British Ceramics Lockdown Quiz 2020
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Under the Potter's Tree
ORIENTALIA LOVANIENSIA ANALECTA ————— 204 ————— UNDER THE POTTER’S TREE Studies on Ancient Egypt Presented to Janine Bourriau on the Occasion of her 70th Birthday edited by DAVID ASTON, BETTINA BADER, CARLA GALLORINI, PAUL NICHOLSON and SARAH BUCKINGHAM UITGEVERIJ PEETERS en DEPARTEMENT OOSTERSE STUDIES LEUVEN – PARIS – WALPOLE, MA 2011 993820_Aston_(OLA204)_ME_Voorwerk.indd3820_Aston_(OLA204)_ME_Voorwerk.indd IIIIII 77/04/11/04/11 009:489:48 CONTENTS EDITORIAL FOREWORD . XI H.S. SMITH — Janine – A Teacher’s Tribute . XIII P.G. FRENCH — Janine – A Husband’s View . XV Elham Ahmed EL-TAWEIL, Mahmoud Mohamed EL-SHAFEI, Mohamed ALI ABD EL-HAKIEM, Mohamed Naguib REDA, Nermeen Shaa- ban ABAYAZEED, Shaimaa Rasheed SALEM, and Sherif Mohamed ٔام الفخاريين ABD EL-MONAEM — Mother of the Ceramicists Umm El Fakharyien – A Students’ Tribute . XIX TABULA GRATULATORIA . XXI JANINE’S BIBLIOGRAPHY . XXV ARTICLES IN HONOUR OF JANINE BOURRIAU Susan J. ALLEN Fish Dishes at Dahshur . 3 Sally-Ann ASHTON Ancient Egyptian Hair-Combs in the Fitzwilliam Museum Cambridge . 19 David ASTON t pÌrt wty. The Saqqara Embalmers’ Caches Reconsidered; Typology and Chronology . 45 Marie-Pierre AUBRY, Christian DUPUIS, Holeil GHALY, Christopher KING, Robert KNOX, William A. BERGGREN, Christina KARLSHAUSEN and Members of the TIGA Project Geological Setting of the Theban Necropolis: Implications for the Preservation of the West Bank Monuments . 81 Bettina BADER Vessels in Ceramics and Stone: The Problem of the Chicken and the Egg? . 125 993820_Aston_(OLA204)_ME_Voorwerk.indd3820_Aston_(OLA204)_ME_Voorwerk.indd V 77/04/11/04/11 009:489:48 VI CONTENTS Donald M. BAILEY Wine Containers: Aswan Flasks . 173 Pascale BALLET Les ateliers hellénistiques de Bouto (Tell el-Fara’in) et le «décor surpeint» (Overpainted) . -
City News 11 Flu Jabs at GP Surgeries and Pharmacies
Winter 2016 stoke.gov.uk City News STRONGER TOGETHER POPPIES TO PAGE 18 COME HOME Right time to apply for free nursery Ceramic WWI tribute display planned for 2018 places CONIC ceramic poppies created final year of its tour. Dates and a world famous ceramics able to see these poppies in the in the city to commemorate venue are yet to be announced. manufacturers. Without Johnson city where so many of them were the centenary of the First Deputy Council Leader Tiles and Potclays Ltd this crafted. This is another sign of I Councillor Abi Brown said: stunning artwork could never the fantastic cultural heritage in World War will come home to “We’re thrilled to say that our have been created. our city, as we continue to go Stoke-on-Trent as a major display poppies are coming home. It’s the “More than five million people forward with our City of Culture in 2018... a victory for the council culmination of two-and-a-half saw the Tower of London display 2021 bid.” and campaigners who pressed for years of campaigning. in 2014, and since two of the 14-18 Now Executive Producer the return. “The city council led the bid, display’s installations – the Nigel Hinds said a number of 14-18 Now – who manage but its success was only possible Weeping Window and Wave – sites for the display were being WW1 Centenary art with the enthusiastic support of a went on tour in 2015, a further considered, and the location, commissions – announced the range of partners across the local 1.5 million people have seen dates and which sculpture will art installation containing many media, museums, education them. -
The Trent & Mersey Canal Conservation Area Review
