“St. Junipero and the New Evangelization”

Total Page:16

File Type:pdf, Size:1020Kb

“St. Junipero and the New Evangelization” Page 1 CarmelCARMEL MissionMISSION BASILICA (1771) Basilica May 19, 2019 3080 Rio Road Carmel, CA 93923 • (831) 624-1271 www.carmelmission.org Founded 1771 by St. Junípero Serra “St. Junipero and the New Evangelization” An evening of discussion led by Fr. Matt Guckin using materials he has developed while here at Carmel Mission on sabbatical to study the life and work of our resident saint. You are invited to join us in the Basilica on Friday May 24th at 7 PM for Fr. Matt’s talk followed by a reception in Crespi Parish Hall Fifth Sunday of Easter, May 19, 2019 “Behold, God’s dwelling is with the human race.” — Revelation 21:3 Page 2 Rev. Paul P. Murphy, CARMEL MISSION BASILICA (1771) Rev. Jhonnatan F. Carmona,May 19, 2019 Pastor Parochial Vicar [email protected] Deacon Warren Hoy [email protected] [email protected] MASS • COMMUNION TODAY’S READING Basilica First Reading — Paul and Barnabas reported Saturday Vigil Mass (5:30 PM) how God had opened the door of faith to the Sunday Mass Gentiles (Acts 14:21-27). 7:30, 9:15, and 11:00 AM Psalm — I will praise your name for ever, my (12:45 PM, 5:30 PM) king and my God (Psalm 145). Holy Days: 8:15 AM, 12 NOON and (5:30 PM) Second Reading — God’s dwelling is with the Blessed Sacrament Chapel human race (Revelation 21:1-5a). Daily Morning Mass Gospel — This is how all will know that you are Monday — Friday (7:00 AM) my disciples, if you have love for one another Noon Mass (John 13:31-33a, 34-35). Monday, Wednesday, Friday Noon Communion Services Tuesday, Thursday Saturday Morning Mass In the Gospel today we find Jesus at the last supper with 8:30 AM his disciples. Knowing that he will soon be making the Saturday Reconciliation ultimate sacrifice of love, laying down his life, he gives 9:30 — 10:30 AM them a new commandment, “Love one another.” In this St. Francis of the Redwoods moment Jesus knows that the work of the disciples is about to become much more difficult. No longer will they Big Sur, CA be seen as followers of Jesus because they are literally Bilingual Mass (Español/English): st rd following him around, they will need another unifying sign 1 and 3 Saturday (5:00 PM) and Jesus says that this will be their love for one another. “As I have loved you, so also should you love one another.” How does Jesus love us? Jesus’ very presence READINGS FOR THE WEEK was and is love, he loved us not only in his death, but also in every moment of his life on earth, and he continues to Monday: Acts 14:5-18; Ps 115:1-4, 15-16; love us with his presence as he promised, in the Jn 14:21-26 community of the faithful, in the Word of God, and in the Tuesday: Acts 14:19-28; Ps 145:10-13ab, 21; Eucharist. While the commandment to love is simple, it is Jn 14:27-31a not necessarily easy. In the formation of the early church there was dissent and controversy: as the followers of Wednesday: Acts 15:1-6; Ps 122:1-5; Jesus began to form communities and share the Good Jn 15:1-8 News with others there was more than a little strife Thursday: Acts 15:7-21; Ps 96:1-3, 10; among various factions. Indeed, the entire history of the Jn 15:9-11 Church, to the modern day, is full of its share of in fighting and partisanship. But the proof of our discipleship is not Friday: Acts 15:22-31; Ps 57:8-10, 12; how right, or how righteous we are, it is how we love one Jn 15:12-17 another, within our families, within our Church family, in Saturday: Acts 16:1-10; Ps 100:1b-3, 5; our communities and in the world. How do you show love Jn 15:18-21 to