use or purpose of grant. Please indicate 26,1994. "Digital Imaging." tltat you are a CAA member. Nancy Friese. Pepper Gallery, Boston, March Academe II-April 23, 1994. "Far and Near," paintings. Margaretta Gilboy. F.A.N. Gallery, Philadel­ phia, April 1-30, 1994. "Dreams Come True," Carol Becker has been appointed dean and vice­ paintings. president of academic affairs of the School of the Art Institute of Chicago. Linda Butti has been awarded a 1994 New York Melissa Harris. Teahouse Gallery, New York State Council on the Arts Award to implement a Open Center, New York, March 20-ApriI18, Whitney Davis is Arthur Andersen Professor of series of art lectures and museum tours for 1994. "Making Way for Magic Paintings of Teaching and Research at Northwestern. senior citizens in Staten Island, N.Y. Sacred Sites in England." Mark A. Cheetham, associate professor, Penny Kronengold. Books & Co., New York, Mary Erickson has been appointed second University of Western Ontario, has been April 1-30, 1994. Paintings and drawings. visiting scholar at the Getty Center for Education in the Arts. awarded a 1994-95 Guggenheim Fellowship to Karen McCoy. Williams College Museum of pursue research on the topic of "Kant and the Art, Williamstown, Mass., March 12-April24, Visual Arts." Laetitia A. La Follette was promoted to 1994. "Under the Skin." associate professor of classical art at the Steven Miller. Landon Gallery, New York, May University of Massachusetts, Amherst. Michelle La Perriere was awarded a residency 12-June 30, 1994. "Eyes on Desire: Amoebic at the Millay Colony for the Arts, Steepletop, Austerlitz, NY Viral Projections," paintings. Walter Melion is returning to Johns Hopkins as Ben Frank Moss. Jaffe-Friede and Strauss professor of Northern Renaissance and Baroque Diane Sophrin,. Perry, N.Y., has been awarded a Galleries, Dartmouth College, Hanover, N.H., art. He had served as associate professor at New York State Council on the Arts Decentrali­ AprilS-May 8, 1994. "A Vision of Passage," Emory University. zation Grant to paint "Women of Perry: Portraits paintings and draWings. Paul Foote Norton retired from the art history from Life." Administered by the Arts Council Scott Reed. Colby College Museum of Art, program at the University of Massachusetts, for Wyoming County, this series of nine Alfred Durante, Marshall, Texas, 1989, color coupler photograph, 16" x 20"

10 CAANEWS MAY/JUNE1994 CAANEWS MAY/jUNE1994 11 Sylvie Wuhrmann, UNIL, Section d'Histoire de performance. $8 per entry, 5 max. For prospec­ Artists Wanted for performance art festival, Collaborative Projects Program of NEH is internships offer an opportunity to gain hands­ }' Art, BFSH 2, CH-I015 Lausanne, Switzerland; tus send SASE to: Matrix Gallery, 1725 I St., August 21-26, 1995. Send resume, artist accepting applications for projects of broad on training and experience in museum practices. Conferences E-MAIL: statement, and 1/2" VHS tape(s) of scholarly and public significance in the Hosting partner museums include the National 01141 21 6922910; fax 011 41 21 691 2915; Sacramento, CA 95814; 916/441-4848. Deadline: Museum of African Art and the Institute of SYLVIE. [email protected]. May 28, 1994. performance(s) to: Curator, Indianapolis Art humanities that entail the collaboration of two or League, 820 E. 67 St., Indianapolis, IN 46220; more scholars for periods of 1 to 3 years. All American Indian Arts Museum in Santa Fe, &Symposia Independent Scholars: Finding an Audience is Seafood Leader, the primary trade magazine for 317/255-2464. Deadline: October 1, 1994. topics in the humanities are eligible; collabora­ N.Mex., and the National African American the theme of the second annual conference of the the seafood industry, is seeking fish imagery tive projects are expected to lead to major Museum Project and the Museum of African National Coalition of Independent Scholars, (edible fish only) for its annual whole seafood 13th National Juried Quilt Show at the scholarly publications. Awards range from American Art in Tampa, Fla. For information: October 21-23,1994. For information: NCIS, Box catalogue issue. Its goal is to feature fine art for Schweinfurth Memorial Art Center invites $10,000 to $150,000. For information: Collabora­ Gayle Edmunds, 202/357-3162. Deadline: June 3, 5743, Berkeley, CA 94705. its readers and to promote the purchase of art entries of quilts and quilted wall hangings. $8 