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Unscripted Boom (Wall Street Journal 060121)
From Prince Harry to the Kardashians, Real Stories Are Hollywood’s Rising Stars WarnerMedia-Discovery merger among many high-profile moves bolstering streaming services’ offerings of reality TV and documentaries Kris Jenner, with short hair in black, and daughters Kim, Khloe and Kourtney Kardashian accepting the Reality Show of 2019 People's Choice award. PHOTO: NBCU PHOTO BANK VIA GETTY IMAGES By R.T. Watson, May 30, 2021 8:00 am ET Stories starring real people are attracting some of the world’s biggest celebrities, from the Obamas to Kim Kardashian, as nonfiction programming has become essential to companies aiming to build streaming services. 1 Unscripted shows and documentary projects tend to be cheaper to make than their scripted counterparts, offering the potential for bigger profits if they become popular. According to market-research company Reelgood, the cumulative number of reality TV shows offered on streaming services nearly doubled in the first quarter of this year when compared with 2020. AT&T Inc. T -0.65% placed a premium on this type of entertainment in its recent deal to merge WarnerMedia with Discovery Inc., DISCB 0.22% a big player in unscripted programming known for its top-rated reality franchise “90 Day Fiancé” and others, such as “Fixer Upper.” Discovery Chief Executive David Zaslav said after the deal was announced that combining his company’s expertise in unscripted productions with WarnerMedia’s prowess in scripted shows will be explosive. Chip and Joanna Gaines get ready for another season of ‘Fixer Upper.’ PHOTO: LISA PETROLE/MAGNOLIA NETWORK/ASSOCIATED PRESS In addition, the Kardashians are putting out a new show on Walt Disney Co. -
Finding Aid to the Historymakers ® Video Oral History with Johnny Pate
Finding Aid to The HistoryMakers ® Video Oral History with Johnny Pate Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Pate, Johnny Title: The HistoryMakers® Video Oral History Interview with Johnny Pate, Dates: September 30, 2004 Bulk Dates: 2004 Physical 5 Betacame SP videocasettes (2:29:11). Description: Abstract: Jazz bassist and music arranger Johnny Pate (1923 - ) formed the Johnny Pate Trio and Combo, and was house bassist for Chicago’s The Blue Note. Johnny Pate’s bass solo on “Satin Doll” is featured on the album "Duke Ellington Live at The Blue Note," and he has collaborated with Curtis Mayfield, produced the Impressions’s hits “Amen,” “We’re A Winner” and “Keep On Pushin’.” and arranged for B.B. King, Gene Chandler and Jerry Butler. Pate was interviewed by The HistoryMakers® on September 30, 2004, in Las Vegas, Nevada. This collection is comprised of the original video footage of the interview. Identification: A2004_188 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz bassist, rhythm and blues arranger John W. Pate, Sr., “Johnny Pate,” was born December 5, 1923 in blue collar Chicago Heights, Illinois. Pate took an interest in the family’s upright piano and learned from the church organist who boarded with them. He attended Lincoln Elementary School, Washington Junior High and graduated from Bloom Township High School in 1942. Drafted into the United graduated from Bloom Township High School in 1942. Drafted into the United States Army, Pate joined the 218th AGF Army Band where he took up the tuba and played the upright bass in the jazz orchestra. -
Dyslexia No Barrier to University of Michigan Grad's 11 Degrees - Ann Arbor News Extra - Mlive.Com
Dyslexia no barrier to University of Michigan grad's 11 degrees - Ann Arbor News Extra - MLive.com • Complete Forecast | Homepage | Site Index | RSS Feeds & Blogs | About Us | Contact Us | Advertise REAL HOME NEWS BUSINESS SPORTS ENTERTAINMENT TRAVEL LIVING FORUMS SHOP JOBS AUTOS CLASSIFIEDS ESTATE MLive.com - Blogs SEARCH: About The Author Dyslexia no barrier to University of Michigan | What's RSS? grad's 11 degrees Ann Arbor News Posted by Kristin Longley | The Flint Journal August 28, 2008 08:08AM Subscribe to Newsletters Categories: M Edition Latest Posts University of Michigan sports teams back in play after a strong 2007-08 season Dyslexia no barrier to University of Michigan grad's 11 degrees CONTESTS Equal opportunity affliction: Contests and University of Michigan Games doctor fights bias in access Click Here to treatment for pain Curry College students join Sudanese refugee's effort FROM