Anti-Oedipus – Thirty Years On
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
REVIEW Alain Badiou, Theory of the Subject (New York: Continuum, 2009)
Tomas Marttila 2010 ISSN: 1832-5203 Foucault Studies, No. 10, pp. 173-177, November 2010 REVIEW Alain Badiou, Theory of the Subject (New York: Continuum, 2009), ISBN: 978-0826496737 (1) Badiou’s Post-Political Ontology of the Subject Alongside Jacques Ranciere, Jean-Luc Nancy, Gilles Deleuze and Claude Lefort, Alain Badiou is one of the most influential and productive French philosophers of our times. Contemporary French post-foundational philosophy is split into a Lacanian and a Heideggerian stream. The Lacanian stream is more relevant than ever today, as it has been predominant in the works of, amongst others, Ernesto Laclau, Slavoj Žižek and, more recently, Jason Glynos and Yannis Stavrakakis. Marchart has observed the ‘Heideggerian’ influence above all in the works of Alain Badiou, Gilles Deleuze, Jacques Derrida and Michel Foucault.1 Alain Badiou’s Theory of the Subject (French: Théorie du Sujet), published for the first time in 1982, combines both La- canian and Heideggerian philosophy and, in this regard, reflects some of the most central philosophical ideas in recent French post-foundational philosophy. In today’s globalized post-cold-war neo-liberal world, the developments in communist China and the Soviet Union described in Theory of the Subject appear out of time. This anachronism does not, however, account for Badiou’s thought as such. Based on the works of Hegel, Hei- degger and Lacan, Theory of the Subject provides a universal ontology of the political subject. Despite its slightly misleading title, Theory of the Subject is a book about politics as a particular truth event, which makes the political subject appear as the promise of the truth to come. -
Badiou Beyond Formalization? on the Ethics of the Subject
FILOZOFIA ___________________________________________________________________________Roč. 72, 2017, č. 9 BADIOU BEYOND FORMALIZATION? ON THE ETHICS OF THE SUBJECT JAN-JASPER PERSIJN, Centre for the History of Philosophy and Continental Philosophy (HICO), Department of Philosophy and Moral Sciences, Ghent University, Belgium PERSIJN, J.-J.: Badiou beyond Formalization? On the Ethics of the Subject FILOZOFIA 72, 2017, No. 9, pp. 724-735 The paper addresses the tension between Badiou’s claim that his theory of the sub- ject must be considered first of all as a ‘formal’ theory, and a certain genealogical history of his notion of the subject. In the latter case, it seems that a very specific political experience has played a crucial role (at least) for Badiou in his early con- ception of the subject. More particularly, the paper addresses this tension from an ethical perspective. As for the claim repeatedly made in his work (that the subject poses in the first place a formal problem), one can identify an implicitly ethical disposition in the formalization itself. At the same time, there are several formula- tions in his writings that seem to exceed the formal level. The paper examines four concepts or formulations appearing in his three main books (Theory of the Subject, Being and Event, Logics of Worlds) that seem to express a more or less explicit ethical dimension, namely his theory of affects, the principle ‘to decide the unde- cidable’, the contrast between ‘fidelity’ and ‘confidence’ and Badiou’s answer to the question What is it to live? The paper’s aim is to pinpoint the difference be- tween the ethical stance implied in the formal description of Badiou’s theory of the subject and an explicit ‘ethics of the subject’. -
1 DELEUZE's TRANSCENDENTAL EMPIRICISM There Are a Number Of
1 DELEUZE'S TRANSCENDENTAL EMPIRICISM There are a number of ways one could enter into Deleuze's philosophical project. One could approach it by way of its three great philosophical ancestors: Spinoza, Nietzsche, and Bergson, who together have inspired some of Deleuze's major philosophical themes. I have chosen as my topic "Transcendental Empiricism" for two reasons. First, I want to show how Deleuze=s response to the Kantian philosophy shapes his own philosophy, and, second, I want to show the sense in which art plays a role in his philosophical project. Deleuze’s most significant comments on Kant can be found in three of his writings: Nietzsche et la philosophie (NPh.) (1962), La philosophie critique de Kant (PCK) (1963), and Difference et repetition (DR) (1968). In NPh.1 Deleuze suggests that Nietzsche’s philosophy of forces in tension provides a more adequate conception of synthesis than Kant’s synthesis of representations. Two major themes are already present in this work: a) in the final analysis, Kant resorts to common sense, thereby compromising the critical philosophy, and b) Kant fails to provide a true grounding principle because he stops short of providing the real conditions of experience, and gives, only, its conditions of possibility. PCK points to without explicitly developing Deleuze’s conception of “transcendental empiricism”. Kant is criticized in this work for assuming that there is a harmony of the faculties subsumed under the rule of the understanding. However, Deleuze sees in Kant’s discussion of the sublime – as the “discordant harmony” of the faculties - an opening towards a “transcendental exercise” of the faculties. -
Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Vernon W
Philosophy Faculty Publications Philosophy 4-2014 Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Vernon W. Cisney Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/philfac Part of the Philosophy of Mind Commons Share feedback about the accessibility of this item. Cisney, Vernon W. "Becoming-Other: Foucault, Deleuze, and the Nature of Thought." Foucault Studies 17 Special Issue: Foucault and Deleuze (April 2014). This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/philfac/37 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Abstract In this paper I employ the notion of the ‘thought of the outside’ as developed by Michel Foucault, in order to defend the philosophy of Gilles Deleuze against the criticisms of ‘elitism,’ ‘aristocratism,’ and ‘political indifference’—famously leveled by Alain Badiou and Peter Hallward. First, I argue that their charges of a theophanic conception of Being, which ground the broader political claims, derive from a misunderstanding of Deleuze’s notion of univocity, as well as a failure to recognize the significance of the concept of multiplicity in Deleuze’s thinking. From here, I go on to discuss Deleuze’s articulation of the ‘dogmatic image of thought,’ which, insofar as it takes ‘recognition’ as its model, can only ever think what is already solidified and sedimented as true, in light of existing structures and institutions of power. -
Thinking Like Grass, with Deleuze in Education?1
Thinking like Grass, with Deleuze in Education?1 XIAO-JIU LING York University Any beginning is difficult. To begin to talk about Gilles Deleuze is particularly difficult. For one thing, he is a philosopher of immense learning which is tightly tied to his rich studies in French or European intellectual history. He confessed to Michel Cressole in his 1973 letter: “I belong to a generation, one of the last generations, that was more or less bludgeoned to death with the history of philosophy… I myself ‘did’ history of philosophy for a long time, read books on this or that author” (Neg., p. 5-6). Indeed, this aspect of his learning is evident in any of his writings. Hence, for someone like me who had meager background in philosophy and in French literature, to start to read Deleuze was and still is a difficult endeavour. Secondly, Deleuze was an experimenter, a player [joueur]. Not only did he play with canonical works handed down from the past in the western philosophical tradition, ranging from his earlier studies on and with work of Hume, Nietzsche, then Kant, Bergson, Spinoza, and later Leibniz (in the order of his related publications), but he also experimented with thinking beyond the traditional boarders of philosophy. In his own words, he “compensated in various ways” (Neg., p. 5-6) in finding new rules to philosophizing. In this effort, he drew sources from and critiqued in the domain of Journal of the Canadian Association for Curriculum Studies Volume 7 Number 2 2009 Journal of the Canadian Association for Curriculum Studies psychoanalysis, literature (most notably Proust, Sacher-Masoch and Kafka) as well as other areas of the arts, such as painting, theatre and cinema. -
Introduction Part I Deleuze and Systematic Philosophy
Notes Introduction 1. Gilles Deleuze and Félix Guattari, Anti-Oedipus: Capitalism and Schizophrenia, trans. Robert Hurley, Mark Seem, and Helen R. Lane (New York: Viking, 1977), p. 240. 2. Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi. (Minneapolis, MN: University of Minnesota Press, 1987), p. 3. 3. Gilles Deleuze, Negotiations, trans. Martin Joughin. (New York: Columbia University Press, 1995), pp. 88–89. 4. Gilles Deleuze, Empiricism and Subjectivity: An Essay on Hume’s Theory of Human Nature, trans. Constantine Boundas (New York: Columbia University Press, 1991), p. 107. 5. Ibid., p. 106. 6. Henri Bergson, The Creative Mind, trans. Mabelle L. Andison (New York: Philosophical Library, 1946), pp. 21–28. 7. Gilles Deleuze, Difference and Repetition, trans. Paul Patton (New York: Columbia University Press, 1994), p. 8. Part I Deleuze and Systematic Philosophy 1. Gilles Deleuze, Negotiations (1972–1990), trans. Martin Joughin (New York: Columbia University Press, 1995), p. 31. 2. Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia, trans. Brian Massumi (Minneapolis: University of Minnesota Press, 1987), p. 18. 3. Gilles Deleuze, Difference and Repetition, trans. Paul Patton (New York: Columbia University Press), pp. 170–6. 4. Gilles Deleuze, Expressionism in Philosophy: Spinoza, trans. Martin Joughin (New York: Zone Books, 1992). This logic of expression is developed in chapters 1–2 and 6–8. 5. Spinoza brings together the notion of substance and expression in Part 1 of the Ethics: definitions 4 and 6, Proposition 10, and the Scholium following Proposition 10. The treatment of modifications and individuals first appears in Part 2, Proposition 7 along with its Corollary and Scholium. -