The Trent & Mersey Canal Conservation Area Review March 2011 stoke.gov.uk CONTENTS 1. The Purpose of the Conservation Area 1 2. Appraisal Approach 1 3. Consultation 1 4. References 2 5. Legislative & Planning Context 3 6. The Study Area 5 7. Historic Significant & Patronage 6 8. Chatterley Valley Character Area 8 9. Westport Lake Character Area 19 10. Longport Wharf & Middleport Character Area 28 11. Festival Park Character Area 49 12. Etruria Junction Character Area 59 13. A500 (North) Character Area 71 14. Stoke Wharf Character Area 78 15. A500 (South) Character Area 87 16. Sideway Character Area 97 17. Trentham Character Area 101 APPENDICES Appendix A: Maps 1 – 19 to show revisions to the conservation area boundary Appendix B: Historic Maps LIST OF FIGURES Fig. 1: Interior of the Harecastle Tunnels, as viewed from the southern entrance Fig. 2: View on approach to the Harecastle Tunnels Fig. 3: Cast iron mile post Fig. 4: Double casement windows to small building at Harecastle Tunnels, with Staffordshire blue clay paviours in the foreground Fig. 5: Header bond and stone copers to brickwork in Bridge 130, with traditionally designed stone setts and metal railings Fig. 6: Slag walling adjacent to the Ravensdale Playing Pitch Fig. 7: Interplay of light and shadow formed by iron lattice work Fig. 8: Bespoke industrial architecture adds visual interest and activity Fig. 9: View of Westport Lake from the Visitor Centre Fig. 10: Repeated gable and roof pitch details facing towards the canal, south of Westport Lake Road Fig. 11: Industrial building with painted window frames with segmental arches Fig. -
10700887.Pdf
Business structure, busines culture, and the industrial district : The Potteries, c. 1850- 1900. POPP, Andrew Derek Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/3099/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/3099/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. agfBCSMSS lX 585 586 5 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE ProQuest Number: 10700887 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10700887 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 BUSINESS STRUCTURE, BUSINESS CULTURE. AND THE INDUSTRIAL DISTRICT: THE POTTERIES, c.1850-1900. -
Ashmolean Papers Ashmolean Papers
ASHMOLEAN PAPERS ASHMOLEAN PAPERS 2017 1 Preface 2 Introduction: Obsolescence and Industrial Culture Tim Strangleman 10 Topographies of the Obsolete: Exploring the Site Specific and Associated Histories of Post Industry Neil Brownsword and Anne Helen Mydland 18 Deindustrialisation and Heritage in Three Crockery Capitals Maris Gillette 50 Industrial Ruination and Shared Experiences: A Brief Encounter with Stoke-on-Trent Alice Mah 58 Maintenance, Ruination and the Urban Landscape of Stoke-on-Trent Tim Edensor 72 Image Management Systems: A Model for Archiving Stoke-on-Trent’s Post-Industrial Heritage Jake Kaner 82 Margins, Wastes and the Urban Imaginary Malcolm Miles 98 Biographies Topographies of the Obsolete: Ashmolean Papers Preface First published by Topographies of the Obsolete Publications 2017. ISBN 978-82-690937 In The Natural History of Staffordshire,1 Dr Robert Plot, the first keeper of the Unless otherwise specified the Copyright © for text and artwork: Ashmolean Museum describes an early account of the county’s pre-industrial Tim Strangleman, Neil Brownsword, Anne Helen Mydland, Maris Gillette, Alice Mah, pottery manufacturing during the late 17th century. Apart from documenting Tim Edensor, Jake Kaner, Malcolm Miles potters practices and processes, Plot details the regions natural clays that were once fundamental to its rise as a world renowned industrial centre for ceramics. Edited by Neil Brownsword and Anne Helen Mydland Designed by Phil Rawle, Wren Park Creative Consultants, UK Yet in recent decades the factories and communities of labour that developed Printed by The Printing House, UK around these natural resources have been subject to significant transition. Global economics have resulted in much of the regions ceramic industry outsourcing Designed and published in Stoke-on-Trent to low-cost overseas production. -
Festival of Bottle Ovens O
