Our Man in Havana
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Scanned Image
INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
Parodying the Politics of Knowledge
Authors of Truth Writers, Liars, and Spies in Our Man In Havana Jacob Carroll “It takes two to keep something real” - Mr. Wormold in Graham Greene’s Our Man In Havana, 103 - Graham Greene’s celebrated parody of the spy-genre Our Man In Havana opens with a comparison between two characters that are completely unknown to the reader: “‘That nigger1 going down the street,’ said Dr. Hasselbacher standing in the Wonder Bar ‘he reminds me of you, Mr. Wormold’” (7). At first, the reader has no way of evaluating the truthfulness of the similarities Dr. Hasselbacher supposedly sees between Mr. Wormold and the “nigger”: these are two characters that have not yet been described except by the comparison in question. Dr. Hasselbacher’s words assert themselves in the mind of the reader as a statement that – however disorienting it may be as an introduction – cannot be immediately disproved or denied. The accuracy of Dr. Hasselbacher’s comparison is first called into question when the two characters are described in more detail by the narrator: the “nigger” is revealed to be a blind beggar with a limp, while Wormold is revealed to be the clean-cut owner of a Havana vacuum-cleaner shop. However, as the novel’s opening speaker, Dr. Hasselbacher initially details for the reader what the reader cannot perceive otherwise; he offers the only representation of Wormold and the “nigger” available at that juncture. The reader cannot evaluate Dr. Hasselbacher’s comparison as either true or false without first accepting it as a possible representation of both Wormold and the “nigger.” Because the comparison cannot be immediately disproved, it becomes a foil that will re-surface again and again as a potentially true description of these characters’ real natures and qualities. -
Peter Hulme Graham Greene and Cuba
PETER HULME GRAHAM GREENE AND CUBA: OUR MAN IN HAVANA? Graham Greene’s novel Our Man in Havana was published on October 6, 1958. Seven days later Greene arrived in Havana with Carol Reed to arrange for the filming of the script of the novel, on which they had both been work- ing. Meanwhile, after his defeat of the summer offensive mounted by the Cuban dictator, Fulgencio Batista, in the mountains of eastern Cuba, just south of Bayamo, Fidel Castro had recently taken the military initiative: the day after Greene and Reed’s arrival on the island, Che Guevara reached Las Villas, moving westwards towards Havana. Six weeks later, on January 1, 1959, after Batista had fled the island, Castro and his Cuban Revolution took power. In April 1959 Greene and Reed were back in Havana with a film crew to film Our Man in Havana. The film was released in January 1960. A note at the beginning of the film says that it is “set before the recent revolution.” In terms of timing, Our Man in Havana could therefore hardly be more closely associated with the triumph of the Cuban Revolution. But is that association merely accidental, or does it involve any deeper implications? On the fifti- eth anniversary of novel, film, and Revolution, that seems a question worth investigating, not with a view to turning Our Man in Havana into a serious political novel, but rather to exploring the complexities of the genre of com- edy thriller and to bringing back into view some of the local contexts which might be less visible now than they were when the novel was published and the film released. -
Spy Culture and the Making of the Modern Intelligence Agency: from Richard Hannay to James Bond to Drone Warfare By
Spy Culture and the Making of the Modern Intelligence Agency: From Richard Hannay to James Bond to Drone Warfare by Matthew A. Bellamy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2018 Dissertation Committee: Associate Professor Susan Najita, Chair Professor Daniel Hack Professor Mika Lavaque-Manty Associate Professor Andrea Zemgulys Matthew A. Bellamy [email protected] ORCID iD: 0000-0001-6914-8116 © Matthew A. Bellamy 2018 DEDICATION This dissertation is dedicated to all my students, from those in Jacksonville, Florida to those in Port-au-Prince, Haiti and Ann Arbor, Michigan. It is also dedicated to the friends and mentors who have been with me over the seven years of my graduate career. Especially to Charity and Charisse. ii TABLE OF CONTENTS Dedication ii List of Figures v Abstract vi Chapter 1 Introduction: Espionage as the Loss of Agency 1 Methodology; or, Why Study Spy Fiction? 3 A Brief Overview of the Entwined Histories of Espionage as a Practice and Espionage as a Cultural Product 20 Chapter Outline: Chapters 2 and 3 31 Chapter Outline: Chapters 4, 5 and 6 40 Chapter 2 The Spy Agency as a Discursive Formation, Part 1: Conspiracy, Bureaucracy and the Espionage Mindset 52 The SPECTRE of the Many-Headed HYDRA: Conspiracy and the Public’s Experience of Spy Agencies 64 Writing in the Machine: Bureaucracy and Espionage 86 Chapter 3: The Spy Agency as a Discursive Formation, Part 2: Cruelty and Technophilia -
