DOCSLIB.ORG

Zsat 151031 172 Songs, 6.7 Hours, 1.04 GB

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Zsat 151031 172 Songs, 6.7 Hours, 1.04 GB Page 1 of 7 zsat 151031 172 songs, 6.7 hours, 1.04 GB Name Time Album Artist 1 Is it that hard to turn the knobs 0:02 2 Chromium Switch truncated 0:07 Firesign Theatre 3 Station Identification 0:07 Station ID Cara Dell'Apa 4 Wait A Minute <Saturday night> 2:40 Rock 'n' Roll Girls Vol. 6 Jo Ann Campbell 5 Bush Jamie is boring 2 _bore to about 03_ 0:07 6 Here he is, Mr. Know it All 0:10 7 announcer break silence 2 min 2:00 8 I Never Talk to Strangers 3:39 Foreign Affairs Waits, Tom 9 Announcer Break Silence 1 min 1:00 10 Bed spring motel 3:20 Blue Cat Rockabilly Collection Roy Hall 11 announcer break silence 2 min 2:00 12 Empty Hands, Empty Heart, Empty Pockets <Ne… 2:38 Capital Hillbilly Volume 8 Deuce Spriggens 13 respectwomen 0:06 14 New Orleans Wimmen 2:34 Bootin' - The Best of the RPM Rosco Gordon 15 Announcer Break Silence 1 min 1:00 16 Somebody Beat Me <las vegas, gamble, rob, ste… 2:56 The Chess Years - Disc 6 of 12 Bo Diddley 17 Cheaters' Motel 5:50 Cowboy Rumba Ned Sublette 18 Announcer Break Silence 3 min 3:00 19 Baby Won't You Please Be Mine [Unissued Hom… 1:41 The Second Stop Is Jupiter The Nu-Sounds 20 Jelly-Roll 2:49 Get Out Of The Car Berry, Richard 21 Look Up 2:32 Minit Records 1 Story Irma Thomas 22 Blueberry Hill 1:50 The Second Coming Vol. 1 Little Richard 23 Announcer Break Silence 4 min 4:01 zsat 151031 Page 2 of 7 Name Time Album Artist 24 Wayne Rogers / Wayne Boogie 2:10 Rockabilly Hoodlums . 25 Lose My Mind - Herbert Henson 2:30 California Rockabilly Cd 1 25 26 The Teen Kings - Teenage Partner 2:35 Rockabilly Hoodlums - Vol. 6 25 27 Be-Bop-Battlin' Ball 2:10 15,000 Dollars Worth Of Rockabilly Vol 1 25 Eddie Gaines 28 Jimmy Gray - Two Timer 2:29 Let's Go Rockabilly & Rock And 27 29 Announcer Break Silence 4 min 4:01 30 Light My Rockets <countdown moon outer space> 2:19 Buffalo Bop - Rocket Ship Neil Alan 31 Moon Rocket 2:27 Raunchy Sugar: Memphis R&R Lynn Vernon 32 Cheese Blintzes 2:13 Early Canadian Rockers, Vol 10 Don Thompson Quartet 33 Johnny Carroll - Rockin' Maybelle 1:34 Loud Pipes 'n' Lead Feet - Vol. 6 14 34 How Bad Can Bad Luck Be 1:56 Junne Miller 35 Not Guilty 2:51 Early Canadian Rockers, Vol 6 Jury 36 Till I'm With You (Once Again) 2:40 Buffalo Bop - Teen Town Jules Blattner 37 Workout 2:09 Buffalo Bop - Strictly Instrumental Vol.1 The Journeymen 38 Announcer Break Silence 3 min 3:00 39 Don French - Little Blond Girl 2:19 Rockabilly Hoodlums - Vol. 2 22 40 Spin Out 2:16 Wisconsin Rockabilly 22 The Teen's Men 41 (Eddie) Clear Waters 2:31 00 More Gonna Rock The Blues 22. Hill Billy Blues 42 Johnny Faire - Bertha Lou 2:23 Let's Go Rockabilly & Rock And 22 43 The Niterockers - Oh Baby 2:38 Let's Go Rockabilly & Rock And 22 44 THe strength of the vampire is peoples disbelief 0:05 Dracula Bela Legosi 45 vampirehunters 0:05 46 11 Vampira 3:09 47 announcer break silence 2 min 2:00 48 Rockin' Boppin' Teenager 1:34 Memphis Rockabilly Vol.2 Jim Shaw 49 Rag Mop 2:40 Blowing the Fuse - 1950 Doc Sausage zsat 151031 Page 3 of 7 Name Time Album Artist 50 Miss Sue 2:17 Dynamite R&B Duos - Volume 3 Don & Dewey 51 Justine 2:08 Love Slave Don & Dewey 52 Doc's Boogie 2:24 Send For The