Astrology of the Heart by Michael Erlewine 1
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Backlash Over Blair's School Revolution
Section:GDN BE PaGe:1 Edition Date:050912 Edition:01 Zone:S Sent at 11/9/2005 19:33 cYanmaGentaYellowblack Chris Patten: How the Tories lost the plot This Section Page 32 Lady Macbeth, four-letter needle- work and learning from Cate Blanchett. Judi Dench in her prime Simon Schama: G2, page 22 Amy Jenkins: America will never The me generation be the same again is now in charge G2 Page 8 G2 Page 2 £0.60 Monday 12.09.05 Published in London and Manchester guardian.co.uk Bad’day mate Aussies lose their grip Column five Backlash over The shape of things Blair’s school to come revolution Alan Rusbridger elcome to the Berliner Guardian. No, City academy plans condemned we won’t go on calling it that by ex-education secretary Morris for long, and Wyes, it’s an inel- An acceleration of plans to reform state education authorities as “commissioners egant name. education, including the speeding up of of education and champions of stan- We tried many alternatives, related the creation of the independently funded dards”, rather than direct providers. either to size or to the European origins city academy schools, will be announced The academies replace failing schools, of the format. In the end, “the Berliner” today by Tony Blair. normally on new sites, in challenging stuck. But in a short time we hope we But the increasingly controversial inner-city areas. The number of acade- can revert to being simply the Guardian. nature of the policy was highlighted when mies will rise to between 40 and 50 by Many things about today’s paper are the former education secretary Estelle next September. -
Women's History Can Be Taught As a Unit in a United States History Class Or As a United States Women's History Elective
Why Celebrate Woman's History Month by Alan Singer Throughout human history, including most of the history of the United States, women have been treated as second-class citizens. Their continuing second-class status is reflected in many social studies classrooms, where the roles played by women in society and their achievements in the past and present, continue to remain virtually invisible. Although women's names and faces now appear more frequently in social studies textbooks, their inclusion is generally an addition to an already existing curriculum. Female heroes were discovered and fit into previous topics and categories. There is little exploration of the role of women in earlier societies; the ways they lived, the accommodations they were forced to make to patriarchal and oppressive social mores, the familial and community networks and institutions they built, or the struggles women engaged in to achieve legal, political, and economic rights. In an article published by the National Council for Social Studies, Nel Noddings argued that a completely reconceptualized social studies curriculum should focus on women's culture, the realm of the home and family, the idea of women's work, and the role of women as community and international peacemakers.1 In his book, The Disuniting of America, Reflections on a Multicultural Society , Arthur Schlesinger, Jr. argues that the attention given to difference by multiculturalists and ethnocentrists threatens to reinforce "the fragmentation, resegregation, and tribalization of American life." He is particularly concerned that school curricula that focus on specific ethnic or aggrieved social groups are celebratory rather than academic and critical. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Why Astrology Is Science: Five Good Reasons
Why Astrology is Science: Five Good Reasons Tapan Das, Ph.D., P.Eng. An excerpt from Why Astrology is Science Stars and planets each have a different influence on our lives depending on their position in their signs and heavenly houses … all these cosmic forces shape our thoughts, which in turn direct our actions. If we are warned that we are prone to rash actions due to the influence of certain planets, then we can hold a check on our emotion and avoid rash action and catastrophic results. If we know that the position of the planets give a favorable condition, then we can take advantage of it by proper action. This is how astrology can help us without giving specific answers to specific questions. Why Astrology is Tapan Das 2 Science Contents • Introduction • Basics of Astrology • History of Astrology • Astrology is Based on Statistical Analysis • Astrology is Social Science • Astrology is Linked with Alternative Medicine • Astrology is Explained by Cosmic Energy and Biofield • The Basis of Astrology is Similar to Quantum Mechanics • Conclusion • Question and Answer Why Astrology is Tapan Das 3 Science Introduction • Astrology and astronomy are historically one and the same discipline, but they started separating in the 17th century and were completely separated by the 18th century. • Astronomy, astrophysics, and cosmology studies the formation, function, and physics of planets, stars, and galaxies of the universe. • Astrology studies and correlates the impact of celestial events on human life and earthly events. • At least 90% of all Americans under age 30 are said to know their Sun sign. -