those closest to you? How can we make our parish community more loving, so that we will be known as Sunday: Acts 15:1-2, 22-29; Ps 67:2-3, 5, 6, 8; followers of Jesus by our love? Rv 21:10-14, 22-23; Jn 14:23-29 MUSIC CORNER — MAY 19, 2019 5:30 PM 9:15 11:00 12:45 5:30 SAT AM AM PM PM Entrance Chant 179 179 179 179 179 Sprinkling Rite “Wash Me Lord” — All Masses Bulletin Insert Gloria Mass of the Resurrection — All Masses #852 Preparation of the Gifts 484 472 484 484 484 Holy, Holy Mass of Creation—All Masses #872 Memorial Acclimation Mass of Creation—All Masses #873 Amen Mass of Creation—All Masses #874 Lamb of God Mass of Creation—All Masses #875 Communion 366 484 366 366 366 Sending Forth 570 570 570 570 570 Page 3 PARISH CALENDARCARMEL MISSION — BASILICA MASS (1771)INTEN TIONS May 19, 2019 Week of May 19 — May 26 Time Intentions Requested By Sunday, May 19 Saturday, May 18 8:30 AM INT Zoe Bushor Wendy Ograin 7:30 AM — 1:00 PM Coffee and Donuts 5:30 PM PEOPLE OF THE PARISH (Crespi Hall) Sunday, May 19 Monday, May 20 † Sister Francisca of 7:30 AM Corrigan Family the Holy Spirit 7:30 AM — 8:30 AM Eucharistic Holy Hour † Bishop Richard Garcia Mike & Kay Boudreau (Blessed Sacrament Chapel) 9:15 AM † Jerry Bohland Kathleen Bohland Tuesday, May 21 INT John Fletcher Friend 11:00 AM † Lynne Lins Richard Lins 7:30 AM — 8:30 AM Eucharistic Holy Hour † Fr. John Baldwin Langley Family (Blessed Sacrament Chapel) 12:45 PM PEOPLE OF THE PARISH Wednesday, May 22 5:30 PM † Teofilo Pilando Sr. Pilando Family † Agrifina Pilando Pilando Family 7:30 AM — 8:30 AM Eucharistic Holy Hour (Blessed Sacrament Chapel) Monday, May 20 † Lena & Frederick Bible Study (Crespi Hall) 7:00 AM Jean & Darryl Donnelly 10:30 AM — 12:00 PM Ciavaglia 12:00 PM † David Schlosser Rosalinda Healy & Patrick Sahli 3:00 PM — 12:00 AM Men’s I-HELP (Crespi Hall) Tuesday, May 21 7:00 AM † Paul Smith Lois Jones Thursday, May 23 12:00 PM COMMUNION SERVICE Wednesday, May 22 12:00 AM — 8:00 AM Men’s I-HELP (Crespi Hall) INT Fr. Jhonnatan 7:00 AM 4th Year Priesthood Carmona 7:30 AM — 8:30 AM Eucharistic Holy Hour (Blessed Sacrament Chapel) 12:00 PM † Concepcion Escartin Pilando Family Thursday, May 23 7:30 PM — 9:30 PM Choir Rehearsal (Basilica) 7:00 AM † Oswald Fritzherbert Simone Hamade 12:00 PM COMMUNION SERVICE Friday, May 24 Friday, May 24 7:30 AM — 8:30 AM Eucharistic Holy Hour 7:00 AM † Rina M. Laruccia Cousins (Blessed Sacrament Chapel) † Marjorie & Elmo 12:00 PM Family Hellinge Saturday, May 25 Saturday, May 25 8:30 AM † Dr. Richard A. Mueller Burke Family NO Book Club 5:30 PM † Ferry Family Family 9:30 AM — 10:30 AM Sacrament of Reconciliation: † Linda Barbour Kambe Tom Kambe CONFESSIONS Sunday, May 26 (Blessed Sacrament Chapel) 7:30 AM Sunday, May 26 † Dr. Richard A. Mueller Burke Family 9:15 AM PEOPLE OF THE PARISH 7:30 AM — 1:00 PM Coffee and Donuts 11:00 AM † David E. Jones Jr Family (Crespi Hall) † Alex Salmoun Sr. Maha Salmoun 12:45 PM INT Preston Love Wendy Ograin For our complete calendar, please visit: † Concepcion Ignacio Wilson Family www.calendarwiz.com/carmel-mission 5:30 PM † Amalia Gillette Family Page 4 CARMEL MISSION BASILICA (1771) May 19, 2019 FAITH FORMATION & LITURGY Please welcome the following students of Junipero Serra School and Carmel Mission Faith Formation this morning, as they receive their First Holy Communion. Thank you, class for being so engaged and eager to learn of the Lord’s mercy and love, demonstrated in His death and Resurrection. I know you are grateful for his Body and Blood, nurturing us so we grow in faith, love and hope. Adrian Alvarado Hannah Money Martin Vetter Madeline