Doctor - The Early Years Doc Pomus 53 Announcer Break Silence 3 min 3:00 54 Diddy 2:12 Ultra Rare Rockin' & Boppin' - Volume 3 The Divots 55 Isley Bros-Cow Jumped Over Moon <lullaby> 2:26 no titleTeenage-Nestor Records no artist 56 Boogie Chillern 2:07 Big Bad Blues Boppers Disc 2 The Nighthawks 57 Wine Wine Wine 2:08 Surfin' With the Astronauts Astronauts 58 Announcer Break Silence 1 min 1:00 59 Love Only You 2:16 Modern Vocal Groups Vol 1 Don Julian & The Meadowlarks 60 Looka Here Pretty Baby 3:21 Itty Bitty Treasure Chest 2 Don Juans (Joe Weaver & The) 61 Yum Yum 2:32 Itty Bitty Treasure Chest 4 Don Juans (Lee Thomas & The) 62 Announcer Break Silence 1 min 1:00 63 Skull And Crossbones 2:22 You Are My Baby Sparkle Moore 64 Rock-A-Bop 2:15 Rock 'n' Roll Girls Vol. 5 Sparkle Moore 65 Little Red Rooster 2:12 Dance Floor Winners Vol.3 Sonya 66 You're Driving Me Mad 2:02 That'll Flat Git It 24 Roulette Jo Ann Campbell 67 Jo Ann Campbell 2:20 Hollywood Glamour 56 - Vol 3 16 Boogie Woogie Country Girl 68 Jo Ann Campbell - Funny Thing 1:56 Jive Party Vol. 5 01 69 announcer break silence 2 min 2:00 70 In A Really Big Way 2:05 Baby Please Come Home Richard Berry 71 Belle Amie 2:20 His Specialty Recordings 1956-58 Neville, Art 72 I Want You to Be Mine (What You Do to Me) [*] 2:14 Get out of the Car Berry, Richard 73 Please Listen to My Song 2:44 His Specialty Recordings 1956-58 Neville, Art 74 Rock, Rock, Rock (This Dance Is Crazy) 1:45 Flip Doo Wop, Vol. 1 Pharaohs / Richard Berry 75 Zing Zing 2:03 His Specialty Recordings 1956-58 Neville, Art zsat 151031 Page 4 of 7 Name Time Album Artist 76 Rockin' Man 2:16 Daddy Daddy:Richard Berry Richard Berry 77 Good Rockin' Daddy 2:20 Dreams Come True Marcia Ball, Angela Strehli & Lou Ann Barton 78 Announcer Break Silence 3 min 3:00 79 I Want You To Be My Girl 2:59 The R&B Box: 30 Years Of Rhythm & Blues [Dis… Frankie Lymon & The Teenagers 80 I'm Not A Juvenile Delinquent 2:46 DooWop 45s on CD - Vol.20 Frankie Lymon & The Teenagers 81 I'm Not Too Young To Fall In Love 2:08 Fury 2 Lewis Lymon & The Teenchords 82 Announcer Break Silence 3 min 3:00 83 I Want You Back 2:59 Sugar Sugar: The Birth Of Bubblegum Pop Disc 1 The Jackson 5 84 02. The Five Stairsteps - World of Fantasy (1966) 2:59 Black Bubblegum 85 Too Late 2:43 Windy City Doo Wop To Soul Vol 1 Henry Ford & The Gifts 86 Changing By The Minute 2:35 Darrow Fletcher 87 Announcer Break Silence 4 min 4:01 88 rock around mother goose <lullaby> 2:23 JSJB - 02/11 Little Barry Gordon 89 Cowboy Bobby - Cap Gun Cowboy <little kid sin… 2:26 90 Malinda 1957 <child singer dance instruction> 2:18 Heavy Sugar The Pure Essence Of New Orleans… Bobby Mandolph 91 White Felt Hat 1:59 Desperate Rock'N'Roll, Vol. 06 Little Jacky Wayne 92 Announcer Break Silence 1 min 1:00 93 Announcer Break Silence 1 min 1:00 94 Announcer Break Silence 3 min 3:00 95 29 - Nickey & Nobles - School Bells 2:14 Gone Cd 1 Various 96 Puppy Love 2:37 Street Corner Symphonies - The Complete Story… Little Jimmy And The Tops 97 Peanuts 2:30 Meet The Schoolboys Little Joe Cook & The Thrillers 98 The Echoes Keep Calling Me 2:26 Meet The Schoolboys Little Joe Cook & The Thrillers 99 Announcer Break Silence 4 min 4:01 100 Dont You need A boy LIke Me 2:01 Northen Soul Fever 2/2 Volume one Little Carl Carlton 101 Lindy