tive ProjectslInterpretive Research, Div. of 1994. within the seafood industry. Paintings, prints, first entry, $6 second entry, 2 entries max. Send Research Programs, Rm. 318, 1100 Pennsylvania and posters will be considered. Work must be SASE for entry form to: Quilt Show Coordinator, Ave.,NW, Washington, DC 20506; 202/606- available for purchase by readers. Submit color Schweinfurth Art Center, 205 Genesee St., 8210. Deadline for projects beginning no earlier tJum Calls for Manuscripts Calls for Papers transparencies suitable for reproduction. Each Auburn, NY 13021; 315/255-1553. Deadline: July 1995: October 15, 1994. entry should include name, telephone number, October 1, 1994. address, purchase information, and number of Liquitex Excellence in Art Student Grants are Art Tournai is seeking articles for an issue titled Gallery 84 with Martin SUmers Graphics available to college or university level fine arts Fifth Front Range Symposium in the History of slides submitted. Slides must include title, "Japanese Art 1868--1945: The Formation of a Gallery National Juried PaintinglPrint painting students who demonstrate outstanding Art, September 16-P, 1994, will be held at the medium, size, price, and whether work is one­ Cultural Identity," guest edited by Christine Competition: open to all artists working in 2 accomplishment in acrylic, oil, watercolor, or Denver Art Museum, the Auraria Campus of of-a-kind or a multiple edition. Include SASE for Guth. The issue will focus on aspects of the dimensions. Group painting show with solo mixed media. Purchase awards, art materials, Metropolitan State College, and the University return of slides. Mail entries to: Scott Wellsandt, mutually modifying interchange between award and group print show with solo award. and cash grants are available. Students must of Colorado-Denver. 20-minute papers are Seafood Leader, 850NW 45 St., Seattle, WA traditional and modernist arts and their role in For prospectus send #10 SASE to: Gallery 84, reside in the U.S., Canada, Puerto Rico, Mexico, sought on the theme of cultural contact, broadly 98107. Deadline: May 31,1994. the creation of a national identity. Issues that Dept. C,50 W. 57St., New York, NY 10019. Australia, U.K., Thailand, Singapore, Taiwan, interpreted. Papers on African and African Opportunities might be addressed include: the role of Deadline: October 15, 1994. Malaysia, Panama, Venezuela, or Argentina. American art are particularly desired, as the On Shaky Ground is an all-media exhibition individual artists active both in Japan and concerned with the issues of turmoil, dread, Liquitex Excellence in Art University Awards abroad, the influence of public and private symposium will take place in conjunction with Program invites art department chairs from an exhibition of Benin art. Send 2SD-word upheaval, uncertainty, and change. $15, 3 slides. museums, domestic and international exhibition universities and colleges in the U.S., Canada, abstract and c.v. to: Monica Blackmun Visona, For prospectus send SASE to: 494 Gallery, 494 Grants and Fellowships practices, the impact of government cultural Puerto Rico, Mexico, Australia, U.K., the Far Metropolitan State College, 1006 11 St., Denver, Broadway, New York, NY 10012; 212/925-9841. policies, and the influence of collectors, art Deadline: June 1, 1994. East, and South America to recommend one critics, and the press. This is a suggested but not CO 80217-3362. Deadline: July 1,1994. graduate and one undergraduate student for an The Translation Program of NEH supports exhaustive list of possible topics. Particularly award. Students must demonstrate excellence in Zurich Dada is the theme of an international Awards Art Center of Battle Creek seeks artists for three individuals or collaborations among scholars to encouraged are papers that address the issue the painting field in anyone of the following group shows in 1995: "Paperwork," for translate into English works that are germane to from a broad cultural and interdiSciplinary conference hosted by the Department of the media: acrylic, oil, watercolor, mixed media. History of Art and Design at Manchester experimental works using paper media­ the history, literature, philosophy, and artistic perspective. Submit one-page abstract to: Recipients will receive a Liquitex certificate of Metropolitan University, November 4-6, 1994. Reference Materials Awards are available