CHAPTER 2 Nadattamupatisthati
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Ramakatha Rasavahini II Chapter 14
Chapter 14. Ending the Play anaki was amazed at the sight of the monkeys and others, as well as the way in which they were decorated and Jdressed up. Just then, Valmiki the sage reached the place, evidently overcome with anxiety. He described to Sita all that had happened. He loosened the bonds on Hanuman, Jambavan, and others and cried, “Boys! What have you have done? You came here after felling Rama, Lakshmana, Bharatha, and Satrughna.” Sita was shocked. She said, “Alas, dear children! On account of you, the dynasty itself has been tarnished. Don’t delay further. Prepare for my immolation, so I may ascend it. I can’t live hereafter.” Sita pleaded for quick action. The sage Valmiki consoled her and imparted some courage. Then, he went with Kusa and Lava to the battle- field and was amazed at what he saw there. He recognised Rama’s chariot and the horses and, finding Rama, fell at his feet. Rama rose in a trice and sat up. Kusa and Lava were standing opposite to him. Valmiki addressed Rama. “Lord! My life has attained fulfilment. O, How blessed am I!” Then, he described how Lakshmana had left Sita alone in the forest and how Sita lived in his hermitage, where Kusa and Lava were born. He said, “Lord! Kusa and Lava are your sons. May the five elements be my witness, I declare that Kusa and Lava are your sons. Rama embraced the boys and stroked their heads. Through Rama’s grace, the fallen monkeys and warriors rose, alive. Lakshmana, Bharatha, and Satrughna caressed and fondled the boys. -
Engineering Marvels of 1.5 Million Years Old Man Rama Setu Dr
[ VOLUME 2 I ISSUE 3 I JULY – SEP. 2015 ] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Engineering Marvels of 1.5 Million Years Old Man Rama Setu Dr. M. Sivanandam Professor, Department of Electronics and Communication Engineering, Sri Chandrasekharendra Saraswathi Viswa Mahavidyalaya, Kanchipuram- 631 561, Tamil Nadu. Received Aug. 20, 2015 Accepted Sept. 10, 2015 ABSTRACT Rama went on exile for 14 years. At the end of 12th year, near Panchavadi, Sita was abducted by Ravana. Rama with the help of Hanuman located Sita at Ashoka Vatika, Sri Lanka. To reach Sri Lanka, Nala and Vanara sena constructed a sea bridge from Dhanuskhodi, India to Thalaimannar, Sri Lanka with 35 Km length and 3.5 Km width in 5 days with local trees, rocks and gravels. At Sri Lanka Rama killed Ravana and returned with Sita to Ajodhya. The sea bridge with largest area, constructed 1.5 million years before is still considered an engineering marvel. Key words: Rama, Sita, Ravana, Hanuman, Ashoka Vatika, Nala, Rama Setu. 1. Introduction In Tredha Yuga the celestials troubled by They spent 12 years in the forest peacefully demons, especially Ravana, the king of Sri but towards the end of the exile when they Lanka, appealed to Lord Vishnu who agreed moved to Panchavadi near present to take a human incarnation to annihilate Bhadrachalam, Andhra Predesh Sita was Ravana. Rama was born to king Dasharatha of abducted by Ravana by Pushpaga Vimana [3]. Khosala Kingdom [1]. Rama decided to fulfill Figure 1 shows the places of travel during the promise of his father to Kaikeyi, step exile. -
Aglittering Coronation Took Place in the Kingdom of Ayodhya. After Fourteen
Code IN6 Scriptural Story Integrity, recognising the true value of things, to discriminate between objects and Concept/value people, to be selfless, and brave enough to be honest. Title Hanuman’s Heart Written by Vandna Synghal Reference Value based stories for Children. (2011) India: VOICE. A glittering coronation took place in the kingdom of Ayodhya. After fourteen long years of waiting and yearning, the inhabitants witnessed a rapturous scene. Flanked by his three brothers who stood joyously in service, Lord Ram, tall, broad and majestic, sat on the bejewelled golden throne with his beautiful wife, Sita Devi. Lord Ram’s new companions: Vibishna, demon king of Lanka; Sugriva, the monkey king; and his many valorous commanders, Hanuman, Angad, and Jamavan also surrounded the regal couple. It was indeed a charming sight. Sages and priests chanted sacred mantras and sprinkled holy waters on Lord Ram before placing the magnificent crown on his head. A joyous cheer resounded through the great hall. Demigods in the heavens and their celestial dancers also celebrated with sweet music and divine dance. Flower confetti marked the end of the formalities and then, as was custom, Lord Ram began giving out gifts. He offered thousands of cows, millions of gold coins and heaps of precious jewels in charity. As special presents to his friends, he gave a stunning divine necklace to Sugriva and exquisite diamond bracelets to Angad. He thanked them for their loyalty and courage in the recent battle against demon King Ravana. Watching with pleasure, Sita Devi also desired to show her gratitude and affection. -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560. -
Sita Ram Baba