Lou 2:30 Herald 1 Little Butchie Saunders & The Buddies zsat 151031 Page 5 of 7 Name Time Album Artist 102 I Wanna Holler 2:39 Herald 1 Little Butchie Saunders & The Buddies 103 Cora Lee 2:23 Top Hits of Doo Wop - CD.3 Little Bobby Rivera & The Hemlocks 104 Rock And Roll The Vowels <alphabet numbers s… 3:10 Love Charms Little Ralph Molina 105 HALF TON TILLIE 2:11 Just Shuckin' Around LITTLE JOHNNY MCCALL 106 Announcer Break Silence 3 min 3:00 107 give me a kiss 2:32 Dangerous Doo-Wop 2 The Starlites 108 Mean Woman Blues 2:57 Doin' The Mod Volume 3 The Soul Agents 109 7 And 7 Is 1:54 Sixties Rebellion Vol 8-Mondo The Soul Benders 110 Coke, Suede And Waterbeds 3:37 The Miraculous Hump Returns From The Moon Sopwith Camel 111 Announcer Break Silence 3 min 3:00 112 Saint James Infirmary 2:24 Classic Sounds Of New Orleans Snooks Eaglin 113 That Certain Door 3:16 The Complete Imperial Recordings Snooks Eaglin 114 Nothing Sweet As You 1:53 The Complete Imperial Recordings Snooks Eaglin 115 Down Yonder (We Go Balling) 2:34 The Complete Imperial Recordings Snooks Eaglin 116 Announcer Break Silence 1 min 1:00 117 announcer break silence 2 min 2:00 118 One Bad Apple 2:42 Sugar Sugar: The Birth Of Bubblegum Pop Disc 1 The Osmonds 119 Snoopy and the Red Baron Christmas <war soun… 3:09 Paul Revere & The Raiders 120 I'll Count You In 2:00 Vinyl Vic's Rare & Obscure Answer Records: Vol… Little Jonna Jaye 121 Pop Junior Pop 2:47 Psychodelic Sounds Jr. and His Soulettes <bother sister band self pre… 122 He's a Flirt 2:22 Nitty Gritty GSCD 22 Sequins 123 Announcer Break Silence 3 min 3:00 124 Sugar Sugar 2:46 Sugar Sugar: The Birth Of Bubblegum Pop Disc 1 The Archies 125 A Little Bit O' Soul 2:19 Sugar Sugar: The Birth Of Bubblegum Pop Disc 3 The Music Explosion 126 Bend Me Shape Me 2:35 Sugar Sugar: The Birth Of Bubblegum Pop Disc 3 Amen Corner 127 Announcer Break Silence 3 min 3:00 zsat 151031 Page 6 of 7 Name Time Album Artist 128 Love Grows (Where My Rosemary Goes) 2:49 Sugar Sugar: The Birth Of Bubblegum Pop Disc 1 Edison Lighthouse 129 Build Me Up Buttercup 2:59 Sugar Sugar: The Birth Of Bubblegum Pop Disc 1 The Foundations 130 Sherry 2:31 Sugar Sugar: The Birth Of Bubblegum Pop Disc 3 Frankie Valli & The Four Seasons 131 Da Doo Ron Ron 2:19 Sugar Sugar: The Birth Of Bubblegum Pop Disc 2 The Crystals 132 announcer break silence 2 min 2:00 133 Announcer Break Silence 1 min 1:00 134 Announcer Break Silence 3 min 3:00 135 Ruby Baby 2:38 The Road I'm On Cd 1 Of 2 Dion 136 Track 22 She's So Far Out, She <chicano Sound> 2:31 The Best Doo-Wops Of Diamond R Diamond Records 137 Old Blind Barnabus 1:51 The Olliet Records Story Cd2 Macedonians 138 Muscle Beach 2:06 Buffalo Bop - Alley Cat Al Barkle 139 You'd better stop 2:32 Rhythm & Blues Collection Junior Ryder 140 Announcer Break Silence 1 min 1:00 141 Announcer Break Silence 3 min 3:00 142 Rockin' And Rollin' With Grandmaw <Saturday Ni… 2:40 Two Timin' Woman Carson Robinson 143 Wild Wild Young Men 2:27 Rock-A-Billy Rave Disc 9 Rose Maddox 144 Three Alley Cats 2:30 Rock-A-Billy Dynamite Roy Hall 145 Pink Pedal Pusher 2:37 Rock-A-Billy Dynamite Carl Perkins
Load more

Recommended publications
  • The Tin Pan Alley Pop Era (1885-Mid 1950'S)
