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The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
Teacher Guide
MILWAUKEE REPERTORY THEATER TEACHER’S GUIDE November 18-December 21, 2014 | The Quadracci Powerhouse CLASSROOM ACTIVITIES Teacher Guide written by Deanie Vallone, Education Intern, with contributions by Lindsey Hoel-Neds, Education Associate, By Mary Chase and Hope Parow, Education Assistant Directed by KJ Sanchez Executive Producer Judy Hansen SUGGESTED TEACHING TOPICS 1.) Family & Relationships This Teacher’s Guide is designed to be used in the classroom along with The Rep’s Play Guide for Harvey. 2.) Reality vs. Fantasy These are some suggested activities for your classroom. The Play Guide is available online at http://www.milwaukeerep.com/Tickets/2014-15-Season/Harvey-Play-Guide/ 3.) Changing Identities & Perspectives FAMILY & RELATIONSHIPS DISCUSS: Pre-Show Questions • Harvey’s plot revolves around the Dowd family and how they interact with each other. Over the course of the play they learn to make sacrifices for each other, and they redefine how they view one another. How do you define family? What kind of exceptions do you make for family? How do you treat your family members differently from other people? DISCUSS: Post-Show Questions • Harvey depicts one type of family from the 1940s. How have family dynamics changed since that time period? How is your family similar to Scenes from the 1949 Broadway or different from the Dowd family inHarvey ? production of Harvey. Photo courtesy of Program Publishing Company. PERFORM: Family Portrait Tableaus Have students create tableaus (frozen images that tell a story) to illustrate family as a central theme. Their tableaus should be candid in the sense that they are not depicting a traditional formal family portrait, but families engaged in daily life. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Who Tells Your Story?: Intersections of Power, Domesticity, and Sexuality Relating to Rap and Song in the Musical Hamilton
WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey A THESIS Submitted to Michigan State University in partial fulfillment of the requirement for the degree Musicology—Master of Arts 2019 ABSTRACT WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey In January 2015, Lin-Manuel Miranda’s Hamilton: An American Musical premiered at The Public Theater in New York City. Later that year it moved to Broadway with an engagement at the Richard Rodgers Theater, followed by productions in Chicago and London. Commercially successful and critically acclaimed, Hamilton continues to hold significant cultural relevance in 2019. As a result of this musical’s cultural significance, it has the ability to communicate positive, but also limiting, aspects of our society. In this thesis, I examine the concept of rap as a musical language of power. To do this, I assert that characters in Hamilton who have power, and particularly when expressing that power, do so through rap. In contrast, when characters don’t have power, or are entering realms of the powerless (i.e. spaces gendered female), they do so through lyrical song. In chapter 1, I set up the divide between rap and song as it primarily translates among male characters and class. Chapter 2 is focused on the domestic sphere, and in chapter 3 I discuss sexuality. In the conclusion of this thesis, I revisit the character of Eliza and explore the perceived power of her role as storyteller and the way in which the themes I discuss illuminate many missed opportunities to present an interpretation of America’s founding that is truly revolutionary. -
Peter, Peter: a Mailman's Story by Stephen Calhoun
