Priests in the Firing Line
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Daily Iowan (Iowa City, Iowa), 1972-07-14
FrIday IN THE NEWS July 1., 1m [ lonCily lon5ZIM Vol. I. No.' f riefly Eagleton named DES MOINES. Iowa (API - Intruders have been sneaking into Jester Park Golf Course at night, scratching four-letter words in the greens and using sprinklers to bathe in the nude, the • Polk County Conservation Board was told this week . runnIng mate Conservation Director Wayne Bills said he has received reports twice from rangers about young people disrobing and taking baths under the MIAMI BEACH. Fla. (AP) - Eagleton said he was flabber told a brief news conference at sprinklers. Democratic presidential nomi gasted when McGovern phoned his hotel minutes after word "Maybe what people are telling us is we need nee George McGovern chose to offer him the \dce presidency. came that Eagleton was the some shower facilities." commented board Sen. Thomas F. Eagleton of choice. member George Wilson. Missouri to be his vice presiden "I told him I accepted before tial partner. then keynoted his To name woman he changed his mind, " Eagleton campaign ~gainst Presid.ent Nixon early Friday morning. party head added. vowing: Asked how he would describe PARIS (AP) - The Vietnam peace conference "American politics wiJI never - Jean Westwood, cochair his political leanings, Eagleton M!IS\'r. reopened Thursday after a Ip-week break, with be the same again." man of Sen. George S. said, "They've described me as both the Communists and allies clinging to old "To anyone In this hall or be McGovern's campaign a moderate-liberal. Define that positions. yond who doubts the ability of organization, likely will be if you can." Bul the U.S. -
20Th Century Masters Press Release
1 FROM “THE NIGHT THEY DROVE OLD DIXIE DOWN” TO “DIAMONDS & RUST,” NEW COMPILATION COLLECTS THE BEST OF JOAN BAEZ If Bob Dylan is the king of modern folk, then Joan Baez is surely the queen, with her sweeping soprano making her one of the most recognizable voices in music. But for the greatest artists, their songs resonate far beyond the music itself. Of no one is that truer than Baez. Since her first album 40 years ago, she has chronicled and perhaps helped mold the political and social changes that have swept across not only the U.S. but the world. On The Best Of Joan Baez edition of 20th Century Masters/The Millennium Collection (A&M/UMG), released October 19, 1999, 11 of her most popular and significant songs have been digitally remastered using the latest 24-bit/96k technology and brought together on one album. Spanning her A&M career from 1972-1976, The Best Of Joan Baez features the two most cherished songs for Baez fans--a live version of her 1971 #3 hit “The Night They Drove Old Dixie Down” (written by Robbie Robertson and originally recorded by the Band) and her acoustic 1975 Top 40 tribute to Dylan, “Diamonds & Rust.” Also included is her cover of Dylan’s classic “Forever Young” as well as covers of songs by Jackson Browne (“Fountain Of Sorrow”), John Prine (“Hello In There”), Janis Ian (“Jesse”) and her sister Mimi Farina (“In The Quiet Morning,” an homage to Janis Joplin). Another highlight is “Dida,” a breezy acoustic duet with its author, Joni Mitchell. -
Folk Icon Joan Baez Celebrated with Four-Cd Box Set the Complete A&M Recordings, Including the Albums Diamonds & Rust and Double Live from Every Stage
1 FOLK ICON JOAN BAEZ CELEBRATED WITH FOUR-CD BOX SET THE COMPLETE A&M RECORDINGS, INCLUDING THE ALBUMS DIAMONDS & RUST AND DOUBLE LIVE FROM EVERY STAGE “All of us alive are survivors, but how many of us transcend survival?” --Joan Baez (And A Voice To Sing With, 1987) Joan Baez has been an icon for folksingers, protest singers and social activists like no other figure save her occasional compatriot Bob Dylan. The four-CD box set The Complete A&M Recordings (1972-1976) (A&M/UME), released August 19, 2003, brings together for the first time those years of war and peace, roots and reflection, as heard through her music. With 80 digitally remastered selections--every track from her six A&M albums plus a trio of non-album singles (“Dylan’s “Forever Young” plus two CD debuts, “Where’s