Media Face Several Challenges During President Trump's First Months in Office
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A Better Death in a Digital Age: Post
Publishing Office Aims and scope Abramis Academic ASK House Communication ethics is a discipline that supports communication Northgate Avenue practitioners by offering tools and analyses for the understanding of Bury St. Edmunds ethical issues. Moreover, the speed of change in the dynamic information Suffolk environment presents new challenges, especially for communication IP32 6BB practitioners. UK Tel: +44 (0)1284 700321 Ethics used to be a specialist subject situated within schools of philosophy. Fax: +44 (0)1284 717889 Today it is viewed as a language and systematic thought process available Email: [email protected] to everyone. It encompasses issues of care and trust, social responsibility and Web: www.abramis.co.uk environmental concern and identifies the values necessary to balance the demands of performance today with responsibilities tomorrow. Copyright All rights reserved. No part For busy professionals, CE is a powerful learning and teaching approach that of this publication may be reproduced in any mate- encourages analysis and engagement with many constituencies, enhancing rial form (including pho- relationships through open-thinking. It can be used to improve organization tocopying or storing it in performance as well as to protect individual well-being. any medium by electronic means, and whether or not transiently or incidentally Submissions to some other use of this Papers should be submitted to the Editor via email. Full details on submission – publication) without the along with detailed notes for authors – are available online in PDF format: written permission of the www.communication-ethics.net copyright owner, except in accordance with the provisions of the Copyright, Subscription Information Designs and Patents Act Each volume contains 4 issues, issued quarterly. -
Female Director Takes Hollywood by Storm: Is She a Beauty Or a Visionary?
Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship 6-1-2016 Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary? Courtney Richardson Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/honors_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Richardson, Courtney, "Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary?" (2016). Honors Senior Theses/Projects. 107. https://digitalcommons.wou.edu/honors_theses/107 This Undergraduate Honors Thesis/Project is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary? By Courtney Richardson An Honors Thesis Submitted in Partial Fulfillment of the Requirements for Graduation from the Western Oregon University Honors Program Dr. Shaun Huston, Thesis Advisor Dr. Gavin Keulks, Honors Program Director Western Oregon University June 2016 2 Acknowledgements First I would like to say a big thank you to my advisor Dr. Shaun Huston. He agreed to step in when my original advisor backed out suddenly and without telling me and really saved the day. Honestly, that was the most stressful part of the entire process and knowing that he was available if I needed his help was a great relief. Second, a thank you to my Honors advisor Dr. -
Paul Gambaccini
2017612 An Evening With Paul Gambaccini An Evening With Paul Gambaccini By Alexander Baron Oct 31, 2015 Paul Gambaccini 6 0 0 0 6 0 0 0 18 6 0 SHARES a d y n f h k m Paul Gambaccini may be a DJ, radio presenter and noted musicologist, but when he turned up at the Law Society Hall in London’s Chancery Lane on Thursday night, the last thing on his mind was entertainment. With him on the stage was Christopher Jefferies, and sitting between them was Owen Bowcott, Legal Affairs Correspondent of the Guardian newspaper. If the name Chris Jefferies is not familiar to you, he was in the news five years ago for all the wrong reasons. The retired teacher owns several properties in the Bristol area, and when one of his tenants was found murdered, he was an obvious suspect; families, friends and acquaintances along with any enemies of the victim always are. It was not unreasonable that he was arrested, but for reasons that need not concern us here he was subjected to considerable vilification by the tabloids which would clearly have prejudiced his trial had he been charged. https://www.infotextmanuscripts.org/tln/An%20Evening%20With%20Paul%20Gambaccini.html 1/6 2017612 An Evening With Paul Gambaccini After he was released on police bail, another suspect came to light. Vincent Tabak would eventually be convicted of the murder of Joanna Yeates, and there is no uncertainty about his guilt. While Mr Jefferies was accused of a real crime, Paul Gambaccini was accused of an entirely imaginary one, and although it was a far less serious allegation, it would still have destroyed his life had it stuck. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
The Undergraduate Journal of Sociology 13
IDEATE The Undergraduate Journal of Sociology 13 Contents First year essays Natasha Bristow: SC111 The Sociological Imagination • Introduce and discuss Du Bois’ notion of “double consciousness”. Is the notion still relevant today? Angella M Denman: SC101 Researching Social Life I • Research Proposal: Is there a linK between morbidity and ethnic inequality? Which “model of explanation” (biological, behavioural or socio-economic) is most significant in explaining this linK? Liberty Faygo: SC101 Researching Social Life I • Outline and discuss the key principles of research ethics. Why are research ethics important? Ingrid Haave: SC111 The Sociological Imagination • Why is it difficult to define the word ‘race’? Bethany McCarthy: SC111 The Sociological Imagination • ‘Organised’ crime in the UK is, in fact, largely ‘disorganised’. Discuss Amie Mills: SC104 Introduction to Crime, Law and Society • Explain and evaluate the difficulties in defining and punishing crimes of the powerful Georgiana Nica: SC111 The Sociological Imagination • Why is it difficult to define the word ‘race’? Christina Sewell: SC104 Introduction to Crime, Law and Society • Explain and evaluate the difficulties in defining and punishing crimes of the powerful Hayley Wood: SC104 Introduction to Crime, Law and Society • Explain and evaluate the difficulties in defining and punishing crimes of the powerful Second year essays Sabrina Bullert: SC203 Researching Social Life II • The Impact of Reading Fashion Blogs on Consumption Robin Brooker: SC203 Researching Social Life II • To what extent do Anglicans aged 18-25 perceive secularisation to have affected their beliefs, practices and identity as Christians? Christopher Cunningham: SC276 Social Anthropology: Birth and Sex and Death • ‘FGM is not cultural, it is criminal; it is not tribal, it is torture.’ Keith Vaz MP. -
Media Pushes Into Farook's Apartment, Rifles Through Everything There
12/9/2015 Surreal: Media pushes into Farook’s apartment, rifles through everything there; Update: “I am so shocked, I cannot believe it”; Update: MSNBC apologizes « ... Home Archives Ed Morrissey Show Newsletters Surreal: Media pushes into Farook’s apartment, rifles through everything there; Update: “I am so shocked, I cannot believe it”; Update: MSNBC apologizes posted at 2:01 pm on December 4, 2015 by Allahpundit Share on Facebook 286 286 SHARES Uh, isn’t this still a crime scene? The FBI says they’ve finished their work there, but… In a phone call with Grasswire, a spokesperson for the FBI field office in Los Angeles confirmed the agency finished their investigation at the apartment on Thursday. But law enforcement officials at other agencies said the building was still an active crime scene. “I don’t know what’s going on,” Deputy Olivia Bozek, a spokesperson for the San Bernardino County Sheriff’s Department told Grasswire by phone. “That is not a cleared crime scene. There’s still an active investigation going on.” The FBI’s in charge of the investigation so if they say it’s clear, presumably it’s clear for all agencies. Let’s hope: If the cops find out later that there were more than two people to this cell and they want to go back and look for the third suspect’s fingerprints or DNA inside Farook’s home, they can forget about that now. At last check at around 1:30 ET, not only were cameramen from various news outlets walking around inside, but seemingly random people off the street were too. -
Acknowledgements