    OVERVIEW: The Foundation of Rock And Roll During the Great Migration more than 100,000 African-American laborers moved from the agricultural South to the urban North bringing with them their music and memories. Also, during the 1920’s the phonograph and the rise of commercial radio began to spread Hillbilly music and the Blues. This gave rise to an appreciating of American vernacular music, both white and black. Ultimately, the homogenizing effect of blending several regional musical styles and cultural practices gave birth to 1950’s rock and roll. The Tin Pan Alley Po ra 15-mid 1950’s) “The Great American Songbook” 1940’s Big Bands 1950’s Polar sic New York: “Tin Pan Alley” 14th St. and 2nd Ave. 1 Tin Pan Alley - New York 15-thogh 1940’s) The msic was distribted throgh sheet msic Proessional songwriters dominated the eriod George Gershwin and ole Porter omosers wrote or o msic Broadway and ilm ventally Tin Pan Alley tradition was relaced by the ock and oll tradition Tin Pan Alle – Ke oints 1. Written b a proessional oten non-peroring song-riters 2. ophisticated arrangeent 3. ncopated rhth accents on unepected, eak beats) 4. lever, ell-crated lrics 5. triving or upper-class sensibilities 6. Priar audience Adults 2 “Roots Music” - K oits 1. Riona ou o music 2. tu usicis 3. ot o tut 4. tou o titio 5. o maistream ican ists 6. o t i co cois “Roots Music” = he Blues D Country music he Blues Country Music 1920’s: Mississippi Delta Blues 1920’s: Cowboy Songs 1930’s: rban Blues 1930’s: Hillbilly Music 1940’s: ump Blues 1940’s: Country Swing
    [Show full text]
  • Updates & Amendments to the Great R&B Files
    Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
    [Show full text]
  • The Funky Diaspora
    The Funky Diaspora: The Diffusion of Soul and Funk Music across The Caribbean and Latin America Thomas Fawcett XXVII Annual ILLASA Student Conference Feb. 1-3, 2007 Introduction In 1972, a British band made up of nine West Indian immigrants recorded a funk song infused with Caribbean percussion called “The Message.” The band was Cymande, whose members were born in Jamaica, Guyana, and St. Vincent before moving to England between 1958 and 1970.1 In 1973, a year after Cymande recorded “The Message,” the song was reworked by a Panamanian funk band called Los Fabulosos Festivales. The Festivales titled their fuzzed-out, guitar-heavy version “El Mensaje.” A year later the song was covered again, this time slowed down to a crawl and set to a reggae beat and performed by Jamaican singer Tinga Stewart. This example places soul and funk music in a global context and shows that songs were remade, reworked and reinvented across the African diaspora. It also raises issues of migration, language and the power of music to connect distinct communities of the African diaspora. Soul and funk music of the 1960s and 1970s is widely seen as belonging strictly in a U.S. context. This paper will argue that soul and funk music was actually a transnational and multilingual phenomenon that disseminated across Latin America, the Caribbean and beyond. Soul and funk was copied and reinvented in a wide array of Latin American and Caribbean countries including Brazil, Panama, Jamaica, Belize, Peru and the Bahamas. This paper will focus on the music of the U.S., Brazil, Panama and Jamaica while highlighting the political consciousness of soul and funk music.