Peter, Peter: A Mailman’s Story Stephen Calhoun Submitted in Partial Fulfillment of the Requirements for Graduation from the Malone College Honors Program Advisor: Steven Jensen, Ph.D. December 8, 2006 1 Table of Contents: Fingers to the Keyboard: Reflection Paper………….…..3 The Beginning 4 Early Problems 5 Technical Aspects of Writing 8 Masculinity 11 Wrapping Up 13 Peter, Peter: A Mailman’s Story………………………...15 Ch. 1 – Neither Snow 16 Ch. 2 – Nor Rain 20 Ch. 3 – Nor Heat 34 Ch. 4 – Nor Gloom of Night 41 Ch. 5 – Stays these Couriers 54 (Author’s Note) 78 Ch. 12 – That Would Not Stay Him 79 (Ending Note) 98 2 Fingers to the Keyboard Reflection Paper on Peter, Peter If a young writer can refrain from writing, he shouldn’t hesitate to do so. —Andre Gide, French critic and novelist— When it comes to writing, discouragement is not difficult to find. From a financial perspective, the market is flooded with 175,000 newly published books every year, according to the Book Industry Study Group. Conversely, even with the increase of published books the total number of readers declined by 44 million from 2003 to 2004. That’s as if the states of California and Virginia decided to stop reading. Writing books to make money is like going to college to meet women; a lot of people are already trying and there are more efficient ways to accomplish the goal. What’s to be said in defense of writing? The other side of the above statistic is that 175,000 authors publish new books every year. -
Rachel Chavkin Takes on Broadway
Arts & Humanities High Art, High Ideals: Rachel Chavkin Takes on Broadway The Tony Award-winning director of Hadestown may be theater’s most forward- thinking artist. By Stuart Miller '90JRN | Fall 2019 Zack DeZon / Getty Images Making her way to the stage of Radio City Music Hall to accept the 2019 Tony Award for best direction of a musical, Rachel Chavkin ’08SOA was thinking about time. She had all of ninety seconds to get to the microphone and deliver her speech, which was written on a much-creased piece of paper folded in her hands. Seven months pregnant, Chavkin, thirty-eight, was not about to sprint. As she told Columbia Magazine days later, “I warned my husband: if they call my name, I won’t have time to hug you!” Hadestown, an enthralling, profoundly moving retelling of the myth of Orpheus and Eurydice, would, by night’s end, capture eight awards, including best original score and best musical. The accolades were not only hard won — Chavkin, a leading light of experimental theater, and Anaïs Mitchell, a singer-songwriter from Vermont, shaped and refined Hadestown for seven years — but also, some might say, overdue. In seventy-three years of the Tony Awards (named after Antoinette Perry, an actress, director, and theater advocate), Chavkin became just the fourth woman to win for best direction of a musical, joining Julie Taymor (The Lion King), Susan Stroman (The Producers), and Diane Paulus ’97SOA (Pippin). And in 2019, out of twelve new musicals on Broadway, Hadestown was the only one directed by a woman. The show, playing at the Walter Kerr Theatre on West 48th Street, is set mostly in a New Orleans–style barrelhouse at a time of economic and environmental decay. -
Rent Glossary of Terms
Rent Glossary of Terms 11th Street and Avenue B CBGB’s – More properly CBGB & OMFUG, a club on Bowery Ave between 1st and 2nd streets. The following is taken from the website http://www.cbgb.com. It is a history written by Hilly Kristal, the founder of CBGB and OMFUG. The question most often asked of me is, "What does CBGB stand for?" I reply, "It stands for the kind of music I intended to have, but not the kind that we became famous for: COUNTRY BLUEGRASS BLUES." The next question is always, "but what does OMFUG stand for?" and I say "That's more of what we do, It means OTHER MUSIC FOR UPLIFTING GORMANDIZERS." And what is a gormandizer? It’s a voracious eater of, in this case, MUSIC. […] The obvious follow up question is often "is this your favorite