My Apple Pie” and “Johnny I Hardly Knew Yeh”)--The Complete A&M Recordings spans some of her most controversial songs, a breakthrough Spanish album, and a live album embracing her entire career. The package also features the original liner notes for each album and an essay based on interviews with Baez and others by Grammy- nominated historian Arthur Levy. After 12 years on Vanguard (since she was 18), she moved to A&M for 1972’s confrontational Come From The Shadows. From a labor union hymn and “Song Of Bangladesh” to an indictment of the prison system and her cover of John Lennon’s “Imagine,” the album remains a document of musical protest. So too is 1973’s Where Are You Now My Son? with its 26-minute title opus with sounds from her tapes of life in Hanoi during her visit there. -
ARET(I) JACKSON FIVE, "LOOKIN' THROUGH the WIN- (Pundit,BMI)
DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRY ONE DOLLAR eoo, MAY27, 1972 ciif , WHO IN THE WORLD 04, Southern Gentleman Sonny James, s. - t' 3 0 4 Left, Has Signed A Long -Term 4 34' o Contract With Columbia Records, ti 47,27(. 4 Where, No Doubt, He Will Add 41 To His String Of 28 Consecutive Number One Country Singles. On Right Is Columbia President Clive Davis, Who Flew To Nashville To Announce The Signing. For More Details, Turn To Page 3. HITS T HA FRANKLIN,"ALLTHE KING'S HORSES." cg CANDI STATON, "IN THE GHETTO."(Screen 1.11ARET(i) JACKSON FIVE, "LOOKIN' THROUGH THE WIN- (Pundit,BMI). The latest from the Gems-Columbia/ElvisPresley,BMI). DOWS." The Jacksons,firmlyentrenchedin O undisputedQueenofSoul isas Pa Even though this Mac Davis -penned althe minds of the public, consistently come up different from "Day Dreaming" as w songishardly anoldie,theper- 'elwith winning efforts. Huge sales must be ex- that was from her earlier works. An - formance here is convincing enough pected,sincethisgiftedfamily alwaysde- co other assured smash. Atlantic 2883. tomake ithappenagain.Fame livers."LittleBittyPrettyOne"included. 91000 (UA). Motown M750L. NILSSON, "COCONUT." (Blackwood, BMI). Follow- FLASH, "SMALL BEGINNINGS."(Colgems/Black- THE BEACH BOYS, "PET SOUNDS/CARL AND THE upto "JumpInto The Fire"isa claw, ASCAP). Flash, very much like PASSIONS -SOTOUGH." Applausetoeveryone whimsical story from the outstand- Yes,should makeiton AM just concerned for this specially -priced doubleal- ing"Nilsson Schmilsson."Terrific, as they will on FM. This should be bum. "Pet Sounds," recordedin1966, was a and commercial enoughtogoall thefirsthitfromthebestnew recent purchase from Capitol. -
La Complainte Du Partisan
LA COMPLAINTE DU PARTISAN I - Présentation Auteur : Emmanuel d'Astier de la Vigerie (dit : « Bernard »), né le 6 janvier 1900 et mort le 12 juin 1969 à Paris est officier de marine, journaliste et homme politique français. Grand résistant pendant la Seconde Guerre mondiale, il fonde le mouvement de résistance Libération-Sud et le journal Libération, puis devient, en novembre 1943 et jusqu'en septembre 1944, Commissaire à l'Intérieur de la France libre. Il est l'auteur de la chanson la Complainte du partisan écrite à Londres en 1943. Après-guerre, il sera l'un des "compagnons de route" du PCF, puis un gaulliste de gauche. Il est Compagnon de la Libération. Musique : Anna Marly, de son vrai nom Anna Betoulinsky, chanteuse et guitariste française d'origine russe née le 30 octobre 1917 à Pétrograd et morte le 15 février 2006 à Palmer (Alaska). Nature du document : texte poétique (une complainte est un chant populaire abordant un sujet grave et triste). Date de création: 1943 II - Description Poème composé de six quatrains (un quatrain est une strophe de quatre vers) Pas de rimes, très peu de ponctuation (= forme poétique moderne) Les vers mesurent : – le 1er et le 2ème de chaque strophe : 7 syllabes (heptasyllabes) – le 3ème : 5 syllabes (pentasyllabe) – le 4ème : 6 syllabes (hexasyllabe). Ce texte fut mis en musique et chanté par Anna Marly, ce qui accentue l'idée que c'est une complainte. Plus tard, en 1969, l'année du décès de l'auteur, c'est Leonard Cohen, un chanteur canadien francophone qui en a proposé une version intitulée « The Partisan ». -
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B. -
