Brendan Burke Presents
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American Masters 200 List Finaljan2014
Premiere Date # American Masters Program Title (Month-YY) Subject Name 1 ARTHUR MILLER: PRIVATE CONVERSATIONS On the Set of "Death of a Salesman" June-86 Arthur Miller 2 PHILIP JOHNSON: A SELF PORTRAIT June-86 Philip Johnson 3 KATHERINE ANNE PORTER: THE EYE OF MEMORY July-86 Katherine Anne Porter 4 UNKNOWN CHAPLIN (Part 1) July-86 Charlie Chaplin 5 UNKNOWN CHAPLIN (Part 2) July-86 Charlie Chaplin 6 UNKNOWN CHAPLIN (Part 3) July-86 Charlie Chaplin 7 BILLIE HOLIDAY: THE LONG NIGHT OF LADY DAY August-86 Billie Holiday 8 JAMES LEVINE: THE LIFE IN MUSIC August-86 James Levine 9 AARON COPLAND: A SELF PORTRAIT August-86 Aaron Copland 10 THOMAS EAKINS: A MOTION PORTRAIT August-86 Thomas Eakins 11 GEORGIA O'KEEFFE September-86 Georgia O'Keeffe 12 EUGENE O'NEILL: A GLORY OF GHOSTS September-86 Eugene O'Neill 13 ISAAC IN AMERICA: A JOURNEY WITH ISAAC BASHEVIS SINGER July-87 Isaac Bashevis Singer 14 DIRECTED BY WILLIAM WYLER July-87 William Wyler 15 ARTHUR RUBENSTEIN: RUBENSTEIN REMEMBERED July-87 Arthur Rubinstein 16 ALWIN NIKOLAIS AND MURRAY LOUIS: NIK AND MURRAY July-87 Alwin Nikolais/Murray Louis 17 GEORGE GERSHWIN REMEMBERED August-87 George Gershwin 18 MAURICE SENDAK: MON CHER PAPA August-87 Maurice Sendak 19 THE NEGRO ENSEMBLE COMPANY September-87 Negro Ensemble Co. 20 UNANSWERED PRAYERS: THE LIFE AND TIMES OF TRUMAN CAPOTE September-87 Truman Capote 21 THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE September-87 Algonquin Round Table 22 BUSTER KEATON: A HARD ACT TO FOLLOW (Part 1) November-87 Buster Keaton 23 BUSTER KEATON: -
2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Clybourne Park Study Guide
Clybourne Park Study Guide The Theatre/Dance Department’s production oF Clybourne Park can be seen December 2 – 7 at 7:30 pm in Barnett Theatre. Tickets 262-472-2222 Monday – Friday 9:30 am – 5:00 pm The Clybourne Park Study Guide was originally created by Studio 180 Theatre, Toronto, Canada, and is being used at UW-Whitewater with Studio 180 Theatre’s permission. www.studio180theatre.com Table of Contents A. Notes for Teachers ...................................................................................................................... 3 B. Introduction to the Company and the Play .................................................................................. 4 UW-Whitewater Theatre/Dance Department .......................................................................................................... 4 Clybourne Park by Bruce Norris ..................................................................................................................................... 5 Bruce Norris – Playwright ................................................................................................................................................. 6 C. Attending the Performance ......................................................................................................... 7 D. Background Information ............................................................................................................. 8 1. Source Material: A Raisin in the Sun by Lorraine Hansberry ....................................................................... -
A History of African American Theatre Errol G
Cambridge University Press 978-0-521-62472-5 - A History of African American Theatre Errol G. Hill and James V. Hatch Frontmatter More information AHistory of African American Theatre This is the first definitive history of African American theatre. The text embraces awidegeographyinvestigating companies from coast to coast as well as the anglo- phoneCaribbean and African American companies touring Europe, Australia, and Africa. This history represents a catholicity of styles – from African ritual born out of slavery to European forms, from amateur to professional. It covers nearly two and ahalf centuries of black performance and production with issues of gender, class, and race ever in attendance. The volume encompasses aspects of performance such as minstrel, vaudeville, cabaret acts, musicals, and opera. Shows by white playwrights that used black casts, particularly in music and dance, are included, as are produc- tions of western classics and a host of Shakespeare plays. The breadth and vitality of black theatre history, from the individual performance to