DOCSLIB.ORG

C:\Documents and Settings\John Knowles\My Documents\Home

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
C:\Documents and Settings\John Knowles\My Documents\Home WHAT’S ON? ACROSS THE GLOBE (Professional companies in red amateur in black) America & Canada Blithe Spirit 3 to 5 Mar 2004 Crofton House School, Vancouver, BC JANUARY 20 to 30 Dec 2003 University Players, University of Windsor, Windsor, Ontario 2003 Mar to Apr 2004 Denver Center, Denver, CO 6 to 15 Nov Pine Tree Players, Canmore, Alberta 26 to 30 Apr 2004 Mississauga, Ontario Sep to Oct Utah Hay Fever 20 Nov to 13 Dec Grand Prairie Live Theatre, Grand Prairie, Alberta Sept to Oct Pacific Repertory Theatre., Carmel, CA IN THIS ISSUE 5 to 15 Nov St Luke’s Players, Victoria, BC ANNUAL LUNCHEON AND Page 1 Annual Lunch Come Into the Garden Maud Oct 9, Nov 3, & Dec 8. Food for Thought Productions, National Arts Club, NYC Steve Ross Tel: (212) 362-2560 Not Yet The Dodo Design For Living 5 to 13 Feb 2004 Amicus Productions Toronto, Ontario AUCTION ... at The Savoy Page 2 Comedy of Coward Fallen Angels 18 to 31 Jan 2004 Bramalea Live Theatre, Brampton, Ontario Page 3 Passing Stages Present Laughter 2 Mar to 1 Nov Oregon Shakespeare Festival in Ashland OR. www.orshakes.org Our final Society event of the year takes place on Saturday 13th December in London. It has Page 4 Memories of 2 to 26 Jun 2004 Raymond Burr Performing Arts Theatre, New Westminister, BC been a year when we celebrated the life of Noël Coward. A time when we rejoiced in his Cavalcade Page 6 Come to the Cabaret Private Lives 4 to 21 Feb 2004 Tribal Productions Inc. Thornhill, Ontario continued presence in stage, screen and musical productions 30 years after his life came to an Page 7 News & Views 20 to 30 Dec University of Windsor, School of Drama and Arts, Windsor, ON end at Firefly in Jamaica. The man who thought he would not be remembered, has been, and Page 8 Gertrude Lawrence Sep to Nov Globe Theatre., Regina, Saskatchewan., Canada, ; will continue to be. We invite you to join us for this special day in the centre of London’s Page 9 Wings Over Jan to Feb, 2004 Lyric Stage, Boston, Mass. shopping and theatre district, as Christmas approaches, for a gala end to our year. The Broadway Apr to May, 2004 Irish Classical Theatre. Buffalo, NY programme for the day includes our Annual General Meeting (AGM) at The Theatre Museum Page 10 Coward on the Web Australasia at 10.30 am followed by a special laying of flowers on the statue of Noël Coward at the Theatre Page 11 Collector’s Lot!!!! Blithe Spirit 15 Nov to 20 Dec Melbourne Theatre Co Victoria then national tour 2003 (Press Night 19 Nov) Royal, Drury Lane at 12.00 noon. (During the anniversary week of his birth we also plan to Page 12 WHAT’S ON? 30 Oct to 1 Nov Tropic Line Theatre, Queensland (Small tour) lay flowers at the two other Coward statues created by the sculptor Angela Connor, at The Rest of the World Firefly, Jamaica and the Gershwin Theatre, New York.) In London, luncheon will be served Private Lives Current Pieter Toerien Productions, Cape Town, Grahamstown, Jo’burg, South Africa from 12.30 pm at The Savoy in a room set aside for the afternoon for the Society followed at United Kingdom 2.30 pm by an auction of the books previously held at the London Office of Noël Coward, Present Laughter 16 to 18 Oct Union Theatre, The Village Hall, Dorridge, Solihull, West Midlands managed by the late Joan Hirst for so many years. The auction will be led by a professional 16 to 19 June 2004 The Hampton Hill