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31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Rectv Powered by レコチョク 配信曲 覧（アーティスト名ヨミ「は」 ）
RecTV powered by レコチョク 配信曲⼀覧（アーティスト名ヨミ「は」⾏） ※2021/7/19時点の配信曲です。時期によっては配信が終了している場合があります。 曲名 歌手名 アワイロサクラチル バイオレント イズ サバンナ It's Power of LOVE バイオレント イズ サバンナ OH LOVE YOU バイオレント イズ サバンナ つなぐ バイオレント イズ サバンナ I'M DIFFERENT HI SUHYUN AFTER LIGHT [Music Video] HYDE INTERPLAY HYDE ZIPANG (Japanese Version) HYDE feat. YOSHIKI BELIEVING IN MYSELF HYDE FAKE DIVINE HYDE WHO'S GONNA SAVE US HYDE MAD QUALIA [Japanese Version] HYDE LET IT OUT HYDE 数え切れないKiss Hi-Fi CAMP 雲の上 feat. Keyco & Meika, Izpon, Take from KOKYO [ACOUSTIC HIFANA VERSION] CONNECT HIFANA WAMONO HIFANA A Little More For A Little You ザ・ハイヴス Walk Idiot Walk ザ・ハイヴス ティック・ティック・ブーン ザ・ハイヴス ティック・ティック・ブーン(ライヴ) ザ・ハイヴス If I Could Change Your Mind ハイム Summer Girl ハイム Now I'm In It ハイム Hallelujah ハイム Forever ハイム Falling ハイム Right Now ハイム Little Of Your Love ハイム Want You Back ハイム BJ Pile Lost Paradise Pile I Was Wrong バイレン 100 ハウィーD Shine On ハウス・オブ・ラヴ Battle [Lyric Video] House Gospel Choir Waiting For The Sun Powderfinger Already Gone Powderfinger (Baby I've Got You) On My Mind Powderfinger Sunsets Powderfinger These Days [Live In Concert] Powderfinger Stumblin' [Live In Concert] Powderfinger Take Me In Powderfinger Tail Powderfinger Passenger Powderfinger Passenger [Live At The 1999 ARIA Awards] Powderfinger Pick You Up Powderfinger My Kind Of Scene Powderfinger My Happiness Powderfinger Love Your Way Powderfinger Reap What You Sow Powderfinger Wake We Up HOWL BE QUIET fantasia HOWL BE QUIET MONSTER WORLD HOWL BE QUIET 「いくらだと思う?」って聞かれると緊張する(ハタリズム) バカリズムと アステリズム HaKU 1秒間で君を連れ去りたい HaKU everything but the love HaKU the day HaKU think about you HaKU dye it white HaKU masquerade HaKU red or blue HaKU What's with him HaKU Ice cream BACK-ON a day dreaming.. -
OUT 10 1980 San Joaquin Delta College 5151 Pacific Avenue Stockton, California 95207
CALIFORNIA COMMUNITY AND JUNIOR COLLEGE ASSOCIAT16.1 2017 "0" Street • Sacramento, California 95814 • (916) 444-8641 • Executive Director, Lloyd E. Mes.;.!rsrnith October 7, 1980 nr1T,"1 fnu.r.a Dr. Dale Parnell Superintendent and President OUT 10 1980 San Joaquin Delta College 5151 Pacific Avenue Stockton, California 95207 Dear Dale: This letter confirms the earlier telephone conversation with our office relative to the selection of Ms. Janet Leigh, an alumnus of San Joaquin Delta College, as the recipient of a CCJCA 1980 Distinguished Alumni Award. We are delighted that you have nominated such an out- standing person for this honor and, further, that the committee has seen fit to select her. The formal presentation will be made at the CCJCA Annual Conference Awards Luncheon, Sunday, November 9, at 12:30 p.m., in the Biltmore Bowl of the Biltmore Hotel in Los Angeles. If you have not already done so, you should invite Ms. Leigh to be your College's guest at the luncheon. Seating will be reserved for you and Ms. Leigh at the head table. You should be prepared to briefly introduce your College's award winner, citing appropriate accomplishments. He will then have the opportunity to respond to the award. Luncheon tickets will be provided for the award winner plus one guest. As we indicated, we hope that it will be possible for your distinguished alumnus to join with us for this, recognition. If we can assist in making any local arrangements, please do not hesitate to contact us. Sincerely, (7-7-r-Toyd E. c;41-smith Executive Director LEM:slz I',es input Vice Pi esident VrCe PI esident Vice President Post President John C. -
Commencement