Dalhamer Andreya Morales Allysa Weakly Mia Downey Charley Sorensen Siena McOrist Shane Sorensen Do you want to make a difference in our community? Do you want to grow your understanding of the Mass? We are seeking applicants who are motivated and spiritual individuals to be Lectors, Extraordinary Ministers of Holy Communion, Ushers, Sacristans, Acolytes, and Altar Servers. Join in a team of caring and friendly people and at the same time serve the community and the Lord. You will have the opportunity to learn more about your faith and enrich your experience of Mass. Application process includes fingerprinting and an online safe environment training program as well as an in-person training for the specific ministry. [email protected] Carmel Mission Book Club Saturday, May 18th 2 PM in the Rectory Garden Conference Room We continue our discussion of THE BENEDICT OPTION by Rod Dreher (There will be NO Meeting on Saturday, May 25) For more information contact: Deacon Bill at (831) 316-9280 or Charlie Sciambi at [email protected] Bible Study: Our study of the Letters to the Hebrews resumes Wednesday Morning, May 22nd at 10:30 AM in Crespi Hall. For questions contact Dick Gorman at 595-6363 Prayers for Candidates Preparing for the Sacrament of Confirmation Prayer: For our candidates who are preparing to receive the sacrament of Confirmation, that they may give witness to Christ by lives built on faith and love: let us pray to the Lord. Response: Lord, hear our prayer Prayers for Parents and Sponsors Prayer : For the parents and sponsors of our candidates who are preparing to receive the sacrament of Confirmation, that by word and example they may always witness to the truth and mercy of Jesus Christ: let us pray to the Lord.
Recommended publications
  • The Italian High Renaissance (Florence and Rome, 1495-1520)
    The Italian High Renaissance (Florence and Rome, 1495-1520) The Artist as Universal Man and Individual Genius By Susan Behrends Frank, Ph.D. Associate Curator for Research The Phillips Collection What are the new ideas behind the Italian High Renaissance? • Commitment to monumental interpretation of form with the human figure at center stage • Integration of form and space; figures actually occupy space • New medium of oil allows for new concept of luminosity as light and shadow (chiaroscuro) in a manner that allows form to be constructed in space in a new way • Physiological aspect of man developed • Psychological aspect of man explored • Forms in action • Dynamic interrelationship of the parts to the whole • New conception of the artist as the universal man and individual genius who is creative in multiple disciplines Michelangelo The Artists of the Italian High Renaissance Considered Universal Men and Individual Geniuses Raphael- Self-Portrait Leonardo da Vinci- Self-Portrait Michelangelo- Pietà- 1498-1500 St. Peter’s, Rome Leonardo da Vinci- Mona Lisa (Lisa Gherardinidi Franceso del Giacondo) Raphael- Sistine Madonna- 1513 begun c. 1503 Gemäldegalerie, Dresden Louvre, Paris Leonardo’s Notebooks Sketches of Plants Sketches of Cats Leonardo’s Notebooks Bird’s Eye View of Chiana Valley, showing Arezzo, Cortona, Perugia, and Siena- c. 1502-1503 Storm Breaking Over a Valley- c. 1500 Sketch over the Arno Valley (Landscape with River/Paesaggio con fiume)- 1473 Leonardo’s Notebooks Studies of Water Drawing of a Man’s Head Deluge- c. 1511-12 Leonardo’s Notebooks Detail of Tank Sketches of Tanks and Chariots Leonardo’s Notebooks Flying Machine/Helicopter Miscellaneous studies of different gears and mechanisms Bat wing with proportions Leonardo’s Notebooks Vitruvian Man- c.
