Biography • Dennis Oppenheim Dennis Oppenheim • Biography
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
On Dennis Oppenheim's Marionette Theatre
On Dennis Oppenheim’s marionette theatre Robert Slifkin Figure 1 Dennis Oppenheim, Attempt to Raise Hell, 1974. Seated motorized figure in the image of the artist, cloth and felt suit, wood and steel base, spotlight. Timing device triggers cast head in the image of the artist to lunge forward striking the suspended silver plated bell every sixty seconds. 78.4 x 121 x 91.1 cm. Collection Radchovsky House, Dallas. Photo: Ace Contemporary, Los Angeles. Courtesy Dennis Oppenheim Estate. Dennis Oppenheim’s Attempt to Raise Hell (Figure 1), a motorized effigy of the artist set upon a white plinth that violently bangs its aluminium head upon a large brass bell every three minutes, portrays, in a most striking manner, the romantic theme of artistic creation through bodily and mental suffering. The violent clang of metal on metal produced by the piece resonates loudly and long after the jerky mechanical collision, sounding something like an alarm in the gallery in which the work is exhibited. The work’s sonic resonance imparts its ambition to draw attention to itself and to produce effects beyond its material limits, not only in the space but in the minds and bodies of beholders. The masochistic gesture portrayed by the mechanical figure is capable of engendering powerful feelings in its viewers. One might say that Attempt to Raise Hell dramatizes a foundational conceit of expressionism, in which a sensory experience of a work of art’s creator is vividly conveyed to a beholder through affective means. The use of an inanimate and mechanical surrogate ironizes this dynamic, suggesting how the techniques of such experiential transference are typically more technical than natural. -
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011
ARTIST - DENNIS OPPENHEIM Born in Electric City, WA, USA, in 1938 Died in New York, NY, USA, in 2011 EDUCATION - 1964 : Beaux Arts of California College of Arts and Crafts, Oakland, CA, USA 1967 : Beaux Arts of Stantford University, Palo Alto, CA, US SOLO SHOWS (SELECTION) - 2020 Dennis Oppenheim, Galerie Mitterrand, Paris, France 2019 Dennis Oppenheim, Le dessin hors papier, Musée des Beaux-Arts, Caen, FR 2018 Broken Record Blues, Peder Lund, Oslo NO Violations, Marlborough Contemporary, New York US Straight Red Trees. Alternative Landscape Components, Guild Hall, East Hampton, NY, US 2016 Terrestrial Studio, Storm King Art Center, New Windsor US Three Projections, Art Institute of Chicago, Chicago, US 2015 Collection, MAMCO, Geneva, CH Launching Structure #3. An Armature for Projections, Halle-Nord, Geneva CH Dennis Oppenheim, Wooson Gallery, Daegu, KR 2014 Dennis Oppenheim, MOT International, London, UK 2013 Thought Collision Factories, Henry Moore Institute, Leeds, UK Sculpture 1979/2006, Galleria Fumagalli & Spazio Borgogno, Milano, IT Alternative Landscape Components, Yorkshire Sculpture Park, West Bretton, UK 2012 Electric City, Kunst Merano Arte, Merano, IT 1968: Earthworks and Ground Systems, Haines Gallery, San Francisco US HaBeer, Beersheba, ISR Selected Works, Palacio Almudi, Murcia, ES 2011 Dennis Oppenheim, Musee d'Art Moderne et Contemporain, Saint-Etienne, FR Eaton Fine Arts, West Palm Beach, Florida, US Galerie Samuel Lallouz, Montreal, CA Salutations to the Sky, Museo Fundacion Gabarron, New York, US 79 RUE DU TEMPLE -
Helen Pashgianhelen Helen Pashgian L Acm a Delmonico • Prestel