Indian Scholar
ISSN 2350-109X Indian Scholar www.indianscholar.co.in An International Multidisciplinary Research e-Journal INCAPABILITY OF SECRET INTELLIGENCE SERVICE IN GRAHAM GREENE’S OUR MAN IN HAVANA Dr. Dhruv Shankar (Ex-Lecturer) Department of Applied Science and Humanities Krishna Institute of Technology & Naraina College of Engineering & Technology, Kanpur, U. P., India Abstract Graham Greene is a prolific, productive and fruitful writer whose work―Our Man in Havana explores the detective issues of the modern world. The thematic analysis of the novel is based on Greene’s Secret Intelligence Service which was served directly or indirectly by him throughout his subsequent novelistic career. Indeed, it is a great satire on the British Secret Service as well as on the vacuum-cleaner agencies. Possessing an adequate knowledge of spying, Greene has succeeded in exhibiting the absurdity and incapability of this profession which is usually considered to be heroic and valiant. Moreover, it requires both the great intelligence and professional dexterity. The novel embodies the story of Wormold, a middle-aged man and local representative in Havana (Cuba) of a British vacuum-cleaner-manufacturing plant. Living under debt, he gets himself enrolled as an agent in the Secret Intelligence Service. Then, he is authorized to recruit some sub agents too. Furthermore, he begins to send bogus information about a missile launching site and also names of counterfeit agents. Simultaneously, some of the real models of these fictitious figures exist, and are slaughtered by enemy agents. Wormold worries lest his story of fake agents and fictitious missile launching should be traced. Brooding over the matter, he confesses that he has invented fake agents. -
Under Milk Wood a Play for Voices by Dylan Thomas
Under Milk Wood A Play for Voices by Dylan Thomas As broadcast by the BBC on January 25, 1954 [Silence] FIRST VOICE (Very softly) To begin at the beginning: It is spring, moonless night in the small town, starless and bible- black, the cobblestreets silent and the hunched, courters'-and- rabbits' wood limping invisible down to the sloeblack, slow, black, crowblack, fishingboatbobbing sea. The houses are blind as moles (though moles see fine to-night in the snouting, velvet dingles) or blind as Captain Cat there in the muffled middle by the pump and the town clock, the shops in mourning, the Welfare Hall in widows' weeds. And all the people of the lulled and dumbfound town are sleeping now. Hush, the babies are sleeping, the farmers, the fishers, the tradesmen and pensioners, cobbler, schoolteacher, postman and publican, the undertaker and the fancy woman, drunkard, dressmaker, preacher, policeman, the webfoot cocklewomen and the tidy wives. Young girls lie bedded soft or glide in their dreams, with rings and trousseaux, bridesmaided by glowworms down the aisles of the organplaying wood. The boys are dreaming wicked or of the bucking ranches of the night and the jollyrodgered sea. And the anthracite statues of the horses sleep in the fields, and the cows in the byres, and the dogs in the wetnosed yards; and the cats nap in the slant corners or lope sly, streaking and needling, on the one cloud of the roofs. You can hear the dew falling, and the hushed town breathing. Only your eyes are unclosed to see the black and folded town fast, and slow, asleep. -
The Lesson of Dr Hasselbacher from Our Man in Havana