Spinoza: the Velocities of Thought SEMINAR at the UNIVERSITY of PARIS, VINCENNES-ST
GILLES DELEUZE Spinoza: The Velocities of Thought SEMINAR AT THE UNIVERSITY OF PARIS, VINCENNES-ST. DENIS, 1980-1981 _____________________________________________________________________________________ LECTURE 1 25 NOVEMBER 1980 TRANSLATED BY TIMOTHY S. MURPHY FOR WEB DELEUZE AUGMENTED TRANSCRIPTION AND TRANSLATION REVIEW BY CHARLES J. STIVALE It's quite curious the extent to which philosophy, up to the end of the 17th century, ultimately speaks to us, all the time, of God. And after all, Spinoza, excommunicated Jew, is not the last to speak to us of God. And the first book of his great work The Ethics is called “Of God.” And from all of them, whether it's Descartes, Malebranche, Leibniz, we get the impression that the boundary between philosophy and theology is extremely vague. Why is philosophy so compromised with God, and right up to the revolutionary coup of the 18th century philosophers? Is it a dishonest compromise [compromission] or something a little purer? We could say that thought, until the end of the 17th century, must take considerable account of the demands of the Church, thus it's clearly forced to take many religious themes into account. But one feels quite strongly that this is much too easy; we could just as well say that, until this era, thought's lot is somewhat linked to that of a religious feeling. I'm going back to an analogy with painting because it's true that painting is replete with images of God. My question is: is it sufficient to say that this is an inevitable constraint in this era? There are two possible answers. -
From Opinions to Images: Essays Towards a Sociology of Affects Ulus S
FROM OPINIONS TO IMAGES: ESSAYS TOWARDS A SOCIOLOGY OF AFFECTS ULUS S. BAKER EDITED BY ARAS ÖZGÜN AND ANDREAS TRESKE A SERIES OF READERS PUBLISHED BY THE INSTITUTE OF NETWORK CULTURES ISSUE NO.: 37 FROM OPINIONS TO IMAGES: ESSAYS TOWARDS A SOCIOLOGY OF AFFECTS ULUS S. BAKER EDITED BY ARAS ÖZGÜN AND ANDREAS TRESKE FROM OPINIONS TO IMAGES 2 Theory on Demand #37 From Opinions to Images: Essays Towards a Sociology of Affects Ulus S. Baker Edited by Aras Özgün and Andreas Treske Cover design: Katja van Stiphout Design and EPUB development: Eleni Maragkou Published by the Institute of Network Cultures, Amsterdam, 2020 ISBN print-on-demand: 978-94-92302-66-3 ISBN EPUB: 978-94-92302-67-0 Contact Institute of Network Cultures Phone: +31 (0)20 595 1865 Email: [email protected] Web: http://www.networkcultures.org This publication is available through various print on demand services. EPUB and PDF edi- tions are freely downloadable from our website: http://www.networkcultures.org/publications. This publication is licensed under the Creative Commons Attribution-NonCommer- cial-NoDerivatives 4.0 International. FROM OPINIONS TO IMAGES 3 Cover illustration: Diagram of the signifier from Deleuze, Gilles and Félix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press. 1987. 4 THEORY ON DEMAND CONTENTS PASSING THROUGH THE WRITINGS OF ULUS BAKER 5 1. A SOCIOLOGY OF AFFECTS 9 2. WHAT IS OPINION? 13 3. WHAT IS AN AFFECT? 59 4. WHAT IS AN IMAGE? 86 5. TOWARDS A NEO-VERTOVIAN SENSIBILITY OF AFFECTS 160 6. ON CINEMA AND ULUS BAKER 165 BIBLIOGRAPHY 180 BIOGRAPHIES 187 FROM OPINIONS TO IMAGES 5 We have lived at least one century within the idea of opinion which determined some of the major themes in social sciences.. -
Rhizomatic Cities in Italo Calvino's Invisible Cities Sambit Panigrahi
Rhizomatic Cities in Italo Calvino’s INVISIBLE CITIES Sambit Panigrahi Abstract: Italo Calvino’s highly successful novel Invisible Cities thoroughly explains Deleuze and Guattari’s famous postmodern concept of rhizome. The cities in the novel do not possess a fixed and coherent structure; rather they exude a structurality that is immensely fleeting and continually evolving. Calvino’s novelInvisible Cities which ironically precedes Deleuze and Guattari’s book A Thousand Plateaus clearly demonstrates the defining characteristic features of rhizome through the unusual and seemingly incomprehensible structure of the individual cities. There have been scanty critical responses in the past regarding the rhizomatic behavior of Calvino’s cities, despite an extraordinary abundance of critical works existing on Calvino’s writing. The rhizomatic patterns of Calvino’s cities, it is believed by the author, need further critical attention. Rhizome, through its perpetually unstable structural modeling, perhaps most effectively demonstrates our utterly disarrayed