Acknowledgements Analysing scripts – A guide Document Image Acknowledgements Resource 1 Attack the Attack the Block Joe Cornish http://bit.ly/2uU3R6Y Block Script script by Joe Cornish pdf Resource 2: Label the Juno script by Diablo Cody http://bit.ly/2halRkW script elements in Juno Diablo Cody and Resource 3: Add shots and transitions to Juno Writing Openings Document Image Acknowledgements Resource 1: Effective Beasts of the Lucy Alibar and Benh Zeitlin opening techniques Southern Wild http://bit.ly/2uUTXBK script Resource 1: Effective Blade Runner Hampton Fancher and David Peoples opening techniques script http://bit.ly/2lgVOMj Resource 1: Effective Whiplash script Damien Chazelle http://bit.ly/14AgxBJ opening techniques Resource 1: Effective Rear Window John Michael Hayes based on a short story opening techniques script by Cornell Woolrich http://bit.ly/2whHBU3 Resource 1: Effective Raiders of the Lawrence kasdan and George Lucas opening techniques Lost Ark script http://bit.ly/2veMwrP Resource 1: Effective Apocalypse Now John Milius and Francis Coppola opening techniques script http://bit.ly/2whxwpZ Resource 2 Narrative The Hurt Locker Mark Boal and Kathryn Bigelow techniques script http://bit.ly/2vpfxle Resource 5 Writing the Images/stills from Seymour Films and Red & Black Films opening to a horror film Don't Knock twice 'Fair dealing' of third party materials is used for criticism and review purposes however if there are omissions or inaccuracies please inform us so that any necessary corrections can be made [email protected] Developing characters Document Image Acknowledgements Resource 1 Plutchik's Wheel Robert Plutchick Development dialogue of Emotion. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Unclassified Fictions: the CIA, Secrecy Law, and the Dangerous Rhetoric of Authenticity
Unclassified Fictions: The CIA, Secrecy Law, and the Dangerous Rhetoric of Authenticity Matthew H. Birkhold* ABSTRACT Zero Dark Thirty , Kathryn Bigelow’s cinematic account of the manhunt for Osama bin Laden, attracted tremendous popular attention, inspiring impassioned debates about torture, political access, and responsible filmmaking. But, in the aftermath of the 2013 Academy Awards, critical scrutiny of the film has abated and the Senate has dropped its much-hyped inquiry. If the discussion about Zero Dark Thirty ultimately proved fleeting, our attention to the circumstances of its creation should not. The CIA has a longstanding policy of promoting the accuracy of television shows and films that portray the agency, and Langley’s collaboration with Bigelow provided no exception. To date, legal scholarship has largely ignored the CIA’s policy, yet the practice of assisting filmmakers has important consequences for national security law. Recently, the CIA’s role in Zero Dark Thirty’s creation and the agency’s refusal to release authentic images of the deceased Osama bin Laden reveals its attitude toward fiction and how it impacts the CIA’s legal justifications for secrecy. By conducting a close analysis of CIA affidavits submitted in FOIA litigation and recently declassified records detailing the CIA’s interactions with Bigelow, this article demonstrates how films like Zero Dark Thirty function as workarounds where the underlying records are classified. These films are “unclassified fictions” in that they allow the CIA to preserve the secrecy of classified records by communicating nearly identical information to the public. Unclassified fictions, in other words, allow the CIA to evade secrecy while maintaining that secrecy—to speak without speaking. -
April 28, 2014 Via Email and U.S. Mail [email protected]
Correspondence from: Marc J. Randazza, Esq. [email protected] Reply to Las Vegas Office MARC J. RANDAZZA via Email or Fax Licensed to practice in Massachusetts California Nevada April 28, 2014 Arizona Florida Via Email and U.S. Mail RONALD D. GREEN Licensed to practice in [email protected] Nevada JASON A. FISCHER Senator Lawrence Farnese, Jr. Licensed to practice in Florida Pennsylvania State Senate California U.S. Patent Office 1802 S. Broad Street Philadelphia, PA 19145 J. MALCOLM DEVOY Licensed to practice in Nevada Re: Senate Bill 1095 CHRISTOPHER A. HARVEY Licensed to practice in California Dear Senator Farnese: A. JORDAN RUSHIE Licensed to practice in Pennsylvania I was recently able to attend the Pennsylvania Legislature’s meeting