kind of music?" No!!! I've always liked all kinds but half the radio stations all over the U.S. were playing country music, cool juke boxes were playing blues and bluegrass as well as folk and country. Also, a lot of my artist/writer friends were always going off to some fiddlers convention (bluegrass concert) or blues and folk festivals. So I thought it would be a whole lot of fun to have my own club with all this kind of music playing there. Unfortunately—or perhaps FORTUNATELY—things didn't work out quite the way I 'd expected. That first year was an exercise in persistence and a trial in patience. My determination to book only musicians who played their own music instead of copying others, was indomitable. -
Clarence Brown Theatre Production History
Clarence Brown Theatre Production History 1974-75 1979-80 1984-85 Everyman Oh, What a Lovely War Loof’s Tower The Second Shepherd’s Play Twelfth Night Electra Headhunters A Christmas Carol The Frog Prince Playboy of the Western World Three Men on a Horse Peter Pan Ruling Class Night Must Fall Richard III Aristotle’s Bellows Mother Courage and Her Children The Caretaker Henry IV, part 1 The Physicists She Stoops to Conquer Last of the Red Hot Lovers Arsenic and Old Lace Beauty and the Beast The Music Man Mysterious Arabian Nights The House of Blue Leaves Androcles and the Lion The Elephant Man 1975-76 Brigadoon No, No, Nanette 1985-86 New Majestic Follies 1980-81 The King and I Rosencrantz & Guildenstern Are Dead The Heiress Extremities Woyzeck Candide Byron in Hell Macbeth Christmas All Over the Place A Christmas Carol Rip Van Winkle The Merchant of Venice Getting Out Tobacco Road The Oldest Living Graduate Macready The Tavern The Male Animal The Lion in Winter Command Performance Dracula: A Musical Nightmare The Vinegar Tree All the King’s Men An Italian Straw Hat True West All the Way Home Bus Stop Rosemarie 1981-82 Evita Ah, Wilderness 1976-77 Carousel 1986-87 Smoke on the Mountain Mr. Roosevelt’s Train The Matchmaker Jesus Christ Superstar The Confounding Christmas The Taming of the Shrew Indians Medea Beyond Therapy The Tax Collector For Colored Girls Who Have A Christmas Carol Cat on a Hot Tin Roof Considered Suicide When the Present Laughter Tom Sawyer Rainbow is Enuf Joe Egg Ghosts Two Gentlemen of Verona The Harmful Effects of Tobacco.. -
E-40 Album Download DOWNLOAD ALBUM: Too Short & E-40 -Ain’T Gone Do It Terms and Conditions ZIP
e-40 album download DOWNLOAD ALBUM: Too Short & E-40 -Ain’t Gone Do It Terms and Conditions ZIP. DOWNLOAD Too Short & E-40 Ain’t Gone Do It Terms and Conditions ZIP & MP3 File. Ever Trending Star drops this amazing song titled “Too Short & E-40 – Ain’t Gone Do It Terms and Conditions Album“, its available for your listening pleasure and free download to your mobile devices or computer. You can Easily Stream & listen to this new “ FULL ALBUM: Too Short & E-40 – Ain’t Gone Do It Terms and Conditions Zip File” free mp3 download” 320kbps, cdq, itunes, datafilehost, zip, torrent, flac, rar zippyshare fakaza Song below. E-40 album download. Artist: E-40 And B-Legit Album: Connected And Respected Released: 2018 Style: Hip Hop. Format: MP3 320Kbps. Tracklist: 01 – Life Lessons 02 – Straight Like That 03 – Boy 04 – Guilty By Association 05 – Carpal Tunnel 06 – Stompdown (Skit 1) 07 – Meet The Dealers 08 – Get It On My Own 09 – Up Against It 10 – Fsho 11 – Whooped 12 – Tap In 13 – You Ah Lie 14 – Need To Know 15 – Stompdown (Skit 2) 16 – Bare 17 – Barbershop 18 – Blame It 19 – So High. DOWNLOAD LINKS: RAPIDGATOR: DOWNLOAD TURBOBIT: DOWNLOAD. E-40 Discography @ 320 (21 Albums+1)(RAP)(by dragan09) 1990 - E-40 - Mr. Flamboyant @192 1994 - E-40 - Federal 1994 - E-40 - The Mail Man (EP) 1995 - E-40 - In a Major Way 1996 - E-40 - Tha Hall of Game 1997 - E-40 & B-Legit - Southwest Riders (2 CD`s) 1998 - E-40 - The Element Of Surprise (2 CD`s) 1999 - E-40 - Charlie Hustle - The Blueprint of a Self-Made Millionaire 2000 - E-40 - Loyalty and Betrayal 2002 - E-40 - Grit & Grind 2003 - E-40 - Breakin' News 2004 - E-40 - My Ghetto Report Card 2008 - E-40 - The Ball Street Journal 2010 - E-40 - Revenue Retrievin' Day Shift 2010 - E-40 - Revenue Retrievin' Night Shift 2011 - E-40 - Revenue Retrievin'. -