Playhouse, Hamp[ton Hill, Mddx. auctioneer and is open to the public as well as members. Arrangements will be made to receive Fumed Oak 13 &14 Dec Phoenix Players, Village Hall, Abertin, Glamorgan telephone bids and a catalogue will be available from the end of October. A copy of this Hay Fever 30 Oct to 6 Nov R.S.A.M.D. The New Athenium Theatre, Glasgow, Scotland catalogue will be sent free of charge to each member and can be purchased by the public on 12 to 17 Jan 2004 Nottingham Arts Theatre, Nottingham, Nottinghamshire request. Copies will be sent to notable London booksellers. The auction is planned to finish The Savoy 27 to 28 May 2004 St. Mark’s Church Hall, Reigate, Surrey by 4.30 pm. Members will be able to attend any or all of the events on the day. There are no charges to members and their 27 to 29 Nov The Shelley theatre, Marlow, Bucks guests for attending the AGM, flower-laying or the Auction. The cost of the luncheon meal is £48.50 per person (inc. VAT) 2004 (TBC) West Yorkshire Playhouse, The Quarry whether a member or a guest - the menu is shown on the enclosed booking form. Blithe Spirit 8 to 15 Nov Questors Theatre, The Playhouse Theatre, Ealing, London 6 Aug to 4 Oct Derby Playhouse 6 Jun to 31 Oct Cumbria Theatre Trust, Theatre By The Lake, Keswick, Cumbria 18 to 25 Oct Bolton Little Theatre (With member Andrew Close as Charles Condomine) STEVE ROSS at Pizza On The Park NOT YET THE 13 to 15 Oct The Mill Hall, Rayleigh, Essex Yes the ‘heat is on’ as we celebrate the start of the year in 5 to 8 Nov The Mill Theatre, Banbury, Oxfordshire style with Steve Ross at the Pizza On The Park. Some 70 DODO 6 to 11 Oct The Little Theatre, Colne, Lancs. members have already signed up for this event and we have 13 to 14 Nov Hoddesdon Players, Broxbourne Civic Hall, Hoddesdon, Herts invited several celebrities to join us - news of these in our SPRING 2004 4 to 6 Dec Middele Barton DG, The Alice Marshall Hall, Middle Barton, Oxfordshire December edition. If anyone else wishes to join us please We plan to provide another opportunity 30 Oct to 1 Nov Rattlesden ATS, Village Hall, Rattlesden, Bury St. Edmunds, Suffolk contact: to see this wonderful and highly 1 to 4 Oct Codsall DS, Community High School, Codsall, Staffs Barbara Longford 7 Argyll Mansions, London, W14 8QG enjoyable theatre production that 17 Oct to 8 Nov Theatre Royal, York Tel: 020 7603 7399: home brings together the verse and music of 8 Jun to 4 Aug 2004Ian Dickens Productions - Balckpool/Darlington/Swansea (TBC) Tel: 020 7937 8692: office Noël Coward. The venue will be the Private Lives 19 Sep to 11 Oct Theatre Royal, York e-mail: [email protected] Hampton Theatre in Teddington. The 18 to 22 May 2004 Quince Players, The Cordes Hall, Sunninghill, Ascot, Berkshire programme for the day will include a 5 to 8 Nov Belmont Theatre Company, The Arts Centre, Harrow, Pinner, Middlesex visit to the local church where Coward’s 22 Nov Sudbury Upper School, Sudbury, Suffolk The Theatre Museum with The Noël Coward Foundation parents first met in the choir and the 15 & 16 Oct St Paul’s Girls’ School, Hammersmith, London Presents birthplace of The Master himself. We 17 Oct to 8 Nov Theatre Royal, York are planning to hold this event on a 23 Oct to 15 Nov Citizens Theatre, Glasgow THE COMEDY OF COWARD FESTIVAL Sunday in the Spring of 2004. The cost 24 Jan to 7 Feb 2004 Eye Theatre, Suffolk November 2 - 18 2003 will be kept to a minimum and the timing 6 Mar to 3 Apr 2004 Derby Playhouse With the generous support of The Noël Coward Foundation