From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas ( Compiled by John K

Total Page:16

File Type:pdf, Size:1020Kb

From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas ( Compiled by John K From: Reviews and Criticism of Vietnam War Theatrical and Television Dramas (http://www.lasalle.edu/library/vietnam/FilmIndex/home.htm) compiled by John K. McAskill, La Salle University ([email protected]) I5425 IN THE VALLEY OF ELAH (USA, 2007) Credits: director/writer, Paul Harris ; story, Mark Boal, Paul Harris. Cast: Tommy Lee Jones, Charlize Theron, Jason Patric, Susan Sarandon. Summary: Murder mystery set in contemporary New Mexico. Retired Army CID sergeant and Vietnam vet Hank Deerfield (Jones) receives a call from Fort Rudd (N.M.) that his son Mike, whose unit has just returned from Iraq, is missing. When he arrives there, Hank finds that Mike’s buddies are keeping mum and that base officers like Lt. Kirklander (Patric) are bureaucratic lackeys with little interest in the case. Hank gradually earns the respect of Emily Sanders (Theron), a local civilian detective, and pushes the case to a full blown murder investigation. Ultimately Deerfield discovers that Mike was murdered by one his buddies, a victim of the unrecognized PTSD that plagues many of the recent returnees from Iraq. Allen, Boo. “Valley of shadows; Jones dogged by death in ‘Elah’” Denton record- chronicle [TX] (Sep 21, 2007), Entertainment, p. 3D. Andersen, Soren. “A quietly blistering vision of war” The news tribune [Tacoma, WA] (Sep 21, 2007), Entertainment & GO, p. F17. Ansen, David. “The Hollywood war front: angry filmmakers are gung-ho on Iraq movies, but the war as entertainment is proving to be a tough sell to audiences” Newsweek 150/15 (Oct 8, 2007), p. 66. ___________. “Turning back the clock” Newsweek 150/13 (Sep 24, 2007), p. 14. Applebaum, Stephen. “Real-life horrors” Weekend Australian (Oct 20, 2007), p. 21. Axmaker, Sean. “Tommy Lee Jones shines in ‘Elah’” Seattle post-intelligencer (Sep 14, 2007), What’s happening, p. 5. Barnes, Brad. “‘In the Valley of Elah’ comes home; Film’s plot unrecognizable as Columbus’ story” Columbus ledger-enquirer [GA] (Sep 17, 2007), p. A1. Beale, Lewis. “ ‘Valley’ leads to the bottom of her heart; Sarandon’s concern for military families inspires her role as mother of slain soldier” Newsday (Sep 13, 2007), Pt. II, p. B04. Beifuss, John. “An anti-war ‘Crash’; Paul haggis follows his race-oriented Oscar winner with a look at the Iraq war” Commercial appeal [Memphis, TN] (Sep 21, 2007), Playbook, p. G6-7. Borrelli, Christopher. “‘The Valley of Elah’ sweaty with meaning” The blade [Toledo, OH] (Sep 28, 2007), Peach, p. C1. Breznican, Anthony. “Tommy Lee Jones; Don’t call ‘In the Valley of Elah’ unpatriotic unless you want a fight” USA today (Sep 12, 2007), Life, p. 8B. Burr, Ty (see under Morris, Wesley) Carr, David. “The media equation; Red carpet meets harsh war” New York times (Sep 17, 2007), sec. C, p. 1. Chester, Rodney. “Lights, action, fire!” Courier mail [Australia] (Oct 13, 2007), Etc., p. M06. Cieply, Michael. “With real bullets still flying, Hollywood brings war home” New York times (July 26, 2007), p. A1, A17. Clines, Peter. “Paul Haggis on ‘In the Valley of Elah’” Screenwriting 14/5 (Sep/Oct 2007), p. 53-59. Covert, Colin. “Tommy Lee Jones goes to war; ‘In the Valley of Elah’ pits a man’s search for answers against his sense of duty” Star tribune [Minneapolis, MN] (Sep 20, 2007), VITA.MN, p. 27. Curran, Tim. “Director’s choice: Mark Isham” Film score monthly 12/10 (Oct 2007), p. 1. Dawson, Angela. “‘Elah’s’ substance drew stars to story” Knoxville news sentinel (Sep 21, 2007), Preview, p. 98. Denby, David. “Soldiers: ‘In the Valley of Elah’” New Yorker 83/28 (Sep 24, 2007), p. 188. Dudek, Duane. “Valley of sadness; ‘Elah’ probes depths of loss in context of Iraq war” Milwaukee journal sentinel (Sep 21, 