Museum Discounts Seattle, WA Bellevue Arts Museum 510

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Museum Discounts Seattle, WA Bellevue Arts Museum 510 Bellevue Way NE, Bellevue, WA 98004 www.bellevuearts.org Free Admission - Please show NAEA 2017 meeting badge at front desk. Monday & Tuesday: Closed Wednesday – Sunday: 11am – 5pm Bill and Melinda Gates Foundation Discovery Center 440 5th Ave N, Seattle, WA 98109 discovergates.org Free Admission Sunday & Monday: Closed Tuesday – Saturday: 10am – 5pm Frye Art Museum 704 Terry Ave, Seattle, WA 98104 www.fryemuseum.org Free Admission All NAEA attendees receive 30% off one item in the the Store. Just mention the promotion to a sales associate. Offer would be good from March 21-24. Excludes consignment and may be used just once. Monday: Closed Tuesday, Wednesday, Friday, Saturday, Sunday: 11am – 5pm Thursday: 11am – 7pm Henry Art Gallery 15th Ave. NE & NE 41st St. Seattle, WA 98195 https://henryart.org/ Free Admission - Please present badge to conference upon arrival. Monday & Tuesday: Closed Wednesday, Friday, Saturday, Sunday: 11am – 4pm Thursday: 11am – 9pm Museum entrance is free to everyone on Sundays. MadART 325 Westlake Ave N, #101, Seattle, WA 98109 http://madartseattle.com/ Free admission Sunday & Monday: Cosed Tuesday – Saturday: 10am – 5pm Museum of Pop Culture 325 5th Avenue N, Seattle, WA 98109 http://www.mopop.org/ Free admission with NAEA badge, March 22-25, 2018. Open daily 10am – 5pm Northwest African American Musem 2300 S Massachusetts St, Seattle, WA 98144 www.naamnw.org Discount – $5.00 admission and 10% discount in gift shop. Monday & Tuesday: Closed Wednesday, Friday, Saturday, Sunday: 11am – 4pm Thursday: 11 am – 7pm Seattle Art Museum 1300 First Ave Seattle, WA 98101 http://seattleartmuseum.org/ Discount: 50% off admission Monday & Tuesday: Closed Wednesday, Friday, Saturday, Sunday: 10am – 5pm Thursday: 10am – 9pm Tacoma Art Museum 1701 Pacific Ave, Tacoma, WA 98402 www.TacomaArtMuseum.org Free Admission for NAEA convention attendees who present their convention badge at the front desk. Monday: Closed Tuesday – Sunday: 10am – 5pm .

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Volume 25 November • December 2016 Number 6
TM Volume 25 November • December 2016 Number 6 www.ArtAccess.com 2 ArtAccess.com © November • December 2016 ArtAccess.com © November • December 2016 3 All This I’ve learned to be wary of women who walk up to me with a frown that is not mean, necessarily, but it’s not generous either. And while the downward curve of her mouth would seem perfectly normal had I just addressed, say, terrorism, my talk was about how we can better accept and support each other. Here she comes, I think, arms locked, question loaded. I’ve triggered something. She wants to take me down a notch, there is contempt in her eyes. Write of Way Write “That was cute,” she said. I just stared at her. And if my mind could have abandoned my feelings, it would have. I could feel a slow hiss seeping out of my pride, like when my bicycle tire rolls over a thorn. I’d just given a talk at the State Capitol for a group of visiting writers. Cute was not what I was going for. I thank God my skin has grown thick. “So, where do you see yourself going with all this?” she said. “All this?” I said. “Where do you see yourself in five years?” I have a limited tolerance for this generic question. I never know if it’s a need to instruct or to compete, but the two always seem joined in people like this. They can’t seem to fathom that life can be less conventional and more entrepreneurial than they know it to be.