Movie Mirror Book
WHO’S WHO ON THE SCREEN Edited by C h a r l e s D o n a l d F o x AND M i l t o n L. S i l v e r Published by ROSS PUBLISHING CO., I n c . NEW YORK CITY t y v 3. 67 5 5 . ? i S.06 COPYRIGHT 1920 by ROSS PUBLISHING CO., Inc New York A ll rights reserved | o fit & Vi HA -■ y.t* 2iOi5^ aiblsa TO e host of motion picture “fans” the world ovi a prince among whom is Oswald Swinney Low sley, M. D. this volume is dedicated with high appreciation of their support of the world’s most popular amusement INTRODUCTION N compiling and editing this volume the editors did so feeling that their work would answer a popular demand. I Interest in biographies of stars of the screen has al ways been at high pitch, so, in offering these concise his tories the thought aimed at by the editors was not literary achievement, but only a desire to present to the Motion Picture Enthusiast a short but interesting resume of the careers of the screen’s most popular players, rather than a detailed story. It is the editors’ earnest hope that this volume, which is a forerunner of a series of motion picture publications, meets with the approval of the Motion Picture “ Fan” to whom it is dedicated. THE EDITORS “ The Maples” Greenwich, Conn., April, 1920. whole world is scene of PARAMOUNT ! PICTURES W ho's Who on the Screcti THE WHOLE WORLD IS SCENE OF PARAMOUNT PICTURES With motion picture productions becoming more masterful each year, with such superb productions as “The Copperhead, “Male and Female, Ireasure Island” and “ On With the Dance” being offered for screen presentation, the public is awakening to a desire to know more of where these and many other of the I ara- mount Pictures are made. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Planets in Astrology
ASTROLOGY 101 T H E P L A N E T S P E R S O N A L T H E S U N T H E M O O N Our vitality, personality, Our emotions, and will in the world. internal feelings and How we "shine". Urge how we react to the to be & create. The world. "ego". M E R C U R Y V E N U S Our communication. How we express How we think and affection, feel speak to others. appreciated, and give of ourself. 1 ASTROLOGY 101 T H E P L A N E T S P E R S O N A L M A R S J U P I T E R How we assert How we seek to ourself and go after grow, improve what we desire. oneself, and experience trust in life/higher power. S A T U R N U R A N U S How we seek to establish and preserve ourselves through effort. our life lessons. 2 ASTROLOGY 101 T H E P L A N E T S G E N E R A T I O N A L U R A N U S N E P T U N E Our individuality & how Our ability to go we free ourselves from beyond our ego self past limitations. and merge with the greater whole. It is also where we have blindspots. P L U T O Our power and ability to change and reconstruct ourselves. 3 ASTROLOGY 101 T H E P L A N E T S C Y C L E S SUN Takes one full year to go around all 12 signs. -
Famous People from Michigan
APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M. -
March 2003, Vol
March 2003, Vol. 6 No. 1 Judges Retirement System enters 2003 Our Mission financially sound We deliver pensions, related his issue of Connections includes the percent. The higher the percentage, the financial summary of your stronger the pension system. The benefits and retirement system for fiscal year calculation of this percentage is explained services to promote T 2002. Although 2002 was a volatile year on in detail in the financial section of the the future financial Wall Street, the retirement system funds Comprehensive Annual Financial Report security of our were well cared for over the course of the which can be found at customers. year. The financial summary can be found www.michigan.gov/ors. on page 4. During fiscal year 2001-2002 the retire- Our Vision While the funds have not performed as ment system’s net assets decreased to well as they have in the past, the retire- $234.8 million. The major sources of Fast, easy access ment system invests for the long run in revenue were investment income and to complete both a responsible and prudent manner. contributions. The major expenditures and accurate Therefore, investments are made in a were benefit payments. broad diversified group of assets. This information and As of September 30, 2002, there were 535 strategy helps to limit losses during exceptional service. retirees and beneficiaries receiving turbulent times. For example, while the monthly benefits. Approximately 367 stock market investments are down, the active employees were reported during current bond and real estate investments In this issue fiscal year 2001-2002. Of these, about 270 are up. -