2007), E cue, p. 3. Ebert, Roger. “Into the ‘Valley’ of greatness; Actors elevate drama about a missing son just back from war” Chicago sun-times (Sep 14, 2007), Movies, p. B1. Edelstein, David. “Post-traumatic mystery: compared with Crash, Paul Haggis’s Iraq film is devastatingly restrained…” New York (Sep 17, 2007), p. ? Elliott, David. “Haggis’ ‘In the Valley of Elah’ a shaped charge aimed inward” San Diego union-tribune (Sep 21, 2007), Lifestyle, p. E-2. Erstein, Hap. “In the shadow of chaos” Palm Beach post [FL] (Sep 21, 2007), TGIF, p. 7. Everhart, Bill. “In the Valley of Elah” Berkshire eagle [Pittsfield, MA] (Oct 1, 2007), Reviews Art, p. ? Feld, Rob. “Body bags” The journal of the writers guild of America 11/8 (Nov 2007), p. 30-35. Fibbs, Brandon. “Review: ‘Elah’ exposes, bemoans war wounds” The gazette [Colorado Springs, CO] (Sep 28, 2007), Go, p. GO5. Foster, Jason. “‘Valley of Elah’ just misses the mark” The herald [Rock Hill, SC] (Sep 21, 2007), Ticket, p. 3D. Fritz, Jeanine. “‘In the Valley of Elah’; Subdued performances drive Haggis’ military mystery” The daily camera [Boulder, CO] (Sep 21, 2007), Friday magazine, p. G6. Gabrenya, Frank. “Drama examines war’s hidden toll” Columbus dispatch [OH] (Sep 21, 2007), Life & arts, p. 3D. Gaul, Lou. “‘Valley of Elah’ a bleak but compelling mystery” The intelligencer [Doylestown, PA] (Sep 21, 2007), Features to do, p. D3. Gensler, Howard. “Tight-lipped Tommy; It’s not easy getting opinions from the veteran actor” Philadelphia daily news (Sep 19, 2007), p. 37. Germain, David. “‘Elah’ director Haggis ‘failed’ his way onto big screen; After years of working for television, he wrote about his passion” Grand Rapids press (Sep 22, 2007), Your life, p. E2. _____________. “Film dramas examine Iraq war, U.S. policies; Wave of movies take look at various aspects of conflict” The Oklahoman [Oklahoma City, OK] (Sep 14, 2007), Weekend look, p. 17D. Gilsdorf, Ethan. “Hollywood’s new mandate: bring the Iraq War home” Christian Science monitor (Sep 28, 2007), p. 11. Gleiberman, Owen. “Casualty of war” Entertainment weekly no. 953-954 (Sep 14, 2007), p. 124-25. Goodykoontz, Bill. “A father’s investigation sheds light on horrors of war in ‘Valley of Elah’” Arizona republic [Phoenix, AZ] (Sep 21, 2007), Movie preview, p. P1. Griffin, John. “Return from war proves deadly; Paul Haggis’s new murder mystery follows a father on quest for answers when his son disappears after returning from Iraq” The gazette [Montreal] (Sep 28, 2007), Arts & life, p. D1. Groen, Rick. “Dissecting Haggis; Nothing about the Canadian director suggests any inner turmoil. But his work, including In the Valley of Elah, is full of conflicts, Rick Groen writes” The globe and mail [Canada] (Sep 20, 2007), The globe review, p. R1. __________.“Okay, we see the Davids. But where’s Goliath?; Paul Haggis’s anti- Iraq war film falls into a familiar trap, with its lofty social theme ultimately defeated by its own artifice” The globe and mail [Canada] (Sep 21, 2007), The globe review, p. R5. Hartl, John. “Bringing the invisible scars of U.S. soldiers into focus; Interview Paul haggis, director, ‘In the Valley of Elah’” Seattle times (Sep 21, 2007), Northwest life, p. E1. _________. “Caught in the grip of Iraq war; Movie review” Seattle times (Sep 14, 2007), Movie times, p. H19. Hesse, Monica. “Paul Haggis, the director success didn’t spoil” Washington post (Sep 13, 2007), Style, p. C3. Hewitt, Chris. “Annoyances aside, ‘Valley’ plays to director’s, actors strengths” St. Paul pioneer press [MN] (Sep 21, 2007), Weekend life, p. E4. Howell, Peter. “Looking for David in the Valley of Elah” Toronto star (Sep 21, 2007), Entertainment, p. E06. Hunter, Stephen. “ ‘Valley of Elah’ spins an all-too-timeless tale” Washington post (Sep 14, 2007), Style, p. C04. James, Nick. “War, lust, spies and quaint conceits” Sight and sound 17/11 (Nov 