    [Show full text]
  • Jessica Canchola the Last Supper
    Leonardo da Vinci Research by: Jessica Canchola South Mountain Community College Who is Leonardo da Mona Lisa Conclusions Vinci ? The Last Supper The artist Leonardo da Vinci was well-known as One of Leonardo da Vinci’s most famous Another of his most famous paintings was “Last one of the greatest painters. Today, he is known paintings in the world is Mona Lisa. It was Supper”. The Last Supper was created around Leonardo da Vinci's countless projects best for his art, which includes the Mona Lisa created between 1503 and 1519, while Leonardo 1495 to 1498. The mural is one of the best-known throughout various fields of Arts and and The Last Supper, two paintings that are still was living in Florence, and it is now located in Christian arts. The Last Supper is a Renaissance Sciences helped introduce to modern among the most famous and admired in the the Louvre Museum in Paris. The Mona Lisa's masterpiece who has survived and thrived intact society on ongoing ideas for fields such world. He was born on May 15, 1452, in a mysterious smile has enchanted dozens of over the centuries. It was commenced by Duke as anatomy or geology, demonstrating the farmhouse near the Tuscan village of Anchiano viewers, but despite extensive research by art Ludovico Sforza for the refectory of the extent to which Da Vinci had an impact. in Tuscany, Italy. Leonardo da Vinci's parents historians, the identity of the woman depicted monastery of Santa Maria delle Grazie in Milan, were not married when he was born.
    [Show full text]
  • The Last Supper Seen Six Ways by Louis Inturrisi the New York Times, March 23, 1997
    1 Andrea del Castagno’s Last Supper, in a former convent refectory that is now a museum. The Last Supper Seen Six Ways By Louis Inturrisi The New York Times, March 23, 1997 When I was 9 years old, I painted the Last Supper. I did it on the dining room table at our home in Connecticut on Saturday afternoon while my mother ironed clothes and hummed along with the Texaco. Metropolitan Operative radio broadcast. It took me three months to paint the Last Supper, but when I finished and hung it on my mother's bedroom wall, she assured me .it looked just like Leonardo da Vinci's painting. It was supposed to. You can't go very wrong with a paint-by-numbers picture, and even though I didn't always stay within the lines and sometimes got the colors wrong, the experience left me with a profound respect for Leonardo's achievement and a lingering attachment to the genre. So last year, when the Florence Tourist Bureau published a list of frescoes of the Last Supper that are open to the public, I was immediately on their track. I had seen several of them, but never in sequence. During the Middle Ages the ultima cena—the final supper Christ shared with His disciples before His arrest and crucifixion—was part of any fresco cycle that told His life story. But in the 15th century the Last Supper began to appear independently, especially in the refectories, or dining halls, of the convents and monasteries of the religious orders founded during the Middle Ages.
    [Show full text]
  • 2021 Sacred Hear Nesletter
    Benedictine Monastery, 5 Mackerston Place, Largs KA30 8BY, SCOTLAND, Tel. 01475 687 320 [email protected] Solemnity of the Most Sacred Heart June 2021 Dear Friends, When we were dead through sin, God brought us to life again in Christ, -because He loved us with so great a love. That He might reveal for all ages to come the immeasurable riches of his grace. - because He loved us with so great a love. (Responsory for the Office of Readings, The Most Sacred Heart of Jesus: Ephesians 2:5,4,7) The Solemnity of the Sacred Heart is a time of remembrance and celebration of the everlasting love of God in the Sacred Heart. The whole of the Church’s celebration from Easter to this feast has been the victory of the Sacred Heart. We celebrated the Paschal mystery of God’s redemptive love in Christ Jesus, when Love Incarnate gave Himself for us unto death, reconciling us to His Father and making us co-heirs with him; when His bride the Church, was born from His pierced Heart from which the Sacramental life of the Church flows; when by His resurrection, love triumphed over death; then He ascended into heaven to prepare a place for us to be with Him forever. He then sent us His Spirit of Love to be our teacher, guide and sanctifier, to make potent and fruitful in our souls His redemptive sacrifice; pouring upon us the streams of living water from His pierced Heart so that our hearts too will flow with that water. On the Octave of Easter the Sacred Heart enveloped His Church in the rays of His merciful Heart inviting us to meditate on His inexhaustible mercy, His greatest attribute.