2020 COMMENCEMENT UNIVERSITY OF SOUTH DAKOTA THE ONE HUNDRED THIRTY-THIRD ANNUAL COMMENCEMENT EXERCISES SANFORD COYOTE SPORTS CENTER VERMILLION, SD OCTOBER 24, 2020 Graduate & Undergraduate Commencement Sanford Coyote Sports Center October 24, 2020 9:00 a.m. The Commencement Procession The National Anthem Welcome Dr. Rob Turner, University Senate Chair Sheila K. Gestring, President Belbas-Larson Awards for Excellence in Teaching Kurt Hackemer, Provost & Vice President for Academic Affairs Associate Professor Shane Nordyke, College of Arts & Science Assistant Professor Lisa Ann Robertson, College of Arts & Sciences Commencement Address Colonel Inès N. White Hooding and Conferring of Doctoral Candidates and Presentation of Diplomas Doctor of Philosophy Doctor of Education Doctor of Audiology Docotor of Occupational Therapy Doctor of Physical Therapy Transitional Doctor of Physical Therapy Doctor of Medicine Juris Doctor Conferring of Specialist and Master Degrees and Presentation of Diplomas Specialist in Education Master of Arts Master of Business Administration Master of Fine Arts Master of Music Master of Professional Accountancy Executive Master of Public Administration Master of Public Administration Master of Public Health Master of Science Master of Social Work Conferring of Baccalaureate and Associate Degrees Induction into Alumni Association Steve Young, Alumni Association Representative University Hymn, Alma Mater Closing Remarks Sheila K. Gestring, President Dr. Rob Turner, University Senate Chair Recessional Note to Guests: The audience will remain seated for both the Processional and Recessional and will rise for the National Anthem and Alma Mater. Professional photographs by Lifetouch Photography will be available a week after the ceremony at www.usd.edu/registrar/commencement.cfm. University President Sheila K. -
On Location in Santa Cruz by Lisa Jensen
On Location in Santa Cruz By Lisa Jensen With Jane Seymour in the foreground, it's hard to pay attention to the background. But those of you who were to tear your eyes off the villainous starlet of East of Eden might have noticed that some of the locations looked familiar. They ought to—several scenes in the made-for-TV movie (telecast last winter) were shot at the Calvary Episcopal Church on Lincoln Street, the Hitchcock house on Ocean View Terrace and the Capitola pier. To the eyes of folks from Hollyweird, Santa Cruz looks more like Steinbeck's Salinas than Salinas does. The Eden crew was one of the most visible of the many TV and movie production companies that have come to Santa Cruz. Within the last five years, our town has also played host to crews of the 1976 telefilm The Entertainer starring Jack Lemmon, which filmed extensively at the Boardwalk and the movie Tilt with Brooke Shields which spent several weeks shooting principal footage in Capitola. (Although the movie fizzled, it received a marginal theatrical release in 1979 and was recently shown on local cable TV.) Last year portions of the upcoming science fiction comedy Heartbeeps with Andy Kaufman and Bernadette Peters, were shot in the meadows of UCSC, and scenes for the TV series The Gangster Chronicles came from the Capitola wharf. Shooting movies in Santa Cruz is not a new idea. We've had a colorful history as a film location that dates back to the silent era. Stars gracing the local scene have ranged from Tom Mix and Zasu Pitts to James Stewart, Jeanette MacDonald and Lassie. -
Peeping Through the Holes