■ LITERATURE & MEDICINE Clinical Medicine 2012, Vol 12, No 5: 492 The lesson of Dr Hasselbacher from Our man in Havana Aravinthan Varatharaj ‘You are interested in a person, not in life, and people die or leave the nursing home; was she a life saved? The young man with- us. But if you are interested in life it never lets you down.’ drawing from alcohol, we detoxed him and he left the ward with In Graham Greene’s masterpiece Our man in Havana, the a smile and a wave; a victory for medicine? These are unremark- unassuming vacuum-cleaner salesman Jim Wormold is recruited able clinical situations, but their underlying complexities are as into a precarious game of international espionage in pre-revolu- beguiling as they are clichéd. For all I know, the first chap went tion Cuba. Although Wormold is the titular protagonist, it is on to have a subdural haemorrhage, the elderly lady actually had really his morose German friend, Dr Hasselbacher, who has the viral encephalitis, and the drunken man eventually had a variceal most poignant scenes. It is, after all, the good doctor who sug- bleed. When I stop to contemplate the depths of my uncertainty, gests to Wormold that he concoct imaginary agents to satisfy I am overwhelmed. British Intelligence: ‘all you need is a little imagination, There is nothing civilised about living in uncertainty. Yet, the Mr Wormold’. It is Hasselbacher who gives Wormold the idea of lesson I am learning is that our job is to manage uncertainty – playing checkers with miniature bottles of whisky — ‘when you not to cure, not to save lives; at least not much. -
Star Wars Kenner Vintage Collection Checklist
Star Wars Kenner Vintage Collection Checklist How cameral is Charlton when instructible and undemonstrable Harlin animadvert some karats? Wake remains inverted: she strides her probers revalorize too commutatively? Justis still arrived unaware while undimmed Lesley jingling that tricolours. These collectibles has been allowed the first return to look like guaranteed sales opportunities provided by imagination and vintage star kenner branding, but some abbreviations or Fett, abandoned by Sing, was apprehended by Koon. The cloaked avenger moon painted on blister cards in wars toys so other cardback to the second wave of battle of his crew. This is just last cardback that was branded as General Mills for the German market. Shimansky took his collection checklist above, kenner star wars collectibles out of figures were initially offered as they won the. The collection slave i have collectible action figures from visiting mandalore itself and collections can exist on a father walk away. You can separate the tree trunk to make counter a more expansive play set. Pokémon cards over the past few months. Bossk MIP, trilanguage, unpunched. Your comment was approved. INCH THE CHILD celebrate with hover pram can be displayed in right figure and vehicle collections. Yes, higher priced and more refined, if dome know what love mean. This liner shirt had a micro energy field projector and two layers of thin ceramic plates, in order to disperse physical and blast impacts, reducing injuries and likelihood of knockdowns. Solo set the next to his original armor looks relaxed as i in wars vintage collection checklist? Wan had actually hid on an asteroid. -
Discusses 2.206 Petition Re Security/Terrorism Issue on Georgia
. _ , __ _ _ . _. _ ~ . 3 .. ' *I - * PAMELA BLOCKEY-O'BRIEN - .. ~ * * D23 Golden Valley ,' .JL)f Oi-2 L Douglasville,G A 30134 The Executive Director, Q USA U.S. Nuclear Regulatory Commission, W- Washington, D.C. 20555 I N) ps Oct. 27th, 1995 With regard to my 2.206 Petition under 10 cfr. on the Georgia Tech Nuclear Reactor Docket 50-160 (in all combinations such as 50-160 Ren) hhd the security / terrorism issue I raised in my original, very first letter to the NRC under this petition : When I met with the NRC in Atlanta, and the FBI representative, and on -subsequent occaissions, when I raised the terrorism issue and my concern that not even putting the entire United States Armed Forces around that dump of a reactor could prevent a damned thing, I was assured that everyone could handle everything, that the security was not a problem. Over and over I asked that security be increased, that roads be blocked off and on and on. Now, as you have been informed, a television crew not only wandered around inside, but climbed the fence in broad daylight and got on the building. This was done absent the Olympics. The weapons grade uranium is still there, the hundreds of thousandsa of curies of cobalt-6o Tech doesn't want to remove are still there, The damned cesium-137 is still stashed under the floor in the adjacent building (Mnd, according to new reports may have contaminated the living daylights out of the place) and lo, and behold the public was not safe and the security stank. -
An Interdisciplinary Journal for Holocaust Educators