    [Show full text]
  • Decoding the Last Supper
    HOUSE OF TRUTH | TOTUUDEN TALO Decoding the Last Supper The Great Year and Men as Gods House of Truth | www.houseoftruth.education 21.6.2013 Table of Contents Introduction ....................................................................................................................................................... 2 The Last Supper and the Great Year .................................................................................................................. 3 36 engravings on the roof ............................................................................................................................. 4 Elements of the Last Supper .......................................................................................................................... 5 Hands of Christ .............................................................................................................................................. 6 The Lesser Conclusion ................................................................................................................................... 7 Men as Gods in the Last Supper ........................................................................................................................ 8 Roman trio of gods ........................................................................................................................................ 9 Evidence number 153 .................................................................................................................................
    [Show full text]
  • The Age of Pleasure and Enlightenment European Art of the Eighteenth Century Increasingly Emphasized Civility, Elegance, Comfor
    The Age of Pleasure and Enlightenment European art of the eighteenth century increasingly emphasized civility, elegance, comfort, and informality. During the first half of the century, the Rococo style of art and decoration, characterized by lightness, grace, playfulness, and intimacy, spread throughout Europe. Painters turned to lighthearted subjects, including inventive pastoral landscapes, scenic vistas of popular tourist sites, and genre subjects—scenes of everyday life. Mythology became a vehicle for the expression of pleasure rather than a means of revealing hidden truths. Porcelain and silver makers designed exuberant fantasies for use or as pure decoration to complement newly remodeled interiors conducive to entertainment and pleasure. As the century progressed, artists increasingly adopted more serious subject matter, often taken from classical history, and a simpler, less decorative style. This was the Age of Enlightenment, when writers and philosophers came to believe that moral, intellectual, and social reform was possible through the acquisition of knowledge and the power of reason. The Grand Tour, a means of personal enlightenment and an essential element of an upper-class education, was symbolic of this age of reason. The installation highlights the museum’s rich collection of eighteenth-century paintings and decorative arts. It is organized around four themes: Myth and Religion, Patrons and Collectors, Everyday Life, and The Natural World. These themes are common to art from different cultures and eras, and reveal connections among the many ways artists have visually expressed their cultural, spiritual, political, material, and social values. Myth and Religion Mythological and religious stories have been the subject of visual art throughout time.
    [Show full text]
  • The Story of the Last Supper Matthew 26:17-30
    The Story of the Last Supper Matthew 26:17-30 Matthew 26:17-30 (From the Message Bible) 17 On the first of the Days of Unleavened Bread, the disciples came to Jesus and said, “Where do you want us to prepare your Passover meal?” 18-19 He said, “Enter the city. Go up to a certain man and say, ‘The Suggested Activities Teacher says, My time is near. I and my disciples plan to celebrate • Read the Bible story. the Passover meal at your house.’” The disciples followed Jesus’ • Read the “Thoughts” and instructions to the letter, and prepared the Passover meal. “Background Information about Passover.” 20-21 After sunset, He and the Twelve were sitting around the table. • Make your own During the meal, He said, “I have something hard but important to unleavened bread. say to you: One of you is going to hand me over to the • For more information conspirators.” about Passover in the Bible, read in the book of 22 They were stunned, and then began to ask, one after another, “It Exodus. isn’t me, is it, Master?” Service Ideas 23-24 Jesus answered, “The one who hands me over is someone I eat with daily, one who passes me food at the table. In one sense the • Help make dinner for Son of Man is entering into a way of treachery well-marked by the your family this week. Scriptures—no surprises here. In another sense that man who Help clean up afterwards turns him in, turns traitor to the Son of Man—better never to have too! been born than do this!” Share Your Work 25 Then Judas, already turned traitor, said, “It isn’t me, is it, Rabbi?” • Email or Facebook message a picture of you Jesus said, “Don’t play games with me, Judas.” reading this packet, 26-29 making unleavened During the meal, Jesus took and blessed the bread, broke it, bread, or your finished and gave it to His disciples: bread.