large-scale company productions, from political nationalism to integration, are conveyed in this volume. errol g. hill was Professor Emeritus at Dartmouth College, Hanover, New Hampshire before his death in September 2003.Hetaughtat the University of the West Indies and Ibadan University, Nigeria, before taking up a post at Dartmouth in 1968.His publications include The Trinidad Carnival (1972), The Theatre of Black Americans (1980), Shakespeare in Sable (1984), The Jamaican Stage, 1655–1900 (1992), and The Cambridge Guide to African and Caribbean Theatre (with Martin Banham and George Woodyard, 1994); and he was contributing editor of several collections of Caribbean plays. -
2015 Tba Awards Finalists
! 2015 TBA AWARDS FINALISTS OUTSTANDING PRODUCTION OF A MUSICAL Tier 1 The Addams Family at San Jose Stage Company Fire on the Mountain at TheatreWorks Party People at Berkeley Repertory Theatre Sweeney Todd at TheatreWorks Triangle at TheatreWorks Tier 2 Avenue Q at New Conservatory Theatre Center H.M.S. Pinafore at Lamplighters Music Theatre Les Misérables at Broadway by the Bay Violet at Tabard Theatre Company West Side Story at Broadway by the Bay Tier 3 Avenue Q at Novato Theater Company Dogfight at OMG! I Love That Show! Productions Grey Gardens: The Musical at Custom Made Theatre Co. Heathers: The Musical at Ray of Light Theatre Little Shop of Horrors at Altarena Playhouse Project Ahab; or, Eye of the Whale at Central Works OUTSTANDING PRODUCTION OF A PLAY Tier 1 Choir Boy at Marin Theatre Company Let There Be Love at American Conservatory Theater Old Hats at American Conservatory Theater One Man, Two Guvnors at Berkeley Repertory Theatre Molière’s Tartuffe at Berkeley Repertory Theatre Tier 2 Chinglish at Palo Alto Players Clybourne Park at 6th Street Playhouse Don Quixote at Marin Shakespeare Company Doubt: A Parable at Contra Costa Civic Theatre The Foreigner at Contra Costa Civic Theatre Tier 3 The Brothers Size at Ubuntu Theater Project Gruesome Playground Injuries at Made Up Theatre Ondine at Sutro at We Players The Pillowman at The Breadbox Tickets are now on sale for the 2015 TBA Awards Celebration to be held at A.C.T.’s Geary Theater on Monday, November 16. For more information and to purchase tickets visit theatrebayarea.org. -
Every Act of Life
EVERY ACT OF LIFE Featuring: Terrence McNally, F. Murray Abraham, Lynn Ahrens, Jon Robin Baitz, Christine Baranski, Dominic Cuskern, Tyne Daly, Edie Falco, Stephen Flaherty, John Glover, Anthony Heald, John Benjamin Hickey, Sheryl Kaller, John Kander, Roberta Kaplan, Tom Kirdahy, Larry Kramer, Nathan Lane, Angela Lansbury, Paul Libin, Joe Mantello, Marin Mazzie, Audra McDonald, Peter McNally, Lynne Meadow, Rita Moreno, Jack O’Brien, Billy Porter, Chita Rivera, Doris Roberts, Don Roos, John Slattery, Micah Stock, Richard Thomas, John Tillinger, & Patrick Wilson, the plus the voices of Dan Bucatinsky, Bryan Cranston, & Meryl Streep. “Wonderful . I wasn’t prepared for the emotional release of Every Act Of Life.” – The Paper “Poignant, incredibly inspiring . indispensable.” – The Village Voice “Really entertaining and illuminating . Bravo. – Edge Media “Riveting and revealing.” – Entertainment Weekly “Staggering, heart-warming, and inspiring beyond words.” – Joyce DiDonato “I just loved it. One of the best films I have seen at the festival.” – Rex Reed Short Synopsis: Four-time Tony-winning playwright Terrence McNally’s six ground-breaking decades in the theatre, the fight for LGBTQ rights, triumph over addiction, the pursuit of love and inspiration at every age, and the power of the arts to transform society. Synopsis: The son of an alcoholic beer distributor in southern Texas, Terrence traveled the world as tutor to John Steinbeck's children (Steinbeck’s only advice was, "Don't write for the theater, it will break your heart”); suffered an infamous Broadway flop in 1965 at age 24; and went on to write dozens of groundbreaking plays and musicals about sexuality, homophobia, faith, the power of art, the need to connect, and finding meaning in every moment of life. -
Michael Schweikardt Design