Fallacy of the Trans-Saturnian Planets
www.ShyamasundaraDasa.com Fallacy of the trans-Saturnian Planets copyright © 1997 by Shyamasundara Dasa The following article is an excerpt from a work in progress. Abstract: Now that Vedic astrology has become popular in the West many Western trained astrologers are attempting to fuse the two systems or introduce Western concepts such as the trans-Saturnian planets into the Vedic system. Over the years some Indian astrologers have also attempted to introduce these planets into Vedic astrology. Such attemps are destructive to the internal philosophical consistency and logical structure of Vedic astrology. In addition it undermines the effectiveness of Jyotisha while revealing a lack of understanding of the philosophical foundations of Vedic astrology, and the history of how trans- Saturnian planets were introduced. And finally this practice demonstrates a general disrespect for the guru-parampara. If this erosion of Vedic astrology were to continue, then Jyotisha would find itself in the same confused state that Western Astrology is in today, culminating in loss of accuracy, loss of respectability and ultimately the destruction of Jyotisha as a Vedic discipline. Graha Versus Planet There is a fundamental difference between the Vedic concept of graha and the Western use of Planets in astrology. Graha, by definition, is anything which has the power to seize, grasp or influence. In this case “seizing or influencing the destinies of men in a supernatural manner.”1 The word for planet on the other hand is translated as loka in Sanskrit. Not all grahas are lokas, nor are all lokas grahas. In English, this means that the class of entities or objects which have divinatory significance includes planets, but not all planets have divinatory significance. -
The Domestication of History in American Art: 1848-1876
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 The domestication of history in American art: 1848-1876 Jochen Wierich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, History of Art, Architecture, and Archaeology Commons, and the United States History Commons Recommended Citation Wierich, Jochen, "The domestication of history in American art: 1848-1876" (1998). Dissertations, Theses, and Masters Projects. Paper 1539623945. https://dx.doi.org/doi:10.21220/s2-qc92-2y94 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
The Jones Tones
Davey J and the Jones Tones are a veteran band of four musicians, all with a distinctive style and personality that The Chippewa Valley Blues Society presents blends into a powerful whole. As bandleader, Davey J's approach to the blues is all about the shuffle, a style and tempo pioneered in acoustic Delta blues and electric Chicago blues. When the four-piece band gets its groove on, you can hear the foot-tapping acoustic-electric sounds from the era of rockabilly, Nashville country and western, early rock and roll, and of course, classic Chicago blues. And in the midst of the traditional shuffle tempos and rich vocals, Davey J also uses processing tools of the 21st century to add an edge to his acoustic guitar sound. So, as the Jones Tones perform songs that range from the 1930s Delta blues to the blues styles of our time, the band pays tribute to blues traditions as well as creating an original new sound. Davey J (aka David Jones) is a native of Omaha, Nebraska. Calling himself a first-generation Midwesterner with family roots in Arkansas, David grew up hearing the sounds of soul, rock and roll, and folk from the 1960s and 70s, and is an avid listener and fan of several genres of music. After picking up a bit of piano and guitar as a child and teen, David's first band was "The Earplugs," a folk-punk band formed in 1982 when he was a college student in Iowa City, Iowa. He then taught high school in Las Vegas, Nevada, spent a lot of time songwriting, and after moving to Minneapolis, Minnesota in 1989, spent the decade of the 90s performing in several blues, reggae, and variety August 25, 2009 and Every Tuesday bands.