    [Show full text]
  • 5.1 Gaudenzio Ferrari. Christ on His Way to the Praetorimn (Detail). Polychromed Sculpture with Other Media. Varallo, Sacro Monte
    Originalveroffentlichung in: Reframing the Renaissance, Visual Culture in Europe and Latin America 1450-1650, hg. von Claire Farago, Yale University Press, New Haven und London 1995, S. 113-126 und 319-21 5.1 Gaudenzio Ferrari. Christ on his Way to the Praetorimn (detail). Polychromed sculpture with other media. Varallo, Sacro Monte. (Photo: Riserva del Sacro Monte di Varallo.) CHAPTER 5 "Popular" Art in Renaissance Italy: Early Response to the Holy Mountain at Varallo ALESSANDRO NOVA The first Sacro Monte, or Holy Mountain, was founded in the late fifteenth century by the Franciscan Observant Bernardino Caimi. It was established at Varallo (Piedmont), which at that time formed part of the Milanese duchy, and the principal function of the Sacro Monte was to offer an accurate reconstruction of Jerusalem with its environs for those pilgrims who could not travel to the Holy Land. Indeed, an inscription painted over the entrance to Varallo's reproduction of the Holy Sepulchre, recording its comple• tion in 1491, could not have been more explicit: "The Milanese friar Bernardino Caimi designed the sacred places of this mountain, so that those who cannot make the pilgrimage see Jerusalem here."1 The original scheme was fairly modest, but the number of structures built to display the sculptural groups and frescoes representing Christ's life and Passion, as well as the life of the Virgin, increased considerably during the sixteenth century. The Sacro Monte reached its apogee under the guidance of Charles Borromeo and his collaborators, who created a network of Sacn Monti in the region between the Lombard lakes and the Swiss border.
    [Show full text]
  • Franz Fischnaller CONTACT ADDRESS Corso Enrico De Nicola 6/10, 10128 Torino, Italy
    C U R R I C U L U M V I T A E PERSONAL INFORMATION NAME Franz Fischnaller CONTACT ADDRESS Corso Enrico de Nicola 6/10, 10128 Torino, Italy TELEPHONE +39 011 19711458 CELLPHONE +39 3405073009 E-MAIL [email protected] | NATIONALITY Italian DATE AND PLACE OF BIRTH Bolzano, Alto Adige, Italy EDUCATION Academy of Fine Arts, Stuttgart, Germany, Master’s Degree in Fine Art and Design (MFA) Istituto d’Arte delle Localitá Ladine, Province Bolzano, Italy, Master for Applied Arts Istituto d’Arte di Ortisei, South Tyrol, Italy; Plastic Arts and Painting, Maestro d’Arte, Bachelor of Arts CURRENT ACADEMIC POSITION 2013 → ongoing - Professor, Albertina Academy of Fine Arts, Turin, Italy 2011 → ongoing - Professor, IED: European Institute of Design, Milan, Italy 2009 → ongoing - Professor, IED: European Institute of Design, Turin, Italy 2009 → ongoing - Lecturer, Faculty Architecture I, Polytechnic of Turin, Italy PREVIOUS ACADEMIC POSITION 2012 - Guest Lecturer, Department of Media, Media Lab, School of Art and Design, Aalto University, Helsinki, Finland. 2007 - Visiting Scholar, School of Design, The Victoria University of Wellington, New Zealand. 2001-2005 - Full Professor, School of Art & Design, University of Illinois at Chicago, Chicago, USA. 1999-2002 - Visiting Scholar, Master in Multimedia, RAI Radiotelevisione Italiana e Mediateca Regio- nale Università degli Studi di Firenze, Florence, Italy 1974-1975 - School of Rio Pusteria, Bressanone, Bolzano, Italy WORK /SERVICE EXPERIENCE 2013 → ongoing: CINECA (Supercomputing Inter-university Consortium), Italy. New Media Design (SELECTED) Adviser & Project management (Creative&Tech); design and development of interactive exhibit installations, virtual storytelling in the ambit of the Italian cultural heritage and artistic patrimony, with focus on Innovative audio-visual interfaces, 3D Mapping, content visualization and design of immersive audio-visual environments, with the use of innovative visualization techniques.