the Theatre will allow members and their guests to Waiting In The Wings 30 Sep to 4 Oct The Old Market, Brighton Museum is delighted to be able to present this short season celebrating the leave in time to enjoy some of their Relative Values 16 to 18 Oct Wesley Players, High St. Methodist Ch. Witney, Yorks comic genius of Noël Coward in words and music. Details of the entire evening at home! More on this in the Fallen Angels 10 to 15 Nov Arundel players, The Priory Place, Arundel, W. Sussex programme are given on page 2 column 1 of this edition of Home Chat. December issue of Home Chat. The Noël Coward Society, 29, Waldemar Avenue, Hellesdon, Norwich, NR6 6TB Email: homechat@Noëlcoward.net Tel: +44 (0)1603 486 188 Fax: +44 (0)1603 400 683 Page 12 THE COMEDY OF COWARD Dick Vosburgh is a lyricist, performer, Webber West End musical Jeeves the Editor reveals how a mild obsession FESTIVAL comedy writer and broadcaster. He (which was broadcast on Radio 2) and THE COLLECTOR’S LOT!!!!!! can turn into an incurable disease! was recently Col. Pickering to Alex November 2 - 18 2003 wrote lyrics for musicals such as A Day There cannot be many Noël Coward Believe me when I say you will not ever garner favour with similarly infected Jennings’s Professor Higgins in My Theatre Museum, in Hollywood, A Night in the Ukraine, fans who do not collect something of - never - no how - no way- ever get souls and look for common glints of Fair Lady at Drury Lane. Covent Garden, London Windy City and A Saint She Ain’t. He their hero - however passing and round to cataloguing your collection. recognition in fellow collector’s eyes - Eleanor Bron, distinguished as a top also co-wrote (with Robin Ray) the whimsical it may be. We buy books, Once you have catalogued your “Hey Doris he’s writing about me! performer since leaving university, and Sunday 2nd November book for Noël and Cole, Let’s Do It CDs and collect the odd programme programmes you will need a catalogue That’s me I tell you!” As if Doris appearing with comic insistence across THE PLAYS which began at Chichester Festival perhaps - may have a vinyl or two or for the catalogues.
Load more

Recommended publications
  • In Concert OCTOBER–NOVEMBER 2012
    ABOUT THE MUSIC SCHUBERT QUINTET /IN CONCERT OCTOBER–NOVEMBER 2012 ROMEO AND JULIET 1 AND 2 NOVEMBER PRESENTED IN ASSOCIATION WITH THE SOLDIER’S TALE 11 NOVEMBER DURUFLÉ REQUIEM 15–17 NOVEMBER MEET YOUR MSO MUSICIANS: ELEANOR MANCINI AND ROBERT CLARKE JOHN BELL ON SHAKESPEARE AND MUSIC BENJAMIN NORTHEY’S INCREDIBLE MONTH OF MUSIC-MAKING JONATHAN GRIEVES- SMITH ON PREPARING DURUFLÉ twitter.com/melbsymphony facebook.com/melbournesymphony Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WElcOME As I write this I’m in the middle trombonist Michael Bertoncello as of my busiest period with the soloist, as well as daytime concerts Orchestra so far, as we offer a for schools. snapshot of the diverse life of a The month began with music for modern symphony orchestra, with the whole family (even across a concerts for all ages and musical range of species!) as the MSO tastes, in venues from Melbourne brought Saint-Saëns’ magical Zoo to the Capital in Bendigo, and Carnival of the Animals to Melbourne featuring spoken word, film and Zoo, with Nick Enright’s wonderful the mighty MSO Chorus. verse narrated by Noni Hazlehurst. The unique collaboration with This is the kind of event that gives Bell Shakespeare promises to so many young people their first be a perfect marriage of classic taste of live orchestral music.