    [Show full text]
  • 8/1/15 Slagg Brothers Rhythm & Blues, Soul & Grooves Show
    8/1/15 Slagg Brothers Rhythm & Blues, Soul & Grooves Show Dance to the Music [Single 1968, influential in the formation and popularization of the musical subgenre of 2:59 Sly & the Family Stone Master] psychedelic soul and helped lay the groundwork for the development of funk music. Backslop 2:33 Baby Earl & The Trinidads Born in Memphis in 1928. Best known for his 1952 singles, "Booted", "No More Do The Chicken (Dance With 2:35 Rosco Gordon Doggin'" and "Just a Little Bit". In 1962, he gave up the music industry and moved to You) New York where he became a partner in a laundry business with his wife. 1965, it was the group's fourth single and the first to achieve success. Featured on Let Her Dance 2:33 Bobby Fuller Four the soundtrack of Fantastic Mr. Fox 1964. Carl Wilson's first recognised writing contribution to a Beach Boys single, his Dance, Dance, Dance 2:00 The Beach Boys contribution being the song's primary guitar riff and solo. Features Glen Campbell on acoustic guitar The 'Carolina Shag' is a partner dance done primarily to Beach Music (100-130+ The Shag (is Totally Cool) 2:13 Billy Graves beats per minute). Still is the state dance of Carolina. The Madison Time, Pt 1 3:08 Ray Bryant Combo Released in 1960, featured in the 1988 movie Hairspray. Twistin' The Night Away 2:44 Sam Cooke Written and recorded by Sam Cooke in 1962. Written by Johnny Otis and originally released as a single in 1958. Lyrics are about a Willie & the Hand Jive 2:37 Johnny Otis Show man who became famous for doing a dance with his hands 1983, from Canada.
    [Show full text]
  • An Investigation Into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected]
    San Jose State University SJSU ScholarWorks Faculty and Staff ubP lications Library January 2006 From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska Paul Kauppila San Jose State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/lib_pub Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Paul Kauppila. "From Memphis to Kingston: An Investigation into the Origin of Jamaican Ska" Social and Economic Studies (2006): 75-91. This Article is brought to you for free and open access by the Library at SJSU ScholarWorks. It has been accepted for inclusion in Faculty and Staff Publications by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. "FROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF JAMAICAN SKA Kauppila, Paul Social and Economic Studies; Mar/Jun 2006; 55, 1/2; ABI/INFORM Complete pg. 75 Social and Economic Studies 55: I & 2 (2006): 75-91 ISSN: 0037-7651 "F"ROM MEMPHIS TO KINGSTON": AN INVESTIGATION INTO THE ORIGIN OF" .JAMAICAN SKA F'AUL KAUPPILA ABSTRACT The distinguishing characteristic of most Jamaican popular music recordings, including reggae and its predecessor, ska, is an emphasis on the offbeat or afterbeat instead of on the downbeat as found in most American popular music. Many explanations have been proposed to explain this tendency. This study critically examines these theories through historical and musicological analyses and concludes that the prevalence of the downbeat is a mixture of Jamaican folk and African-American popular music influences in its earliest incarnation, but was later deliberately emphasized in an attempt to create a unique new musical style.