in New Jersey Philadelphia, Pennsylvania on April 24, 2014, and provide testimony regarding D. GILL SPERLEIN your proposed anti-SLAPP law, SB 1095. SLAPPs, or Strategic Lawsuits Against Licensed to practice in California Public Participation, are a problem I have seen not only in Pennsylvania, but throughout the nation. I practice First Amendment law nationally, and my firm ALEX J. SHEPARD Licensed to practice in and I have been active in defending SLAPP suits filed in Pennsylvania, California California, New York, Florida, Arizona, and Nevada. We use anti-SLAPP statutes when they are available, and found them to be to the decisive benefit of defendants in spurious defamation actions. www.randazza.com I have attached my curriculum vitae to expand upon my qualifications for discussing Pennsylvania’s proposed anti-SLAPP law. In the course of my firm’s Philadelphia work, we have seen numerous anti-SLAPP statutes that work exceptionally well 2424 East York Street Suite 316 and should be models for other states. -
RFC's Library's Book Guide
RFC’s Library’s Book Guide 2017 Since the beginning of our journey at the Royal Film Commission – Jordan (RFC), we have been keen to provide everything that promotes cinema culture in Jordan; hence, the Film Library was established at the RFC’s Film House in Jabal Amman. The Film Library offers access to a wide and valuable variety of Jordanian, Arab and International movies: the “must see” movies for any cinephile. There are some 2000 titles available from 59 countries. In addition, the Film Library has 2500 books related to various aspects of the audiovisual field. These books tackle artistic, technical, theoretical and historical aspects of cinema and filmmaking. The collec- tion of books is bilingual (English and Arabic). Visitors can watch movies using the private viewing stations available and read books or consult periodi- cals in a calm and relaxed atmosphere. Library members are, in addition, allowed to borrow films and/or books. Membership fees: 20 JOD per year; 10 JOD for students. Working hours: The Film Library is open on weekdays from 9:00 AM until 8:00 PM. From 3:00 PM until 8:00 PM on Saturdays. It is closed on Fridays. RFC’s Library’s Book Guide 2 About People In Cinema 1 A Double Life: George Cukor Patrick McGilligan 2 A Hitchcock Reader Marshall Dentelbaum & Leland Poague 3 A life Elia Kazan 4 A Man With a Camera Nestor Almenros 5 Abbas Kiarostami Saeed-Vafa & Rosenbaum 6 About John Ford Lindsay Anderson 7 Adventures with D.W. Griffith Karl Brown 8 Alexander Dovzhenko Marco Carynnk 9 All About Almodovar Epps And Kakoudeki -
R V Vincent Tabak [2011]-A Murder Case in Bristol, England
R v Vincent Tabak [2011]-a murder case in Bristol, England 1 CHAPTER ONE Introduction Joanna Yeates was a 25 year old woman who was murdered on 15 December 2010. Her body was discovered on 26 December 2010 and on 23 January 2011 her next door neighbour Dr Vincent Tabak, a highly qualified Dutch architectural engineer (working in Bath, England, United Kingdom) was arrested and charged with her murder. The murder trial began on Monday 10 October 2011. Court One was court where the murder trial took place at Bristol Crown Court, Small Street, Bristol. The jury was sworn in a few days before the trial began. There were no black persons among the jury even though Bristol has a huge representation of black persons among its citizens.[1] The Court Bristol Crown Court is a modern, busy court. The Crown Court is the correct jurisdiction for a murder trial. The status, jurisdiction and administration of the Crown Court is governed by the Constitutional Reform Act 2005, section 59 (5) and Schedule 11, paragraphs 1 and 26, and by certain sections of the Criminal Procedure Rules 2005. See the Statutory Instrument 2005 Number 384 (SI 2005/384). 2 Violence The concept of violence concerns most law-abiding citizens in all countries. Defining violence has long been debated among criminologists for most of this century and before this time. The term ‘violence’ some argue, lacks precision, which is why it is difficult to define, coupled with the fact that, embedded in events and actions which are perceived and understood as violent, are variable and conflicting conceptions of social and moral order.