    [Show full text]
  • Redgrove Papers: Letters
    Redgrove Papers: letters Archive Date Sent To Sent By Item Description Ref. No. Noel Peter Answer to Kantaris' letter (page 365) offering back-up from scientific references for where his information came 1 . 01 27/07/1983 Kantaris Redgrove from - this letter is pasted into Notebook one, Ref No 1, on page 365. Peter Letter offering some book references in connection with dream, mesmerism, and the Unconscious - this letter is 1 . 01 07/09/1983 John Beer Redgrove pasted into Notebook one, Ref No 1, on page 380. Letter thanking him for a review in the Times (entitled 'Rhetoric, Vision, and Toes' - Nye reviews Robert Lowell's Robert Peter 'Life Studies', Peter Redgrove's 'The Man Named East', and Gavin Ewart's 'The Young Pobbles Guide To His Toes', 1 . 01 11/05/1985 Nye Redgrove Times, 25th April 1985, p. 11); discusses weather-sensitivity, and mentions John Layard. This letter is pasted into Notebook one, Ref No 1, on page 373. Extract of a letter to Latham, discussing background work on 'The Black Goddess', making reference to masers, John Peter 1 . 01 16/05/1985 pheromones, and field measurements in a disco - this letter is pasted into Notebook one, Ref No 1, on page 229 Latham Redgrove (see 73 . 01 record). John Peter Same as letter on page 229 but with six and a half extra lines showing - this letter is pasted into Notebook one, Ref 1 . 01 16/05/1985 Latham Redgrove No 1, on page 263 (this is actually the complete letter without Redgrove's signature - see 73 .
    [Show full text]
  • The Statement
    THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES
    [Show full text]
  • Timberlake Wertenbaker - Cv
    TIMBERLAKE WERTENBAKER - CV Timberlake Wertenbaker is working on new commissions for the Royal Shakespeare Company, Bolton Octagon and Salisbury Playhouse. OUR COUNTRY'S GOOD will be produced at the National Theatre in 2015, directed by Nadia Fall. THEATRE: JEFFERSON'S GARDEN 2015 Watford Palace Theare, world premiere Dir: Brigid Larmour THE ANT AND THE CICADA (RSC) 2014 Midsummer Madness Dir: Erica Whyman OUR AJAX (Southwark Playhouse / Natural Perspective) 2013 Dir: David Mercatali Original play, inspired by the Sophocles play OUR COUNTRY'S GOOD (Out Of Joint) Dir: Max Stafford-Clark UK Tour & St James Theatre, London - 2013 US Tour - 2014 ANTIGONE (The Southwark Playhouse) 2011 Dir: Tom Littler THE LINE (The Arcola Theatre) 2009 Dir: Matthew Lloyd JENUFA (The Arcola Theatre) 2007 Dir: Irena Brown GALILEO'S DAUGHTER (Theatre Royal, Bath) 2004 Dir: Sir Peter Hall CREDIBLE WITNESS (Royal Court Theatre) 2001 Dir: Sacha Wares ASH GIRL (Birmingham Rep) 2000 Dir: Lucy Bailey (Adaptation of Cinderella) AFTER DARWIN (Hampstead Theatre) 1998 Dir: Lindsay Posner THE BREAK OF THE DAY (Royal Court/Out of Joint tour) 1995 Dir: Max Stafford-Clark OUR COUNTRY'S GOOD (Broadway) 1990 Dir: Mark Lamos Winner: New York Drama Critics Award for best foriegn play THREE BIRDS ALIGHTING ON A FIELD (Royal CourtTheatre) 1991 Dir: Max Stafford-Clarke Winner: Writers Guild Award Winner: Susan Smith Blackburn prize THE LOVE OF THE NIGHTINGALE (RSC) 1988 Dir: Garry Hines OUR COUNTRY'S GOOD (Royal Court Theatre) 1985 Dir: Max Stafford-Clarke Winner: Olivier Award Play
    [Show full text]
  • Cole Porter: the Social Significance of Selected Love Lyrics of the 1930S
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Unisa Institutional Repository Cole Porter: the social significance of selected love lyrics of the 1930s by MARILYN JUNE HOLLOWAY submitted in accordance with the requirements for the degree of MASTER OF ARTS in the subject of ENGLISH at the UNIVERSITY OF SOUTH AFRICA SUPERVISOR: PROFESSOR IA RABINOWITZ November 2010 DECLARATION i SUMMARY This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. KEY WORDS: Broadway, Cole Porter, early Hollywood musicals, gays and musicals, innuendo, musical comedy, social taboos, song lyrics, Tin Pan Alley, 1930 film censorship ii ACKNOWLEDGEMENTS I should like to thank Professor Ivan Rabinowitz, my supervisor, who has been both my mentor and an unfailing source of encouragement; Dawie Malan who was so patient in sourcing material from libraries around the world with remarkable fortitude and good humour; Dr Robin Lee who suggested the title of my dissertation; Dr Elspa Hovgaard who provided academic and helpful comment; my husband, Henry Holloway, a musicologist of world renown, who had to share me with another man for three years; and the man himself, Cole Porter, whose lyrics have thrilled, and will continue to thrill, music lovers with their sophistication and wit.
