NO WORD from I in QUICK DISASTER Convias’ PLOT RED CROSS on FIRST Two of Crew Die As Huge D AY GETS 2748,848
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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Women and the Communist Party of Canada, 1932-1941, with Specific Reference to the Activism of Dorothy Livesay and Jim Watts
Mother Russia and the Socialist Fatherland: Women and the Communist Party of Canada, 1932-1941, with specific reference to the activism of Dorothy Livesay and Jim Watts by Nancy Butler A thesis submitted to the Department of History in conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada November 2010 Copyright © Nancy Butler, 2010 ii Abstract This dissertation traces a shift in the Communist Party of Canada, from the 1929 to 1935 period of militant class struggle (generally known as the ‘Third Period’) to the 1935-1939 Popular Front Against Fascism, a period in which Communists argued for unity and cooperation with social democrats. The CPC’s appropriation and redeployment of bourgeois gender norms facilitated this shift by bolstering the CPC’s claims to political authority and legitimacy. ‘Woman’ and the gendered interests associated with women—such as peace and prices—became important in the CPC’s war against capitalism. What women represented symbolically, more than who and what women were themselves, became a key element of CPC politics in the Depression decade. Through a close examination of the cultural work of two prominent middle-class female members, Dorothy Livesay, poet, journalist and sometime organizer, and Eugenia (‘Jean’ or ‘Jim’) Watts, reporter, founder of the Theatre of Action, and patron of the Popular Front magazine New Frontier, this thesis utilizes the insights of queer theory, notably those of Eve Kosofsky Sedgwick and Judith Butler, not only to reconstruct both the background and consequences of the CPC’s construction of ‘woman’ in the 1930s, but also to explore the significance of the CPC’s strategic deployment of heteronormative ideas and ideals for these two prominent members of the Party. -
Hollywood.Pdf
HOLLYWOOD TULEE SUOMEEN YHDYSVALTALAISTEN ELOKUVIEN MAAHANTUONTI JA VASTAANOTTO KAKSIKYMMENTÄLUVUN SUOMESSA Jaakko Seppälä VÄITÖSKIRJA Esitetään Helsingin yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi auditoriumissa XIV torstaina 7. kesäkuuta 2012 kello 12. ISBN 978-952-10-8042-5 (nid.) ISBN 978-952-10-8043-2 (PDF) Helsingin yliopisto Unigrafia Helsinki 2012 SISÄLLYSLUETTELO KIITOKSET 4 JOHDANTO 5 HOLLYWOOD JA MAAILMAN ELOKUVAMARKKINAT 6 TUTKIMUSKOHDE JA -KYSYMYKSET 12 TUTKIMUKSEN VIITEKEHYKSET 15 TUTKIMUKSEN LÄHDEAINEISTO 22 HOLLYWOOD-ELOKUVIEN MAAHANTUONTIMÄÄRÄT 1918–1929 25 ELOKUVA JA KANSAINVÄLISYYS 25 ELOKUVAKARTOITUKSEN LAATIMISEN HAASTEISTA 28 AMERIKKALAISTUVA ELOKUVATARJONTA 33 AMERIKKALAISTUMISEN PARTAALLA (1918–1922) 45 ENSILUOKKAISIA JA TAVANOMAISIA HOLLYWOOD-ELOKUVIA 45 SARJAELOKUVAT SAAVAT KATSOJAT KOUKKUUN 59 AMERIKKALAISEN HUUMORIN TUOTTEET 75 ELOKUVAYHTIÖT JA TIETYNLAINEN TUOTANTO 101 HARVASSA OVAT MERKITTÄVÄT AMERIKKALAISET OHJAAJAT 109 TÄHTIKUUME VIRIÄÄ SUOMESSA 120 HOLLYWOOD-ELOKUVAT ALEMPANA TOISENA 139 KESKUSTELU SUOMALAISESTA KANSALLISESTA ELOKUVASTA 147 HOLLYWOODIN ARVOSTUS KOHOAA (1923–1926) 160 HOLLYWOODIN VOITTOKULKU 160 ”ELÄMME REKLAAMIN AIKAA” 166 VÄKIVALTAA JA MUUTA JOUTAVAA AJANVIETETTÄ 173 SALONKIELOKUVAT JA KULUTUKSEN LOISTE 184 YHDYSVALTALAISET SUURELOKUVAT ELI ”NÄYTÄNTÖKAUDEN TAPAUKSET” 194 CHARLES CHAPLININ PERILLISET 209 TÄHTIBUUMIT JA TÄHTEYDEN KIROT 223 ”AMERIKKALAINEN MUSTEKALA” 239 SUOMALAINEN ELOKUVA JA KANSAINVÄLISYYDEN ONGELMA 247 VIHA-RAKKAUS-SUHDE VAKIINTUU -
The Foolish Virgin
The Foolish Virgin Thomas Dixon The Foolish Virgin Table of Contents The Foolish Virgin.....................................................................................................................................................1 Thomas Dixon................................................................................................................................................1 i The Foolish Virgin Thomas Dixon TO GERTRUDE ATHERTON WITH GRATITUDE AND ADMIRATION LEADING CHARACTERS OF THE STORY MARY ADAMS, An Old−Fashioned Girl. JIM ANTHONY, A Modern Youth. JANE ANDERSON, An Artist. ELLA, A Scrubwoman. NANCE OWENS, Jim Anthony's Mother. A DOCTOR, Whose Call was Divine. THE BABY, A Mascot. CHAPTER I. A FRIENDLY WARNING Mary Adams, you're a fool!" The single dimple in a smooth red cheek smiled in answer. "You're repeating yourself, Jane−−−−" "You won't give him one hour's time for just three sittings?" "Not a second for one sitting−−−−" "Hopeless!" Mary smiled provokingly, her white teeth gleaming in obstinate good humor. "He's the most distinguished artist in America−−−−" "I've heard so." "It would be a liberal education for a girl of your training to know such a man−−−−" "I'll omit that course of instruction." The younger woman was silent a moment, and a flush of anger slowly mounted her temples. The blue eyes were fixed reproachfully on her friend. "You really thought that I would pose?" "I hoped so." "Alone with a man in his studio for hours?" Jane Anderson lifted her dark brows. The Foolish Virgin 1 The Foolish Virgin "Why, no, I hardly expected that! I'm sure he would take his easel and palette out into the square in front of the Plaza Hotel and let you sit on the base of the Sherman monument. The crowds would cheer and inspire him−−bah! Can't you have a little common− sense? There are a few brutes among artists, as there are in all professions−−even among the superintendents of your schools. -