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Washington Funding Report: FY 2011 – 2016
Washington Institute of Museum and Library Services Funding Report: FY 2011 - 2016 The Institute of Museum and Library Services (IMLS) helps ensure that all Americans have access to museum, library, and information services. IMLS is an independent grantmaking agency and the primary source of federal support for the nation’s approximately 123,000 libraries and 35,000 museums. The agency supports innovation, lifelong learning, and entrepreneurship, enabling museums and libraries to deliver services that make it possible for communities and individuals to thrive. IMLS Investments IMLS Investments: FY 2011-2016 # Projects Federal % of Non-Federal Total $ or Awards Funding Federal $ Contribution $ Grants to States, Libraries 431 * $19,618,687 59% $12,830,000 * $32,448,687 Competitive Awards to Museums & Libraries 146 $13,378,884 41% $10,161,216 $23,540,100 Total 577 $32,997,571 100% $22,991,216 $55,988,787 * FY 2016 data for the Grants to States, Libraries count of projects and non-federal contribution are not yet available. Figures shown here only include FY 2011-2015. Grants to State Library Administrative Agencies The Library Grants to States Program, supported by the Library Grants to States Awards (LSTA): Services and Technology Act (LSTA), is IMLS's largest program and FY 2011-2016 provides grants to every state using a population-based formula. State Library Administrative Agencies (SLAAs) provide IMLS with a five-year FY 2016 $3.26 M plan and use subawards and statewide projects to improve library services. FY 2015 $3.30 M In FY 2014, IMLS’s $3.28 million grant to the SLAA leveraged FY 2014 $3.28 M approximately $2.27 million in support from the state that year for library services through the SLAA.
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Seafood, Shellfish Or Eggs May Pose a Health Risk
1 VENUES 2 We are proud of our partnerships at the most unique venues in the area. Our entire team, from sales to operations and kitchen staff are accustomed to working primarily in museums or historic venues. We take special care and consideration on all events in planning around limitations on timing and set up, care and respect to patrons and physical spaces while executing an event, and special attention to artifacts and exhibits before, during and after the event. Exclusive Caterer Museum of Flight ♦ South Seattle/Boeing Field One of the Preferred Caterers Seattle Pacific Science Center ♦ Seattle Seattle Center ♦ Seattle Wing Luke Asian Museum ♦ Seattle The Big Picture ♦ Seattle Seattle Public Library ♦ Seattle Sky View Observatory ♦ Seattle South Side Seattle Design Center ♦ South Seattle Living Computer Museum ♦ SODO Boeing Customer Experience Center ♦ Renton LeMay-America’s Car Museum ♦ Tacoma Union Station ♦ Tacoma LeMay Family Collection at Marymount ♦ Tacoma North Side Future of Flight ♦ Mukilteo/Paine Field East Side Bellevue Arts Museum ♦ Bellevue DeLille Cellars ♦ Woodinville The Woodhouse Wine Estates ♦ Woodinville Puget Sound Energy Conference Center ♦Bellevue LeMay/ACM and Pacific Science Center Menus 3/1/19 TABLE OF CONTENTS Catering Policies 4 Beverages 5 Wine List 6 Breakfast Buffets 7 Seated Breakfasts & A La Carte Items 8 Casual Lunch Buffets & Snacks 9 Lunch Buffets 10 Seated Luncheons 11 Dinner Buffets 12 Seated Dinners 13-14 Light Hors d’oeuvre Buffets 15 Heavy Hors d’oeuvre Buffets 16 A La Carte Hors d’oeuvre 17 Buffet Enhancements 18 Stations 19 Desserts 20 Specialty Cakes 21 CATERING POLICIES 4 FOOD MINIMUMS Food minimum purchases range from $1,000.00—$2,000.00 based upon day of the week.