gladstone bottle flyer_Layout 1 11/05/2018 14:23 Page 1 e Summer Holiday Craft Activity – Mini Bottle Ovens e n Tuesday 21 August n o Festival of Bottle Ovens o t t s Make your very own mini version of one of the famous Gladstone bottle ovens in our Gladstone Pottery Museum s d drop-in clay workshop. 11am - 12.30pm and 1.15 - 3pm, £1 plus admission. d a a 19 l August and September 2018 l G G 78 The Worst Jobs in Children’s History Wednesday 22 August Working in a potbank amongst the bottle ovens was a difficult job Celebrate ’78 for children but was it the worst job in children’s history? Meet our costumed characters and find out some of the horrible and The last time a bottle dangerous jobs children used to do. Included with museum oven was fired in The admission, 11am - 4pm. Potteries In August and September The Little Longton Bottle Oven Bus Tour 2018 Gladstone Pottery Museum will celebrate the Saturday 25 August 40 th Anniversary of the Join us on short tours to see most of the remaining bottle-ovens in Last Bottle Oven Firing. Longton - and plenty of other interesting buildings in the town - on board a 1978 PMT double-decker bus. Information will be At their peak over 2000 provided on-board by your 'conductor'. Tours are free and will bottle ovens dominated leave Gladstone at 10.30am, 12noon, 2 and 3.30pm. the skyline of the City of Stoke-on-Trent. They created the very character Summer Holiday Craft Activity - of The Potteries. -
Stoke-On-Trent Pocket Guide 2018/19
STOKE-ON-TRENT POCKET GUIDE 2018/19 GREAT PLACES TO VISIT VISITSTOKE.CO.UK 1 Advert Stoke Pocket Guide 2018 99x210 ART.qxp_Layout 1 02/03/2018 11:08 Page 1 Something for everyone Award-winning gardens, scenic Capability Brown lake, inspiring shopping village, giant dandelions, fun-packed events, adventure playground, boat and train, magical fairies, barefoot walk, maze, free-roaming monkeys, Nature in Bronze, fabulous fountains, massive garden centre, nature trails, eighteen cafés and restaurants, on-site hotel and woodland walks. There’s fun for all at Trentham. Stone Road, Trentham, Stoke-on-Trent, Staffordshire 5 minutes from J15 M6, Sat Nav Post Code ST4 8JG Call 01782 646646 Email [email protected] www.trentham.co.uk ! Bring this voucher with you for 2 for 1 Post day tickets for Trentham Gardens Code: 2 VSDO18 Valid Monday to Friday, on Day Tickets only. Terms & Conditions apply. Not valid 21 July - 3 September, special event days or bank holidays. Not accepted at Trentham Monkey Forest. Valid until 31.12.18 Advert Stoke Pocket Guide 2018 99x210 ART.qxp_Layout 1 02/03/2018 11:08 Page 1 THERE’S ALWAYS SOMETHING GOING ON HERE Stoke-on-Trent is a unique city affectionately known as The Potteries. With its rich industrial heritage it has Manchester Stoke-on-Trent respectfully claimed the title of World Birmingham Capital of Ceramics. The city boasts many London visitor centres, award winning museums, over 20 pottery factory shops and the Contents exclusive Staffordshire Hoard. Come and visit the Trentham Estate with its Italian The Potteries 4 & Heritage Gardens, Shopping Village, Monkey Forest Attractions and mile long lake. -
Topographies of the Obsolete
TOPOGRAPHIES OF THE OBSOLETE PHASE TWO: RHIZOMATIC TRAJECTORIES 1 PHASE TWO: RHIZOMATIC TRAJECTORIES Preface 1 Introduction 2 Re-activating Britain’s Ceramic Manufacturing Heritage University of Bergen, Staffordshire University, Bucks New University Introduction: The Salvage Business Laura Breen 10 Re-apprenticed Neil Brownsword 20 Watching the Hands (and Other Unregulated Movements in Real-Time) Ezra Shales 22 Factory Neil Brownsword 30 Obsolescence and Renewal Neil Brownsword 32 Nostalgia for a Lost Work Tim Strangleman 34 Distancing and Nearness Tan-dem 40 Pattern Book Neil Brownsword 50 Externalising the Archive Neil Brownsword 54 The Displacement of the Real Arild Våge Berge 56 The Digital Void Richard Harper 58 Is it on a List? Vicki McGarvey 60 Returns Nottingham Trent University, Sheffield Hallam University Introduction: A Series of Returns 66 Material Transcendence Andrew Brown 70 In the Midst and In-between