2007), p. 38-42. Johnson, Brian D. “The killer within” Maclean’s 120/37 (Sep 24, 2007), p. 83-4. Kahane, David. “Antiwar falling” National review (Sep 24, 2007), p. ? Keane, Meghan. “Slinging arrows wildly into the air” The New York sun (Sep 14, 2007), Arts and letters, p. 16. Kelly, Brendan. “Filmmakers are bringing the Iraq war home” The gazette [Montreal] (Sep 8, 2007), Culture, p. E3. Kelly, Christopher. “Down on the ‘Valley’; Sitting through Paul Haggis’ preachy, overly somber effort feels like serving a tour of duty” Fort Worth star- telegram (Sep 21, 2007), Go, p. S5. Kimmel, Daniel M. “Muddled politics undoes terrific acting in ‘Elah’” Telegram and gazette [Worcester, MA] (Sep 28, 2007), Entertainment, p. E3. Knight, Chris. “Bringing home the hell that is war” National post [Canada] (Sep 21, 2007), Post movies, p. PM3. Koehler, Robert. “In the Valley of Elah” Variety 296/44 (Sep. 3-9, 2007), p. 53. Lampley, Jonathan Malcolm. “Movie review: In the Valley of Elah” The Tennessean [Nashville, TN] (Sep 20, 2007), Online edition, Rage. Lawson, Terry. “‘Elah’ is a call to anger, action; Director put heart into war movie” Detroit free press (Sep 19, 2007), p. 1D. ___________. “Heavy-handed message mars war film” Detroit free press (Sep 21, 2007), p. 1C. Lee, Young and Shaw, Jessica. “Combat zoning” Entertainment weekly no. 957 (Oct 5, 2007), p. 16. Lemire, Christy. “Lost chance; Despite strong performances, ‘Valley’ still gets itself lost” The press of Atlantic City (Sep 27, 2007), At the shore, p. 34. Lepage, Mark. “Hollywood goes to war; The American movie machine is cranking out films that raise troubling questions about Iraq – even when it’s not openly the storyline” The gazette [Montreal] (Oct 13, 2007), Culture, p. E1. Levy, Shawn. “Flags of our sons” The Oregonian [Portland, OR] (Sep 21, 2007), Arts & entertainment, p. 33. Lindsey, Craig D. “‘Valley of Elah’ mostly a drag” News & observer [Raleigh, NC] (Sep 21, 2007), What’s up, p. WUP5. Long, Tom.
Recommended publications
  • Generation Kill and the New Screen Combat Magdalena Yüksel and Colleen Kennedy-Karpat
    15 Generation Kill and the New Screen Combat Magdalena Yüksel and Colleen Kennedy-Karpat No one could accuse the American cultural industries of giving the Iraq War the silent treatment. Between the 24-hour news cycle and fictionalized enter- tainment, war narratives have played a significant and evolving role in the media landscape since the declaration of war in 2003. Iraq War films, on the whole, have failed to impress audiences and critics, with notable exceptions like Kathryn Bigelow’s The Hurt Locker (2008), which won the Oscar for Best Picture, and her follow-up Zero Dark Thirty (2012), which tripled its budget in worldwide box office intake.1 Television, however, has fared better as a vehicle for profitable, war-inspired entertainment, which is perhaps best exemplified by the nine seasons of Fox’s 24 (2001–2010). Situated squarely between these two formats lies the television miniseries, combining seriality with the closed narrative of feature filmmaking to bring to the small screen— and, probably more significantly, to the DVD market—a time-limited story that cultivates a broader and deeper narrative development than a single film, yet maintains a coherent thematic and creative agenda. As a pioneer in both the miniseries format and the more nebulous category of quality television, HBO has taken fresh approaches to representing combat as it unfolds in the twenty-first century.2 These innovations build on yet also depart from the precedent set by Band of Brothers (2001), Steven Spielberg’s WWII project that established HBO’s interest in war-themed miniseries, and the subsequent companion project, The Pacific (2010).3 Stylistically, both Band of Brothers and The Pacific depict WWII combat in ways that recall Spielberg’s blockbuster Saving Private Ryan (1998).
