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Jamshedpur Women's College, Jamshedpur Recommended Books for B.A /M

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Jamshedpur Women's College, Jamshedpur Recommended Books for B.A /M JAMSHEDPUR WOMEN’S COLLEGE (A CONSTITUENT AUTONOMOUS COLLEGE OF KOLHAN UNIVERSITY) "A" GRADE COLLEGE BY NAAC, BANGALORE DEPARTMENT OF MUSIC CBCS SYLLABUS OF M. A. MUSIC (VOCAL) (SEMESTER SYSTEM) W.E.F SESSION 2017-2019 Page 1 of 23 JAMSHEDPUR WOMEN’S COLLEGE DEPARTMENT OF MUSIC LIST OF PAPERS OFFERED FOR M. A. (VOCAL)MUSIC SEMESTE SUBJECT CODE TITLE OF THE PAPER NATURE OF COURSE/MARKS CREDIT R FC COMPUTER SCIENCE COMPULSORY =30+70 6 I CC – 01 HISTORY & PRINCIPLES OF MUSIC-1 THEORY =30+70 6 CC – 02 APPLIED THEORY OF MUSIC -1 THEORY =30+70 6 CC – 03 COMPARATIVE & ANALYTICAL STUDY OF PRACTICAL =100 6 RAGAS & TALAS-1 EC - 01 RESEARCH METHODOLOGY COMPULSORY =30+70 6 II CC – 04 HISTORY & PRINCIPLES OF MUSIC-2 THEORY =30+70 6 CC – 05 APPLIED THEORY OF MUSIC -2 THEORY =30+70 6 CC – 06 COMPARATIVE & ANALYTICAL STUDY OF PRACTICAL =100 6 RAGAS & TALAS-2 PART -II EC - 02 APPLIED THEORY OF MUSIC/ COMPULSORY = 30+70 6 COMPARATIVE STUDY OF RAGAS & RAGANGAS III EC - 03 COMPARATIVE & ANALYTICAL STUDY OF PRACTICAL =100 6 RAGAS & TALAS CC – 07 HISTORY & PRINCIPLES OF MUSIC-3 THEORY =30+70 6 CC – 08 AESTHETICS THEORY =30+70 6 EC - 04 WESTERN MUSIC & FOLK MUSIC OF COMPULSORY = 30+70 6 JHARKHAND / IV FOLK MUSIC OF INDIA EC – 05 SELF - MADE COMPOSITIONS/ VIVA-VOCE PRACTICAL =100 6 EC – 06 PROJECT =100 6 CC – 09 STAGE PERFORMANCE PRACTICAL =100 6 TOTAL 96 Page 2 of 23 M. A (Music) PART– I SEMESTER- I SEM SUBJECT CODE TITLE OF THE PAPER NATURE OF COURSE/MARKS CREDIT PFCMUS – 101 COMPUTER SCIENCE COMPULSORY =30+70 6 CC – 01 HISTORY & PRINCIPLES OF MUSIC-1 THEORY =30+70 6 I CC – 02 APPLIED THEORY OF MUSIC -1 THEORY =30+70 6 CC – 03 COMPARATIVE & ANALYTICAL STUDY OF PRACTICAL =100 6 RAGAS & TALAS-1 Pattern and Marks Distribution Time: 3 Hours 1. Multiple choice questions 10 x 2 = 20 2. Two short type questions out of four questions (compulsory) 2 x 10 = 20 3. Two long type questions out of four questions. 2 x 15 = 30 70 Internal assessment 30 Total = 100 Page 3 of 23 SUBJECT CODE - PFCMUS – 101 TITLE OF THE PAPER - COMPUTER SCIENCE NATURE OF COURSE- COMPULSORY GENERAL INSTRUCTIONS:- Harmonium will not be allowed as an accompaniment in Vocal Music. The Theory paper will be of 70 marks and 30 marks will be for internal assessment. FC: COMPUTER SCIENCE 6 Credits/100 Marks CC - 01: History & Principles of Music - I 6 Credits/100 Marks CC - 02: Applied Theory of Music - I 6 Credits/100 Marks CC - 03: Comparative & Analytical study of Ragas and Taals- I 6 Credits/ 100 Marks 24 Credits /400 Marks Page 4 of 23 CC – 01 History & Principles of Music – I (THEORY) There will be 8 questions in Paper - 101. The candidate will be required to Attempt 5 questions in which question no. 1 is compulsory. UNIT – I Classification of History (Period) of Indian Music Music in Ancient period Music in Vedic period UNIT – II Life sketch and contribution of the following artists Ustad Allauddin Khan Pandit Bhimsen Joshi Ustad Amir Khan Ustad Bade Ghulam Ali Khan UNIT- III Detailed study of Shruti, Comparative study of ancient, medieval and modern concept of shruti and swara. UNIT- IV A detailed study of Raga – Ragini vargikaran Time Theory of Raga UNIT - V The Gharanas in Indian Music (Vocal) Comparative study of swarlipi and talalipi system of Pt. V.D .Palushkar and Pt. V. N Bhatkhande. Pattern and Marks Distribution Time: 3 Hours 1. Multiple choice questions 10 x 2 = 20 2. Two short type questions out of four questions (compulsory) 2 x 10 = 20 3. Two long type questions out of four questions. 