Gauguin: Metamorphoses – Promo Image Captions

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Gauguin: Metamorphoses – Promo image captions All works by Paul Gauguin (French, 1848–1903) 5 groupings of related works: 1A Nave nave fenua (Delightful Land ) from the suite Noa Noa ( Fragrant Scent ). 1893-94. Woodcut, comp. 14 x 8" (35.6 x 20.3 cm). National Gallery of Art, Washington, D.C. Rosenwald Collection 1B Nave nave fenua (Delightful Land ). 1894. Watercolor monotype with hand additions, sheet 15 15/16 x 9 1/2" (40.5 x 24.2 cm). Museum of Fine Arts, Boston. Bequest of W. G. Russell Allen Photo credit: Courtesy, Museum of Fine Arts, Boston -- 2A Mata mua (In Olden Times ). 1892. Oil on canvas, 35 13/16 x 27 3/16" (91 x 69 cm). Carmen Thyssen-Bornemisza Collection. On deposit at Museo Thyssen-Bornemisza, Madrid Photo credit: Museo Thyssen-Bornemisza / Scala / Art Resource, NY 2B Maruru (Offerings of Gratitude ) from the suite Noa Noa ( Fragrant Scent ). 1893-94 Woodcut, comp. 8 1/16 x 14" (20.5 x 35.5 cm). Sterling and Francine Clark Art Institute, Williamstown, Mass. Photo credit: © Sterling and Francine Clark Art Institute, Williamstown, Massachusetts (photo by Michael Agee) 2C Scene of Worship with Head of Hina in Profile from the relief ensemble Pape moe (Mysterious Water ). 1894. Carved and painted oak wood, 7 3/4 x 18 x 2" (19.7 x 45.7 x 5.1 cm). Private collection -- 3A Square Vase with Tahitian Gods (Hina Talking to Tefatou) . 1893-95. Terra-cotta, 13 1/2 x 5 11/16 x 5 1/2" (34.3 x 14.4 x 14 cm). Designmuseum Danmark, Copenhagen Photo credit: Pernille Klemp 3B Tahitian Idol . 1894-95. Woodcut with hand additions, comp. 5 15/16 x 4 5/8" (15.1 x 11.7 cm). Private collection, USA -- 4A Oviri (Savage ). 1894. Partly enameled stoneware, 29 1/2 x 7 1/2 x 10 5/8" (75 x 19 x 27 cm). Musée d’Orsay, Paris Photo credit: Hervé Lewandowski. © RMN-Grand Palais / Art Resource, NY 4B Oviri ( Savage ). 1894. Woodcut with gouache and watercolor additions, comp. 8 1/16 x 4 3/4" (20.5 x 12 cm). Private collection Photo credit: © Reto Rodolfo Pedrini, Zurich -- 5A Head with Horns. 1895–97. Wood with traces of paint, head 8 11/16 x 9 x 4 3/4" (22 x 22.8 x 12 cm); base 7 7/8 x 9 13/16 x 6 7/8" (20 x 25 x 17.5 cm). The J. Paul Getty Museum, Los Angeles 5B Tahitian Woman with Evil Spirit , recto. c. 1900. Oil transfer drawing, sheet 22 1/16 x 17 13/16" (56.1 x 45.3 cm). Private collection 5C Tahitian Woman with Evil Spirit , verso. c. 1900. Graphite and blue pencil, sheet 22 1/16 x 17 13/16" (56.1 x 45.3 cm). Private collection I raro te oviri (Under the Pandanus) , 1891, Dallas Museum of Art, Foundation for the Arts Collection, gift of the Adele R. Levy Fund, Inc. .

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Paul Gauguin 8 February to 28 June 2015
Media Release Paul Gauguin 8 February to 28 June 2015 With Paul Gauguin (1848-1903), the Fondation Beyeler presents one of the most important and fascinating artists in history. As one of the great European cultural highlights in the year 2015, the exhibition at the Fondation Beyeler brings together over fifty masterpieces by Gauguin from leading international museums and private collections. This is the most dazzling exhibition of masterpieces by this exceptional, groundbreaking French artist that has been held in Switzerland for sixty years; the last major retrospective in neighbouring countries dates back around ten years. Over six years in the making, the show is the most elaborate exhibition project in the Fondation Beyeler’s history. The museum is consequently expecting a record number of visitors. The exhibition features Gauguin’s multifaceted self-portraits as well as the visionary, spiritual paintings from his time in Brittany, but it mainly focuses on the world-famous paintings he created in Tahiti. In them, the artist celebrates his ideal of an unspoilt exotic world, harmoniously combining nature and culture, mysticism and eroticism, dream and reality. In addition to paintings, the exhibition includes a selection of Gauguin’s enigmatic sculptures that evoke the art of the South Seas that had by then already largely vanished. There is no art museum in the world exclusively devoted to Gauguin’s work, so the precious loans come from 13 countries: Switzerland, Germany, France, Spain, Belgium, Great Britain (England and Scotland),
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