OUR to build a well in his native ADVERTISERS • See coupons and village values for local WHOis: Meet some unique businesses. Click Ann Arbor area here! personalities Categories Ann Arbor Art Fairs (RSS) Ann Arbor Schools (RSS) Art fair basics (RSS) Art Fair Diary (RSS) Artists' Stories (RSS) Breaking News (RSS) Photo courtesy of Benjamin Bolger Business News (RSS) Benjamin Bolger on the campus of Harvard University, where he earned his 11th graduate Check this Out (RSS) degree. Featured Stories (RSS) Job Market (RSS) M Edition (RSS) RELATED: Complete M Edition Outlook 2007 (RSS) Outlook 2008 (RSS) Readers' Choice (RSS) Benjamin Bolger might very well be the most academically accomplished Shakey Jake (RSS) elementary-school dropout in recent history. -
Minority Percentages at Participating Newspapers
Minority Percentages at Participating Newspapers Asian Native Asian Native Am. Black Hisp Am. Total Am. Black Hisp Am. Total ALABAMA The Anniston Star........................................................3.0 3.0 0.0 0.0 6.1 Free Lance, Hollister ...................................................0.0 0.0 12.5 0.0 12.5 The News-Courier, Athens...........................................0.0 0.0 0.0 0.0 0.0 Lake County Record-Bee, Lakeport...............................0.0 0.0 0.0 0.0 0.0 The Birmingham News................................................0.7 16.7 0.7 0.0 18.1 The Lompoc Record..................................................20.0 0.0 0.0 0.0 20.0 The Decatur Daily........................................................0.0 8.6 0.0 0.0 8.6 Press-Telegram, Long Beach .......................................7.0 4.2 16.9 0.0 28.2 Dothan Eagle..............................................................0.0 4.3 0.0 0.0 4.3 Los Angeles Times......................................................8.5 3.4 6.4 0.2 18.6 Enterprise Ledger........................................................0.0 20.0 0.0 0.0 20.0 Madera Tribune...........................................................0.0 0.0 37.5 0.0 37.5 TimesDaily, Florence...................................................0.0 3.4 0.0 0.0 3.4 Appeal-Democrat, Marysville.......................................4.2 0.0 8.3 0.0 12.5 The Gadsden Times.....................................................0.0 0.0 0.0 0.0 0.0 Merced Sun-Star.........................................................5.0 -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
William B. Kaplan CAS
Career Achievement Award Recipient William B. Kaplan CAS CAS Filmmaker Award Recipient George SPRING Clooney 2021 Overcoming Atmos Anxiety • Playing Well with Other Departments • RF in the 21st Century Remote Mixing in the Time of COVID • Return to the Golden Age of Booming Sound Ergonomics for a Long Career • The Evolution of Noise Reduction FOR YOUR CONSIDERATION CINEMA AUDIO SOCIETY AWARDS NOMINEE MOTION PICTURE LIVE ACTION PRODUCTION MIXER DREW KUNIN RERECORDING MIXERS REN KLYCE, DAVID PARKER, NATHAN NANCE SCORING MIXER ALAN MEYERSON, CAS ADR MIXER CHARLEEN RICHARDSSTEEVES FOLEY MIXER SCOTT CURTIS “★★★★★. THE FILM LOOKS AND SOUNDS GORGEOUS.” THE GUARDIAN “A WORK OF DAZZLING CRAFTSMANSHIP.” THE HOLLYWOOD REPORTER “A stunning and technically marvelous portrait of Golden Era Hollywood that boasts MASTERFUL SOUND DESIGN.” MIRROR CAS QUARTERLY, COVER 2 REVISION 1 NETFLIX: MANK PUB DATE: 03/15/21 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” INSIDE THIS ISSUE SPRING 2021 CAREER ACHIEVEMENT AWARD RECIPIENT WILLIAM B. KAPLAN CAS | 20 DEPARTMENTS The President’s Letter | 4 From the Editor | 6 Collaborators | 8 Learn about the authors of your stories 26 34 Announcements | 10 In Remembrance | 58 Been There Done That |59 CAS members check in The Lighter Side | 61 See what your colleagues are up to 38 52 FEATURES A Brief History of Noise Reduction | 15 Remote Mixing in the Time of COVID: User Experiences | 38 RF in the Twenty-First Century |18 When mix teams and clients are apart Filmmaker Award: George Clooney | 26 Overcoming Atmos Anxiety | 42 Insight to get you on your way The 57th Annual CAS Awards Nominees for Outstanding Achievement Playing Well with Other Production in Sound Mixing for 2020 | 28 Departments | 48 The collaborative art of entertainment Outstanding Product Award Nominees| 32 Sound Ergonomics for a Long Career| 52 Return to the Golden Age Staying physically sound on the job Cover: Career Achievement Award of Booming | 34 recipient William B. -
Screendollars