from installations, sculpture, collage, etc.; "On the achievements of other cultures. The program has Christine Guth, PO Box 147, Hopewell, NT excellence and a selection of fine art materials. The program includes an experiment in the the NE Reference Materials Program to support Land," sculpture dealing with nature, landscape, supported a broad range of projects, including 08525. Deadline: September 1, 1994. For information on both programs: Liquitex restaging of the events that took place at the projects that will improve access to information environmental issues; and "In Action," works in the translation of single works, the complete Excellence in Art Student Programs, 1100 and resources. Support is available for the animation and comic book/cartoon imagery. works of a particular writer, and anthologies. Art Journal is seeking articles for an issue titled Cabaret Voltaire. Speakers may present papers Church Ln., Easton, PA 18044-0598. that relate to the historiographical problems creation of dictionaries, historical or linguistic Send slides, resume, support materials, and SASE For information: Translations, NEH, 1100 "Video Art: New Forms," guest edited by John connected with the re-creation of the past via atlases, encyclopedias, concordances, reference to: Tim Norris, Art Center of Battle Creek, 265 E. Pennsylvania Ave., NW, Rrn. 318, Washington, G. Hanhardt. TIris issue will examine the history reconstruction, translation, and dramatic grammars, databases, textbases, and other Emmett, Battle Creek, MI 49017. Deadline: July DC 20506; 202/606-8207; fax 202/606-8204; E­ of video as an art form and offer a critical survey presentation. For information: Michael Howard, projects that will provide essential scholarly 15,1994. MAlL: [email protected]. Deadline for Internships of its contemporary development. We welcome History of Art and Design, Manchester tools for the advancement of research or for projects beginning after April 1, 1995: June 1, 1994. articles that focus on an individual artist who Metropolitan University, Righton Bldg., general reference purposes. Eligible projects Art '95 is an annual multimedia competition to has charted a distinct path in the history of video Manchester M15 6BG; 061 2471941; fax 061 236 include bibliographies, bibliographic databases, be held in New York. Categories include The Mid Atlantic Arts Foundation armounces Minority Internship: San Francisco Museum of art. Articles should present the distinctive 0820. catalogues raisonnes, other descriptive drawing, watercolor, pastel, printmaking, the availability of guidelines and application Modem Art has established an internship in the features of the artist's work and provide catalogues, indexes, union lists, and other sculpture, cartoon art, computer art, photogra­ forms for the 1994/95 Visual Arts ReSidency Dept. of Painting and Sculpture to offer different theoretical and art-historical contexts in guides to materials in the humanities. For phy, jewelry, metalwork, enamel, and furniture. Program. Funds are available for the support of professional curatorial training to a minority which to understand this work. The issue will To Attend information: Reference Materials, Rm. 318, NEH, For application: Art '95, Art Dept., Rm. P,275 artist and critic residencies occurring between candidate currently enrolled in a university deal with established as well as younger and Washington, DC 20506. Deadline for projects Rte. 304, Bardonia, NY 10954; 914/623-0599; fax November 1, 1994, and December 1, 1995. Grants graduate program, or who has completed a mid-career artists. We are also considering beginning after July 1, 1995: September 15, 1994. 914/623-0611. Deadline for application request: July are awarded to nonprofit organizations in the master of arts or master of fine arts degree. TIle reviews of seminal works-books or periodi­ 28,1994. mid-Atlantic region. Applications must be 12-month/20 hours per week appointment will cals-that have been published on the topic of Nature and Ideology: Natural Garden Design Continuum Book Award provides $10,000 in submitted by an organization on behalf of begin concurrent with the school year in video art. Send manuscripts or proposals to: in the 20th Century is the topic of the annual recognition of the best work received in PhotoNominal '95 seeks artists for annual preselected artists and critics who are from the September. Stipend