postmodern condition of existence where any desired structural stability and coherence is a virtual impossibility, and of this trait, Calvino’s cities in the said novel are the principal demonstrators. Based on these precepts, this article intends to analyze how Calvino’s cities in the novel, with their perpetual and immense structural variabilities, exude before the readers a typical postmodern world that wholesomely discards the very idea of structural coherence and stability. Deleuze and Guattari’s collaboratively introduced concept of ‘rhizome’ in their classic philosophical treatise A Thousand Plateaus is a suitable demonstrator of our disarrayed condition of postmodernity. As is well known, rhizome is their devised model that explains the relentlessly fluctuating nature of a postmodern structure. -
Dark Deleuze
Forerunners: Ideas First from the University of Minnesota Press Original e-works to spark new scholarship FORERUNNERS IS A thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship. Ian Bogost The Geek’s Chihuahua: Living with Apple Andrew Culp Dark Deleuze Grant Farred Martin Heidegger Saved My Life John Hartigan Aesop’s Anthropology: A Multispecies Approach Akira Mizuta Lippit Cinema without Reflection: Jacques Derrida’s Echopoiesis and Narcissism Adrift Reinhold Martin Mediators: Aesthetics, Politics, and the City Shannon Mattern Deep Mapping the Media City Jussi Parikka The Anthrobscene Steven Shaviro No Speed Limit: Three Essays on Accelerationism Sharon Sliwinski Mandela’s Dark Years: A Political Theory of Dreaming Dark Deleuze Dark Deleuze Andrew Culp University of Minnesota Press Minneapolis Dark Deleuze by Andrew Culp is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Published by the University of Minnesota Press, 2016 111 Third Avenue South, Suite 290 Minneapolis, MN 55401-2520 http://www.upress.umn.edu The University of Minnesota is an equal-opportunity educator and employer. Contents Abbreviations Introduction The Extinction of Being Advancing toward Nothing Breakdown, -
Deleuze, History and Becoming
DELEUZE, HISTORY AND BECOMING CRAIG LUNDY A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of History and Philosophy University of New South Wales 2010 ii COPYRIGHT STATEMENT ‘I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International (this is applicable to doctoral theses only). I have either used no substantial portions of copyright material in my thesis or I have obtained permission to use copyright material; where permission has not been granted I have applied/will apply for a partial restriction of the digital copy of my thesis or dissertation.' Signed .............................................................................. Date .............................................................................. AUTHENTICITY STATEMENT ‘I certify that the Library deposit digital copy is a direct equivalent of the final officially approved version of my thesis. No emendation of content has occurred and if there are any minor variations in formatting, they are the result of the conversion -
The Ontological Plurality of Digital Voice: a Schizoanalysis of Rate My Professors and Rate My Teachers
The ontological plurality of digital voice: a schizoanalysis of Rate My Professors and Rate My Teachers This is a post-peer-review, pre-copyedit version of a paper published in Principles of transversality in globalization and education: Mayes, Eve 2018, The ontological plurality of digital voice: a schizoanalysis of Rate My Professors and Rate My Teachers. In Cole, David R and Bradley, Joff PN (ed), Principles of transversality in globalization and education, Springer, Singapore, pp.195-210. The final authenticated version is available online at: https://doi.org/10.1007/978-981-13-0583- 2_12 This is the accepted manuscript. ©2018, Springer Nature Singapore Pte Ltd. Reprinted with permission. Downloaded from DRO: http://hdl.handle.net/10536/DRO/DU:30105103 DRO Deakin Research Online, Deakin University’s Research Repository Deakin University CRICOS Provider Code: 00113B Book: Principles of Transversality in Globalization and Education The ontological plurality of digital voice: A schizoanalysis of Rate My Professors and Rate My Teachers Eve Mayes Deakin University, Geelong, Victoria, Australia Abstract Online evaluations (like Rate My Professors and Rate My Teachers) have been celebrated as forming wider publics and modes of accountability beyond the institution, and critiqued as reinforcing consumeristic pedagogical relations. This chapter takes up the websites Rate My Professors and Rate My Teachers as empirical entry points to a conceptual discussion, after Félix Guattari, of the ontological plurality of digital voice, and its associated refrains and universes of reference. I turn attention from analysis of the effects of these digitized student evaluations to the moment of their formation – for example, when a student’s finger clicks on a particular star rating.