    [Show full text]
  • Read It Here
    Filed 1/31/14 Paul Haggis, Inc. v. Persik Productions CA2/1 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for publication or ordered published for purposes of rule 8.1115. IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA SECOND APPELLATE DISTRICT DIVISION ONE PAUL HAGGIS, INC., et al., B240556 Plaintiffs and Respondents, (Los Angeles County Super. Ct. No. BC381582) v. PERSIK PRODUCTIONS, INC., et al., Defendants and Appellants. APPEAL from a judgment of the Superior Court of Los Angeles County. Daniel J. Buckley, Judge. Affirmed. Nahai Law Group, Behzad Nahai, and Edward Wei for Defendants and Appellants. Deadline.com Ropers, Majeski, Kohn & Bentley, Terry Anastassiou; Arent Fox and Richard L. Charnley for Plaintiffs and Respondents. ____________________________________ This is an action by writer-director Paul Haggis and others involved in the Oscar- winning film Crash for compensation they claim is due them under their contract with the film’s principal backer, Persik Productions, Inc. In a bench trial the court found for the plaintiffs and awarded them over $12,000,000 in damages and prejudgment interest. We conclude that appellants have not carried their burden of showing prejudicial error, and we therefore affirm. FACTS AND PROCEEDINGS BELOW In summarizing the facts we view the evidence in the light most favorable to the judgment. (Roby v. McKesson Corp. (2009) 47 Cal.4th 686, 693-694.) The plaintiffs in this action are Paul Haggis, who directed and co-wrote Crash, Bobby Moresco who co-wrote and co-produced the film, Mark Harris, a co-producer, and Brendan Fraser, an actor in the film.
    [Show full text]
  • Star Channels, May 26-June 1
    MAY 26 - JUNE 1, 2019 staradvertiser.com BRIDGING THE GAP The formula of the police procedural gets a spiritual new twist on The InBetween. The drama series follows Cassie Bedford (Harriet Dyer), who experiences uncontrollable visions of the future and the past and visits from spirits desperately seeking her help. To make use of her unique talents, she assists her father, Det. Tom Hackett (Paul Blackthorne), and his former FBI partner as they tackle complicated crimes. Premieres Wednesday, May 29 on NBC. WE EMPOWER YOUR VOICE, BY EMPOWERING YOU. Tell your story by learning how to shoot, edit and produce your own show. Start your video training today at olelo.org/training olelo.org ON THE COVER | THE INBETWEEN Crossing over Medium drama ‘The As for Dyer, she may be a new face to North first time channelling a cop character; he American audiences, but she has a long list of starred as Det. Kyle Craig in the “Training Day” InBetween’ premieres on NBC acting credits, including dramatic and comedic series inspired by the 2001 film of the same roles in her home country of Australia. She is name. By Sarah Passingham best known for portraying Patricia Saunders in Everything old really is new again. There was TV Media the hospital drama “Love Child” and April in the a heyday for psychic, clairvoyant and medium- cop comedy series “No Activity,” which was centred television in the mid-2000s, with he formula of the police procedural gets a adapted for North American audiences by CBS shows like “Medium” and “Ghost Whisperer,” spiritual new twist when “The InBetween” All Access in 2017.