HELEN HELEN PASHGIAN ELIEL HELEN PASHGIAN LACMA DELMONICO • PRESTEL HELEN CAROL S. ELIEL PASHGIAN 9 This exhibition was organized by the Published in conjunction with the exhibition Helen Pashgian: Light Invisible Los Angeles County Museum of Art. Funding at the Los Angeles County Museum of Art, Los Angeles, California is provided by the Director’s Circle, with additional support from Suzanne Deal Booth (March 30–June 29, 2014). and David G. Booth. EXHIBITION ITINERARY Published by the Los Angeles County All rights reserved. No part of this book may Museum of Art be reproduced or transmitted in any form Los Angeles County Museum of Art 5905 Wilshire Boulevard or by any means, electronic or mechanical, March 30–June 29, 2014 Los Angeles, California 90036 including photocopy, recording, or any other (323) 857-6000 information storage and retrieval system, Frist Center for the Visual Arts, Nashville www.lacma.org or otherwise without written permission from September 26, 2014–January 4, 2015 the publishers. Head of Publications: Lisa Gabrielle Mark Editor: Jennifer MacNair Stitt ISBN 978-3-7913-5385-2 Rights and Reproductions: Dawson Weber Creative Director: Lorraine Wild Designer: Xiaoqing Wang FRONT COVER, BACK COVER, Proofreader: Jane Hyun PAGES 3–6, 10, AND 11 Untitled, 2012–13, details and installation view Formed acrylic 1 Color Separator, Printer, and Binder: 12 parts, each approx. 96 17 ⁄2 20 inches PR1MARY COLOR In Helen Pashgian: Light Invisible, Los Angeles County Museum of Art, 2014 This book is typeset in Locator. PAGE 9 Helen Pashgian at work, Pasadena, 1970 Copyright ¦ 2014 Los Angeles County Museum of Art Printed and bound in Los Angeles, California Published in 2014 by the Los Angeles County Museum of Art In association with DelMonico Books • Prestel Prestel, a member of Verlagsgruppe Random House GmbH Prestel Verlag Neumarkter Strasse 28 81673 Munich Germany Tel.: +49 (0)89 41 36 0 Fax: +49 (0)89 41 36 23 35 Prestel Publishing Ltd. -
Marian Goodman Gallery Robert Smithson
MARIAN GOODMAN GALLERY ROBERT SMITHSON Born: Passaic, New Jersey, 1938 Died: Amarillo, Texas, 1973 SELECTED SOLO EXHIBITIONS 2018 Robert Smithson: Time Crystals, University of Queensland, BrisBane; Monash University Art Museum, MelBourne 2015 Robert Smithson: Pop, James Cohan, New York, New York 2014 Robert Smithson: New Jersey Earthworks, Montclair Museum of Art, Montclair, New Jersey 2013 Robert Smithson in Texas, Dallas Museum of Art, Dallas, Texas 2012 Robert Smithson: The Invention of Landscape, Museum für Gegenwartskunst Siegen, Unteres Schloss, Germany; Reykjavik Art Museum, Reykjavik, Iceland 2011 Robert Smithson in Emmen, Broken Circle/Spiral Hill Revisited, CBK Emmen (Center for Visual Arts), Emmen, the Netherlands 2010 IKONS, Religious Drawings and Sculptures from 1960, Art Basel 41, Basel, Switzerland 2008 Robert Smithson POP Works, 1961-1964, Art Kabinett, Art Basel Miami Beach, Miami, Florida 2004 Robert Smithson, Museum of Contemporary Art, Los Angeles, California; Dallas Museum of Art, Dallas, Texas; Whitney Museum of American Art, New York, New York 2003 Robert Smithson in Vancouver: A Fragment of a Greater Fragmentation, Vancouver Art Gallery, Canada Rundown, curated by Cornelia Lauf and Elyse Goldberg, American Academy in Rome, Italy 2001 Mapping Dislocations, James Cohan Gallery, New York 2000 Robert Smithson, curated by Eva Schmidt, Kai Voeckler, Sabine Folie, Kunsthalle Wein am Karlsplatz, Vienna, Austria new york paris london www.mariangoodman.com MARIAN GOODMAN GALLERY Robert Smithson: The Spiral Jetty, organized -
Download Sol Lewitt's Biography