Folk Artist # of Albumstitles Andersen
Folk Artist # of AlbumsTitles Andersen, Eric 4 bout Changes & Things; The Best of Eric Andersen; More Hits from Tin Can Alley; Blue River Axton, Hoyt 2 Joy To The World; Southbound Baez, Joan 10 Diamonds & Rust; Farewell Angelina;Come From The Shadows;The First 10 Years; Joan; One Day At A Time; Blessed are…; Any Day Now; Joan Baez 5; The Joan Baez Ballad Book Batdorf & Rodney 1 Life Is You Bawdy Songs & Backroom Ballads 7 Bawdy Sea Shanties; Bawdy Songs & Backroom Ballads Vol 1; Vol 3; Vol 4; Vol 6; Sing Along; Bawdy Hootenanny Belafonte, Harry 3 An Evening with Belafonte; Harry Belafonte Pure Gold; Belafonte Bikel, Theo 2 A Folksingers Choice; A New Day Blues Project 1 The Blues Project Live At Town Hall Bonoff, Karla 2 Karla Bonoff; Restless Nights Bowers, Bryan 1 The View From Home Bread & Roses 1 Bread & Roses Bromberg, David 2 Demon in Disguise; The Best Of David Bromberg Browne, Jackson 5 The Pretender; Running On Empty; Late For The Sky; For Everyman; Saturate Before Using Camp, Hamilton 2 Paths of Victory; Welcome to Hamilton Camp Cashman & West 1 A Song or Two Clancy Brothers 3 Green In The Green; In Person At Carnegie Hall; Sing of the Sea Collins, Judy 12 Living; Judy Collins; Judith; Judy Collins 3;True Stories; Who Knows Where The Time Goes; Wildflowers; In My Life; Fifth Album; The Judy Collins Concert; A Maid of Constant Sorrow; Golden Apples of the Sun Cooney, Michael 3 Singer of Old Songs; Still Cooney After All These Years; The Cheese Stands Alone Donovan 4 The Best Of Donovan; Donovan in Concert; Thye Real Donovan; -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Imagine 220 Titel, 11,4 Std., 1,08 GB
Seite 1 von 6 -Imagine 220 Titel, 11,4 Std., 1,08 GB Name Dauer Album Künstler 1 Imagine [Gigi d'Agostino's Way] 4:06 Amour Toujours II Disc 2 Agostino Gigi d' 2 And i love her 3:12 Monte Carlo Nights - New Classics Vol.… Alberto Jose 3 Live and let die (Rua Do Cosmos Mix) 3:20 Best Of Bossa Lounge - Comp 2009 CD… Anekka 4 Imagine 4:43 Vintage Café 8 - Lounge & Jazz Blends … Appleton 5 Eleanor Rigby 3:33 The First Cut - The Immediate Antholog… Arnold P.P. 6 Yesterday 3:36 The First Cut - The Immediate Antholog… Arnold P.P. 7 Imagine 3:32 Come From The Shadows - Joan Baez - … Baez Joan 8 The fool on the hill 3:25 20 Of The Best - Shirley Bassey - Comp … Bassey Shirley 9 Ain't she sweet 2:14 Anthology 1 - The Beatles - CD1 (IE) The Beatles 10 Cry for a shadow 2:23 Anthology 1 - The Beatles - CD1 (IE) The Beatles 11 I'm down (Single Version) 2:32 Anthology 2 - The Beatles (-128) The Beatles 12 Ob-la-di, ob-la-da 3:07 The Beatles - White Album - 1968 (LP1) The Beatles 13 While my guitar gently weeps 4:43 The Beatles - White Album - 1968 (LP1) The Beatles 14 Thank you girl 2:03 The Beatles Beat - The Beatles - 1963 (LP) The Beatles 15 I'll get you 2:05 The Beatles Beat - The Beatles - 1963 (LP) The Beatles 16 You can't do that 2:37 The Beatles Beat - The Beatles - 1963 (LP) The Beatles 17 Every little thing 2:02 Beatles For Sale - The Beatles - 1964 (LP) The Beatles 18 What you're doing 2:30 Beatles For Sale - The Beatles - 1964 (LP) The Beatles 19 No reply 2:15 Beatles'65 - The Beatles (LP) The Beatles 20 Rock and roll music 2:30 Beatles'65 - The Beatles (LP) The Beatles 21 I should have known better 2:43 beatles'greatest - The Beatles (LP) The Beatles 22 Please Mr. -
Joan Baez Ain't Gonna Let Nobody Turn Me Around
AIN’T GONNA LET NOBODY TURN ME AROUND: JOAN BAEZ RAISES HER VOICE Liz Thomson The Sixties: Take Thirteen Open University, 8 December 2000 Revised December 2003 1 Ain’t Gonna Let Nobody Turn Me Around: Joan Baez raises her voice Shortly after Saigon fell on 30 August 1975 and the last American helicopter had lifted unceremoniously off the roof of the US Embassy, 100,000 people filled the Sheep Meadow in New York’s Central Park for a ‘War is Over’ rally. Pete Seeger, Odetta and Joan Baez were among the performers. The event was organised by Phil Ochs, writer of ‘There but for fortune,’ perhaps the most compassionate protest song ever written. It was intended as a celebration of the end of America’s controversial involvement in South-East Asia. Vietnam had galvanised American