    [Show full text]
  • 22Nd NFF Announces Screenwriters Tribute
    FOR IMMEDIATE RELEASE NANTUCKET FILM FESTIVAL ANNOUNCES TOM MCCARTHY TO RECEIVE 2017 SCREENWRITERS TRIBUTE AWARD NICK BROOMFIELD TO BE RECOGNIZED WITH SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING NFF WILL ALSO HONOR LEGENDARY TV CREATORS/WRITERS DAVID CRANE AND JEFFREY KLARIK WITH THE CREATIVE IMPACT IN TELEVISION WRITING AWARD New York, NY (April 6, 2017) – The Nantucket Film Festival announced today the honorees who ​ will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking ​ ​ ​ television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The ​ ​ ​ ​ 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. The 2017 Screenwriters Tribute Award will be presented to screenwriter/director Tom McCarthy. McCarthy's most recent film Spotlight was awarded the Oscar for Best Picture and won him (and ​ ​ his co-writer Josh Singer) an Oscar for Best Original Screenplay. McCarthy began his career as a working actor until he burst onto the filmmaking scene with his critically acclaimed first feature The Station Agent, starring Peter Dinklage, Patricia Clarkson, Bobby Cannavale, and Michelle ​ Williams. McCarthy followed this with the equally acclaimed film The Visitor, for which he won the ​ ​ Spirit Award for Best Director. He also shared story credit with Pete Docter and Bob Peterson on the award-winning animated feature Up. Previous recipients of the Screenwriters Tribute Award ​ ​ include Oliver Stone, David O. Russell, Judd Apatow, Paul Haggis, Aaron Sorkin, Nancy Meyers and Steve Martin, among others.
    [Show full text]
  • Read Book No Country for Old Men Ebook Free Download
    NO COUNTRY FOR OLD MEN PDF, EPUB, EBOOK Cormac McCarthy | 309 pages | 22 Dec 2007 | Random House USA Inc | 9780375706677 | English | New York, United States No Country for Old Men PDF Book Mousterpiece Cinema, Episode "Kundun". Wells, a Vietnam veteran like Moss, but Special Forces, tries to reason with Moss about the danger he is in, but Moss believes he can handle the situation on his own. Man in Ford Eduardo Antonio Garcia He says he will leave her fate to the coin and asks her to call it. Hussion Emmet Kane I know I was. Chigurh survives, and after bribing two teenagers to forget they ever saw him, limps down the road, completely eluding the authorities for a clean getaway. Packing the money out, he knows, will change everything. Only random chance makes sense in such a world. Now Playing: "War on Everyone". Loretta Bell. Three times. The Atlantic Crossword. Moss wakes up in a Mexican hospital and finds Carson Wells sitting beside him. No Country for Old Men 's important quotes, sortable by theme, character, or chapter. Struggling with distance learning? Reisig Larry Rice Facebook Twitter E-mail. Acclaimed author and "remarkably gifted storyteller" the Charlotte Observer David Joy returns with a fierce and tender tale of a father, an addict, a lawman, and the explosive events that come to unite them. I thought I'd never seen a person like that and it got me to wonderin' if maybe he was some Download this LitChart! He grew up in Lebanon, Ohio, where his mother was from. The missions that humankind has sent farthest into space, a pair of NASA spacecraft called the Voyagers, are billions of miles from Earth.
    [Show full text]
  • Female Director Takes Hollywood by Storm: Is She a Beauty Or a Visionary?
    Western Oregon University Digital Commons@WOU Honors Senior Theses/Projects Student Scholarship 6-1-2016 Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary? Courtney Richardson Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/honors_theses Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Richardson, Courtney, "Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary?" (2016). Honors Senior Theses/Projects. 107. https://digitalcommons.wou.edu/honors_theses/107 This Undergraduate Honors Thesis/Project is brought to you for free and open access by the Student Scholarship at Digital Commons@WOU. It has been accepted for inclusion in Honors Senior Theses/Projects by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected], [email protected], [email protected]. Female Director Takes Hollywood by Storm: Is She a Beauty or a Visionary? By Courtney Richardson An Honors Thesis Submitted in Partial Fulfillment of the Requirements for Graduation from the Western Oregon University Honors Program Dr. Shaun Huston, Thesis Advisor Dr. Gavin Keulks, Honors Program Director Western Oregon University June 2016 2 Acknowledgements First I would like to say a big thank you to my advisor Dr. Shaun Huston. He agreed to step in when my original advisor backed out suddenly and without telling me and really saved the day. Honestly, that was the most stressful part of the entire process and knowing that he was available if I needed his help was a great relief. Second, a thank you to my Honors advisor Dr.