ARTIST - SOL LEWITT Born in 1928, Hartford, CT, USA Died in 2007, New York, NY, USA EDUCATION - 1949 Syracuse University, B.F.A, NY, USA SOLO SHOWS - 1965 John Daniels Gallery, New York, NY, USA 1966 Dwan Gallery, New York, NY, USA 1967 Dwan Gallery, Los Angeles, NY, USA 1968 Galerie Konrad Fischer, Düsseldorf, Germany Dwan Gallery, New York, NY, USA Galerie Bischofberger, Zürich, Switzerland Galerie Heiner Friederich, Munich, Germany 1968–1969 Ace Gallery, Los Angeles, CA, USA 1969 Galerie Konrad Fischer, Düsseldorf, Germany Galleria L'Attico, Rome, Italy Galerie Ernst, Hannover, Germany Wall Drawings, Dwan Gallery, New York, NY, USA Sol LeWitt: Sculptures and Wall Drawings, Museum Haus Lange, Krefeld, Germany Galerie Bischofberger, Zürich, Switzerland 1970 Art & Project, Amsterdam, Netherlands Wisconsin State University, River Falls, WI, USA Galerie Yvon Lambert, Paris, France Wall Drawings, Galleria Sperone, Turin, Italy Dwan Gallery, New York, NY, USA Lisson Gallery, London, UK Gemeentemuseum, The Hague, Netherlands Galerie Heiner Friederich, Munich, Germany 1970–1971 Pasadena Art Museum, CA, USA 1971 Art & Project, Amsterdam, Netherlands Wall Drawings, Protetch-Rivkin Gallery, Washington D.C., USA Prints and Drawings, Dwan Gallery, New York, NY, USA Lisson Gallery, London, UK Galerie Stampa, Basel, Germany Galleria Toselli, Milano, Italy Informations-Raum 3, Basel, Germany Galerie Konrad Fischer, Düsseldorf, Germany Art & Project, Amsterdam, Netherlands Structures and Wall Drawings, John Weber Gallery, New York, NY, USA Dunkelmann -
Sol Lewitt Selected One-Artist
SOL LEWITT SELECTED ONE-ARTIST EXHIBITIONS DATES Born 1928, Hartford, Connecticut Died 2007, New York, New York EDUCATION 1949, Syracuse University, New York, BFA 2018 Sol LeWitt: Large Gouaches, Paula Cooper Gallery, New York, November 3–December 15, 2018. Sol LeWitt: Lines in All Directions, Mignoni, New York, November 1, 2018–February 9, 2019. By Hand: Sol LeWitt, The Mattatuck Museum, Waterbury, Connecticut, April 8–June 10, 2018. Sol LeWitt Wall Drawings: Expanding a Legacy, Yale University Art Gallery, New Haven, March 2–July 8, 2018 (extended through January 27, 2019). Sol LeWitt, Honor Fraser Gallery, Los Angeles, February 17–April 7, 2018. Sol LeWitt: 1 + 1 = 1 Million, Vito Schnabel Gallery, St. Moritz, Switzerland, February 15–March 11, 2018. 2017 Sol LeWitt: Selected One-artist Exhibitions 2 Sol LeWitt: Between the Lines, Fondazione Carriero, Milan, November 17, 2017–June 24, 2018. (Catalogue) Sol LeWitt: Structures, Massachusetts Museum of Contemporary Art, North Adams, opened May 28, 2017. One Wall, One Work: Sol LeWitt, Barbara Krakow Gallery, Boston, January 3–March 11, 2017. Sol LeWitt: 6 Wall Drawings, Musee des Beaux-Arts, Le Locle, Switzerland, February 19–October 15, 2017. 2016 Sol LeWitt: Wall Drawing #1183: Eight Bands of Color, Cahiers D’Art Gallery, Paris, October 20, 2016– January 28, 2017. Sol LeWitt, Paula Cooper Gallery, New York, September 8–October 22, 2016. Sol LeWitt, Cardi Gallery, Milan, January 27–April 15, 2016. 2015 Sol LeWitt, Galería Elvira González, Madrid, September 12–October 31, 2015. Sol LeWitt: Wall Drawings, Grids on Black and White, Konrad Fischer Galerie, Berlin, September 4–October 31, 2015. -
Zhiyuan Yang Dennis Oppenheim