"Across the Twilight Wave" : a Study of Meaning, Structure, and Technique
“ACROSS THE TWILIGHT WAVE”: A STUDY OF MEANING, STRUCTURE, AND TECHNIQUE IN MEREDITH’S MODERN LOVE By WILLIE DUANE READER A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA April, 1967 ACKNOWLEDGMENTS I would like to express my gratitude to the many persons and Institutions which have assisted me in preparing this dissertation. Thanks are due to the libraries of the University of Florida, the Uni- versity of South Florida, the University of Texas, Harvard University, Yale University, Princeton University, and the Henry E. Huntington Library and Art Gallery, whose resources were made available to me, and to the librarians of these institutions for whose unfailing courtesy and patience I am grateful. An extra debt of gratitude is owed to Professor C. L. Cline of the University of Texas, who made available to me the resources of his per- sonal collection of Meredithiana, and who provided me with specialized information on Meredith which he had gathered while preparing a new edi- tion of Meredith's letters. A similar debt of gratitude is owed to Professor Phyllis Bartlett of Queens College, who provided me with informa- tion gathered while preparing a new edition of Meredith's poems. Finally, I would like to express my very great appreciation to the faculty members of the University of Florida who are members of the com- mittee which has guided me in the present work: Professors Ants Oras, William Ruff, and Leland L. Zimmerman. To Professor Oras I am especially grateful, both for his detailed supervision of this work and for his great kindness to me during several years of study at the University of Florida. -
TREATMENT of THEME and CHARACTERISATION in the WORKS of YUSUF Idrts by Theodore Prochazka, Jr. Thesis Presented for the Degree O
TREATMENT OF THEME AND CHARACTERISATION IN THE WORKS OF YUSUF ID rTs by Theodore Prochazka, Jr. Thesis presented for the degree of Doctor of Philosophy In the University of London School of Oriental and African Studies August 1972 ProQuest Number: 10672815 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672815 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT Yusuf Idris Is a short story writer, novelist and playwright. On the whole, he uses each genre for different purposes. In his short stories he is the subjective writer concerned with a minute analysis of mental states and moods. In his novels he is the socially aware and politically committed writer, while in his plays he tackles social problems on an abstract level* While he has succeeded to a great extent as a short story writer and fM a playwright Yusuf Idris has {bGJed as a novelist. His novels appsear to be a string of short stories held together tenuously by a main theme or else they M * mm are overblown short stories. -
Crusad for Justic
CRUSAD! FOR JUSTIC! Ida B. Wells at the age of sixty- eight ("#$%). Schomburg Center for Research in Black Culture, Photographs and Prints Division, The New York Public Library. “Ida B. Wells, journalist and civil rights activist.” New York Public Library Digital Collections. CRUSAD! FOR JUSTIC! TH! AUTOBIOGRAPHY OF IDA B. W!LLS Edited by Alfreda M. Duster New Foreword by Eve L. Ewing New Afterword by Michelle Duster !"# $%&'#()&!* +, -"&-./+ 0(#)) Chicago and London The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1970, 2020 by The University of Chicago Foreword © 2020 by Eve L. Ewing Afterword © 2020 by Michelle Duster All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission, except in the case of brief quotations in critical articles and reviews. For more information, contact the University of Chicago Press, 1427 E. 60th St., Chicago, IL 60637. Originally published 1970 in a series edited by John Hope Franklin Second edition 2020 Printed in the United States of America &# &' &( &) &* &+ &$ && &" &% " & $ + * &)1%- 13: 978- 0- 226- 69142- 8 (paper) &)1%- 13: 978- 0- 226- 69156- 5 (e- book) 2+&: https:// doi .org /34 .5647 /chicago /8574669983:9: .443 .4443 Library of Congress Cataloging-in-Publication Data Names: Wells-Barnett, Ida B., 1862–1931, author. | Duster, Alfreda M., 1904–1983, editor. | Ewing, Eve L., writer of foreword. | Duster, Michelle, writer of afterword. Title: Crusade for justice : the autobiography of Ida B. Wells / edited by Alfreda M. Duster ; with a new foreword by Eve L. Ewing and a new afterword by Michelle Duster.