youth, had been both fuel for the protest movement and the glue that held it together. When the war ‘ended’, most of those who’d sung and spoken so eloquently against its injustices moved on. One who didn’t was Joan Baez. The singer had served two jail terms for ‘aiding and abetting’ draft resisters and had spent 12 days in Hanoi during Nixon’s bombardment of the city in December 1972. Baez had accepted an invitation from the Committee for Solidarity with the American People and joined a small party that included an Episcopalian minister, a Maoist anti-war veteran and Columbia law professor, Telford Taylor, an ex-brigadier general and Nuremburg prosecutor. The Committee’s aim was to maintain friendly relations with the Vietnamese people even as the United States continued to burn their villages. -
Ain't Gonna Let Nobody Turn Me Around: Joan Baez Raises Her Voice
AIN’T GONNA LET NOBODY TURN ME AROUND: JOAN BAEZ RAISES HER VOICE Liz Thomson The Sixties: Take Thirteen Open University, 8 December 2000 Revised December 2003 1 Ain’t Gonna Let Nobody Turn Me Around: Joan Baez raises her voice Shortly after Saigon fell on 30 August 1975 and the last American helicopter had lifted unceremoniously off the roof of the US Embassy, 100,000 people filled the Sheep Meadow in New York’s Central Park for a ‘War is Over’ rally. Pete Seeger, Odetta and Joan Baez were among the performers. The event was organised by Phil Ochs, writer of ‘There but for fortune,’ perhaps the most compassionate protest song ever written. It was intended as a celebration of the end of America’s controversial involvement in South-East Asia. Vietnam had galvanised American youth, had been both fuel for the protest movement and the glue that held it together. When the war ‘ended’, most of those who’d sung and spoken so eloquently against its injustices moved on. One who didn’t was Joan Baez. The singer had served two jail terms for ‘aiding and abetting’ draft resisters and had spent 12 days in Hanoi during Nixon’s bombardment of the city in December 1972. Baez had accepted an invitation from the Committee for Solidarity with the American People and joined a small party that included an Episcopalian minister, a Maoist anti-war veteran and Columbia law professor, Telford Taylor, an ex-brigadier general and Nuremburg prosecutor. The Committee’s aim was to maintain friendly relations with the Vietnamese people even as the United States continued to burn their villages. -
Exhibition Catalog
fighting men fighting men DANIEL DUFORD CONTRIBUTORS STUART HORODNER LINDA TESNER RONNA AND ERIC HOFFMAN GALLERY OF CONTEMPORARY ART GALLERY LEWIS & CLARK COLLEGE PORTLAND, OREGON OCTOBER 25, 2012 - MARCH 3, 2013 FIGHTING MEN: GOLUB, VOULKOS, KIRBY Daniel Duford © 2012 Lewis & Clark College, Portland, Oregon All rights reserved Design: Tracy Schlapp, Cumbersome Multiples This book is typeset in Franklin Gothic and Impact. ISBN 978-0-9630866-5-5 Lewis & Clark College 0615 S.W. Palatine Hill Road Portland, Oregon 97219 Printed by Bridgetown Printing, Portland, Oregon On the cover Jack Kirby, altered panel from 2001: A Space Odyssey. © Marvel. Interior front & back cover Installation shot by Robert Reynolds. Leon Golub, Interrogation I, Art © Estate of Leon Golub/Licensed by VAGA, New York, NY/ Courtesy of The Broad Art Foundation, Santa Monica. Previous page Jack Kirby, The Eternals #10, page 7 (panel detail), 1977, Inker: Mike Royer. © and TM Marvel and Subs. inside Prequel | Linda Tesner 7 Body Breaking Bad | Stuart Horodner 10 Fighting Men | Daniel Duford The Amphora 16 One-man Army: Jack Kirby 21 Fallen Warrior: Leon Golub 33 Trial by Fire: Peter Voulkos 47 Exhibition Notes 62 Selected Bibliography 66 Acknowledgments 68 Leon Golub, Head XI, 1963, acrylic on linen, 22.5 x 22.25 inches. Art © Estate of Leon Golub/Licensed by VAGA, New York, NY/ Courtesy of Judy Spero and Ronald Feldman Fine Arts, New York. 8 Prequel | FIGHTING MEN prequel IN THE PANTHEON OF ART EXHIBITIONS, there are some — perhaps only a few — that significantly change the way in which one views and experiences art. I’m thinking here, historically, about the 1863 Salon des Refusés, which revolutionized taste in 19th-century France.