DENNIS OPPENHEIM FEEDBACK: PARENT-CHILD PROJECTS FROM THE 70s ZHIYUAN YANG A FAMILY OF THREE DENNIS OPPENHEIM FEEDBACK: PARENT-CHILD PROJECTS FROM THE 70s ZHIYUAN YANG A FAMILY OF THREE SHIRLEY FITERMAN ART CENTER BOROUGH OF MANHATTAN COMMUNITY COLLEGE, CUNY IN HIS PIONEERING WORK OF THE LATE 1960s AND EARLY 70s , Dennis Oppenheim (1938-2011) went beyond the strictures of Minimalism to investigate and act in the actual world through explorations that engage both the landscape and the body. Perhaps best known for his Land Art works that transcended the confines of traditional sculpture, as well as the limits of the gallery context, Oppenheim’s performance works also pushed multiple boundaries.1 His artistic experimentation unfolded against a tumultuous historical backdrop that was branded by social and political unrest. The United States was enmeshed in a deeply unpopular war in Vietnam, one that provoked massive anti-war demonstrations through the early 70s. Concurrently, a widespread counterculture movement, led by the country’s youth, swept the nation. The turmoil continued with the Watergate scandal, which resulted in a vote by the House of Representatives to impeach then-President Richard Nixon, who resigned in summer 1974. The period was also defined by high unemployment, gas shortages, and rampant inflation. This same moment is marked artistically by a shift away from the strict tenets of Minimalism toward Post-Minimalism, which encompassed a more expansive approach to artmaking and a broad range of visual experimentation, including Process, Conceptual, and Performance Art. Leaving behind the specificity of the object, these practices presented art as encounters subject to physical and temporal conditions. -
Size, Scale and the Imaginary in the Work of Land Artists Michael Heizer, Walter De Maria and Dennis Oppenheim
Larger than life: size, scale and the imaginary in the work of Land Artists Michael Heizer, Walter De Maria and Dennis Oppenheim © Michael Albert Hedger A thesis in fulfillment of the requirements for the degree of Doctor of Philosophy Art History and Art Education UNIVERSITY OF NEW SOUTH WALES | Art & Design August 2014 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Hedger First name: Michael Other name/s: Albert Abbreviation for degree as given in the University calendar: Ph.D. School: Art History and Education Faculty: Art & Design Title: Larger than life: size, scale and the imaginary in the work of Land Artists Michael Heizer, Walter De Maria and Dennis Oppenheim Abstract 350 words maximum: (PLEASE TYPE) Conventionally understood to be gigantic interventions in remote sites such as the deserts of Utah and Nevada, and packed with characteristics of "romance", "adventure" and "masculinity", Land Art (as this thesis shows) is a far more nuanced phenomenon. Through an examination of the work of three seminal artists: Michael Heizer (b. 1944), Dennis Oppenheim (1938-2011) and Walter De Maria (1935-2013), the thesis argues for an expanded reading of Land Art; one that recognizes the significance of size and scale but which takes a new view of these essential elements. This is achieved first by the introduction of the "imaginary" into the discourse on Land Art through two major literary texts, Swift's Gulliver's Travels (1726) and Shelley's sonnet Ozymandias (1818)- works that, in addition to size and scale, negotiate presence and absence, the whimsical and fantastic, longevity and death, in ways that strongly resonate with Heizer, De Maria and especially Oppenheim. -
Marlborough Gallery
