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Treorchy Male Choir Brief History 1993
TREORCHY MALE CHOIR BRIEF HISTORY 1993 By Norman Martin Registrar & Honorary Archivist JANUARY Thursday January 14th Tonight’s rehearsal was visited by David Wyndham Lewis, organise of the World Choir Project. After the rehearsal a meeting was held to explain the conditions for a visit by the Choir to Atlanta, Georgia from February 8-12. Time was essential and names of choristers wishing to go must be given on Tuesday. The cost per chorister is £50 with the £50 per man from Choir funds. This is to cover the short fall in air fares of £5,000. Accommodation on travelling to the USA will be met by the World Choir organisation. Thursday January 21st At tonight’s rehearsal Life Membership was conferred on John Davies and Alun Hughes. FEBRUARY Saturday February 6th Warwick University On the day that Wales emerged from its recession by beating England at Cardiff Arms Park 10-9, the Choir travelled to Warwick University to start the year’s engagement programme. For the first time the Choir travelled by Bebb’s buses which left Treorchy at 4.15pm and travelled from the BBC Studios to Cardiff Castle to pick up choristers after the match. The drivers were Wally Underhill and Mike Griffiths. Finally the Choir reached Warwick University in time for tea and sandwiches and the concert started at 8pm. The Mayor presented a large cheque of £2,5000 to Kenilworth Round Table who had organised the concert, the proceeds of which were in aid of the Amanda Bevan Rehabilitation Centre in Coventry. As always there was a large and responsive audience and the choristers were elated with the Welsh rugby success. -
Warwickshire Industrial Archaeology Society
WARWICKSHIRE IndustrialW ArchaeologyI SociASety NUMBER 31 June 2008 PUBLISHED QUARTERLY NEWSLETTER THIS ISSUE it was felt would do nothing to web site, and Internet access further these aims and might becoming more commonplace ¢ Meeting Reports detract from them, as if the amongst the Society membership, current four page layout were what might be the feelings of ¢ From The Editor retained, images would reduce the members be towards stopping the space available for text and practice of posting copies to possibly compromise the meeting those unable to collect them? ¢ Bridges Under Threat reports. Does this represent a conflict This does not mean that with the main stated aim of ¢ Meetings Programme images will never appear in the publishing a Newsletter, namely Newsletter. If all goes to plan, that of making all members feel this edition will be something of a included in the activities of the FROM THE EDITOR milestone since it will be the first Society? y editorial in the to contain an illustration; a Mark Abbott March 2008 edition of diagram appending the report of Mthis Newsletter the May meeting. Hopefully, PROGRAMME concerning possible changes to its similar illustrations will be format brought an unexpected possible in future editions, where Programme. number of offers of practical appropriate and available, as the The programme through to help. These included the offer of technology required to reproduce December 2008 is as follows: a second hand A3 laser printer at them is now quite September 11th a very attractive price; so straightforward. The inclusion of Mr. Lawrence Ince: attractive as to be almost too photographs is not entirely ruled Engine-Building at Boulton and good an opportunity to ignore. -
A Steam Issue-48Pp HWM