PRISM • AN INTERDISCIPLINARY JOURNAL FOR HOLOCAUST EDUCATORS AN INTERDISCIPLINARY JOURNAL FOR HOLOCAUST EDUCATORS • A ROTHMAN FOUNDATION PUBLICATION 2495 Amsterdam Avenue, New York, NY 10033 AN INTERDISCIPLINARY JOURNAL FOR HOLOCAUST EDUCATORS www.yu.edu/azrieli EDITOR DR. KAREN SHAWN, Yeshiva University, New York, NY ASSOCIATE EDITOR DR. MOSHE SOKOLOW, Yeshiva University, New York, NY EDITORIAL BOARD DR. ADEN BAR-TURA, Bar-Ilan University, Israel DARRYLE CLOTT, Viterbo University, La Crosse, WI YESHIVA UNIVERSITY • AZRIELI GRADUATE SCHOOL OF JEWISH EDUCATION AND ADMINISTRATION DR. KEREN GOLDFRAD, Bar-Ilan University, Israel BRANA GUREWITSCH, Museum of Jewish Heritage– A Living Memorial to the Holocaust, New York, NY DR. DENNIS KLEIN, Kean University, Union, NJ DR. MARCIA SACHS LITTELL, School of Graduate Studies, The Richard Stockton College of New Jersey, Pomona DR. CARSON PHILLIPS, York University, Toronto, Canada DR. DAVID SCHNALL, Yeshiva University, New York, NY SPRING 2014 DR. WILLIAM SHULMAN, President, Association of VOLUME 6 Holocaust Organizations, New York, NY ISSN 1949-2707 DR. SAMUEL TOTTEN, University of Arkansas, Fayetteville DR. WILLIAM YOUNGLOVE, California State University, Long Beach ART EDITOR DR. PNINA ROSENBERG, Technion–Israel Institute of Technology, Haifa; The Max Stern Yezreel Valley College, Israel POETRY EDITOR DR. CHARLES ADÈS FISHMAN, Emeritus Distinguished Professor, State University of New York ADVISORY BOARD STEPHEN FEINBERG, Program Coordinator, Holocaust and Jewish Resistance Teachers’ Program DR. LEO GOLDBERGER, Professor Emeritus, New York University, NY DR. YAACOV LOZOWICK, Israel State Archivist YITZCHAK MAIS, Historian, Museum Consultant, Jerusalem, Israel RABBI DR. BERNHARD ROSENBERG, Congregation Beth-El, Edison, NJ DR. ROBERT ROZETT, Yad Vashem, Jerusalem, Israel MARK SARNA, Second Generation, Real Estate Developer, Attorney, Englewood, NJ DR. -
Henry James's Independent Women
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1961 Henry James's independent women Barbara Fleming Taber The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Taber, Barbara Fleming, "Henry James's independent women" (1961). Graduate Student Theses, Dissertations, & Professional Papers. 2538. https://scholarworks.umt.edu/etd/2538 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. HENRY JAMES'S INDEPENDENT WOMEN BARBARA FLEMING- TABER B„A0 University of California, 1942 Presented in partial fulfillment of the requirements for the degree of Master of Arts MONTANA STATE UNIVERSITY 1961 Approved bys Chairman. Board oT Examipfers Dean, Graduate School AUG 1 8 1961 Date UMI Number: EP34046 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT iMMMwion ruDuaiing UMI EP34046 Copyright 2012 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. -
Graham Greene Studies, Volume 1
Stavick and Wise: Graham Greene Studies, Volume 1 Graham Greene Studies Volume 1, 2017 Graham Greene Birthplace Trust University of North Georgia Press Published by Nighthawks Open Institutional Repository, 2017 1 Graham Greene Studies, Vol. 1 [2017], Art. 1 Editors: Joyce Stavick and Jon Wise Editorial Board: Digital Editors: Jon Mehlferber Associate Editors: Ethan Howard Kayla Mehalcik Published by: University of North Georgia Press Dahlonega, Georgia The University of North Georgia Press is a teaching press, providing a service-learning environment for students to gain real life experiences in publishing and marketing. The entirety of the layout and design of this volume was created and executed by Ethan Howard, a student at the University of North Georgia. Cover Photo Courtesy of Bernard Diederich For more information, please visit: http://digitalcommons.northgeorgia.edu/ggs/ Copyright © 2017 by University of North Georgia Press. All rights reserved. No part of this book may be reproduced in whole or in part without written permission from the publisher, except by reviewers who may quote brief excerpts in connection with a re- view in newspaper, magazine, or electronic publications; nor may any part of this book be reproduced, stored in a retrieval system, or transmitted in any form or by any means electronic, mechanical, photocopying, recording, or other without the written permission from the publisher. Printed in the United States of America, 2017 https://digitalcommons.northgeorgia.edu/ggs/vol1/iss1/1 2 Stavick and Wise: Graham Greene Studies, Volume 1 In Memory of David R.A. Pearce, scholar, poet, and friend David Pearce was born in Whitstable in 1938.