Marlborough DENNIS OPPENHEIM 1938 — Born in Electric City, Washington 2011 — Died in New York, New York The artist lived and worked in New York, New York. Education 1965 — B.F.A., the School of Arts and Crafts, Oakland, California 1966 — M.F.A., Stanford University, Palo Alto, California Solo Exhibitions 2020 — Dennis Oppenheim, Galerie Mitterand, Paris, France 2019 — Feedback: Parent Child Projects from the 70s, Shirley Fiterman Art Center, The City University of New York, BMCC, New York, New York 2018 — Violations, 1971 — 1972, Marlborough Contemporary, New York, New York Broken Record Blues, Peder Lund, Oslo, Sweden 2016 — Art Institute of Chicago, Chicago, Illinois Storm King Art Center, New Windsor, New York 2015 — Wooson Gallery, Daegu, Korea MAMCO, Geneva, Switzerland Halle Nord, Geneva, Switzerland 2014 — MOT International, London, United Kingdom Museo Magi'900, Pieve di Cento, Italy 2013 — Henry Moore Institute, Leeds, United Kingdom Museo Pecci Milano, Milan, Italy Yorkshire Sculpture Park, West Yorkshire, United Kingdom Marlborough 2012 — Centro de Arte Palacio, Selected Works, Murcia, Spain Kunst Merano Arte, Merano, Italy Haines Gallery, San Francisco, California HaBeer, Beersheba, Israel 2011 — Musée d'Art moderne Saint-Etienne Metropole, Saint-Priest-en-Jarez, France Eaton Fine Arts, West Palm Beach, Florida Galerie Samuel Lallouz, Quebec, Canada The Carriage House, Gabarron Foundation, New York, New York 2010 — Thomas Solomon Gallery, Los Angeles, California Royale Projects, Indian Wells, California Buschlen Mowatt Galleries, Vancouver, British Columbia, Canada Galleria Fumagalli, Bergamo, Italy Gallerie d'arts Orler, Venice, Italy 2009 — Marta Museum, Herford, Germany Scolacium Park, Catanzaro, Italy Museo Marca, Catanzarto, Italy Eaton Fine Art, West Palm Beach, Florida Janos Gat Gallery, New York, New York 2008 — Ace Gallery, Beverly Hills, California 4 Culture Gallery, Seattle, Washington Edelman Arts, New York, New York D.O. -
Robert Rauschenberg
Robert Rauschenberg Born in Port Arthur, United States. 1925 – 2008 Solo Exhibitions 2017 – Window to China, gl Holtegaard, Holte, Denmark. 2016 – Robert Rauschenberg, Tate Modern, London, England. 2014 – Rauschenberg: China/America Mix, Bob Rauschenberg Gallery, Florida SouthWestern State College, Fort Myers, USA. – Rauschenberg: Collecting and Connecting, Nasher Museum of Art at Duke University, Durham, USA. – Robert Rasuchenberg: The Fulton Street Studio, 1953–1954, Craig F. Starr Gallery, New York, USA. – Robert Rauschenberg: Works on Metal, Gagosian Gallery, Beverly Hills, USA. 2013 – Jammers, Gagosian Gallery, London, England. – 2012 Early Photographs, Gagosian Gallery, London, England. 2011 – The Private Collection of Robert Rauschenberg, Gagosian Gallery, 980 Madison Avenue, New York, USA. – Robert Rauschenberg, Gagosian Gallery, Paris, France. – Robert Rauschenberg, Gagosian Gallery, New York, USA. 2008 – Robert Rauschenberg: Scenarios and the Ancient Incident, Pace Gallery, New York, USA. – Robert Rauschenberg: Runts, Pace Gallery, New York, USA. – Last Turn-Your Turn: Robert Rauschenberg and the Environmental Crisis, Jacobson Howard Gallery, New York, USA. 2007 – Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections, The National Gallery of Art, Washington D.C, USA. – Robert Rauschenberg: Three Decades, Galleri Faurschou, Beijing, China. – Robert Rauschenberg: Travelling ’70-’76, Museu de Arte Contemporânea de Serralves, Porto, Portugal. – Travelled to: Haus der Kunst, Munich, Germany and Museo d’Arte Contemporanea Donna Regina, Naples, Italy. – Signs of Life: Robert Rauschenberg Posters, Black Mountain College of Arts Center in Asheville, USA. – Robert Rauschenberg: Cardboards and Related Pieces, Menil Collection, Houston, USA. – Robert Rauschenberg: Scenarios, Bob Rauschenberg Gallery, Edison State College, Fort Myers, USA. Page 1 / 15 – Rauschenberg’s Currents: Features and Surface, Michael C. -