Hello, Dolly! from Wilder to Kelly Julie Vatain-Corfdir, Emilie Rault
Harmony at Harmonia? Glamor and Farce in Hello, Dolly! from Wilder to Kelly Julie Vatain-Corfdir, Emilie Rault To cite this version: Julie Vatain-Corfdir, Emilie Rault. Harmony at Harmonia? Glamor and Farce in Hello, Dolly! from Wilder to Kelly. Sorbonne Université Presses. American Musicals: Stage and Screen / La Scène et l’écran, 2019. hal-02443099 HAL Id: hal-02443099 https://hal.sorbonne-universite.fr/hal-02443099 Submitted on 16 Jan 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Harmony at Harmonia? Glamor and farce in Hello, Dolly!, from Wilder to Kelly Julie Vatain-Corfdir & Émilie Rault When Hello, Dolly! opened on Broadway in January 1964, immediately to be hailed as “a musical shot through with enchantment,”1 New York audiences were by no means greeting Dolly for the first time. Through a process of recycling which probably owed as much to the potential of the original story as it did to a logic of commercial security, the story of Mrs. Dolly Levi – the meddling matchmaker who sorts out everyone’s love lives and contrives to marry her biggest client herself – had been prosperous on stage and screen for the previous ten years, and would continue to attract audiences to this day.2 Not unlike My Fair Lady, which previously held the record for longest-running Broadway musical, Hello, Dolly! trod on the “surer road to success,”3 with a book based on a popular play by an acclaimed playwright – Thornton Wilder’s The Matchmaker –, and one which had already been famously adapted to the screen with a cast starring, among others, Shirley Booth and Shirley MacLane. -
Southern Planter a MONTHLY JOURNAL
. Established 1840. THE Sixty-Fifth Year. Southern Planter A MONTHLY JOURNAL DEVOTED TO. Practical and Progressive Agriculture, Horticulture, Trucking, Live Stock and the Fireside. OFFICE: 28 NORTH NINTH STREET, RICHMOND, VIRGINIA. THE SOUTHERN PLANTER PUBLISHING COMPANY, Proprietors. J. F. JACKSON, Editor and General Manager. Vol.65 AUGUST, 1904. No. 8. CONTENTS. FARM MANAGEMENT : The Farm Horse 538 Editorial—Work for the Month 515 The Horse for the Southern Farmer 538 Alfalfa in Virginia 518 The Horse for the Virginia-' Farmer 539 Alfalfa in Virginia 519 The Farmer's Horse 539 Alfalfa in Tennessee 519 Alfalfa— Sheep Husbandry 520 THE POULTRY YARD: Rape in Virginia 521 The Best Kind of Grain Food 540 Curing Cow Pea Hay , 521 Cow Peas for Poultry 540 '; Curing Cow Pea Hay : 521 ' Grass Growing 522 THEHOPC- Some Notes on July Planter 523 541 ' Nutritive Ratio of Plant Food in the Soil 524 Alfalfa Growing 525 MISCELLANEOUS: Enquirers' Column . (See Detail Index, p. 547) 525 Editorial—The New Director of the Virginia Experiment Station « < - - 542 TRUCKING, GARDEN AND ORCHARD-; A State Farmer's Organization Needed 542 Editorial —Work for the Month../.' 531 Plant for Name 542 Intensive Trucking 531 Grass Seeding for Hay 543 Experience with Pear Blight 532 A New Director Elected for the Virginia Ex- ; periment Station 543 LIVE STOCK AND DAIRY: Disinfectants and Lice Killers 543 Milk Fever , 534 An Exodus 545 Horse Breeding in Virginia , 536 Making a Concrete Floor 546 The Horse for the Farm \ . 537 Intensive Trucking 546 SUBSCRIPTION,— 50c. PER YEAR, IN ADVANCE. / The Most popular Machines in use for Peanut Picking and Grain Threshing are the HBBBNER'S, LITTLE GIANT and PENNSYLVANIA Machines, and they have splendid improvements for 1904.