FROM WATER POWER TO WATT THE ENERGY REVOLUTION OF THE EIGHTEENTH CENTURY Jim Andrew In the seventeenth century, there were no steam engines, no electricity or vehicle fuel from petrol pumps. Power came from human and animal energy, enhanced by wind and water. Changes in water and steam technology in the late-seventeenth and eighteenth centuries contributed to the Industrial Revolution. © Birmingham Museums Trust Sarehole Mill. One of the two remaining water mills in the Birmingham area. 4 www.historywm.com FROM WATER POWER TO WATT ind power, as now, was limited by variations in the strength of the wind, making water the preferred reliable Wsource of significant power for regular activity. The Romans developed water wheels and used them for a variety of activities but the first definitive survey of water power in England was in the Doomsday Book c.1086. At that time, well over five-thousand mills were identified – most were the Norse design with a vertical shaft and horizontal disc of blades. Water-Wheel Technology Traditional water mills, with vertical wheels on horizontal shafts, were well established by the eighteenth century. Many were underpass designs where the water flowed under a wheel with paddles being pushed round by the flow. Over time, many mills adopted designs which had buckets, filled with water at various levels from quite low to the very top of the wheel. The power was extracted by the falling of the water from its entry point to where it was discharged. There was little systematic study of the efficiency of mill-wheel design in extracting energy from the water before the eighteenth century. -
Bicentenary Programme Celebrating the Life and Legacy of James Watt
Bicentenary programme celebrating the life and legacy of James Watt 2019 marks the 200th anniversary of the death of the steam engineer James Watt (1736-1819), one of the most important historic figures connected with Birmingham and the Midlands. Born in Greenock in Scotland in 1736, Watt moved to Birmingham in 1774 to enter into a partnership with the metalware manufacturer Matthew Boulton. The Boulton & Watt steam engine was to become, quite literally, one of the drivers of the Industrial Revolution in Britain and around the world. Although best known for his steam engine work, Watt was a man of many other talents. At the start of his career he worked as both a mathematical instrument maker and a civil engineer. In 1780 he invented the first reliable document copier. He was also a talented chemist who was jointly responsible for proving that water is a compound rather than an element. He was a member of the famous Lunar Portrait of James Watt by Sir Thomas Lawrence, 1812 Society of Birmingham, along with other Photo by Birmingham Museums Trust leading thinkers such as Matthew Boulton, Erasmus Darwin, Joseph Priestley and The 2019 James Watt Bicentenary Josiah Wedgwood. commemorative programme is The Boulton & Watt steam engine business coordinated by the Lunar Society. was highly successful and Watt became a We are delighted to be able to offer wealthy man. In 1790 he built a new house, a wide-ranging programme of events Heathfield Hall in Handsworth (demolished and activities in partnership with a in 1927). host of other Birmingham organisations. Following his retirement in 1800 he continued to develop new inventions For more information about the in his workshop at Heathfield. -
Treorchy Male Choir Brief History 2004 Treorchy Male
TREORCHY MALE TREORCHYCHOIR MALE CHOIR BRIEF HISTORY BRIEF2004 HISTORY By Dean Powell,2006 Publicity Officer By Dean& Honorary Powell, Publicity Archivist Officer & Honorary Archivist JANUARY JANUARY Monday January 2 The death occurred of Life Member Edmund “Eddie Ike” Evans. Eddie joined the choir in 1947 and only in recent years did ill health prevent him from attending rehearsals and concerts. MARCH Saturday March 4 Millennium Stadium The choir was honoured to be invited by Dr Haydn James to perform once more at the magnificent Millennium Stadium. The performance was held on the day of the Powergen Cup Semi-Final which saw the London Wasps against the Leicester Tigers, followed by Bath Rugby playing against the Llanelli Scarlets. Once more the choir joined forced with the Bedwas Trethomas Machen Band. With rehearsals undertaken at the Dragons Mouth, the choristers marched on the pitch to perform for the Leicester Tigers on one side of the stadium, and the London Wasps on the other. The choir sang Cwm