    [Show full text]
  • Equity Magazine Autumn 2020 in This Issue
    www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX.
    [Show full text]
  • The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
    1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000.
    [Show full text]
  • National Endowment for the Arts FY 2017 Fall Grant Announcement
    National Endowment for the Arts FY 2017 Fall Grant Announcement State and Jurisdiction List Project details are accurate as of December 7, 2016. For the most up to date project information, please use the NEA's online grant search system. The following categories are included: Art Works, Art Works: Creativity Connects, Challenge America, and Creative Writing Fellowships in Poetry. The grant category is listed with each recommended grant. All are organized by state/jurisdiction and then by city and then by name of organization/fellow. Click the state or jurisdiction below to jump to that area of the document. Alabama Louisiana Oklahoma Alaska Maine Oregon Arizona Maryland Pennsylvania Arkansas Massachusetts Rhode Island California Michigan South Carolina Colorado Minnesota South Dakota Connecticut Mississippi Tennessee Delaware Missouri Texas District of Columbia Montana Utah Florida Nebraska Vermont Georgia Nevada Virginia Hawaii New Hampshire Virgin Islands Illinois New Jersey Washington Indiana New Mexico West Virginia Iowa New York Wisconsin Kansas North Carolina Wyoming Kentucky Ohio Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of December 7, 2016. Alabama Number of Grants: 6 Total Dollar Amount: $120,000 Alabama Dance Council, Inc. (aka Alabama Dance Council) $30,000 Birmingham, AL Art Works - Dance To support the 20th anniversary of the Alabama Dance Festival. The statewide festival will feature performances and a residency by CONTRA-TIEMPO. The festival also will include a New Works Concert featuring choreographers from the South, regional dance company showcases, master classes, workshops, community classes, and a Dance for Schools program.
    [Show full text]
  • Faculty Bulletins University Publications
    La Salle University La Salle University Digital Commons Faculty Bulletins University Publications 5-25-1966 Faculty Bulletin: May 25, 1966 La Salle University Follow this and additional works at: http://digitalcommons.lasalle.edu/faculty_bulletins Recommended Citation La Salle University, "Faculty Bulletin: May 25, 1966" (1966). Faculty Bulletins. 102. http://digitalcommons.lasalle.edu/faculty_bulletins/102 This Book is brought to you for free and open access by the University Publications at La Salle University Digital Commons. It has been accepted for inclusion in Faculty Bulletins by an authorized administrator of La Salle University Digital Commons. For more information, please contact [email protected]. Vol. VIII, No. VI Philadelphia 41, Pa. May 25, 1966 CALENDAR OF EVENTS (To August 25, 1966) Senior Grades Due (5:00 P.M.).......................... May 25 Memorial Day (Holiday) ................................. May 30 Final Grades Due (Freshman, Sophomores, Juniors)Noon....June 1 Faculty Picnic (Fischer's Pool, 1:00 P.M.)..............June 1 Baccalaureate Mass (McCarthy Stadium, 11:00 A.M.).......June 4 Commencement Exercises (Convention Hall, 4:00 P.M.).....June 4 Summer Sessions Begin (First Session).................. June 20 MUSIC THEATRE ’ 66 Opens ("Most Happy Fella")...........July 8 Summer Sessions (Second Session)...... July 25 MUSIC THEATRE ("Lady in the Dark") Opens...............August 12 Deadline, Mid-summer Faculty Bulletin. ........August 19 Publication, Mid-summer Faculty Bulletin............... August 25 Faculty Bulletin-Cont'd Page Two PRESIDENT'S OFFICE: The faculty awards, made pos­ sible by a $2000 grant from the La Salle’s Accreditation Christian R. and Mary F. Lindback Reaffirmed Foundation, were given at the traditional Founder's Day Dinner Brother Daniel Bernian, F.S.C., at the Four Chef's Banquet Hall, President, has been notified by Hellerman and Sackett sts., Sun­ the Evaluation Committee of the day evening.