2 x 15 = 30 70 Internal assessment 30 Total = 100 ` Page 5 of 23 CC- 02 Applied Theory of Music – I (THEORY) There will be 8 questions in Paper - 102. The candidate will be required to Attempt 5 questions in which question no. 1 is compulsory. UNIT – I Prescribed Ragas (Appendix – I) Ramkali MiyankiTodi Kamod ShuddhaSarang Marwa UNIT – II General study of the following Ragas:- Bihag Bhairav GurjariTodi Chhayanat ShyamKalyan Puria UNIT - III Knowledge of writing notation of Vilambit and Drutkhayal in the prescribed Ragas. UNIT - IV Critical and comparative study of the Ragas of UNIT- I &UNIT–II. UNIT – V Knowledge of writing notation of the following talas with Thah, Dwigun, Tigun and Aad Ki layakari- Dhamar, Teental, Jhaptal,Ada choutal Pattern and Marks Distribution Time: 3 Hours 4. Multiple choice questions 10 x 2 = 20 5. Two short type questions out of four questions (compulsory) 2 x 10 = 20 6. Two long type questions out of four questions. 2 x 15 = 30 70 Internal assessment 30 Total = 100 Page 6 of 23 CC– 03 Comparative & Analytical Study of Ragas & Taals-1 Practical Full Marks - 100 GENERAL INSTRUCTIONS:- Harmonium will not be allowed as an accompaniment in Vocal Music. Demonstration of a Raga selected from prescribed course (UNIT – I& II) One Vilambit kahyal and Drut kahyal with vistar, taan& gay 20 One Drupad/Dhamar from prescribed ragas 10 One Thumri/ Dadra 10 One Tarana with proper Gayaki10 Demonstration of Prescribed talas ( UNIT - V) 10 In dwigun, Tigun and Adilayakari Tuning of Tanpura 05 A short piece of light classical (Ghazal, Geet, Bhajan, Lokgeet, 10 RabindraSangeet) may also be presented. Questions – Answer ( Examiner’s choice) 25 Page 7 of 23 M. A (Music) PART – I SEMESTER- II EC - 01 RESEARCH METHODOLOGY COMPULSORY =30+70 6 II CC – 04 HISTORY & PRINCIPLES OF MUSIC-2 THEORY =30+70 6 CC – 05 APPLIED THEORY OF MUSIC -2 THEORY =30+70 6 CC – 06 COMPARATIVE & ANALYTICAL STUDY OF PRACTICAL =100 6 RAGAS & TALAS-2 SUBJECT CODE - EC – 01 TITLE OF THE PAPER - RESEARCH METHODOLOGY NATURE OF COURSE- COMPULSORY 4 credits / 100 marks Common Syllabus for all students (Arts) GENERAL INSTRUCTIONS:- . EC - 01: Research Methodology 6 Credits/100 Marks CC - 04: History & Principles of Music - II 6 Credits/100 Marks CC - 05: Applied Theory of Music - II 6 Credits/100 Marks CC - 06: Comparative & Analytical study of Ragas and Talas- II 6 Credits/ 100 Marks 24 Credits /400 Marks Page 8 of 23 M A Music (Vocal) SEMESTER -II MUS-05: RESEARCH METHODOLOGY Time: 3 Hours Full Marks: 70 Internal Assessment: 30 A. Question No- 1 is compulsory (Objective Type 10 questions carry 2 marks each) =20 marks B. There will be five questions , out of which students shall have to answer any Three (Short Answer Type 3 questions carry 5 marks each) = 15 marks C. There will be Three questions , out of which students shall