    [Show full text]
  • “Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
    ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ...................................................................................................................................
    [Show full text]
  • Declaration of Mark Boal
    Case 2:16-cv-05407-GHK-GJS Document 9-2 Filed 07/21/16 Page 1 of 6 Page ID #:65 1 JEAN-PAUL JASSY, Cal. Bar No. 205513 [email protected] 2 KEVIN L. VICK, Cal. Bar No. 220738 [email protected] 3 DUFFY CAROLAN, Cal Bar No. 154988 [email protected] 4 SUNNY K. LU, Cal. Bar No. 247667 [email protected] 5 JASSY VICK CAROLAN LLP 6605 Hollywood Boulevard, Suite 100 6 Los Angeles, California 90028 Telephone: 310-870-7048 7 Facsimile: 310-870-7010 8 Colby C. Vokey (pro hac vice forthcoming) LtCol USMC (Ret.) 9 [email protected] Law Firm of Colby Vokey PC 10 6924 Spanky Branch Court Dallas, Texas 75248 11 Telephone: 214-697-0274 Facsimile: 214-594-9034 12 Attorneys for Plaintiffs 13 MARK BOAL and FLAKJACKET LLC d/b/a PAGE 1 14 UNITED STATES DISTRICT COURT 15 CENTRAL DISTRICT OF CALIFORNIA – WESTERN DIVISION 16 MARK BOAL, an individual; and 17 FLAKJACKET LLC d/b/a PAGE 1, a California Limited Liability Company, Case No.: 2:16-CV-05407-GHK-GJS 18 Plaintiffs, 19 v. DECLARATION OF MARK BOAL IN 20 UNITED STATES OF AMERICA; SUPPORT OF EX PARTE BARACK OBAMA, in his official APPLICATION FOR TEMPORARY 21 capacity as President of the United RESTRAINING ORDER AND FOR States of America; ASHTON B. ORDER TO SHOW CAUSE 22 CARTER, in his official capacity as Secretary of Defense; ERIC [Filed concurrently herewith: Plaintiffs’ Ex 23 FANNING, in his official capacity as Parte Application for Temporary Secretary of the Army; ROBERT B. Restraining Order and for Order to Show 24 ABRAMS, in his official capacity as Cause, Memorandum of Points & General Court-Martial Convening Authorities, [Proposed] Temporary 25 Authority; JUSTIN OSHANA, in his Restraining Order and Order to Show official capacity as Major, Judge Cause, Declaration of Jean-Paul Jassy] 26 Advocate, US Army Trial Counsel, and DOES 1 THROUGH 10, 27 inclusive, 28 Defendants.
    [Show full text]
  • Dp Harvey Milk
    1 Focus Features présente en association avec Axon Films Une production Groundswell/Jinks/Cohen Company un film de GUS VAN SANT SEAN PENN HARVEY MILK EMILE HIRSCH JOSH BROLIN DIEGO LUNA et JAMES FRANCO Durée : 2h07 SORTIE NATIONALE LE 4 MARS 2008 Photos et dossier de presse téléchargeables sur www.snd-films.com DISTRIBUTION : RELATIONS PRESSE : SND JEAN-PIERRE VINCENT 89, avenue Charles-de-Gaulle SOPHIE SALEYRON 92575 Neuilly-sur-Seine Cedex 12, rue Paul Baudry Tél. : 01 41 92 79 39/41/42 75008 Paris Fax : 01 41 92 79 07 Tél. : 01 42 25 23 80 3 SYNOPSIS Le film retrace les huit dernières années de la vie d’Harvey Milk (SEAN PENN). Dans les années 1970 il fut le premier homme politique américain ouvertement gay à être élu à des fonctions officielles, à San Francisco en Californie. Son combat pour la tolérance et l’intégration des communautés homosexuelles lui coûta la vie. Son action a changé les mentalités, et son engagement a changé l’histoire. 5 CHRONOLOGIE 1930, 22 mai. Naissance d’Harvey Bernard Milk à Woodmere, dans l’Etat de New York. 1946 Milk entre dans l’équipe de football junior de Bay Shore High School, dans l’Etat de New York. 1947 Milk sort diplômé de Bay Shore High School. 1951 Milk obtient son diplôme de mathématiques de la State University (SUNY) d’Albany et entre dans l’U.S. Navy. 1955 Milk quitte la Navy avec les honneurs et devient professeur dans un lycée. 1963 Milk entame une nouvelle carrière au sein d’une firme d’investissements de Wall Street, Bache & Co.