Rhondda, Delilah, Ole Time Religion and Impossible Dream. Following rapturous applause by the Wasps in particular, the choristers were allowed the opportunity to watch both matches from their seats. Tuesday March 7 Rehearsal Room The Choir gave a performance of Hen Wlad Fy Nhadau for S4C’s Newyddion programme this evening. The broadcast was held to promote the concert on Friday evening. Both Jan Ball and a representative of the Buy as You View Cory Band were interviewed for the programme. Friday March 10 Wales Millennium Centre The choir's second performance in the impressive Wales Millennium Centre came just a few months following their debut there with the Royal Variety Performance. -
Three Preludes on Hymn Tunes John G
Bridgewater College BC Digital Commons Music Faculty Scholarship Department of Music 1992 Three Preludes on Hymn Tunes John G. Barr Follow this and additional works at: https://digitalcommons.bridgewater.edu/ music_faulty_scholarship Part of the Music Commons Recommended Citation Barr, John G. Three Preludes on Hymn Tunes. FL: H.W. Gray Publications, c/o CPP/Belwin, Inc., 1992. This Sheet Music is brought to you for free and open access by the Department of Music at BC Digital Commons. It has been accepted for inclusion in Music Faculty Scholarship by an authorized administrator of BC Digital Commons. For more information, please contact [email protected]. ~- ·---- - - · - -- - ---- - --- ------ --- ~------ ---- ·~aiut Qlrrilia~rrirs ®rg.an <fotttpn.attiott.a THREE PRELUDES ON HYMN TUNES (AURELIA, MELITA AND CWM RHONDDA) by JOHNG.BARR ~nint Qlrrili ®rgnu Qlnmpnnir THREE PRELUDES ON HYM (AURELIA, MELITA. AND CWM RHONDDA) by JOHNG.BARR Copyright© 1992 H.W. Gray Publications, c/o CPP/Belwin, Inc., Miami, FL. 33014 International Copyright Secured Made in U.S.A. All Rights Reserved 2 for Mrs. Lois Wine PRELUDE ON "AURELIA"* (The Church's One Foundation) SW: Principal Chorus GT: Principal Chorus PED: Bourdons 16', 8', Sw. to Ped. JOHNG.BARR Sw. ~ f\ I -.., -1 I ,,, I IF, I - I I I J. h I llflll f.lllli. 1111111 .... I ... --, I r r I I I I - v - Ir "\-.a IF 'J !""' ,_ !""' .... .... I I I . I I I .-1 I 1111111 1111111 I- I .... ..... Ill/I/fl ..... .-1 I .-1 I I I .-1 I 'Jilli! 1111111 - ' \J - - - HJ I - - • - - - • .__ v=== ...=.,.- ...... - ....- - - mp --- r 111111" r - L ,. -
Dr Malcolm Dick School/Dept: History and Cultures/ Department of History Project Title: James Watt 2019 Project Summary
SHAC12 CAL Undergraduate Research Scholarships Scheme 2017 Project Proposal Form Project Proposer/s: Dr Malcolm Dick School/Dept: History and Cultures/ Department of History Project Title: James Watt 2019 Project Summary The School of History and Cultures is running a project on the life, times and significance of the inventor, industrialist and Enlightenment thinker, James Watt (1736-1819), who worked in the Birmingham area with his business partner Matthew Boulton for most of his adult life. The project is linked to the 200th anniversary of Watt’s death in 2019. Though Watt provides the focus, the project moves beyond the celebration of a ‘great man’ to look broadly at his context, impact and legacy. Led by Malcolm Dick, it is intended that the project will form part of History’s contribution to the next Research Evaluation Framework in 2020. The website: www.jameswatt2019.org provides an introduction to activity so far. Much of the work involves activity with heritage organisations including Birmingham Museums Trust (BMT) and the Library of Birmingham (LoB). The research conducted by the successful applicant will also connect to a new Arts Council funded BMT project, ‘Birmingham Manufactures’ http://www.birminghammuseums.org.uk/blog/posts/birmingham-museums-trust-shines-a-spotlight- on-birmingham-manufacturers?category=press-release which is exploring and cataloguing objects to illuminate Birmingham’s industrial history. Hence the research not only contributes to important university research, but also links to widening public knowledge of Watt and his times through the Museum. Two of the important areas on which we lack knowledge are the nature of the workforce which constructed the Boulton and Watt steam engines and the type of work they pursued. -