    [Show full text]
  • Dear Parishioners
    June 06, 2021 THE SOLEMNITY OF THE MOST HOLY BODY AND Solemnity of The Most Holy Body BLOOD OF CHRIST and Blood Of Christ LIFE OF STEWARDSHIP Today we celebrate Corpus Christi — the Body and Blood of Christ. Jesus’ Body and Blood was sacrificed for us on Calvary, but before that excruciating event, He humbly bound Himself to human hands in the Eucharist. As St. Thomas Aquinas expresses, “In this sacrament sins are purged away, virtues are increased, the soul satiated with an abundance of every spiritual gift. No other sacrament is so beneficial.” Jesus gave us the perfect and loving Gift of Himself so that we might be nourished, strengthened and more fully united to Him as we journey to eternal life. This glorious solemnity calls us to reflect on the precious gift of the Eucharist and what it truly means for us as Catholics. Our Gospel today recounts the Last Supper. As Jesus ate the Passover meal with His apostles, He broke bread, telling them, “This is my Body,” and again, poured wine, saying, “This is my Blood… which will be shed for many.” In this moment, Jesus sacrificially gave us Himself in the Eucharist by foreshadowing His passion, death and resurrection. The Eucharist, what we celebrate at each “I will take the cup of salvation ,and Mass, is the real presence of our Savior — Body, Blood, Soul and Divinity. It is not a symbol of Jesus or even just a piece of Him. It is all of Him, given to each of us. As St. Catherine of Siena call on the name of the Lord.” said, “Even if it would be possible to fragment the Holy Eucharist into thousands of tiny Particles, in each one of the tiny Particles there is the presence of Christ, the whole God and the whole Man.” Important Announcement Out of total love, Jesus holds nothing back from us.
    [Show full text]
  • The Scientific Narrative of Leonardoâ•Žs Last Supper
    Best Integrated Writing Volume 5 Article 4 2018 The Scientific Narrative of Leonardo’s Last Supper Amanda Grieve Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/biw Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Classical Archaeology and Art History Commons, and the International and Area Studies Commons Recommended Citation Grieve, A. (2018). The Scientific Narrative of Leonardo’s Last Supper, Best Integrated Writing, 5. This Article is brought to you for free and open access by CORE Scholar. It has been accepted for inclusion in Best Integrated Writing by an authorized editor of CORE Scholar. For more information, please contact library- [email protected]. AMANDA GRIEVE ART 3130 The Scientific Narrative of Leonardo’s Last Supper AMANDA GRIEVE ART 3130: Leonardo da Vinci, Fall 2017 Nominated by: Dr. Caroline Hillard Amanda Grieve is a senior at Wright State University and is pursuing a BFA with a focus on Studio Painting. She received her Associates degree in Visual Communications from Sinclair Community College in 2007. Amanda notes: I knew Leonardo was an incredible artist, but what became obvious after researching and learning more about the man himself, is that he was a great thinker and intellectual. I believe those aspects of his personality greatly influenced his art and, in large part, made his work revolutionary for his time. Dr. Hillard notes: This paper presents a clear and original thesis about Leonardo da Vinci’s Last Supper that incorporates important scholarly research and Leonardo’s own writings. The literature on Leonardo is extensive, yet the author has identified key studies and distilled their essential contributions with ease.
    [Show full text]
  • The Last Supper John 13:1-20 It Can Be Difficult for Modern Readers To
    The Last Supper John 13:1-20 It can be difficult for modern readers to grasp the significance of Jesus’ act of washing his disciples’ feet before they shared the Passover meal. Our feet don’t need to be cleaned when we arrive at a friend’s home. Help kids by describing the dry, dirt roads people traveled on in sandals or barefoot. Invite kids to imagine how and when their own feet get dirty and need extra scrubbing. Beyond that, Jesus washed their feet to show his love for them. Encourage kids to enter into the story by thinking of big and small ways to show love to others by serving them. BEFORE HAND, TALK: Jesus was together with his friends to celebrate Passover. Passover was a holiday for Jewish people that is still celebrated today. The disciples and Jesus ate a special meal. At that meal, Jesus told his disciples to love each other. They shared bread and wine around the table. Today in churches we celebrate communion, or the Lord’s Supper, to remember Jesus’ Last Supper with his friends. Today’s story has three parts. It takes place on a special holiday called Passover. During Passover, Jewish people traveled to be with family and share a special meal together. This story is called The Last Supper because it’s the last time Jesus shares a meal with his friends before he is killed. He wants them to remember their time together. To help us remember the story and what Jesus tells his disciples, we’re going to act it out.
    [Show full text]