Monday, May 24, 2021 | No. 169 When Star Wars opened May 25, 1977 no one but Steven Spielberg thought it would be a hit. George Lucas had been turned down by Universal, United Artists and Disney before pitching 20th Century Fox his sci-fi epic inspired by 1930's serials like Flash Gordon and Buck Rogers, the 1966 TV series Star Trek and Frank Herbert's 1965 novel Dune. Fox creative affairs chief Alan Ladd, Jr. greenlighted SW, but Fox's distribution arm never considered it a likely hit. Fox marketers wanted to change the title because moviegoers might think Star Wars was about the Vietnam War or, perhaps, superstars Elizabeth Taylor and Richard Burton's divorce. When Lucas screened a rough cut for some director pals, they weren't impressed. Brian De Palma reportedly called it the "worst movie" ever made. Spielberg, however, predicted SW would be "the biggest movie of all time." Lucas thought SW was doomed and skipped its premiere to vacation with Spielberg in Hawaii where they heard SW was a boxoffice phenomenon and then came up with a new project to do together -- Raiders of the Lost Ark (1981), the first Indiana Jones blockbuster. Exhibitors were reluctant to book SW, thinking only kids and sci-fi buffs would buy tickets, so it opened at just 32 theatres. Two days later, it was in 43 theatres and a week later in 157. It peaked in mid-August at 1,096, a very wide run then. Produced for $11 million, its original release did $461 million domestically and $196 million abroad – huge numbers at Theatrical Poster for Star Wars, the time. -
Newspapers in Michigan
NEWSPAPERS IN MICHIGAN Publication Newspaper, County Location Publisher Edition* Day(s) ALCONA COUNTY Alcona County Review Harrisville Cheryl Peterson W W ALGER COUNTY The Munising News Munising Willie J. Peterson John H. Williams W W ALLEGAN COUNTY The Allegan County News Allegan Cheryl A. Kaechele W Th The Union Enterprise Plainwell Cheryl A. Kaechele W Th The Commercial Record Saugatuck Cheryl A. Kaechele W Th Penasee/Globe Wayland Ron Carlson W M ALPENA COUNTY Alpena News Alpena Bill Speer D M-Sat ANTRIM COUNTY Antrim County News Bellaire Jeffrey Hallberg W W Town Meeting Elk Rapids Jeffrey Hallberg W W ARENAC COUNTY The Arenac County Independent Standish Robert E. Perlberg W W BARAGA COUNTY L’Anse Sentinel L’Anse Edward G. Danner W W BARRY COUNTY Freeport News Freeport Ron and Christy Geiger W Th Hastings Banner Hastings John P. Jacobs W Th The Sun & News Middleville/ John P. Jacobs W T Caledonia Maple Valley News Nashville John P. Jacobs W T BAY COUNTY Bay City Democrat & Bay County Legal News Bay City Scott E. DeVeau W Th Bay City Times Bay City C. Kevin Dykema D M-Sun The Valley Farmer Bay City David B. Hebert W Th Pinconning Journal Pinconning Thomas N. Johnson W W BENZIE COUNTY Benzie County Record-Patriot Frankfort John A. Batdorff W W BERRIEN COUNTY Berrien County Record Buchanan Donald W. Holmes W W Harbor Country News New Buffalo Goeff Moser W Th Niles Daily Star Niles Doug Phares D M-Sat The Connector Niles/Buchanan Toni Lawrence W F The Herald-Palladium St. -
Chicago Was a Key R&B and Blues
By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse gruff, exp lore voice of Mar verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem Dixon and Quincy Jones, singing back plate for every singing group that came grounds for Dinah Washington and Bar after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg Dells had attained Hall of Fame merit by ends. -
Part IV Alternative Film
\ PART IV THE ALTERNATIV E FILM 335 Historical Overview: The Development of the Documentary Film FROM SILENCE TO SOUND Influenced by the Industrial Revolution's emphasis on science and technology, Louis and Auguste Lumière made their first films in 1895 primarily from an urge to reproduce the everyday world, to record and document life around them. These filmed scenes from life (workers leaving the factory, a train arriving), however, could not indefinitely hold the imagination and attention of the viewing public. Although from 1895 to 1907 most films were documentary films or, perhaps more appropriately, film documents - after 1907 such films were on the decline. Audience interest in film's ability to capture the everyday world was undercut by the growing production of fake documentaries, which were often much more exciting to watch than the film record of the real thing. The narrative film in which the emergent art of film editing altered