Peeping Through the Holes Peeping Through the Holes: Twenty-First Century Essays on Psycho Edited by Eugenio M. Olivares Merino and Julio A. Olivares Merino Peeping Through the Holes: Twenty-First Century Essays on Psycho, Edited by Eugenio M. Olivares Merino and Julio A. Olivares Merino This book first published 2013 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2013 by Eugenio M. Olivares Merino and Julio A. Olivares Merino and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4475-6, ISBN (13): 978-1-4438-4475-8 TABLE OF CONTENTS Acknowledgements ................................................................................... vii Preface...................................................................................................... viii Chapter One................................................................................................. 1 Hitchcock and the Hollywood Production Code: Censorship and Critical Acceptance in the 1960s María del Carmen Garrido Hornos Chapter Two.............................................................................................. 25 “I Don’t Hate Her. I Hate What She’s Become:” -
The Color of Brainwashing: the Manchurian Candidate and the Cultural Logic of Cold War Paranoia
【연구논문】 The Color of Brainwashing: The Manchurian Candidate and the Cultural Logic of Cold War Paranoia Swan Kim (University of Virginia) [T]he shock of the discovery of the plight of the prisoners placed Chinese conduct in a new, infinitely more disturbing light. Mao Tse Tung’s China acquired a new, far more frightening and disturbing aspect. From this, arguably, its image in the West never recovered. Long after the Korean War receded into memory, the fear of “the Manchurian candidate” remained. Max Hastings, The Korean War (1987, 304) The concept of a rumor does not deny the presence of existential threats facing the United States during the course of the Cold War. In fact, the predominant image of the enemy was, at times, quite realistic. Nevertheless, veracity had little to do with the rumor’s reception. The rumor spread because it provided a culturally compelling explanation for an uncertain predicament; fact and accuracy played a supporting role only. The sinister face of the enemy emerged primarily from a common “universe of discourse” and a pool of “shared assumptions” permeating American society at mid-century. Ron Robin, The Making of the Cold War Enemy (2001, 4) 168 Swan Kim The Korean War brought one of the great sea changes in postwar American history, yet the most mysterious and terrifying outcome for the American public was a psychological one: “[o]ne of the most interesting aftermaths of the Korean conflict in 1950-1953 has been the preoccupation of many Americans with ‘brainwashing.’”1) As the ultimate product of Cold War paranoia, brainwashing was considered the latest weapon that would complement an ideological warfare. -
애니송북 제19탄 2020년 여름호 모바일용.Xlsx
1, 애니 송 (일본) ♪ 3월의 라이온 orion 44128 米津玄師 요네즈켄시 4월은 너의 거짓말 オレンジ 44269 7!! 오렌지 キラメキ 44177 wacci 키라메키 光るなら 43859 Goose house 히카루나라 5등분의 신부 五等分の気持ち 44385 中野家の五つ子 고토분노 키모치 나카노케노 이츠츠고 BORUTO-보루토- バトンロード 44388 KANA-BOON 바톤 로드 B-PROJECT 快感*エブリディ 44554 B-PROJECT 카이칸 에브리데이 C マトリョーシカ 44006 NICO Touches 마트료시카 the Walls DARKER THAN BLACK From Dusk Till Dawn 43172 abingdon boys school HOWLING 42435 abingdon boys school 覚醒ヒロイズム~THE HERO WITHOUT.. 42720 アンティック-珈琲店- 카쿠세이 히로이즘 앤티크 커피점 ツキアカリのミチシルベ 43158 ステレオポニー 츠키아카리노 미치시루베 스테레오포니 GOSICK -고식- Destin Histoire 43355 yoshiki*lisa GTO Driver's High 41185 L'Arc~en~Ciel しずく 41213 奥田美和子 시즈쿠 오쿠다미와코 ヒトリノ夜 41237 Porno 히토리노 요루 Graffitti J리그 위닝일레븐 택틱스 本日ハ晴天ナリ 42082 Do As 혼지츠와 세이텐나리 Infinity NARUTO-나루토- ALIVE 40572 雷鼓 라이코 CLOSER 43013 井上ジョー 이노우에죠 Ding! Dong! Dang! 40070 TUBE Diver 43856 NICO Touches the Walls GO!!! 41759 FLOW Hero's Come Back!! 42526 nobodyknows+ if 43269 西野カナ 니시노카나 Lie-Lie-Lie 42510 DJ OZMA Sign 43872 FLOW wind 44381 Akeboshi (와인드) うたかた花火 43696 supercell 우타카타하나비 悲しみをやさしさに 41673 little 카나시미오 야사시사니 by little 言葉のいらない約束 44283 sana 코토바노 이라나이 야쿠소쿠 シルエット 43862 KANA-BOON 실루엣 青春狂騒曲 40500 Sambo Master 세이슝쿄소쿄쿠 透明だった世界 44047 秦基博 토메이닷타 세카이 하타모토히로 ニワカ雨ニモ負ケズ 43882 NICO Touches 니와카아메니모 마케즈 the Walls 遥か彼方 41835 ASIAN KUNG-FU 하루카 카나타 GENERATION ハルモニア 41979 RYTHEM 하르모니아 ブルーバード 42815 いきものがかり 블루버드 이키모노가카리 ホタルノヒカリ 43109 いきものがかり 호타루노 히카리 이키모노가카리 ラヴァーズ 43931 7!! 러버즈 가자 83084 펄스데이 너는 내게... 69551 토리 너를 보낸 나의 2야기 45479 장연주 오직 너만이 85220 이용신 투지 45657 버즈(Buzz) 풍운 88609 이승열 활주 45293 버즈(Buzz) NHK에 어서오세요! 踊る赤ちゃん人間 42233 大槻ケンヂと. -