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French Impressionism and the Northwest
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest IMAGES AVAILABLE August 2, 2019 (Tacoma, WA)— Opening on September 28, Tacoma Art Museum will present Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest, a new exhibition that examines how the work of French Impressionists and their immediate precursors made their way into Northwest public and private collections. It also will include selected paintings by American and Northwest artists to illustrate the spread of Impressionism across the country. “The purpose of this exhibition is deeply connected to the same passion that drove the French Impressionists, to transform the way we see,” said David F. Setford, TAM’s Executive Director and curator of this exhibition. “It does this in two ways. First, it puts rarely seen works from TAM’s European art collection into context and allows for an expanded visitor learning opportunity. In addition, it is also the first time that these Impressionist works from museums and private collections in the Northwest have been seen together. It will provide a lasting resource about French Impressionism and its historical impact for curators and collectors in our region and beyond.” Monet, Renoir, Degas, and Their Circle: French Impressionism and the Northwest was organized and curated by the Tacoma Art Museum, and includes approximately fifty (50) works of art. The exhibition is accompanied by a small publication including essays by Setford and TAM curator Margaret Bullock, as well as an online listing of French Impressionist works currently in Northwest public collections.
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Running Procurement List
Item Donor Status Solicitor MoPop MoPop asked APL staff Morsell Morsell asked APL staff The Essential Bakery Cafe The Essential Bakery Cafe asked APL staff Salty's Salty's asked APL staff Cafe Ladro Cafe Ladro asked APL staff Fairmont Olympic Hotel Fairmont Olympic Hotel asked James G Ladywell's Vitality Spa and Sauna donated by Christine Craig in 2020 asked James G Hoodsport Winery Hoodsport Winery asked James G KayKupp Designs Sean Perillo in 2020 asked James G Schwartz Brothers Restaurants Schwartz Bro's Restaurants asked James G Swanson's Swanson's Nurserty asked James G Eye Associates Northwest Ted Zollman (APL parent) asked James G Portal Virtual Arcade donated by Christine Craig in 2020 asked James G Celaeno Winery donated by Christine Craig in 2020 asked James G Ethan Stowell donated by Katie Thurik in 2020 asked James G Puyallup Fair Tickets Puyallup Fair asked Marni Leonard Hockey tickets Friends of Marni Leonard asked Marni Leonard 2 Night Get A Way to Leavenworth asked Mike H Diva Espresso Diva Espresso asked Mike H University Village Gift Card University Village asked Mike H Pro Club Eileen Acheson solicitaed for 2020 asked Mike H asked Mike H Dinner and a Show Kye Hong & Eric Vigessa donated similar askedlast year Mike H 17 lbs. Wild Pacific Cod Filets , 17 lbs. Wild Pacific Cod Filets copy, 17 lbs. Wild Pacific Andrea & Phillip Elderkin donated 2020 asked Mike H Costco Wholesale Costco asked Mike H Seattle Aquarium Seattle Aquarium asked Sienna L Heritage Distilling Co. Heritage Distilling Co. asked Sienna L Bainbridge Museum
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Curriculum Vitae
STEWART WONG – www.purplemoondesign.com Education 1986-91 BFA, Cornish College of the Arts, Seattle, WA 2002-15 Seward Park Clay Studio, Seattle, WA 2003 Emerging Public Artist Development Program, Seattle Office of Arts & Cultural Affairs 1993-06 Various Workshops: Photoshop, paper sculpting, Auto Cad, Paper Making 1994-04 Pratt, Seattle, WA (Welding, Mold making, Repoussé, Cardboard Constructions, Cement Sculpting) 1984 University of Washington, Seattle, WA (Life Drawing and Conceptual Design) 1982 Artisan School of Design, Honolulu, HI (Interior Design Certificate Program) Commissions 2020 Bernalillo County, Albuquerque NM (Asian American Civil Rights Monument) 2017 Ronald T.W. Ho Studio, Seattle WA (Necklace stand: ceramic, glaze) 2008 Wing Luke Asian Museum, Seattle WA (Community Hall Installation) 2006 Sound Transit, Seattle WA (Sammamish Park and