Guide Me, O Thou Great Jehovah HD 2017 R.Indd
“Guide Me, O Thou Great Jehovah” In an age of terror alerts and insecurity, our world can seem Author/Composer Word Search Answers: like a wilderness. This timeless hymn conveys the same sense of urgency today as it did when it was written over 260 D S R D A D U V G C years ago. These words are a prayer for guidance and a O P S E L R A R H F confession of our dependence upon God in uncertain times. O G W R H L Y R C J KIDPages R K O D L C I O X H Use these pages: O W E E Y S A B U Y • With children who arrive early K R Y D T L L E O K • In a small learning group T R L I G N O S R T • As a take-home page (If a page is sent home, suggest K C A B E S R O H P that parents and children work on the puzzle together.) E N V D M S E L A W Author/Composer Word Search S M I E V I W Q E R Read the stories and solve the word search to learn about S S T A H D N R J G the author and composer. N A S C S S H E R M M H E O S C L E R K A Hymn/Bible Story Connection Y D F N L A G E Z S Have children read the story and circle the correct words on H J O Q L N L E W Y the ”Guide Me, O Thou Great Jehovah” Hymn Sheet. -
And We Were Singing Hymns and Arias …
AND WE WERE SINGING HYMNS AND ARIAS ….. More memories from Joe For the third of my lockdown projects, and with the help of Gethin Williams, Keith Warren, Jeremy Wood and Dr Haydn James, I take a look at all the sporting arena performances that the London Welsh Male Voice Choir have been involved in. The Arenas The rehearsals are over. You walk out in your red jackets, heart-thumping, into a half empty stadium and stand on the pitch, pre-match, looking at the vast space of the arena that will, in a short time, be packed to the rafters with fervent supporters. You are performing to a captive audience who’s heart and soul are perfectly in tune with yours and who give you their undivided attention as the atmosphere is ramped up minutes before kick-off. You are privileged to be here, walking on hallowed turf. You feel the excitement and pride of appearing before an expectant nation. You smell the newly cut and watered grass. You hear the roar and stand in unison with your heroes as they walk onto the pitch. There is a moment’s silence as the crowd rises and all eyes are on you, and your eyes are on the conductor, as his baton brings in the band accompaniment before experiencing the spine-tingling emotion of singing your national anthem to an arena packed with rugby fans and a live television audience of millions. You are part of extraordinary matches and witness legends being made, and folklore created in song. You are on the fi eld with The London Welsh Male Voice Choir and you will be part of some of Wales’s most iconic rugby matches in modern times. -
July 2017 - July May
Artefacts JULY 2017 JULY - MAY The Bullring at Sunrise © Verity E. Milligan Photography MEMBER OF THE ASSOCIATION MAy - JULY 2017 ARTEFACTS 1 OF FRIENDS OF MUSEUMS Friends of Birmingham Museums Magazine 2 ARTEFACTS MAY - JULY 2017 CONTENTs Associate Feature: A bReath of fresh: air CONTACTS David Foster Chair Email: [email protected] Lynda Perrin Membership Email: [email protected] Tel: 0121 348 8330 PAGE 26 Melissa hughes Administrator and Artefacts Editor Email: [email protected] CHAIR´S REPORT 04 Tel: 0121 348 8330 Barbara Preece FRIENDS´ EVENTS 06 Events Coordinator Email: [email protected] [email protected] news from the volunteers 13 Tel: 0121 348 8332 Mary Whetnall NEWS FROM THE office 14 Finance and Events Administration Email: [email protected] Tel: 0121 348 8333 director´s report 15 Margaret Boniface feature: Archivist 16 Document copying and a famous engineer Email: [email protected] exhibition preview: 18 Friends´ Office thresholds ˜ an exhibition by mat collishaw