Joanne Lee 72 Looping Back Danica Maier 74 On the Non-Verbal Transmission of Knowledge Christine Stevens 76 Soft Rebellions Sheffield Hallam University Introduction: The Soft Rebellions Chloë Brown 80 The following texts are by Grace Higgins Brown From Alfred Street to Temple Street 82 Dancing in the Street 83 The Detroit Dinner Service 84 A Toast to Detroit 85 The Clapping Piece 86 A Soft Rebellion in Paradise 87 Langenthal Project HEAD – Genève, Geneva School of Art and Design Introduction: Ghost Factory Magdalena Gerber, Katharina Hohmann 90 Flying Saucers and Falling Plates Eva-Maria Knüsel 94 Biographies 102 2 Topographies of the Obsolete: Phase Two: Rhizomatic Trajectories Preface First published by Topographies of the Obsolete Publications 2020 ISBN 978-82-93801-01-6 Topographies of the Obsolete is an artistic research project conceived in 2012 by Unless otherwise specified the Copyright © for text and artwork: University of Bergen Professors Neil Brownsword and Anne Helen Mydland, Laura Breen, Ezra Shales, Neil Brownsword, Tim Strangleman, Tan-dem, Arild Våge Berge, in collaboration with six European HEI’s1 and the British Ceramics Biennial. -
University of Warwick Institutional Repository
University of Warwick institutional repository: http://go.warwick.ac.uk/wrap A Thesis Submitted for the Degree of PhD at the University of Warwick http://go.warwick.ac.uk/wrap/51965 This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. Potbank and Union: A Study of Work and Trade Unionism in the Pottery Industry, 1900-1924 by Richard Whipp r_°ý, Submitted for the Degree of Doctor of Philosophy, Centre for the Study of Social History, University of Warwick. March 1983 I This thesis may be photocopied. i Contents pages Summary iii List of Tables iv-v Abbreviations vi Preface vii Introduction viii-xix Chapter 1 The Pottery Industry 1- 55 1.1 Historical Development of the Pottery Industry 3- 16 1.2 Industrial Structure. 1900-1924 16 - 25 38 1.3 Product Markets and Industrial Performance 25 - 1.4 Foreign Industry 38 - 45 1.5 Technology 45 - 53 Conclusion 53 - 55 Chapter 2 Work and Home 56 - 142 2.1 The Production Process and the Division of Labour 56 - 75 2.2 Workshop Custom and Practice 75 - 82 2.3 Wages 82 - 91 2.4 The Social Relations of the Workplace 91 - 104 Conclusion 104 - 107 2.5 Family, Home and Work 107 - 126 2.6 Health and Work 126 - 140 Conclusion 140 - 142 Chapter 3 Trade Unionism in the Pottery Industry 143 - 205 3.1 From Craft to Amalgamated Union 143 - 160 3.2 Union Structure and Organization 160 - 183 3.3 Membership 183 - 202 Conclusion 202 - 205 ii Chapter 4 Potters, Masters and Unions 206 - 277 4.1 The Pottery Firm 206 - 217 4.2 Management Strategy 217 - 243 4.3 The Industrial Relations of Pottery Manufacture I: Bargaining 243 - 264 4.4 The Industrial Relations of Pottery Manufacture II: Conflict 264 - 275 Conclusion 275 - 277 Chapter 5 Community. -
Volunteer Resource Information Issue 3: a Fat Burgundy Bottle Oven May 2020
VOLUNTEER RESOURCE INFORMATION ISSUE 3: A FAT BURGUNDY BOTTLE OVEN MAY 2020 Source: www.stokemuseums.org.uk › pmag › collections THE BOTTLE OVEN Bottle oven no.1 is the sole surviving kiln of an original seven which saw Middleport Pottery become known as the ‘Seven Oven Works’ and dominated the skyline of this part of The Potteries for around eighty years. Of the original ovens, three large biscuit ovens were built in a row in the relatively spacious yard between the biscuit range and glost range while a further four glost ovens were located in the now built- over yard between the glost range and the archive/warehouse range. A pdf of the report above is The positioning of these kilns, making them integral to the process available on flow of the works, was one of the key innovations of A.R. Wood’s request original plan. Each of the ovens at Middleport was of a type which can be described as an updraught oven. These consist of a bottle-shaped brick structure called the hovel* within which was an inner chamber with a domed roof, in which the leather hard green ware was placed within saggars. *The hovel at bottle oven no.1 is of the fat burgundy bottle type (Dobraszczyc 1984, 7). Fires were lit in firemouth openings at the foot of the oven by the fireman, from which flues led to bags, small firebrick chimneys which directed flames from the fire below into the oven and protected the saggars nearby. Once the smoking period, in which all of the water was baked out of the clay, was over the entrance, known as the clammins, was bricked up. -