सीता राम बाबा Sītā Rāma Bābā סִיטָ ה רְ אַמָ ה בָבָ ה Bābā بَابَا He had a crippled leg and was on crutches. He tried to speak to us in broken English. His name was Sita Ram Baba. He sat there with his begging bowl in hand. Unlike most Sadhus, he had very high self- esteem. His eyes lit up when we bought him some ice-cream, he really enjoyed it. He stayed with us most of that evening. I videotaped the whole scene. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Locations 4961-4964). Trafford. Kindle Edition. … immortal Sita Ram Baba. Churchill, Pola (2007-11-14). Eternal Breath : A Biography of Leonard Orr Founder of Rebirthing Breathwork (Kindle Location 5039). Trafford. Kindle Edition. Breaking the Death Habit: The Science of Everlasting Life by Leonard Orr (page 56) ראמה راما Ράμα ראמה راما Ράμα Rama has its origins in the Sanskrit language. It is used largely in Hebrew and Indian. It is derived literally from the word rama which is of the meaning 'pleasing'. http://www.babynamespedia.com/meaning/Rama/f Rama For other uses, see Rama (disambiguation). “Râm” redirects here. It is not to be confused with Ram (disambiguation). Rama (/ˈrɑːmə/;[1] Sanskrit: राम Rāma) is the seventh avatar of the Hindu god Vishnu,[2] and a king of Ayodhya in Hindu scriptures. Rama is also the protagonist of the Hindu epic Ramayana, which narrates his supremacy. Rama is one of the many popular figures and deities in Hinduism, specifically Vaishnavism and Vaishnava reli- gious scriptures in South and Southeast Asia.[3] Along with Krishna, Rama is considered to be one of the most important avatars of Vishnu. -
Sugriva Begs Lakshmana for Forgiveness
“Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Kishkinda Kanda – Chapter 36 Sugriva Begs Lakshmana for Forgiveness Summary Sugreeva's apology pacifies Lakshmana. On knowing that Lakshmana is pacified by Tara's reasoning Sugreeva makes his apologetic statement and affirms his support to Rama. Then Lakshmana's rage comes to a halt and he too is appeased by the open declaration of Sugreeva about his adherence to Rama, and Lakshmana asks him to come to Rama. Chapter [Sarga] 36 in Detail iti uktah taarayaa vaakyam prashritam dharma sa.mhitam | mridu svabhaavah saumitrih pratijagraaha tat vacah || 4-36-1 In that way when Tara has submissively argued with words containing probity, Saumitri gave assent to her perspective as he is soft by his nature. [4-36-1] tasmin pratigrihiite tu vaakye hari gana iishvarah | laksmanaat sumahat traasam vastram klinnam iva atyajat || 4-36-2 And when Lakshmana conceded to that argument of Tara, Sugreeva, the king of monkey-troops, got rid of his highly intense scare of Lakshmana, like the riddance of a dampened cloth. [4-36-2] tatah kantha gatam maalyam citram bahu gunam mahat | ciccheda vimadah ca aasiit sugriivo vaanara iishvarah || 4-36-3 Sugreeva, the king of Vanara-s, then ripped apart the superb garland which is so far enwreathing his neck, and which has several strands according several gratifications, and he also became sober as though the insobriety is ripped from his mind. [4-36-3] Page 1 of 5 “Om Sri Lakshmi Narashimhan Nahama” Valmiki Ramayana – Kishkinda Kanda – Chapter 36 sa laksmanam bhiima balam sarva vaanara sattamah | abraviit prashritam vaakyam sugriivah sa.mpraharsayan || 4-36-4 Sugreeva who is the most powerful one among all Vanara-s, then placatingly spoke this humble sentence to Lakshmana, whose prowess is most formidable. -
Sugriva's Role in Ramayana
ROLES IN RAMAYANA HANUMAN’S ROLE IN RAMAYANA Hanuman's role in the battle between Rama and Ravana is huge. He is the one who flies cross the oceans (he is Wind's child), locates the exact place where Sita is imprisoned and brings this information back to Rama. While within the demon fort on his quest for Sita, he sets the entire place on fire and warns Ravana about an impending attack unless Sita is returned unharmed. During the Rama-Ravana battle, Hanuman not only kills several demon generals but also brings Rama's brother back to life. How does he do that? Well, it so happens that Rama's brother is mortally wounded by Ravana's son, and the monkey-army-physician opines that the only things that can save the life of the younger prince are four specific herbs that grow on the Himalayan slopes. The catch? The battle is raging on in Lanka, across the southernmost tip of the country while the Himalayas are far up north, and the herbs are needed within the next few hours, before the new day dawns. Hanuman leaps up into the air, flies northwards at lightning speed, and alights atop the Himalayas. This is where things start to become confusing: the monkey- physician had said that medicine herbs glow in their own light and that it should be easy, therefore, to spot them. What Hanuman sees, however, is an entire mountain aglow with herbs of all kinds, each emitting its own peculiar light. Being unable to identify the exact four herbs that the physician had described, Hanuman uproots the entire mountain and carries it back to the battlefield. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi -
LOOKING QUESTIONS Them in a Cave for Safekeeping