Psycho INDIANA UNIVERSITY PRESS FILMGUIDE SERIES Harry Geduld and Ronald Gottesman, General Editors Filmguide to Psycho
Filmguide. to Psycho INDIANA UNIVERSITY PRESS FILMGUIDE SERIES Harry Geduld and Ronald Gottesman, General Editors Filmguide to Psycho JAMES NAREMORE INDIANA UNIVERSITY PRESS Bloomington London Copyright© 1973 by Indiana University Press All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses Resolution on Permissions constitutes the only exception to this prohibition. Published in Canada by Fitzhenry & Whiteside Limited, Don Mills, Ontario Library of Congress catalog card number: 72-88636 ISBN: 0-253-39307-8 cl. 0-253-39308-6 pa. Manufactured in. the United States of America 2 3 4 5 6 80 79 78 77 76 For Jay, who likes horror movies I would like to thank Harry Geduld and Ron Gottesman for giving me this opportunity. My thanks also to Murray Sperber and Charles Eckert, who spent hours talking with me about Psycho. J,N, contents 1 Credits 3 2 Outline 5 3 Aesthetics of Repression 9 4 The Production 19 5 Analysis 25 6 Summary Critique 72 A Hitchcock Filmography 81 Selected Bibliography 83 Rental Sources 87 vii -- Filmguide to Psycho ---- 1 . credits PSYCHO Paramount Pictures, 1960 Producer: Alfred Hitchcock Direction Alfred Hitchcock Screenplay Joseph Stephano, from the novel by Robert Bloch Photography John L. Russell, A.s.c. Special EfJects Clarence Champagne Art Direction Joseph Hurley, Robert Clatworthy Sets George Milo Music Bernard Herrmann Sound Engineering Waldon Watson, William Russell Title Design Saul Bass Editing George Tomasini Assistant Director Hilton Green Costumes Helen Colvig Time 109 minutes Filmed in Hollywood, partly on the lots of the old Universal Stu dios. -
An American Tour: 123
An American Tour: 123 Hollywood’s Mocombo The Mocambo was a nightclub in West Hollywood, California, at 8588 Sunset Boulevard on the Sun- set Strip The Mocambo opened on January 3, 1941, and became an immediate success. The club's Latin Ameri- can-themed decor designed by Tony Duquette cost $100,000 (equivalent to $1,663,801 in 2017). Along the walls were glass cages holding live cockatoos, macaws, seagulls, pigeons, and parrots. With big band music, the club became one of the most popular dance-till-dawn spots in town. On any given night, one might find the room filled with the leading men and women of the motion picture industry. In 1943, when Frank Sinatra became a solo act, he made his Los Angeles debut at the Mocambo. On March 15, 1955 Ella Fitzgerald opened at the Mocambo, after Marilyn Monroe lobbied the owner for the booking. The booking was instrumental in Fitzgerald's career. The incident was turned into a play by Bon- nie Greer in 2005. It has been widely reported that Fitzgerald was the first Black performer to play the Mocambo, following Monroe's intervention, but this is not true. African-American singers Herb Jeffries, Eartha Kitt, and Joyce Bryant all played the Mocambo in 1953, according to stories published at the time in Jet magazine. Among the many celebrities who frequented the Mocambo were Clark Gable and Carole Lombard, Humphrey Bogart and Lauren Bacall, Errol Flynn, Charlie Chaplin, Elizabeth Taylor, Judy Garland, Henry Fonda, Lana Turner, Ava Gard- ner, Bob Hope, James Cagney, Sophia Loren, Janet Leigh and Tony Curtis, Nata- lie Wood and Robert Wagner, Grace Kelly, Debbie Reynolds and Eddie Fisher, Howard Hughes, Kay Francis, Marlene Dietrich, Theda Bara, Tyrone Power, Jayne Mansfield, John Wayne, Ben Blue, Ann Sothern, and Louis B. -
![1949-02-11, [P ]](https://docslib.b-cdn.net/cover/6509/1949-02-11-p-3046509.webp)