of $12,000, with additional John G. Hanhardt, Whitney Museum of Landscape Architechlre Symposium at Continuum's principal publishing areas: national exhibition that includes work utilizing region but outside of the host organization's funds available for professional development in American Art, 945 Madison Ave., New York, NY Dumbarton Oaks, May 20-21, 1994. It will religious studies, literature and the arts, any photographic process, from traditional state. For information: Mid Atlantic Arts training. Letters of application should include 10021. discuss the ideological, historical, political, psychology and social thought, and women's silver printing techniques to the latest in Foundation, 11 E. Chase St., #2-A, Baltimore, description of interest in museum work, aesthetic, and scientific frameworks on which studies. Manuscripts that are interdisciplinary in technologically generated imagery. Send 10 35- MD 21202; 410/539-6656. Deadline: July 8, 1994. training, education, and experience, and goals concepts of natural garden design have been nature and that offer innovative and theoretical mm slides max., with name, dimensions of and expectations of the internship. Also include developed, in order to understand more fully Workshop and Schools perspectives of wide-ranging cultural impor­ work, title, and media on each slide; resume and Fulbright Scholar Awards for u.S. Faculty and 2 letters of recommendation, resume, and listing their meaning and significance. $40 ($20 for tance are the primary focus of the award. related support material; and sase large enough Professionals are available for university of undergraduate and graduate coursework in students). For information: Studies in Landscape Monies awarded represent an advance against for return of work to: PhotoNominal '95, Forum lecturing or advanced research in nearly 140 art history and relevant areas of study. Send to: Architechlre, Dumbarton Oaks, 1703 32 St., NW, Hands and Minds is a six-week institute in royalties. Send manuscripts to: Continuum Book Gallery, 525 Falconer St., PO Box 20, Jamestown, countries. Awards range from two months to a Janet Bishop, San Francisco Museum of Modern Washington, DC 20007; 202/342-3280. Discipline Based Arts Education (DBAE) for Award, 370 Lexington Ave., New York, NY NY 14702-0020. Deadline: August 2, 1994. full academic year, and many assignments are Art, 401 VanNess Ave., San Francisco, CA educators, sponsored by Art Educators of New 10017. Deadline: September 1, 1994. flexible to the needs of the grantee. Basic 94102. Deadline: May 31, 1994. Images of the Artist: XVIII-XX Centuries is a Jersey and Jersey City State College, June 26- 1994 National Small Oils Art Competition and eligibility requirements are U.s. citizenship and colloquium sponsored by the art history July 1, 1994. The institute will provide an Exhibition is open to U.S. residents 18 and the Ph.D. or comparable profeSSional qualifica­ The Smithsonian Institution Office of Museum department of the University of Lausanne and understanding of the visual arts as a comprehen­ older. $3,000 cash awards, purchase awards, and tions. For lecturing awards, university or college Programs is introducing an internship program the Comite International d'Histoire de I' Art, Calls for Entries sive core subject, taught within a balanced, prizes. 3 slides, $25; each additional entry, $10, teaching experience is expected. For informa­ for 1994-95, in collaboration with selected June 9-12, 1994, in Lausanne. Topics include sequentially organized curriculum. Participants up to 6 total. For prospectus send loose 29rt tion: Council for International Exchange of community-focused museums to support self-portraits and portraits of artists, artists' will be given an assignment to complete before stamp to: S094 Prospectus, Wichita Center for Scholars, 3007 Tilden St., NW, Ste. 5M, Box training and staff development efforts of African studios, tombs of artists, artists in literahlre, and North American Works~Matrix Gallery. All arriving for the on-site portion of the institute. the Arts, 9112 E. Central, Wichita, KS 67206; GNEWS, Washington, DC 20008-3009; 202/686- American and Native American museums. The legends of the old masters. For information: media except installation, video, film, or For information: Rick Lasher, 171 Cherry Ln., 316/634-2787. Deadline: September 9, 1994. 7877. Deadline: August 1, 1994.