Download a Copy of Visitstoke's Pocket Guide to Stoke-On-Trent
STOKE-ON-TRENT POCKET GUIDE 2019/20 GREAT PLACES TO VISIT 1 VISITSTOKE.CO.UK Advert Stoke Pocket Guide 2019 99x210 ART.qxp_Layout 1 06/12/2018 17:14 Page 1 Something for everyone Award-winning gardens, scenic Capability Brown lake, inspiring shopping village, giant dandelions, fun-packed events, adventure playground, boat and train, magical fairies, barefoot walk, maze, free-roaming monkeys, treetop adventures, fabulous fountains, massive garden centre, nature trails, eighteen cafés and restaurants, on-site hotel and woodland walks. There’s fun for all at Trentham. SHOP EAT RELAX ENJOY Stone Road, Trentham, Stoke-on-Trent, Staffordshire 5 minutes from J15 M6, Sat Nav Post Code ST4 8JG Call 01782 646646 Email [email protected] www.trentham.co.uk ! Bring this voucher with you for 2 for 1 Post day tickets for Trentham Gardens Code: VSDO19 2Valid Monday to Friday, on Day Tickets only. Terms & Conditions apply. Not valid 20 July - 2 September, special event days or bank holidays. Not accepted at Trentham Monkey Forest. Valid until 31.12.19 Advert Stoke Pocket Guide 2019 99x210 ART.qxp_Layout 1 06/12/2018 17:14 Page 1 WELCOME TO OUR CREATIVE CITY Stoke-on-Trent is a unique city affectionately known as The Potteries. We are a creative city that makes things. We Manchester Stoke-on-Trent make art from dirt. We are a place where Birmingham art, technology and commerce come London together through craftsmanship. We are the World Capital of Ceramics. Contents Discover Stoke-on-Trent’s remarkable The Potteries 4 story in our award-winning museums and & Heritage Attractions visitor centres, and shop ‘til you drop with Shopping 10 our pottery factory shops. -
The Caldon Canal Conservation Area Review March 2012
The Caldon Canal Conservation Area Review March 2012 stoke.gov.uk CONTENTS 1. The Purpose of the Conservation Area 1 2. Appraisal Approach 1 3. Consultation 1 4. References 2 5. Legislative & Planning Context 2 6. The Study Area 4 7. Historic Significant & Patronage 4 8. Etruria Junction Character Area 6 9. Shelton Character Area 16 10. Hanley Park Character Area 27 11. City Waterside (Hanley South) Character Area 28 12. Northwood Character Area 43 13. Birches Head and Sneyd Green Character Area 51 14. Milton Character Area 60 15. Norton Character Area 68 APPENDICES Appendix A: Maps 1 – 11 to show revisions to the conservation area boundary Appendix B: Historic Maps LIST OF FIGURES Fig. 1: View of informal landscape setting from pedestrian bridge Fig. 2: Industrial warehouse, constructed during the post-war growth period Fig. 3: Intimate sense of enclosure to Lower Bedford Street Fig. 4: View of informal landscape setting from pedestrian bridge Fig. 5: Bedford Locks, set within natural landscape setting Fig.6: Stone steps to side of Bedford Locks Fig. 7: Canalside warehouse, off Pyenest Street Fig. 8: Elevational detailing on No. 35 Harcourt Street Fig. 9: No. 75 Shelton New Road Fig. 10: Worker’s Terraced Housing on the lower level of Davis Street, overlooking the canal Fig. 11: Rear view of Lomas Street properties from the Caldon Canal Fig. 12: The Wharf Keeper’s Cottage, as viewed from the canal Fig. 13: Former elevation of Johnson’s Imperial Pottery, opposite Trent Bathrooms Fig. 14: Internal courtyard and building elevations within Eastwood Pottery Complex Fig.