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NEWS SPRING/SUMMER 2021 Art Saved Us are doing. Since reopening, these tentacles from Yaddo out into the We’re back! world have included a live concert, It’s hard to imagine being happier to from Mike Doughty’s living room, no type those words. We reopened our less, and the premiere of a terrific new doors on February 16th to a small one-hour show called Hora! (hosted group of writers and artists who had by the mega-talented Catherine self-selected to be at Yaddo with Maria “Cat” Rodriguez) which aims to pandemic policies in place. What surprise and delight. What else? We’ve policies? Well, we implemented many continued our Artist Forums, launched of the steps we’ve all become used to a film and conversation series—The in this frightening period and some Fight for Rights—which to date has that are specific to a residency: Covid featured Lisa Cortes and Victor test before traveling to Yaddo, another LaValle discussing All In: the Fight test on arrival, weekly testing for all for Democracy and Bennett Singer staff, no leaving the grounds (though and Jacki Lyden previewing Cured. we do have 400 acres to explore!), no And of course, there’s our podcast rolling admissions, extra cleaning. The Shadow//Yaddo, which continues to first group was almost giddy to be Pod grow by leaps and bounds. Every other 1, and Pod 2 sailed along with equal Thursday, an episode drops and the We designed a T-shirt for this year’s Pod Squads verve, productivity and companionship. lineup of talent (voices of hope, ...LET’S SAVE ART Before the world folded inwards, you might have surmised that a period of social distancing would be a no-brainer for Yaddo. After all, we’re a retreat—a place consciously designed to allow for hush, for deep-thinking, reflection and solitude. One of our core traditions is quiet hours, held each day from 9 a.m. until 4 p.m. and again after 10 p.m. – what could be more interior leaning The first group included Larry Krone, shown here in than that? But as we shuttered our Frankenthaler Studio program with the heaviest of hearts, not knowing when we would be re- resistance, humor and wisdom) explore enlivened with the bustle of guests, a myriad of topics. we focused a lot on the other side of We’re not out of the woods yet, but the retreat coin: community. As we all the silver linings are piling up. For one know from our own lives—whether from thing, we’ve all realized how important meditation or prayer, solitary walks the arts and artists are to us. That’s or an unplugged phone—the point of what we turned to in those shut-in retreat is to gather strength and then days—to books, films, storytellers, advance. For Yaddo’s artists, the form music and art. As the year goes on, that re-entry takes is a lucky one for we’ll welcome back more and more each of us—it’s the thousands of books, of the artists whose 2020 residency films, symphonies and artworks that A recent Shadow//Yaddo podcast had to be postponed, and we’ll look delighted, challenged and comforted outward to bringing fresh work, vital us through this anxiety-laden year. topics, and good company (virtual and Cover (clockwise from top): Margaret Ross And so, even as we welcomed artists “for real”) to our larger community. (center) recites to the Yaddo group; Winter back into “the bubble” we worked The arts saved us, and we at Yaddo are plein air painting; Brian McCorkle; Laurie imaginatively, and with some urgency, grateful for every step that aids in their Anderson playing at the Javits Center as people are vaccinated; Eisa Davis. Credits: Painter by to help in the recovery of the creative revival and the forging of an innovative Rick Gargiulo; McCorkle by Elizabeth Haynes economy as a whole and to open path back from the pandemic. access to the great work Yaddo artists 2 Yaddo News Performance Artist Chin Chih Yang shares recent work and notes on his brilliant creative process EARLY ON IN CHIN CHIH YANG’S STAY AT YADDO, he came into the office to ask for permission to climb a 100-foot tree with a rope ladder. The project he was working on is titled “Watch Me: We Can Do It,” and the performance involves a helicopter mid-flight, LED lights, thousands of feet of rope, a heart-shaped light, and Chin Chih ascending. His work is daring, funny, disturbing, and it was an honor to include him in Episode 11: Invisible Among Us of our podcast, Shadow // Yaddo hosted by Elaina Richardson. Chin Chih Yang was born in Taiwan and now lives in Queens. He studied at the Parsons School of Design in Manhattan and graduated from Pratt Institute in Brooklyn with a Master of Science. His work addresses society’s efforts to protect itself, both physically and psychologically, against long-term catastrophe resulting from pollution, surveillance, isolation and social intolerance. He’s interested in the scary side of human nature, signaling experimental and creative ways to view the planet and ourselves. For one of his projects—“Kill Me or Change,” Q. How do you stay motivated to continue experiences, and use time-based art to make he donned a top hat and coat woven from trash to make performance work despite social the most impact. The concept is the most while a crane dropped 30K aluminum cans distancing? important part of my process. I spend most overhead, burying him alive. For a project called of my time on concept. After that research, I “An Interactive Protest Against Corporate A. Change motivates me. I react to humans, collect the material to produce the work. I use Waste,” he created a suit of recycled materials to our environment, our society, our disasters. recycled materials. Then I choose and arrange and performed a Shaman-like dance in So my motivation is endless. I spent lots of the location and set a date and time. When Times Square. And as of late, he performed time reading the news on different media. As I perform, I’m not concerned with how many “Mobile Quarantine House,” wearing a plastic a sculptor, I am keenly aware of safety in my people are there. One or a thousand is the safety suit and engaging with strangers in work. The element of interactivity, of hearing same audience to me. I will perform my best – the financial district of Manhattan. people speak their mind, is critical to my work what’s most important is that it happened. so I have to keep thinking and adjusting. I use We know that the pandemic has been I set big goals. large-scale performance as a starting point to particularly hard on those in the performance invoke deeper understandings of love. Q. During the pandemic, many artists have disciplines. An audience is key to their creative developed innovative solutions to getting work. We asked Chin Chih to tell us a bit Q. Your performances such as “Mobile their artwork out into the world. What do about how he’s managing and where he finds Quarantine House” have a great sense of you think the post-pandemic future looks motivation to keep on making his brilliant humor. How do you take on hard issues, yet like for performance art? performances. manage to do it with a sense of humor? A. I am very happy to see all the innovative Q. How has the pandemic impacted A. [“Mobile Quarantine House”] is about methods artists are trying during the your performance work? protecting individual freedom. I made a mobile pandemic. This is what I think artists should house, an ironic, ridiculous action. Most of my A. The pandemic caused the loss of many do and I have always thought art should art uses satire and humor as a way to address opportunities. Residencies with just the right experiment and adjust to current affairs. hard issues. A little joking makes it easier facilities were cancelled, so I went back to the These performances that developed due for the audience to absorb what you want to streets. In 2020, I performed live in Times to the epidemic situation, I think they are express. Square and on Wall Street. I had conversations very good, and I like them very much. I think with people in Harlem and other places in New Q. From conception to actual performance, performance will continue to develop and York City. I studied people, I focused on race, what is your process like for creating new become more essential. The epidemic is class, gender, education. Mostly I watched performance work? having a major impact on human life, but I how we react to each other in times of stress, A. My concepts are always based in social hope people can use these opportunities to because creating unity among people is at the situations, in sharp changes and environmental learn about relationships and cooperation heart of my upcoming performance, “Watch Us: issues. I take issues, consider my life and develop more harmonious and friendly Together We Can Do It.” ways of living together. Spring/Summer 2021 3 Yaddo Books: It’s Summer! Whether you’re reading on a plane, in a hammock, at the beach, we’ve got you covered. THERE’S L.A. NOIR It’s hard to talk about LA noir without Now, with Walter Mosley coming to mind, and The Killing Jonathan that’s just fine because he’s published his Hills, he Ames is no 15th book starring the magnetic private returns us to stranger to investigator Ezekiel “Easy” Rawlings.

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