12 eAA NEWS MAY/JUNE 1994 CAA NEWS MAY/JUNE 1994 13 River Edge, NJ 07661-1717; 201/261-3405; fax 201/986-1256. Deadline: June 1, 1994. Classified Ads Datebook

Romcyn Atelier Competition for Realistic Sculpture Workshop. Tuition, room,. and board The CAA new5letter accepts classified ads of a May 27 free for sculptor starting out. August 14-22, professional or semiprofessional nature. $1.25/word Deadline for submissions to July / August CAA ( CAA 1996 Annual Conference 1994. For brochure: Romcyn Atelier, 4923 S. ($2/word for nonmembers); $15 minimum. News, to be publiShed June 27 Snowberry Ln., Evergreen, CO 80439. Deadline: July 1, 1994. June 8 Art Workshop International, Assisi,ltaly, June Deadline for submissions to Careers, to be Session Proposal Submission Form 22-July 19, 1994. Live and work in a 12th­ published July 8 Publications century hill town surrounded by the Umbrian landscape. Courses in painting/drawing, all July 29 media, landscape painting on site, and creative Deadline for submissions to September/October Scholarly Publishing on the Electronic writing. Special program for professional/ CAA News, to be published August 29 Networks: Proceedings of tile Third Symposium, advanced painters and writers. Housing, most published by lhe Association of Research meals, studio space, critiques, and lectures. Art September 1 Libraries, is available. The objective of the Workshop, 463 WestSt., 1028H, New York, NY Deadline for program chairs to receive session Session title ______symposia has been to promote information­ 10014; 212/691-1159. proposals for the 1996 annual conference sharing and discussion among people interested in developing the potential of fonnal scholarly Asian Art Books and extensive slide collection. January 26-28, 1995 electronic publishing, with particular emphasis 805/644-3701. Annual conference, San Antonio Chair on not-for-profit models. $20, plus $4 shipping in the U.S. and Canada ($8 in Europe). Books on the Fine Arts. We wish to purchase Association of Research Libraries, Office of scholarly o.p. titles on Western European art and architecture, review copies, library duplicates. CAA membership number Scientific and Academic Publishing, 21 Dupont (CAA membership is required from time of submission of proposal through 1995. If not a member, Circle, Ste. 800, Washington, DC 20036. Andrew D. Washton Books, 411 E. 83 St., New York, NY 10028; 212/481-0479; fax 212/861-0588. call 212/691-1051 for an application form.) Fairs and Festivals 1994 is an annual directory that lists contact and application information, Call for Slides of Art with Biblical or Religious locations, and descriptions of more than 800 Themes for new translation of the Bible. Address festivals in twenty-seven states. It also features Compensation paid if selected for publication. two indexes, one by state and one by festival Send slides with SASF. to: A Good Thing, 230 Park title. The craft-oriented publication lists Ave., Ste. 1152, New York, NY 10017. producers and sponsors of mall, trade, and high­ end craft shows as well as smaller community Chesapeake Bay, Maryland: island retreat, fairs. $12, plus $3.50 shipping in New England, waterfront, 3 bedroom house, artists' studio. ( $3.75 outside of New England. Arts Extension Historic Smith Island. Must sell. $60,000. 212/ Service, Division of Continuing Education, 825-1828. University of Massachusetts, Amherst, MA Telephone: office/studio ______~ 01003; 413/545-2360. For rent: attractive furnished bedroom. NYC, home upper East Side near museums. Suitable visiting The American Medallic Sculpture Association woman scholar. Doorman building. Good Directonj is available. It contains illustrated transportation. Security and references required. $20b/week; min. 3 weeks. Call DG Associates, examples of artists' work and services and Co-chair (if applicable) suppliers listings. Potential commissioners of 212/996-4629. medals can view various types of contemporary medals, such as the commemorative and art Fresco Painting Workshop~Ceri, ltaly,40 medals. $10, plus $3 shipping. AMSA, PO Box miles north of Rome, July 14-August 3, 1994. CAA membership number 2727, New York, NY 10185. Live/work in an lUlusual16th-century palazzo. (CAA membership is required from time of submission of proposal through 1995. If not a member, All aspects of fresco painting are covered. call 212/691-1051 for an application form.) Introducing a special workshop in marmoscagliola. Write/call for details. Fresco Associates of Ceri, 133 Greene St., New York, NY 10012; phone/fax 212/473-5657 or phone Address 914/762-2970.

Full~Color Exhibition Announcements. Gallery full-color postcards, catalogues, and posters. Write for samples: Images for Artists, 2543 Cleinview, Cincinnati, Ohio 45206.

Taos, New Mexico, sabbatical retreat: 2-story unfurnished, 1,750 square foot, adobe/log home for rent beginning August 1994. Spectacular Telephone: office/studio ______~ home views, redwood deck, jacuzzi tub, washer / dryer, wood stove, 2 baths. Half-hour from town; 4 wheel drive a must. 2.5 acres, fruit, trees, pines. Spacious, simple, beautiful. $575/month. Sponsoring affiliated society (if applicable): 505/776-1544.

CAANEWS MAY/JUNE 199