STORIES SUGRIVA TAKES RAMA TO THE MOUNTAIN CAVE WHERE SITA’S JEWELS ARE KEPT PAGE FROM A DISPERSED SERIES OF THE RAMAYANA (KISHKINDHAKANDA) We see two scenes from the ancient epic poem Ramayana (The Journey of Rama) in this small, jewel-like painting. On the left, a monkey general greets the exiled Prince Rama and his devoted c. 1820 brother. On the right, the brothers sit with the monkey-king Sugriva, Opaque watercolor and gold on paper also in exile, while another monkey holds a shawl belonging to 3 9 9 /8 x 13 /16 inches (23.8 x 34.4 cm) Sita, Rama’s kidnapped wife. When she was carried off by the wicked INDIA demon Ravana, Sita cleverly dropped several jewels and her shawl as clues to her whereabouts. The monkeys picked up the clues and hid LOOKING QUESTIONS them in a cave for safekeeping. How many figures do you see? Which ones are wearing hats of This painting was created around 1820 in the Himalayan foothills of leaves? Jeweled crowns? Which have neither hats nor crowns? northern India. Families of painters produced hundreds of images Compare the two groups of illustrating texts such as the Ramayana for the pleasure and education figures. Which figures look the same? of rulers that controlled the many small kingdoms of the region. This painting shows two The Ramayana blends thrilling adventures, philosophical concepts, scenes from one story. What could be happening and religious truths related to Hinduism. The hero, Rama, is the in the lower-left scene? The upper-right scene? model of an ideal king and is also one of the human forms of the Hindu god Vishnu; Sita is the model of an ideal woman. -
Ramayan Ki Kathayen, Pandemic and the Hindu Way of Life and the Contribution of Hindu Women, Amongst Others
Hindu Sevika Samiti (UK) Mahila Shibir 2020 East and South Midlands Vibhag FOREWORD INSPIRING AND UNPRECEDENTED INITIATIVE In an era of mass consumerism - not only of material goods - but of information, where society continues to be led by dominant and parochial ideas, the struggle to make our stories heard, has been limited. But the tides are slowly turning and is being led by the collaborative strength of empowered Hindu women from within our community. The Covid-19 pandemic has at once forced us to cancel our core programs - which for decades had brought us together to pursue our mission to develop value-based leaders - but also allowed us the opportunity to collaborate in other, more innovative ways. It gives me immense pride that Hindu Sevika Samiti (UK) have set a new precedent for the trajectory of our work. As a follow up to the successful Mahila Shibirs in seven vibhags attended by over 500 participants, 342 Mahila sevikas came together to write 411 articles on seven different topics which will be presented in the form of seven e-books. I am very delighted to launch this collection which explores topics such as: The uniqueness of Bharat, Ramayan ki Kathayen, Pandemic and the Hindu way of life and The contribution of Hindu women, amongst others. From writing to editing, content checking to proofreading, the entire project was conducted by our Sevikas. This project has revealed hidden talents of many mahilas in writing essays and articles. We hope that these skills are further encouraged and nurtured to become good writers which our community badly lacks. -
Essence of Valmiki Ramayana in Four Parts So Far of Baala-Ayodhya-Aranya- and Now the Kishkindha
ESSENCE OF VALMIKI KISHKINDHA RAMAYANA Translated and interpreted byV.D.N.Rao, former General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, now at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda- Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers -Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu - Dharma Bindu - Shiva Sahasra Lingarchana-Essence of Paraashara Smriti- Essence of Pradhana Tirtha Mahima Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ -Essence of Maha Narayanopanishad; Essence of Maitri Upanishad Essence of Virat Parva of Maha Bharata- Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Essence of Knowledge of Numbers for students Essence -
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Debjani Paul RAMAYANA EPISODES IN HIMACHAL PAINTINGS: THE LEIDEN COLLECTION PAINTINGS As it has been throughout the ages elsewhere in South and South-East Asia, Ramayana, the famous epic extolling the heroic acts of the ‘ideal' King Rama, also enjoyed quite some popularity among the masses in a large tract of the Western Himalayan foothills.1 Nowhere in this region is it more tangible than in the miniature paintings of the former Punjab Hill States, now known as Himachal Pradesh in India. From the 17th to the 19th century, painting was a common enough accomplishment in the majority of the principalities between Basohli in the west to Kulu in the east. Most notable among them were Kangra and Chamba where well-known episodes from the Rama epic received much attention of skillful court artists and their devout patrons. HIMACHAL Among the modest holding of Indian Art in the Museum Volkenkunde (National Museum of Ethnology) in Leiden there is an as yet little-known group of Ramayana illustrations of Chamba-Kangra origin. These miniatures IN form a substantial part of the ‘Vogel Collection’ which was acquired by the museum nearly half a century ago.2 During his prolonged stay in India the outstanding Dutch scholar, J.Ph. Vogel (1871-1958), made several trips to both Chamba and Kangra. While doing his extensive 1902-1908 archaeological fieldwork in the Ravi and Beas valleys, Vogel was able to collect pieces for which people at that time cared very little.3 The Ramayana illustrations in the museum consist of 21 leaves. Other than a rather exceptional example which is indeed embellished with multiple colours, the rest are virtually all monochrome line-drawings.