Michael Schweikardt Scenic Designer United Scenic Artists Local 829 624 Galen Drive State College, PA 16803 917.674.4146 [email protected] www.msportfolio.com Curriculum Vitae Education Degrees MFA Scenic Design, The Pennsylvania State University, School of Theatre, University Park, 2020. Monograph: On the Ontology and Afterlife of the Scenic Model Committee: Daniel Robinson; Milagros Ponce de Leon; Laura Robinson; Charlene Gross; Richard St. Clair Studied under: Dr. Jeanmarie Higgins; Sebastian Trainor; Dr. Susan Russell; Dr. William Doan; Rick Lombardo BFA Scenic and Costume Design, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ, 1993. Studied under: John Jensen; R. Michael Miller; Desmond Heeley; David Murin; Vickie Esposito Academic Appointments Graduate Assistant, The Pennsylvania State University, State College, PA School of Theatre, 2017-present Adjunct Professor, Bennington College, Bennington, VT School of Theatre, 2014 Publications and Academic Presentations Book Chapters “Deep Thought: Teaching Critical Theory to Designers” with Dr. Jeanmarie Higgins in Teaching Critical Performance Theory in Today’s Theatre Classroom, Studio, and Communities. Ed. Jeanmarie Higgins. London: Routledge, 2020. Journal Issues Schweikardt, Michael and Jeanmarie Higgins. “Dramaturgies of Home in On- and Off- Stage Spaces.” Etudes: An Online Theatre and Performance Studies Journal for Emerging Scholars. 5:1 (2019). Peer-Reviewed Journal Publications Schweikardt, Michael. “Deep When: A Basic Philosophy for Addressing Holidays in Historical Dramas.” Text and Presentation, 2019 (2020): 63-77. Other Publications Co-Editor, Design, The Theatre Times, 2017-present. “I Can’t Hear You in the Dark: How Scenic Designer Sean Fanning Negotiates the Deaf and Hearing Worlds”, 2019. “Designing for Site-Specific Theatre: An Interview with Designer Susan Tsu on her Costumes for King Lear at Quantum Theatre”, 2019. -
Prime Corner Retail Space Available SQ 20TIMESSQ 701 Seventh Avenue at 47Th Street
SQ 20TIMESSQ 701 Seventh Avenue at 47th Street Join NFL, Cirque du Soleil and Hershey in the Heart of Times Square Prime Corner Retail Space Available SQ 20TIMESSQ 701 Seventh Avenue at 47th Street THE NFL EXPERIENCE HERSHEY’S CHOCOLATE WORLD EDITION HOTEL Ground Floor and Floors 2 – 4 Ground Floor Ground Floor entrance to a 39-story hotel ■■ The NFL Experience brings together the NFL ■■ The new 20 Times Square store will be ■■ 39-story, 452-room, luxury lifestyle EDITION and Cirque du Soleil, two preeminent names three times larger than the current branded hotel conceived by Ian Schrager in sports and entertainment, to create a top Hershey’s Chocolate World with Marriott destination in the heart of Times Square ■■ 6,940 square feet of ground floor retail space ■■ Only five-star hotel in Times Square ■■ 40,000 square foot interactive experience ■■ Superstructure signage will showcase the ■■ 40,000 square-feet of food and beverage ■■ Spans 4 floors and includes a 350-seat state- brand and products including six bars, a cabaret/entertainment venue, of-the-art theater with show production by NFL and several restaurants with significant outdoor ■■ New products will be found here along with Films space traditional Hershey’s Chocolate World products. ■■ Rockwell Group and Thinkwell Group will work with Cirque to design the space and leading sports and entertainment presenter, AEG, is a partner in the project ■■ In addition to the multimedia show and interactive activities, there will be educational programming on the art of tackling and passing, on-site retail, stadium-style food and beverage offerings and special artifacts on display. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Martin Balsam and the Refining of Male Character Acting in American Films, 1957-1976 John Thomas Mcguire, Siena College
Man In A Hat: Martin Balsam and the Refining of Male Character Acting in American Films, 1957-1976 John Thomas McGuire, Siena College [email protected] Volume 8. 1 (2020) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2020.235 | http://cinej.pitt.edu Abstract This article attempts a definition at what constitutes “character acting” in mainstream cinema in the United States and argues that throughout the peak of his film career—roughly, 1957 through 1976--Martin Balsam refined the definition of male character acting in American film, a parameter previously established by such skilled practitioners as Eugene Pallette and Claude Rains. Balsam did this through his ability to portray what can be termed “a man in a hat” portrayals: tartly humorous, reliable, and sometimes authoritative supporting characters, usually wearing a chapeau. This is clearly seen in such performances as the private investigator in Alfred Hitchcock’s Psycho (1960) and most