have to answer any Two (Long Answer Type 2 questions carry 10 marks each) = 20 marks D. There will be Two questions , out of which students shall have to answer any One (Essay Type 1 question carry 15 marks each) = 15 marks = 70 Marks UNIT- I : Fundamentals of Research Basic principles of Research. Preparation of Research proposal Review of Literature , Formation of Hypothesis Research Designs, Sampling Designs, Methods of Research. UNIT –II : Sources Primary Sources Secondary Sources UNIT – III Quantitative Methods Numeric Data Basic Quantitative Techniques UNIT –IV : Communication of Research Referencing : Footnotes, End Notes, Bibliographies Report writing : Dissertation and Research Paper UNIT – V : Computer Application for Research Word processing Data processing Using Excel and Power Point Using the Internet Steps involved in the constructions of a Psychological Test. CC – 04 History & Principles of Music – II (THEORY) Page 9 of 23 There will be 8 questions in Paper - 204. The candidate will be required to Attempt 5 questions in which question no. 1 is compulsory. UNIT – I Classification of History (Period) of Indian Music Music in Medieval period Music in Modern period UNIT – II Life sketch and contribution of the following artists Omkar Nath Thakur Amir Khusro Ustad Abdul Karim Khan Kumar Gandharva UNIT- III Detailed study of Gram and Murchhana, Detailed study of Saran Chatustayi Swarsavad- shadajmadhyam and shadajpancham UNIT- IV A Comparative study of swara and tala system in Hindustani and Carnatic music. The forty Principles of Hindustani SangitPaddhati. UNIT - V The way of measuring shruti and swar in a string of Veena according to PanditShrinivas and Pandit V N Bhatkhandey. Pattern and Marks Distribution Time: 3 Hours 1. Multiple choice questions 10 x 2 = 20 2. Two short type questions out of four questions (compulsory) 2 x 10 = 20 3. Two long type questions out of four questions. 2 x 15 = 30 70 Internal assessment 30 Total = 100 CC - 05 Applied Theory of Music – II (THEORY) There will be 8 questions in Paper - 205. The candidate will be required to Page 10 of 23 Attempt 5 questions in which question no. 1 is compulsory. UNIT – I Prescribed Ragas (Appendix – II) Rageshree MiyanMalhar Nat Bhairav Hamir DarbariKanhada YamniBilaval UNIT – II General study of the following Ragas:- Bageshree Bahar Charukeshi Kedar Adana DevgiriBilaval UNIT - III Knowledge of writing notation of vilambitandchhotakhayal in the prescribed Ragas. Knowledge of writing notation of one Dhrupad and one Dhamar in different layakari in the prescribed ragas. UNIT - IV Critical and comparative study of the Ragas ofUNIT- I &UNIT–II. UNIT – V Knowledge of writing notation with Thah, Dwigun, Tigun and Aadiayakari of Shikhar Tal, Laxmi Tal, Matta Tal, Brahma Tal. Pattern and Marks Distribution Time: 3 Hours 4. Multiple choice questions 10 x 2 = 20 5. Two short type questions out of four questions (compulsory) 2 x 10 = 20 6. Two long type questions out of four questions. 2 x 15 = 30 70 Internal assessment 30 Total = 100 CC – 06 Comparative & Analytical Study of Ragas & Taals-II Page 11 of 23 Practical Full Marks - 100 GENERAL INSTRUCTIONS:- Harmonium will not be allowed as an accompaniment in Vocal Music.
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