Birmingham Museum & Art Gallery, Chamberlain Square, Birmingham. B3 3DH friends´ crossword 19 Tel: 0121 348 8330 Events: 0121 348 8332 Website: www.fbmt.org.uk birmingham museums ˜ what´s on 20 Reg. Charity No. 528895 FEATURE: 25 the smethwick engine Designed and Produced by Associate Feature: PW Media & Publishing Ltd 26 fresh: Contemporary Art Fair Graphic Design Paul Blyth in the area 28 Printed By exhibition focus: Stephens & George 34 the verity milligan photography exhibition Advertising Sales focus on local cultural organisations: Diane Stinton 36 Email: [email protected] erasmus darwin museum Tel: 01905 727903 friends´ diary 38 MAy - JULY 2017 ARTEFACTS 3 CHAIR’S REPORT history, art & science BY david Foster By the time you are reading this, the second of the shows which partners Birmingham Museums Trust with the Arts Council Collection will have opened. -
Hymns We Love: God of Grace and God of Glory
firstchurch.org congregational • gathered 1635 250 Main Street • Wethersfield, CT 06109 | 860.529.1575 May 17, 2020 Hymns We Love: God of Grace and God of Glory One of the most popular hymns of the 20th century, God of Grace and God of Glory was written by Harry Emerson Fosdick (1878-1969) for the inaugural service of Riverside Church in New York City on October 5, 1930. When First Church’s Pilgrim Hymnal (the red one) was being compiled back in 1965, more requests were received by the hymnal committee for this hymn to be included than for any other 20th century hymn. Fosdick, who had been hired by John D. Rockefeller to serve as Riverside’s first pastor, wrote the hymn with the tune REGENT SQUARE in mind. That’s the tune we use for Angels from the Realms of Glory. In reply to an inquiry about how the hymn came to be sung to the Welsh tune CWM RHONDDA, Dr. Fosdick wrote: “. about my hymn’s divorce from REGENT SQUARE and re-marriage to CWM RHONDDA: the Methodists did it! And both here and abroad they are being followed.” CWM RHONDDA (pronounced ko’om ron’-duh; the letter “w” is a vowel in Welsh) was composed by John Hughes (1873-1932) for the inauguration of the organ in 1907 at Capel Rhondda, in Hopkinstown. It soon became extremely popular throughout Wales. The English translation of the tune name is “valley of the Rhondda,” a river in South Wales. Hughes was a lifelong employee of the Great Western Railway who composed hymn tunes and choral anthems in his spare time. -
AIA News 140 Spring 2007
INDUSTRIAL ARCHAEOLOGY 189 SUMMER NEWS 2019 THE BULLETIN OF THE ASSOCIATION FOR INDUSTRIAL ARCHAEOLOGY FREE TO MEMBERS OF AIA First use of IA ● Dulgan Furnace ● Lady Elizabeth Winch Restoration ● James Watt 200 ‘Industrial Archaeology’ ‘Industrial Archaeology’ 1881 – Forest and Stream [U.S.A.] Searching for ‘First use of the term Industrial An illustrated review of popular and industrial Archaeology’ leads one to two sources. The first is archaeology and art [Pompeii] appears on our INDUSTRIAL an item in an early version of the AIA website – table for the first time. Its purpose is a happy one, ‘The first use of term ‘industrial archaeology’ is and deserves all encouragement. Its salutatory ARCHAEOLOGY generally attributed to Michael Rix in 1955 and announces the desire that archaeology, that NEWS 189 the term gained national recognition in 1958 science which to-day is the monopoly of a small when the Council for British Archaeology number of scientific men, should for an hour or Summer 2019 organised a conference on industrial archaeology two each month doff its severely precise cloak and subsequently formed a Research Committee and, attractively clothed in the modern style, tell Honorary President on Industrial Archaeology to campaign for the us the story of its deeds more simply than it has Prof Marilyn Palmer MBE subject. The critical point was the deliberate yet done. (2) Honorary Vice Presidents destruction in 1962 of the Doric Arch that formed Prof Angus Buchanan, Sir Neil Cossons OBE, the entrance to Euston Station, the first