precamera activity and created drama as it manipulated time and space appealed to audiences more than films of unstructured material. Although newsreels became a regular part of the movie program in 1910 when both Pathé and Gaumont in France released the first sets of composite documentary news footage, the public's chief interest in the movies had permanently shifted to the narrative film. As a result, although many documentary films throughout the century functioned as theatrical entertainment, the history of the form has generally been allied to noncommercial enterprise and has been developed by those filmmakers, governments, and social institutions who saw in the cinema a medium with the power to move people to social and political action. -
International Feature Film Award Rules
RULE THIRTEEN SPECIAL RULES FOR THE INTERNATIONAL FEATURE FILM AWARD The unprecedented coronavirus/COVID-19 global pandemic mandated the closure of commercial motion picture theaters worldwide. Until further notice and for the 93rd Awards year only, country selected films that had a previously planned theatrical release but are initially made available through a reputable commercial streaming distribution service or video on demand may qualify for awards consideration in the International Feature category for the 93rd Academy Awards under these provisions: Provide to The Academy documentation (original document(s) and an English translation) of government mandated theater/cinema closure dates, previously planned theatrical release and steaming distribution or video on demand agreements. The film be made available on the secure Academy Screening Room member site within 60 days of the film being officially selected; That it meets all other eligibility requirements. When theaters reopen in accordance with national and local specified guidelines and criteria, and on a date to be determined by the Academy, this rules exemption will no longer apply. All films released thereafter will be expected to comply with the standard International Feature Film category theatrical qualifying requirements. In order for films to more easily meet theatrical exhibition requirements, the Academy will allow films to qualify outside the country of origin, provided the film is theatrically exhibited outside of the United States and its territories for at least seven consecutive days in a commercial motion picture theater for paid admission. The International Feature Executive Committee will evaluate all matters of rules and eligibility. Film festivals have been impacted by the coronavirus/COVID-19 pandemic. -
Advance Local | 4 Times Square |11Th Floor | New York, NY 10036 | 212.286.7872
FOR IMMEDIATE RELEASE: ADVANCE LOCAL ANNOUNCES PAID SUMMER INTERNSHIP PROGRAM AT ITS LOCAL AFFILIATES Intern Positions in Content and Sales & Marketing at leading news brands New York, NY - January 14, 2014 – Advance Local, a leading media organization affiliated with 12 news and information websites and 30+ newspapers in communities throughout the U.S., announced the launch of a paid national internship program with positions in its local content and sales & marketing departments. The program is open to current, full-time undergraduate or graduate students pursuing a degree in Journalism, Business, Communications, or related fields. Positions are available at the following Advance Local group companies: • Alabama Media Group (AL.com, The Birmingham News, The Huntsville Times, Press-Register, The Mississippi Press) • MassLive.com • MLive Media Group (MLive.com, The Bay City Times, The Flint Journal, The Grand Rapids Press, Jackson Citizen Patriot, Kalamazoo Gazette, Muskegon Chronicle, The Saginaw News, The Ann Arbor News) • NJ.com • NOLA Media Group (NOLA.com and The Times-Picayune) • Northeast Ohio Media Group (which represents cleveland.com, The Plain Dealer and Sun News for sales and marketing and which also provides some content to the website and the newspapers) • Oregonian Media Group (OREGONLIVE.com, The Oregonian, Hillsboro Argus, Beaverton Leader and Forest Grove Leader) • PA Media Group (PennLive.com and The Patriot News) • Syracuse Media Group (syracuse.com and The Post-Standard) Participants will be immersed in one Advance Local market for 8 weeks and then come together for a national summit in the New York City area with fellow interns from across the country. Students must be available to work between June 2, 2014 and July 25, 2014.