    [Show full text]
  • Click Here to Continue
    Premieres Sunday September 28 at 9pm on This interactive document contains printable pages, downloadable photography, a video sample, music samples, and a link to The Blues Web site at www.pbs.org/theblues. Note that you can elcome navigate this document using the table of contents and the navigation buttons on each page. W Click here to continue. This document automatically adjusts to the size of your screen. The view may be adjusted under the View menu. Click below to navigate What is the Blues? Series Release Fact Sheet About the Films Director and Producer Biographies Performances in The Blues Quotes for The Blues Volkswagen “Celebrates the Arts” Release Contents Photography Index Video Sample Music Samples www.pbs.org/theblues Home pbs.org/theblues By Jason Emmons and edited by Robert Santelli, Blues Historian and Director & CEO of Experience Music Project In 1903 W. C. Handy, the African American leader of a dance orchestra, got stuck one night waiting for a train in the hamlet of Tutwiler, Mississippi. With hours to kill and nowhere else to go, Handy fell asleep at the empty depot on a hard wooden bench. When he woke, a ragged black man was sitting next to him, singing about “goin’ where the Southern cross the Dog” and sliding a knife against the strings of a guitar. The musician repeated the line three times and answered it with his guitar. Intrigued, Handy asked what the line meant. It turned out that the tracks of the Yazoo & Mississippi Valley Railroad, which locals called the Yellow Dog, crossed the tracks of the Southern Railroad in the town of Moorehead, where the musician was headed, and he’d put it into a song.
    [Show full text]
  • JUNE 09, 2008 ARTIST RUFUS THOMAS TITLE the Sun Years, Plus…
    SHIPPING DATE: MAY 26, 2008 (estimated) STREET DATE: JUNE 09, 2008 ARTIST RUFUS THOMAS TITLE The Sun Years, plus….. His R&B recordings 1949 - 1956 LABEL Bear Family Records CATALOG # BCD 16695 PRICE-CODE AH EAN-CODE 4000127 166951 ISBN-CODE 978-3-89916-410-7 FORMAT CD digipac with 68-page booklet GENRE R&B TRACKS 29 PLAYING TIME 85:19 KEY SELLING POINTS • 29 tracks including all known surviving recordings from 1949 - 1956 • 2 recently discovered sides from his first recording session for Star Talent • all 8 original 78 rpm discs for Star Talent, Bullet, Chess, Sun, and Meteor. Some of these now for the first time ever from the first generation-tape • 3 recordings from the Memphis Recording Service, not originally issued • 2 original versions of songs Rufus covered (1 by Joe Hill Louis, 1 by Rosco Gordon; previously unissued) • the original version of Hound Dog by Big Mama Thornton • 2 bonus recordings by Rufus's fellow DJ, Moohah Williams • 2 extracts from Rufus on radio WDIA in the 1950s • a rare radio interview with Daddy Cool • mastered as only Bear Family can do it SALES NOTES A newly researched 68-page booklet by Martin Hawkins largely based on interviews by himself and Dave Booth, plus rare photos and adverts. Rufus Thomas was a one-off: a larger than life character who made as great a contribution to the performance and style of American music as he did to the recording of it. He saw it all from black vaudeville to rap... and played a major role in the evolution of African American music.