    [Show full text]
  • 1 Plays, Books
    PLAYS, BOOKS - WRITTEN, PUBLISHED and PERFORMED; PRIZES. 1950s (Circa) And After Today – play written for amateur drama group ‘The Query Players’ to which A.W belonged. Never performed. Precursor to Chicken Soup with Barley. 1951 The Reed That Bent. A novel. Unpublished but used as the basis for ‘Chips With Everything’. Begun 30 April finished 17 August. The novel itself was drawn from assembled letters written to friends and family during 8 weeks of ‘square bashing’ as an RAF National Service conscript. 1955 Pools. A short story. Begun 16th October, finished following month. 1956 The Kitchen. No date on written MS. Probably begun in this year. Entered for The Observer Play competition in original form of two acts with no Interlude. No prizes. 1957 Life Is Where You Live. Musical written for Primrose Jewish Youth Club of which A.W. was the ‘drama director.’ Fiona Castiglione, the granddaughter of the composer, Rutland Boughton, wrote four or five songs then gave up! June 1957. Chicken Soup With Barley. First notes, circa early October 1957. The play (first entitled ‘When the Wind Blows’) begun 8 October 1957. 1958 Chicken Soup With Barley. First presented at The Belgrade Theatre, Coventry, 7 July for one week, directed by John Dexter. Subsequently at The Royal Court, London on14th July for one week as part of a four week ‘Guest Repertory Season’. Roots. Begun 20th June. 2nd typed draft completed 29 October. I’m Talking About Jerusalem. Begun 9 December. (1st typed draft dated 1st December 1959. 3rd typed draft dated 11th May 1960. Pools. Printed in The Jewish Quarterly, Winter 58/59.
    [Show full text]
  • Denise Silvey
    DENISE SILVEY London Theatre SIDE BY SIDE BY SONDHEIM (Woman 1) Andrew Lynford Union Theatre THE MOUSETRAP (Miss Casewell) David Turner St. Martin's Theatre HIGH SPIRITS (Ruth Condomine) Raymond Wright Bridewell Theatre BY JEEVES (Various) Alan Ayckbourn Duke of York's / Lyric Theatre THE SILVER LAKE (Shopgirl) Gordon Anderson/ Rory Bremner Wilton's Music Hall STARTING HERE, STARTING NOW (Woman 1) Geoff David/ Denise Silvey Jermyn Street Theatre CAMELOT (Alternate Guenevere) Frank Dunlop Covent Garden Festival SHOWBOAT (Various) Ian Judge London Palladium and tour KURT WEILL CABARET (Principal Actress) Liam Halligan Young Vic/King’s Head MARRY ME A LITTLE (Girl) Stuart Maunder Players' Theatre KID FOR TWO FARTHINGS (Mary) Angela Hardcastle Bridewell Theatre NOEL AND GERTIE (Gertie) Stuart Maunder Players' Theatre Tours and Repertory Credits THE MOUSETRAP (Miss Casewell) Denise Silvey Lyceum Theatre, Shanghai DANCING AT LUGHNASA (Maggie) Mike James National Tour ANNIE (Grace Farrell) Mitch Rumin National Tour NOEL AND GERTIE (Gertie) Jacqui Somerville Southwold Summer Festival PHANTOM OF THE OPERA (Confidante - u/s Mme Giry) Hal Prince Stella Theatre, Hamburg MOLL FLANDERS (13 Characters) Philip Dart Channel Theatre Company MONSIGNOR QUIXOTE (Various) George Roman Northcott Theatre, Exeter NOISES OFF (Poppy Norton-Taylor) Martin Harvey Northcott Theatre, Exeter DAISY PULLS IT OFF (Matron) David Gilmore National Tour THE SOUND OF MUSIC (Postulant) Roger Redfarn National Tour PERCHANCE TO DREAM (Susan Pell) David Turner Connaught, Worthing
    [Show full text]
  • Tom Stoppard
    Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60).
    [Show full text]