Ride Installation) 2001 Wing Luke Asian Museum, Seattle WA (Building Façade Installation /Collaboration w/ Ron Ho) 1998 Forte Design Systems, Redmond WA (Gong stand; peeled alder and rope) 1989 Victoria Toy-Gibbs, Seattle, WA (3D mixed media assemblage) Solo & Group Exhibits 2014-17 Seward Park Clay Studio Annual (Group) 2013-14 Facets of Life: Ethnic Heritage Gallery, Municipal Tower, Seattle WA (Group) 2004 Transitions and Transformations: Seattle WA (Group) 2000 Seattle Art Museum Pacific Northwest Arts Council, Seattle WA (Open Studio) 1999 Diversity: The True Colors of Art: Center on Contemporary Art, Seattle WA (Group) 1995-96 Cornish College Alumni Show: Cornish College, Seattle
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Northwest Modernism & Western Fine Art Thursday June 20Th @ 5:00PM
Northwest Modernism & Western Fine Art Thursday June 20th @ 5:00PM 20% Buyers Premium In-House 25% Buyers Premium Online/Phone (425) 235-6345 SILENT AUCTIONS custom made Northwest Designer Craftsmen tansu chest with four drawers and door with Featuring a Large Silent Auction of metal pulls. Burned in mark on interior of Northwest Art & Native Books! drawer. Some scattered light surface wear. 5 Eames for Herman Miller Rosewood Lounge Lots 1,000’s End @ 8:00PM Chair & Ottoman. A vintage 670 & 671 set with black leather cushions. One of a pair Lot Description being offered. Chair 32''x33.5''x32'' and ottoman 17''x26''x22''. Original labels on 1 George Nakashima Studio Lounge Chair bottom dated Nov. 1 1978. Scattered wear to Rocker with Free Arm 32.5"x31"x34". A leather from use and one leather button is custom walnut rocking lounge chair with missing on chair seat. Overall excellent right free edge arm. Hickory wood spindles. condition. Charles and Ray Eames. Burned in mark on bottom with family name 6 Eames for Herman Miller "Time-Life" Stool on tape. Break to one spindle with scattered 15"x13". A vintage walnut stool or bench. light surface wear. Some light surface wear to top. Overall 2 Nakashima Style Free Edge Walnut Coffee excellent condition. Unmarked. Charles and Table 17.5"x79.5"x35". A long free edge Ray Eames. coffee table with trestle base. Unsigned. 7 Eames for Herman Miller Rosewood Lounge Some scattered light surface wear. From the Chair & Ottoman. A vintage 670 & 671 set same collection as the George Nakashima with black leather cushions.
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Audubon/RYAN!
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition The Naturalist & The Trickster: Audubon/RYAN! IMAGES AVAILABLE January 7, 2020 (Tacoma, WA)— On February 1, 2020, Tacoma Art Museum will open The Naturalist & The Trickster: Audubon/RYAN!. Although centuries apart, artists John James Audubon and RYAN! Feddersen draw inspiration from animals and the natural world to create compelling work that urges us to better understand the human impact on the environment. As 2020 marks the 50th anniversary of Earth Day, TAM presents this exhibition which explores themes of animals, environmentalism, and conservation. “Juxtaposing these two artists will present a very immersive and thought-provoking experience regarding perceptions of the natural world and relationships between humans and the environment,” said Faith Brower, TAM’s Haub Curator of Western American Art. “During Audubon’s life his prints were one of the ways that scientific information from the American West could be shared and studied. His respect and concern for the natural world clearly marks him as one of the forefathers of the modern conservation and environmental movements,” noted John James Audubon (1785–1851) Brower. Prairie Wolf (Canis latrans) Plate LXXI, The Viviparous Quadrupeds of North America hand colored lithograph, Printed by J.T. Bowen, Philadelphia, 1845 35 x 41 inches framed Collection of Huntsville Museum of Art Tacoma-based, RYAN! Feddersen, an enrolled member of the Confederated Tribes of the Colville Reservation and a contemporary mixed media artist, explores the character of Coyote, the trickster, as a lens to examine current events. Feddersen’s 75-foot mural encourages collaborative drawing with crayons cast in the shape of coyote bones which further links the community to Coyote’s story.