    [Show full text]
  • Snapper Happy to Get 'The Blues'
    SNAPPER HAPPY TO GET ‘THE BLUES’ SNAPPER MUSIC is delighted to announce that it has secured the theatrical, DVD, video and broadcast rights to Martin Scorsese’s eagerly anticipated film series, The Blues. The Blues, executive produced by legendary director Martin Scorsese, is a seven-film series of personal and impressionistic films viewed through the lens of seven world- famous directors who share a passion for the music. In addition to Scorsese’s film, Charles Burnett, Clint Eastwood, Mike Figgis, Marc Levin, Richard Pearce and Wim Wenders each capture the essence of blues music and delve into its global influence – from its roots in Africa to its inspirational role with today’s top artists. Snapper is scheduling the theatrical release of all seven films and will be announcing product timelines shortly. Snapper will also be working alongside Sony Music who in October will be releasing a 5-CD deluxe boxed set, Martin Scorsese Presents the Blues, along with the single CD Best Of. In addition, next year will see Sony and Universal release The Blues - 21 additional single CD compilations that offer an overview of the project and will feature 12 individual artists collections, among them Eric Clapton, BB King, Bessie Smith, Muddy Waters, Jimi Hendrix, Stevie Ray Vaughan and Robert Johnson. Also available will also be the soundtrack CDs from each of the seven films. Commented Dougie Dudgeon, Snapper Music: “We are very excited to have the opportunity of working on a series of this importance, put together by some of the greatest filmmakers in the world, that will further the reach of one of the most important music genres.
    [Show full text]
  • Tennessee Blues and Gospel: from Jug Band to Jubilee by David Evans and Richard M
    Tennessee Blues and Gospel: From Jug Band to Jubilee by David Evans and Richard M. Raichelson Richard M Raichelson received his doctorate in folklore from the University ofPennsylvania . He has done extensive research on jazz, blues, Sacred and secular Black music traditions have existed side-by­ and gospel music and has taught in the De­ side in Tennessee since the arrival of large numbers of slaves to Mis­ partment ofAnthropology at Memphis State sissippi River lowland plantations in the early 19th century. Although University. church-oriented music has remained separate from entertainment David Evans is a professor ofmusic at and work-related musics in performance, meaning and genre, it has Memphis State University where he specializes in blues. An accomplished guitaris~ he is a pro­ influenced and, in turn, been influenced by them over time. Many ducer for High Water Records, a recording well-known blues performers have "gone to God," and an equally company devoted to Southern blues and gospel music. large number of religious performers are attentive to the style, if not the ideology, of blues. By far the most important Black secular folk music in Tennessee has been the blues. In the early years of this century, folk blues singers were probably active in every Black community in the state. Memphis was the largest of these and became the place where blues music first gained popularity. W C. Handy, who led a Black orches­ tra that played the popular tunes of the day for Anglo- and Afro­ American audiences, published his "Memphis Blues" in 1912, following it with many more blues "hits" in the next few years.
    [Show full text]
  • Jay Douglas Is This Month's Pioneer Profile. Tune in May 6Th on TBS Facebook Page
    May 2021 www.torontobluessociety.com Published by the TORONTO BLUES SOCIETY since 1985 [email protected] Vol 37, No 5 Jay Douglas is this month's Pioneer Profile. Tune in May 6th on TBS Facebook Page CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 Jay Douglas Blues Reviews Rez Rocket Romance Top Blues Loose Blues News and More TORONTO BLUES SOCIETY 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2021 BOARD OF DIRECTORS Derek Andrews (President), Janet Alilovic, Jon Arnold, Elaine Bomberry, Ron Clarkin (Treasurer), Lucie Dufault (Vice-President), Carol Flett (Secretary), Sarah French, Lori Murray, Ed Parsons, Jordan Safer (Executive), Paul Sanderson, Mike Smith Musicians Advisory Council: Brian Blain, Alana Bridgewater, Ken Kawashima, Gary Kendall, Dan McKinnon, Lily Sazz, Dione Taylor, Julian Taylor, Jenie Thai, Suzie Vinnick,Ken Whiteley MARK YOUR CALENDAR Volunteer & Membership Committee: Lucie Dufault, Rose Ker, Mike Smith, Ed Pioneer Profile Series: Jay Douglas interviewed by Rudy Blair Parsons, Carol Flett Thursday, May 6 | 8-9pm (ET) Grants Officer: Barbara Isherwood Office Manager: Hüma Üster Live Streaming Bootcamp w/ Guillermo Subauste Marketing & Social Media Manager: Meg Tuesday, May 11 | 1-3pm (ET) McNabb Live Streaming Bootcamp w/ Guillermo Subauste Publisher/Editor-in-Chief: Derek Andrews Tuesday, May 18 | 1-3pm (ET) Managing Editor: Brian Blain Live Streaming Bootcamp w/ Guillermo Subauste [email protected] Tuesday, May 25 | 1-3pm (ET) Contributing Editors: Janet Alilovic, Hüma Üster, Carol Flett Talkin’ Blues: Digging into Mako Funasaka’s Archives featuring Morgan Davis, Duane Blackburn, Terrance Simien.