Bibliography (Pdf/63Kb)
2006 • Connecting Worlds, Shikata Yukiko, NTT InterCommunication Center, Tokyo, Japan • Escritos de Artistas, Jorge Zahar, Jorge Zahar Editor Ltda., Rio de Janerio, Brazil • Ethics and the Visual Arts, E.A. King and G. Levin, Eds, Allworth Press, New York • Art Metropole: the Top 100, K. Scott and J. Shaughnesy, National Gallery of Art, Ottawa, Canada • Art and Video in the 70s, Silvana Editoriale Spa, Milan, Italy • Collection of the Fondation Cartier at MOT, Foil Co., Ltd., Tokyo, Japan 2005 • Slideshow: Projected images in Contemporary Art, Darcie Alexander, Baltimore Museum of Art, American University Presses, Pennsylvania • Odd Lots: Revisiting Gordon Matta-Clark‘s Fake Estates, Jeffrey Kastner, Sina Najafi and Frances Richard, Eds. Cabinet Books, New York • 40 years at the ICA, Johanna Plummer, Ed. Institute of Contemporary Art, University of Pennsylvania, PA • Superstars: Warhol to Madonna, Sigrid Mittersteiner, Ed., Hatje Cantz Verlag, Germany • Comme le reve, le dessin, Centre Pompidou , Paris, France • Dennis Oppenheim: Project Drawings, Demetrio Paparoni, In Arco Books, Torino, Italy • La Poetica de lo Neutro, Victoria Combalia, Debolsillo, Barcelona, Spain • Domicile: prive/public, Lorand Hegyi, Somogy Editions d‘Art, Paris 2004 • The Context of Art/ The Art of Context, Seth Siegelaub, Marion Fricke and Roswitha Fricke, Navado Press, Trieste, Italy • Ana Mendieta Earth Body, Olga M. Vison, Hirshhorn Museum and Hatje Cantz, Ostfildern-Ruit, Germany • Ready to Shoot Fernsehgalerie Gerry Schum, Ulrike Groos, Snoek Verlagsgesellschaft, Cologne, Germany • Art in Transit, Pallas Lombardi, Charlotte Area Transit System, Charlotte, North Carolina, U.S.A. • The Museum: Conditions and Spaces, Andrea Douglas, University of Virginia Art Museum, Charlottesville, Virginia, U.S.A. -
Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26Th, 2018
Stanford Auctioneers Fine Art, Pop Art, Photographs: Day 1 of 3 Friday – January 26th, 2018 www.stanfordauctioneers.com | [email protected] 1: PAUL KLEE - "M" Garden Gate ["Portail du jardin M"] USD 300 - 400 Paul Klee (Swiss/German, 1879 - 1940). ""M" Garden Gate ["Portail du jardin M"]". Original color collotype. 1932. Printed 1957. Signed in the image, lower left. Felix Paul Klee stamp, verso. Small edition. Thin cream wove paper. Printed to the edge of the sheet. Fine impression. Bright, fresh colors. Fine condition. Provenance: Acquired directly from Felix Paul Klee. Image size: 8 5/16 x 9 3/16 in. (211 x 233 mm). This edition was authorized by Klee shortly before his death in 1940 but delayed by World War II and its aftermath until 1957. It was printed under the immediate supervision of Felix Paul Klee (1907-1990), Klee's son. [23634-2-225] 2: ANDY WARHOL - $$ [dollar signs] USD 4,000 - 5,000 Andy Warhol (American, 1928 - 1987). "$$ [dollar signs] [drawing]". Marker drawing on paper. c1979. Signed in black marker, lower center. White wove bond paper. The "full sheet". Fine condition. Provenance: Private collector, Sweden, acquired c.1991 possibly from Frederick W. Hughes (Warhol's business manager); thence to our consignor. Overall size: 11 x 8 1/2 in. (279 x 216 mm). Marker drawings of dollar signs by Warhol are scarce/rare. Our example is rare as it was drawn on Warhol’s “Andy Warhol Enterprises, Inc.” letterhead at the Factory (or as it was known then, “the office”). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York.