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Forgotten Stories Northwest Public Art of the 1930S
Contact: Hillary Ryan, 253.272.4258 ext 3051 [email protected] Tacoma Art Museum presents New Exhibition Forgotten Stories: Northwest Public Art of the 1930s IMAGES AVAILABLE November 15, 2019 (Tacoma, WA)— Opening on February 22, 2020, Tacoma Art Museum will present Forgotten Stories: Northwest Public Art of the 1930s. During the economic hard times of the 1930s, U.S. government art projects under the WPA and other agencies created a wealth of public art and supported art communities across the country. In the Northwest hundreds of artists were employed and thousands of artworks created but their stories are almost unknown. The exhibition will offer an extensive overview of the bounty and variety of work created in our region and bring forgotten treasures back to view. “The extent of the federal art projects in the Northwest is surprising,” said Margaret Bullock, TAM’s interim Chief Curator and Curator of Collections and Special Exhibitions. “We’ve long thought that the impact of the work was limited but, research has now shown that the projects in the Northwest were widespread and highly productive employing over 600 artists resulting in thousands of artworks and offering art making opportunities to hundreds of thousands of Northwesterners.” Virginia Darcé (born Portland, Oregon, 1910; died Los Angeles, TAM’s exhibition brings together a California, 1985) The Market, 1938 wide variety of the artworks Tempera on board created in Idaho, Montana, 22 ½ x 30 ½ inches Portland Art Museum, Portland, Oregon, Courtesy of the Fine Arts Oregon, and Washington. It Collection, US General Services Administration, New Deal Art reintroduces a number of talented Project, L45.3.2 figures whose names are now unknown, and also includes early work by prominent figures (like Morris Graves and photographer Minor White).
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Show of Hands
Show of Hands Northwest Women Artists 1880–2010 Maria Frank Abrams Ruth Kelsey Kathleen Gemberling Adkison Alison Keogh Eliza Barchus Maude Kerns Harriet Foster Beecher Sheila Klein Ross Palmer Beecher Gwendolyn Knight Susan Bennerstrom Margot Quan Knight Marsha Burns Margie Livingston Margaret Camfferman Helen Loggie Emily M. Carr Blanche Morgan Losey Lauri Chambers Sherry Markovitz Doris Chase Agnes Martin Diem Chau Ella McBride Elizabeth Colborne Lucinda Parker Show of Hands Northwest Women Artists 1880–2010 Claire Cowie Viola Patterson Louise Crow Mary Ann Peters Imogen Cunningham Susan Point Barbara Matilsky Marita Dingus Mary Randlett Caryn Friedlander Ebba Rapp Anna Gellenbeck Susan Robb Virna Haffer Elizabeth Sandvig Sally Haley Norie Sato Victoria Haven Barbara Sternberger Zama Vanessa Helder Maki Tamura Karin Helmich Barbara Earl Thomas Mary Henry Margaret Tomkins Abby Williams Hill Gail Tremblay Anne Hirondelle Patti Warashina Yvonne Twining Humber Marie Watt Elizabeth Jameson Myra Albert Wiggins Fay Jones Ellen Ziegler Helmi Dagmar Juvonen whatcom museum, bellingham, wa contents This book is published in conjunction with the 6 Foreword exhibition Show of Hands: Northwest Women Artists 1880–2010, organized by the Whatcom Patricia Leach Museum and on view from April 24–August 8, 2010. Funding for the exhibition and the 8 Acknowledgments accompanying catalogue was supported in part with funds provided by the Western 10 A Gathering of Women States Arts Federation (WESTAF) and the Barbara Matilsky National Endowment for the Arts (NEA). The City of Bellingham also generously funded the 52 Checklist of the Exhibition catalogue. Additional support was provided by the Washington Art Consortium (WAC). Published in the United States by 55 Bibliography Whatcom Museum 56 Photographic Credits © 2010 by the Whatcom Museum 121 Prospect Street Bellingham, WA 98225 The copyright of works of art reproduced in www.whatcommuseum.org 56 Lenders to the Exhibition this catalogue is retained by the artists, their heirs, successors, and assignees.