    [Show full text]
  • African & African American Studies
    AFAM NEWSLETTER AFRICAN AND AFRICAN AMERICAN STUDIES African & African American Studies East Tennessee State University Vol. II Fall 2006 No. 3 AFAM Graduate’s History-Making FACultY NEWS Term of Office Ends Mary Alexander, an ETSU graduate with a concentration in history and African American Studies, became the first African American to be elected to the Washington County Commission. As County Commissioner, she Marcia Songer Elwood Watson represented the 4th District, from 2002 to 2006. When she was Marcia Songer, Assistant Pro- Mary Alexander elected in 2002, she said that she fessor of English and Associate had “no long-term plans for politics.” She added that she would Director of the University Hon- “take it as it comes.” Although Ms. Alexander decided not to ors Program, teaches African run for reelection in 2006, she said that she had not ruled out running for political office in the future. Ms. Alexander Literature in the AFAM Pro- served on many committees during her tenure on the County gram. Her article, “The Ultimate Commission, including her chairmanship of the Education Penance of Brother Cadfael,” Committee and membership on the Rules Committee and appeared in Clues 23-4 (2005), Library Board. Her work on the Education Committee was 63-68. especially important to her because she believes that education is the key to making progress in every field. She said that Elwood Watson, Associate the attraction of new businesses and the retention of existing Professor of History, co-edited businesses in the Northeast Tennessee region are examples of the importance of education, because businesses depend on a with Darcy Martin, There She well educated and qualified workforce.
    [Show full text]
  • Billboard Top 100 Songs of the 1950S by Year Classic Hits DJ Service
    Billboard Top 100 Songs of the 1950s by Year 1950 1 The Fat Man Fats Domino 2 Please Send Me Someone To Love Percy Mayfield 3 Teardrops From My Eyes Ruth Brown 4 Mona Lisa Nat "King" Cole 5 Tennessee Waltz Patti Page 6 Long Gone Lonesome Blues Hank Williams 7 Mardi Gras In New Orleans Professor Longhair 8 I'm Movin' On Hank Snow 9 Rollin' Stone Muddy Waters 10 Double Crossing Blues Johnny Otis (Little Esther & the Robins) 11 Moanin' The Blues Hank Williams 12 Pink Champagne Joe Liggins 13 Bad Bad Whiskey Amos Milburn 14 Count Every Star Ravens 15 Why Don't You Love Me Hank Williams 16 Goodnight, Irene Weavers with Gordon Jenkins Orchestra 17 Chattanoogie Shoe Shine Boy Red Foley 18 Oh Babe! Louis Prima (Keely Smith) 19 Love Don't Love Nobody Roy Brown 20 Blue Light Boogie Louis Jordan 21 Bon Ton Roula Clarence Garlow 22 Bald Head Roy Byrd (Professor Longhair) Classic Hits DJ Service http://classichitsdj.com [email protected] Office 770-591-8383 Billboard Top 100 Songs of the 1950s by Year 23 Safronia B Calvin Boze 24 Rollin' And Tumblin' Muddy Waters 25 Blue Shadows Lowell Fulson 26 Rag Mop Doc Sausage & His Mad Lads 27 Stack-A-Lee Archibald 28 Every Night About This Time Fats Domino 29 Carnival Day Dave Bartholomew 30 I Like My Baby's Pudding Wynonie Harris 31 Nobody's Lonesome For Me Hank Williams 32 I Will Wait Four Buddies 33 Do Something For Me Dominoes 34 Cupid's Boogie Johnny Otis (Little Esther & Mel Walker) 35 Oh Babe! Wynonie Harris & Lucky Millinder 36 Well Oh Well Tiny Bradshaw 37 Hard Luck Blues Roy Brown 38 Anytime,
    [Show full text]