    [Show full text]
  • Wmc Investigation: 10-Year Analysis of Gender & Oscar
    WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S.
    [Show full text]
  • ISRAEL: Faith, Friction and firm Foundations
    >> This is the January 2015 issue containing the February Bible Study Lessons BETHLEHEM: Not so little town of great challenges 30 baptiststoday.org ISRAEL: Faith, friction and firm foundations SEE ROCK CITIES: Indeed, these stones can talk 5 WHERE WAS JESUS? Historical evidence vs. holy hype 28 NARRATIVES: Voices from both sides of the Israeli-Palestinian divide 34 MODERN ISRAEL: Politics, peoples and prophesies 36 PILGRIMAGE: Images and reflections from Israel and the West Bank 38 FA TH™ BIBLE STUDIES for adults and youth 17 John D. Pierce Executive Editor [email protected] Julie Steele Chief Operations Officer [email protected] Jackie B. Riley Managing Editor [email protected] PILGRIMAGE: Tony W. Cartledge Contributing Editor IMAGES AND [email protected] REFLECTIONS Bruce T. Gourley Online Editor FROM ISRAEL [email protected] AND THE WEST David Cassady Church Resources Editor BANK [email protected] Terri Byrd Contributing Writer Vickie Frayne Art Director 38 Jannie Lister Customer Service Manager [email protected] Kimberly L. Hovis PERSPECTIVES Marketing Associate [email protected] For good or bad: the witnessing dilemma 9 Gifts to Baptists Today Lex Horton John Pierce Nurturing Faith Resources Manager [email protected] Remembering Isaac Backus and the IN HONOR OF Walker Knight, Publisher Emeritus importance of religious liberty 16 BETTIE CHITTY CHAPPELL Jack U. Harwell, Editor Emeritus Leroy Seat From Catherine Chitty DIRECTORS EMERITI Thomas E. Boland IN HONOR OF R. Kirby Godsey IN THE NEWS Mary Etta Sanders CHARLES AND TONI Nearly one-fourth of American families Winnie V. Williams CLEVENGER turn to church food pantries 10 BOARD OF DIRECTORS From Barry and Amanda Howard Donald L.
    [Show full text]
  • Acknowledgements
    Acknowledgements Analysing scripts – A guide Document Image Acknowledgements Resource 1 Attack the Attack the Block Joe Cornish http://bit.ly/2uU3R6Y Block Script script by Joe Cornish pdf Resource 2: Label the Juno script by Diablo Cody http://bit.ly/2halRkW script elements in Juno Diablo Cody and Resource 3: Add shots and transitions to Juno Writing Openings Document Image Acknowledgements Resource 1: Effective Beasts of the Lucy Alibar and Benh Zeitlin opening techniques Southern Wild http://bit.ly/2uUTXBK script Resource 1: Effective Blade Runner Hampton Fancher and David Peoples opening techniques script http://bit.ly/2lgVOMj Resource 1: Effective Whiplash script Damien Chazelle http://bit.ly/14AgxBJ opening techniques Resource 1: Effective Rear Window John Michael Hayes based on a short story opening techniques script by Cornell Woolrich http://bit.ly/2whHBU3 Resource 1: Effective Raiders of the Lawrence kasdan and George Lucas opening techniques Lost Ark script http://bit.ly/2veMwrP Resource 1: Effective Apocalypse Now John Milius and Francis Coppola opening techniques script http://bit.ly/2whxwpZ Resource 2 Narrative The Hurt Locker Mark Boal and Kathryn Bigelow techniques script http://bit.ly/2vpfxle Resource 5 Writing the Images/stills from Seymour Films and Red & Black Films opening to a horror film Don't Knock twice 'Fair dealing' of third party materials is used for criticism and review purposes however if there are omissions or inaccuracies please inform us so that any necessary corrections can be made [email protected] Developing characters Document Image Acknowledgements Resource 1 Plutchik's Wheel Robert Plutchick Development dialogue of Emotion.
    [Show full text]