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Program Schedule DAY 1: THURSDAY, JUNE 6 8:00 – 9:00 A.M
Program Schedule DAY 1: THURSDAY, JUNE 6 8:00 – 9:00 a.m. Registration & Breakfast, Visit the Exhibits 9:00 – 9:15 a.m. Welcome and Announcements Lightning Talks Speakers: Sumi Bhat-Kincaid, Bloodworks NW Cole Hardman, Seattle Children's Hospital Beth Castleberry, CFRE, KCLS Foundation 9:15 – 10:00 a.m. Susan Howlett, Susan Howlett Strengthening Nonprofits Vicki Ostrom, Trendependent Wendy Rohrbacher, Hospice NW Christina Shimizu, Wing Luke Asian Museum David Westerlund, Be Present Discover Joy Consulting 10:00 – 10:30 a.m. Lighting Talks Debrief 10:30 – 11:00 a.m. Networking Break, Visit the Exhibits Track: SMART STRUCTURES ORGANIZATIONAL CULTURE COMMUNITY CAREER ADVANCEMENT Connecting The Dots: From Paycheck to Passion: The Future of I'm a Fundraiser... Don't Hate Me! How to Contextualize How to Motivate and Engage Philanthropy: The Your Financial Reports Staff Intersection of 11:00 – 12:15 p.m. for Your Board Race, Gender, and Giving Wendy Rohrbacher, SESSION 1 Shannon Sherman Brenda Asare Sarah Szabo CFRE Hospice of the University of Washington The Alford Group Pacific Science Center Northwest Foundation (With a panel of 2- 3 clients and/or B. Michelle Johnson philanthropists) Jennifer Teeler Legal Voice Susan G. Komen Puget Sound Alexandra Weeks Solid Ground Karlisa Callwood, Ph.D. Pacific Science Center Jessica Lam Solid Ground Courtney Chappell Legal Voice 12:15 – 1:30 p.m. Lunch Track: SMART STRUCTURES ORGANIZATIONAL CULTURE COMMUNITY CAREER ADVANCEMENT Transitioning with Philanthropic Integrity, How to Mission Creeps: What Every Employee Engagement - The Motivations of 1:30 – 2:45 p.m. Change Jobs & Keep Fundraiser Should Know About Way In LGBT Donors and Your Relationships Sexual Harassment Same-Sex Couples Intact SESSION 2 Beth Castleberry, CFRE Joy Stephens Sarah Anderson Megan McNally, CFRE King County Library o 2 Joy + Corporate Giving Campbell & Foundry Law Group Foundation Network Company Lee Heck Kris Hermanns Nicole Gainey University of Seattle Gainey Law Washington Foundation Suman Bhat-Kincaid Bloodworks Northwest 2:45 – 3:00 p.m.
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View Brochure (PDF)
A NORTHWEST SUMMER MAY 4–OCTOBER 15, 2006 6 EXHIBITIONS * 1 CELEBRATION A NORTHWEST SUMMER Public Opening Celebration Saturday, May 6, 10 a.m.–5 p.m. The Northwest offers a great way of life and remarkable history that deserves to be appreciated in a big way. Our special exhibit, A Northwest Summer, will do just that. To kick off the tribute, we’re hosting a fusion of art activities and entertainment that contribute to making this region special. Come join the celebration—enjoy an art activity, watch an Asian art demonstration, listen to live music and shop the eclectic, uniquely Northwest crafts of “I Heart Rummage.” For more information, check out seattleartmuseum.org. Director’s Welcome As we look forward—to the opening of above: Trimpin, U.S.A., born Germany 1951, drawing for Picnics, Rhythms and Vacations installation, 2006; cover: Trimpin, The Orange Piano, Lake Union, the Olympic Sculpture Park this fall and Seattle, 2003. Photo: Theo Bernardi. In this work, a hydrophone records underwater sound pollution, creating an audio signal, which becomes information played automatically by the piano. to the re-opening of the expanded downtown museum next spring—we have naturally looked back, reflecting on the amazing seventy-five years of growth that Trimpin: Picnics, Rhythms and Vacations the Seattle Art Museum has experienced. August 8–October 15, 2006 Milestones of that history are noted in the timeline, putting the past in context for Picnics, Rhythms and Vacations, 2006, a new installation by musician, sculptor and composer Trimpin, the celebrations in Volunteer Park this will be presented at the Seattle Asian Art Museum.
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