1949-02-11, [P ]
Cho9* Variety of POLISH JlOME COOKED MEAL* EVERY DAY LIQUORSU WINES—BEER MIXED DRINKS Open Daily from 6:00 A. M SPECIAL SUNDAY DINNERS tok:3&.A M Friday, February 11, 1949 TOLEDO UNION JOURNAL Page Five Visiting Time IWewissaBid <a<»Ksip I BARBERSHOPPING I FINISHED '/> 11 TV 1 HOLLYWOOD — The “Bar- ( yQ O Pl ber Shop Quartet” number in CX k-/ X Xvl. geon, Johnson Top M e t r o-Goldwyn-Mayer’s “The! 7 Good Old Summertime,” has! wound up shooting, completing; w i the list of musical selections toi AlbStar ‘ Command Decision” be filmed. Judy Garland was z/- E<SCRE 0 featured in the number. I ^,4^ Releaaetf by WNU Feature*. For sheer thrills, mounting suspense and heart-gr:——g in O Give Lizabeth Scott a good tensity, there has never been a picture like “Command on,” death scene and she's happy. She Glamour. Inc the explosive, star-studded drama coming to the Valentine The didn’t like the one in “Dead atre. Reckoning” — “It was only a When you consider that the all-male cast of this new M-G-M three-line scene, and the dial offering is headed by such top ogue was terrible,” she explained film personalities, as Clark Ga at lunch the other day. “But I Iturbi Is Veteran ble, Walter Pidgeon, Van John have a five-line scene in “Bitter son, Brian Donlevy, John Hod- Victory,” and it was supervised In Films, After All iak, Charles Bickford and Ed by a famous doctor, so it’s abso HOLLYWOOD — When ward Arnold, you have an idea lutely authentic.” ever anyone congratulates of the importance attached by Jose Iturbi, who is one of M-G-M to its film version of the the headliners of “That Mid smach Broadway stage success. -
2015 Spring Commencement Metropolitan State University of Denver
2015 SPRING COMMENCEMENT METROPOLITAN STATE UNIVERSITY OF DENVER SATURDAY, MAY 16, 2015 SPRING COMMENCEMENT SATURDAY, MAY 16, 2015 Letter from the President .......................... 2 MSU Denver: Transforming Lives, Communities and Higher Education .... 3 Marshals, Commencement Planning Committee, Retirees ............ 4 In Memoriam, Board of Trustees ............. 5 Academic Regalia ....................................... 6 Academic Colors ......................................... 7 Provost’s Award Recipient ......................... 8 Morning Ceremony Program .................... 9 President’s Award Recipient ................... 10 Afternoon Ceremony Program ................ 11 Morning Ceremony Candidates School of Education and College of Letters, Arts and Sciences ........................................ 12 Afternoon Ceremony Candidates College of Business and College of Professional Studies ..........20 Seating Diagrams ................................….27 1 DEAR 2015 SPRING GRADUATION CANDIDATES: Congratulations to you, our newest graduates! And welcome to your families and friends who have anticipated this day — this triumph — with immense pride. Each of our more than 80,000 graduates is unique, but all have one thing in common: Their lives were transformed by the education they received at MSU Denver. Most have stayed in Colorado, where they teach our children, own small businesses, create beautiful works of art, counsel families in crisis and design cutting-edge products that improve our lives. They are role models who have infused our state and their neighborhoods with economic growth, civic responsibility and culture. They have seized the opportunity to transform their families and their communities. Now it is your time to begin making the most of all that you have learned! MSU Denver transformed higher education in Colorado when, 50 years ago in the fall of 1965, we opened our doors with six majors, 1,187 students and a mission to give the opportunity to earn a college degree to almost anyone willing to take on the challenge.