interestingly, a partner in an unusual subway hijacking in Joseph Sargent’s The Taking of Pelham One, Two, Three (1974). Keywords: Character acting, male, in film, United States; Martin Balsam; Academy Award for Best Performance by a Supporting Actor; Claude Rains; Alfred Hitchcock; 20th Century film acting. New articles in this journal are licensed under a Creative Commons Attribution 4.0 United States License. This journal is published by the University Library System of the University of Pittsburgh as part of its D-Scribe Digital Publishing Program and is cosponsored by the University of Pittsburgh Press Man In A Hat: Martin Balsam1 and the Refining Of Male Character Acting in American Films, 1957-1976 John Thomas McGuire "I'll tell you; I still don't feel whatever change you're supposed to feel when your name goes up above the title. -
Engineers News Staff Who Maybe Never Knew What Kind of in That Area
years Vol. 72, #8/AUGUST 2014 For The Good & Welfare By Russ Burns, business manager Anniversary Celebration a HUGE success As we continue celebrating Local allowing us to have a last weekend CONTENTS 3’s 75 years of member representation, together with Local 3.” Congratulations, pin recipients ............ 4 I hope you pay special attention to Our thoughts and prayers go out the coverage in this edition of our to his family. Thomas exemplifies Hawaii endorsements ....................... 6 Diamond Anniversary Event held perfectly what a union member is. Fringe .......................................... 7 on June 28 at Six Flags Discovery He was proud of his career operating ATPA ............................................ 7 Kingdom in Vallejo, Calif. More than cranes and barges, and he wanted his Public Employee News ...................... 8 5,500 Local 3 members, own family to experience their families and his union family. I am Credit Union ................................. 10 friends spent the day glad that he got his wish. Rancho Murieta .............................. 11 watching the exclusive Good things happen Looking at Labor ............................ 12 Local 3 shows that when we come together. Safety ......................................... 13 included tigers, dolphins This is what unionism is. and sea lions, riding the Several recent successes Unit 12 ........................................ 13 rollercoasters and water have resulted because of Organizing .................................... 14 rides and enjoying the our solidarity. President How does Local 3 celebrate 75 years? ... 15 all-you-could-eat lunch. Obama signed the Water 75 years strong .............................. 19 Everyone I talked Resources Reform and District Reports .............................. 20 to said the event was Development Act in a success, including Retiree Richard Thomas enjoys June, which equates to Meetings and Announcements ............ -
ARSENIC and OLD LACE Written by Joseph Kesselring Directed by Elina De Santos
ARSENIC AND OLD LACE Written by Joseph Kesselring Directed by Elina de Santos STARRING Alan Abelew, Michael Antosy, Ron Bottitta, Jacque Lynn Colton, Sheelagh Cullen, Darius De La Cruz, Alex Elliott-Funk, Mat Hayes, Gera Hermann, Liesel Kopp, Yusef Lambert, JB Waterman SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Bruce Goodrich Amanda Martin Leigh Allen Christopher Moscatiello PROP DESIGNER FIGHT CHOREOGRAPHER STAGE MANAGER ASSISTANT DIRECTORS Josh La Cour Jenine MacDonald Morgan Wilday Ellen Boener Everett Keeter Produced by the Odyssey Theatre Ensemble "Presented by special arrangement with Dramatists Play Service, Inc., New York.” Arsenic and Old Lace performance schedule: August 26th through October 8th, 2017 The Odyssey is supported in part by a grant from the City of Los Angeles, Department of Cultural Affairs, and Los Angeles County Arts Commission. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. ODYSSEY THEATRE ENSEMBLE: 2055 South Sepulveda Blvd. Los Angeles, CA 90025 Administration and Box Office: 310-477-2055 ext 2 FAX: 310-444-0455 [email protected] www.odysseytheatre.com CAST (In order of appearance.) ABBY BREWSTER ........................................................Sheelagh Cullen REV.DR.HARPER/ MR. WITHERSPOON/ MR. GIBBS .............Alan Abelew TEDDY BREWSTER ........................................................Alex Elliott-Funk OFFICER BROPHY .............................................................. Mat Hayes OFFICER KLEIN